The Ghost Writer

by John Harwood

  "Best get in, ma'am," said the constable. "I'll 'ave to see to that there embrocation."

  Numbly, Julia obeyed. As her driver turned his horse, she had just time to see the two cabmen retreating towards their vehides at the approach of the constable, and the woman's immense back departing in the direction of Southampton Row.

  TEN O'CLOCK THE NEXT MORNING FOUND HER ONCE again at the Reading Room, though she had never before arrived so soon after opening time. The day was raw and foggy, the heating barely sufficient to dispel the bone-numbing chill of the journey, but Julia was conscious only of her need to recover the anonymous black volume, which meant finding the man who had brought it to her, for she could not recall even seeing a press-mark. Since waking early from a troubled sleep she had been prey to increasing doubt as to whether she had actually read the account of the scene in the street, or had merely been confused by an especially striking instance of the experience the French term déjà vu. Like others of her acquaintance she had occasionally found herself, for the space of a few sentences, in the midst of a conversation which seemed oddly familiar, but nothing remotely like yesterday's experience had ever befallen her.

  The search for the tall, nondescript attendant proved, however, hopeless. She found herself entirely unable to describe him with any accuracy, save that he was tall and had been clad, she thought, in a grey suit of some kind; her memory simply refused to summon him as anything more than a blurred outline of a man. The attendants on duty did their best to accommodate her; three possible candidates were summoned from the nether regions for her inspection, but without result. They were however adamant in maintaining that the delivery of a volume without a press-mark was an impossibility; author and tide might conceivably be dispensed with, but a book without a press-mark, madam, would be like a soul without a name upon the Day of Judgment: it could never arise, and would be lost for all eternity. Julia could see the force of this; she could see, too, that to persist would merely confirm their evident belief that the book had been delivered to her only in a dream (she had, of course, said nothing about what had followed in the street) and so she returned, bewildered, to her place.

  Sitting in the same seat as she had occupied the previous afternoon dispelled the doubts that had gathered overnight; the book had certainly been delivered to her; she could visualise the words at the foot of that first page, see herself trying to turn to the next and finding the opening uncut. Several times she walked the circumference of the room, searching for the attendant in grey, but with no success. The fog hanging about the dome seemed even thicker than it had yesterday, and readers unusually scarce; apart from a motionless figure several seats away to her left, she had a whole row to herself. To quieten her mind, she set about writing a full account of her experience, and became quite absorbed in the attempt to recall and record every detail. The damp air grew closer and stuffier; she could feel the warmth rising from the heat-pipe beneath the desk as she wrote on, half mesmerised by the steady scratching of her own pen. After an indefinite interval, she became aware, as she reached mechanically for the inkwell, that the scratching of her pen had become the only sound within her hearing; and she looked up to find herself entirely surrounded by fog.

  Her first thought was that someone must have left a door or window open, but that was plainly absurd: she had never seen fog of this intensity inside a building before; it must be some freak of nature. She sat within a little cocoon of light shed by the electric lamp above her place; there was only the usual faint halo about the shade, but the edge of the fog-bank swirled to within two feet of her on either side, and overhead. Cold wisps of it curled across her desk, bearing a strange, ashy, sulphur-salt smell, as of a huge sea-creature suddenly emerging from the depths. She was-or had been-perhaps two-thirds of the way out from the central circle where the catalogue was kept; all she had to do was get up and make her way carefully to her left, and then left again around the circumference of the room until she reached the main entrance. But what would she do then? The fog must be even more impenetrable outside, and besides, there was something profoundly unnerving about it, something that made her very reluctant to leave her small circle of light. Perhaps she should call out; but why could she not hear anyone else calling for assistance? There had been other readers in neighbouring rows; and was it not the attendants' duty to go about and reassure those who might otherwise fall prey to panic? Yet still there was no sound other than the faint, muffled susurration of the fog-bank.

  But surely fog did not make any sound? That soft rustling away to her left was not the fog; it was someone coming stealthily up the row towards her. Julia held her breath, listening. The rustling came closer, and ceased; the swirling wall of fog remained utterly opaque; then she heard the faint scrape of a chair-it sounded like the chair immediately to her left-being drawn out, followed by the almost inaudible creak of the seat as someone, or something, settled themselves upon it.

  Silence returned. Julia tried to tell herself that it was only another reader, lost in the fog and deciding to sit down until it cleared. But the trembling of her hands belied her. Very slowly, keeping her eyes on the fog-bank between herself and her invisible companion, Julia began to ease herself off her chair, hoping to slip away silently in the other direction, towards the catalogue. Her chair creaked loudly, and as it did so the wall of fog to her left rose up like a curtain.

  IN THAT FIRST GLIMPSE, JULIA WAS RELIEVED, THOUGH startled, to discover that the chair beside her was occupied by a child, a little girl of no more than eight, with golden curls and pink cheeks, dressed in a starched white frock and petticoats. The reassurance lasted only an instant. There was something fixed and unnatural about the bright, smiling face turned towards Julia, and especially about the eyes, which had been slightly downcast, but suddenly opened wide with an audible click They were the shoe-button eyes of a doll; the face looked as hard and rigid as porcelain; and yet the creature was alive, for it was swinging its legs around with the evident intention of sliding off its chair and coming over to Julia.

  All of Julia's hair stood on end; or such was the sensation. The "click" of those eyes snapping open seemed to lodge in her own body with a visceral jolt of terror such as she would not have believed a human being could endure. If the smiling doll-creature touched her, she knew she would die; she could not cry out, for the fear was choking her. Its satin shoes touched the floor; Julia sprang up, knocking over her own chair, and backed away into the wall of fog. Blundering from chair to chair, with still no sign of another human being, she retreated until she collided painfully with what felt like the circular bookcase which housed the catalogue, groped her way along its edge, and lurched into what she hoped was another alleyway of desks, where she stopped and tried to hold her breath and still her pulse enough to listen for the rustle of her pursuers dress.

  From the moment Julia left her seat, the fog had closed impermeably about her. If she held her hand so close that her fingers actually touched her face, she could see the outline of it, but beyond that distance she might as well have been immersed in cotton wool, through which filtered a dim, uniform, yellow-grey light. Even in normal circumstances, the Reading Room has a labyrinthine aspect; some have compared it to a spiders web; but because it is possible to see over the tops of the rows of desks and across the central bookcases, these sinister possibilities lie mostly dormant. If all light were to be extinguished, one might imagine that the regularity of its construction, with the rows of desks radiating out from the centre like the spokes of a wheel, would still render escape relatively straightforward. But in fact, merely by pausing to listen, Julia found that she had lost all sense of direction. The strange sea-creature smell confused her senses, and the blood would not stop ringing in her ears. She could not hear, yet she knew that to run blindly would be fatal; the noise of her flight would give her away. Besides-she tried to suppress the realisation, but could not-the creature had found her in spite of the fog. Julia began to tremble uncontrollably.

  No
ise might be fatal, but to remain waiting for a porcelain hand to insinuate itself into hers was quite unbearable. She took a slow step backwards and bumped against a chair, which scraped; set off in what she thought was the right direction and encountered a cold, vertical surface which she could not identify at all, and from there veered into empty space, losing even her sense of up and down. She felt herself falling; reached out to save herself and clutched at a narrow ledge or flange, which seemed at first solid but suddenly gave way with a rasp, shot from her hand and fell at her feet with a dreadful smash. The creature would be upon her any second; Julia stumbled back into the void, and this time managed to hand herself from chair to chair along the entire length of a row. The noise was frightful, despite the muffling effect of the fog several chairs fell behind her, but she kept on, and when nothing met her hand after the expected interval, threw herself forward with both arms outstretched until she collided with what, she prayed, was the bookcase that ran right around the circumference of the Reading Room. Instinct told her that if she were to follow the curve around to her left, she would eventually arrive at the main entrance, where help must surely be at hand.

  Julia stopped again to listen, but her breathing would not slow. Terror had left no room for any thought beyond the desire for escape; she set off again, as fast as she dared, with her right hand brushing along the curved bookcase and her left stretched out before her. In a surprisingly short time she came to an opening, which, she told herself, must be the entrance; she felt her way through, stumbled for some distance in another void, and collided with a wall. No, a door, for it swung away under her weight, and she went on through, quite unable to visualise the foyer in sufficient detail to tell whether she was in it or not. She took a few steps forward, but the floor did not feel right underfoot; it had a hollow, skeletal quality about it; then she brushed against a cold, vertical metal surface, which certainly did not match her recollection of anything in the foyer. Running her hand across the metal surface beside her, Julia realised that it was the end of a bookshelf. Reaching around it, she disturbed a volume which fell over with a thud, and all at once understood where she must be. This was the Iron Library, a maze of shelves crammed with books in their numberless thousands. If she could not regain the door through which she had entered, she would be utterly lost.

  But perhaps help was closer at hand than she had thought, for was that not the faint sound of voices? And quite close by; perhaps it was only the muffling effect of the fog that made it sound like whispering. She took a step forward, keeping one hand on the metal surface to her left, and now the sound was even clearer, though oddly repetitive in its cadence, as if someone were whispering the same word over and over. Her hand slid off into space and across to the end of another shelf: and yes, the voice was coming from the aisle between the shelves; it seemed to be rising up from the floor as the fog once more lifted to reveal the doll-child's upturned porcelain smile, the shoe-button eyes opening wide, painted fingers reaching towards the hem of Julia's dress, and the rosebud mouth opening and closing mechanically, whispering "Julia… Julia… Julia…"

  Thus began a fearful game of hide-and-seek which drove Julia ever further into the gloomy depths of the Iron Library. The fog had thinned somewhat, so that she could see from one end of an aisle to the other, but that only worsened the terror of seeing the painted smile appearing from around a stack or worse, coming up behind her as she paused, wondering which way to flee. Though the creatures head came no higher than Julia's waist, the thought of turning upon it, or trying to kick it out of her way, only prompted a further spasm of horror; she knew she could not endure its slightest touch, and so could only retreat until she ran up against an iron staircase spiralling up into the foggy darkness overhead.

  Her pursuer was not at that moment in sight, but there was no other way back. Shuddering at the image of the doll-child lurking in wait for her, Julia began to climb. But she could not keep the staircase from sounding beneath her feet; her footsteps rang out over the fog-bank which now rolled back below her, so that she could neither see nor hear whether the creature was following. She passed an exit onto a narrow metal gallery and kept climbing higher and higher, with the fog still rising so that it swirled continuously just below her hurrying feet.

  Soon she could go no higher; the last turn brought her out onto another gallery, whose floor, like the others in the Iron Library, was a sort of grid, so that one could see through it to the fog drifting just beneath. On one side of her was a sheer dark wall, on the other a handrail, through which, as she paused wondering which direction to take, she could feel a faint rhythmic drumming, as of footsteps coming lightly and rapidly up from below. Julia began to retreat along the gallery as fast as she dared, glancing frequently over her shoulder. There was no sign of the doll-child yet; but she saw that she was coming to a dead end; there was nothing ahead of her but an end-rail, and no more stairs.

  A cold gust of air rose about her; the wall of fog rolled back and seemed to dissolve upon the instant, and Julia found herself looking down from a great height, at row upon row of skeletal iron floors plummeting away into darkness. Vertigo seized her as it had on the brink of Frederick's balcony. Simultaneously, the doll-child emerged onto the gallery and trotted purposefully towards her, the painted smile broadening, its tread sounding heavier with every step. Caught between the terror of falling and dread at the creature's approach, Julia pressed herself against the wall. The porcelain arms reached out; the eyes clicked wide open. As a cry of repulsion rose ungovernably in Julia's throat, her fingers found a handle. Part of the wall gave way with a crash, flinging her out upon another gallery, beneath a vast, win-dowed hemisphere which took up her cry and sent it ringing and reverberating across the Reading Room, high above a sea of upturned faces.

  ***

  THE FOLLOWING AFTERNOON FOUND JULIA, SOMEWHAT to her own surprise, back in the library. Her interview with the Chief Attendant had been long and humiliating: he had looked at her so strangely when she first mentioned the fog that she spoke, thereafter, only of taking a wrong turn and finding herself lost in the Iron Library. When asked why she had climbed the stair, she could only reply that she had mistaken it for the way out. But he was plainly not satisfied: she had, he said sternly, broken several regulations, ignored numerous notices, created a disturbance in the Reading Room, and placed herself in serious danger. The Trustees would have to be informed, and might well decide to suspend her ticket.

  What had actually occurred remained unfathomable. Julia had been followed onto the Reading Room gallery, not by the doll-child, but by an attendant who had noticed a woman ascending the staircase in the Iron Library. The only rational explanation she could conceive of was sleep-walking, but she could not quite believe it. There was, of course, the darker possibility that her mind had given way under the strain of prolonged grief. Yet she could not shake off the sense that the anonymous black book and the terrifying encounter in the fog were in some way connected. Besides which she had discovered, in the course of another troubled night, that fear of the doll-child's renewed attentions had followed her home. Until she could discover the meaning of these events, she would not feel secure, and instinct told her that the answer must be sought in the Reading Room, to which she accordingly returned, heavily veiled and in other ways disguised as far as possible.

  The afternoon outside was bright and clear, the dome filled with light and entirely free of fog, which at least implied that she would be safe from a renewal of yesterday's terrors. But although an inspection of the upper gallery confirmed that she had been too high above the readers' desks for her features to be easily discerned, Julia felt most conspicuous and ill-at-ease. To inquire any further after the anonymous black book was obviously impossible. But wait: there was, after all, a section of the catalogue devoted to anonymous works, and she might as well look through it as sit uncomfortably wondering whether the voices murmuring on the other side of the partition were murmuring about her.

  "Anon",
however, proved far more prolific than Julia had anticipated. She had begun her search on the principle of the child's game of "warm or cold", filling out an application for any title which looked remotely promising. But mindful of the notice discouraging readers from requesting numerous books at any one time, and of her already uncertain standing in the Reading Room, she found her progress-or lack of it-so slow that the light was fading from the dome before she had surveyed even a fraction of the tides beginning with "A". It would clearly take weeks or months, with no likelihood of success… but what was this?

  A Full and True Account of the Strange Events leading to the Death of the Poet Frederick Liddell Esq., on the night of Thursday 2nd March, 1899. 8vo. London. 1899.

  The date given was today's, or rather tonights: an impossibility, but there it was, starkly presenting itself to Julia's uncomprehending gaze. The printed entry slip, which looked as if it had only just been pasted in, was set out in the usual fashion, and accompanied by a press-mark which, together with the first few words of the title, Julia had numbly copied onto an application slip and deposited at the issue desk before the import of the words had even begun to sink in. It must be another Frederick Liddell, an inner voice kept repeating, but she knew this to be false; she had looked up his name in the catalogue too often, formerly for the pleasure and latterly for the pain of seeing it printed there. Almost any other reader, confronting the same entry, would have attributed it to clerical error, or at worst an elaborate and distasteful hoax; to Julia, the words emblazoned upon her inward vision seemed like a declaration of the inevitable.