Book Read Free

Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

Page 53

by Block, Geoffrey


  ———. “Gershwin’s Reputation: A Note on Porgy and Bess.” Musical Quarterly 65 (April 1979): 257–64.

  ———. The American Musical Landscape. Berkeley: University of California Press, 1993.

  Croce, Arlene. The Fred Astaire and Ginger Rogers Book. New York: E. P. Dutton, 1972.

  Davis, Lee. Bolton and Wodehouse and Kern: The Men Who Made Musical Comedy. New York: James H. Heineman, 1993.

  Decker, Todd. “‘Do You Want to Hear a Mammy Song:’ A Historiography of Show Boat. Contemporary Theatre Review 19/1 (2009): 8-21.

  Denkert, Darcie. A Fine Romance: Hollywood & Broadway. New York: Watson-Guptill, 2005.

  Dietz, Robert James. “Marc Blitzstein and the ‘Agit-Prop’ Theatre of the 1930’s.” Yearbook for Inter-American Musical Research 6 (1970): 51–66.

  ———. “The Operatic Style of Marc Blitzstein in the American ‘Agit-Prop’ Era.” Ph.D. dissertation, University of Iowa, 1970.

  Drew, David. “Kurt Weill and His Critics.” Times Literary Supplement, October 3, 1975, 1142–44; October 10, 1975, 1198–1200.

  ———. “Weill, Kurt (Julian).” The New Grove Dictionary of Music and Musicians. Edited by Stanley Sadie. London: Macmillan, 1980. Vol. 20, 300–310.

  ———. “Reflections on the Last Years: Der Kuhhandel as a Key Work.” In A New Orpheus: Essays on Kurt Weill, ed. Kim Kowalke, 217–67. New Haven: Yale University Press, 1986.

  ———. Kurt Weill: A Handbook. Berkeley: University of California Press, 1987.

  Dudar, Helen. “George Abbott Dusts Off a Broadway Classic.” New York Times, March 6, 1983, sec. 7, 30.

  Edler, Horst (see Kowalke).

  Eells, George. The Life That Late He Led: A Biography of Cole Porter. New York: G. P. Putnam’s Sons, 1967.

  Emmet, Linda (see Kimball).

  Engel, Lehman. The American Musical Theater: A Consideration. New York: Collier, 1967; rev. ed., 1975.

  ———. Words with Music: The Broadway Musical Libretto. New York: Schirmer Books, 1972; Updated and rev. by Howard Kissel as Words with Music: Creating the Broadway Musical Libretto. New York: Applause, 2006.

  Evans, Peter William (see Babington).

  Everett, William A. (see also Prece). The Musical: A Research and Information Guide. New York: Routledge, 2004.

  ———. Sigmund Romberg. New Haven: Yale University Press, 2007.

  Everett, William A., and Paul R. Laird, eds. The Cambridge Companion to the Musical. 2nd ed. Cambridge: Cambridge University Press, 2008.

  Ewen, David. “He Passes the Ammunition for Hits.” Theatre Arts 40/5 (May 1956): 73–75, 90–91.

  ———. Richard Rodgers. New York: Henry Holt, 1957.

  ———. George Gershwin: His Journey to Greatness. New York: Ungar, 1970; 2nd enl. ed., 1986.

  ———. New Complete Book of the American Musical Theater. New York: Holt, Rinehart & Winston, 1970.

  Fordin, Hugh. Getting to Know Him: A Biography of Oscar Hammerstein II. New York: Ungar, 1977; Da Capo, 1995.

  Forte, Allen. The American Popular Ballad of the Golden Era, 1924–1950. Princeton: Princeton University Press, 1995.

  ———. Listening to Classic American Popular Songs. New Haven: Yale University Press, 2001.

  Freedman, Samuel G. “After 50 Years, ‘Porgy’ Comes to the Met as a Certified Classic.” New York Times, February 3, 1985, sec. 2, 1+.

  Furia, Philip. Poets of Tin Pan Alley: A History of America’s Great Lyricists. New York: Oxford University Press, 1990.

  ———. Ira Gershwin: The Art of the Lyricist. New York: Oxford University Press, 1995.

  Furia, Philip, with the assistance of Graham Wood. Irving Berlin: A Life in Song. New York: Schirmer, 1998.

  Gänzl, Kurt. The Encyclopedia of the Musical Theatre. 2nd ed., 3 vols. New York: Schirmer, 2000.

  Gänzl, Kurt, and Andrew Lamb. Gänzl’s Book of the Musical Theatre. London: Bodley Head, 1988.

  Gates, Henry Louis Jr. “‘Authenticity,’ or the Lesson of Little Tree.” New York Times Book Review, November 24, 1991, 1+.

  Gershwin, George. “Rhapsody in Catfish Row: Mr. Gershwin Tells the Origin and Scheme for His Music in That New Folk Opera Called ‘Porgy and Bess.’” New York Times, October 20, 1935, sec. 10, 1–2; reprinted as “Rhapsody in Catfish Row, George Gershwin, ed. Merle Armitage, 72–77. New York: Longmans, Green, 1938.

  Gershwin, Ira. Lyrics on Several Occasions. New York: Knopf, 1959.

  Gilbert, Steven E. The Music of Gershwin. New Haven: Yale University Press, 1995.

  Goldberg, Isaac. George Gershwin: A Study in American Music. New York: Simon &Schuster, 1931; reprinted with an extended supplement by Edith Garson. New York: Frederick Ungar, 1958.

  Goldman, William. The Season: A Candid Look at Broadway. New York: Harcourt, Brace & World, 1969; Limelight, 1984.

  Goldstein, Malcolm. The Political Stage: American Drama and Theater of the Great Depression. New York: Oxford University Press, 1974.

  Goodhart, Sandor, ed. Reading Stephen Sondheim: A Collection of Critical Essays. New York: Garland, 2000.

  Gordon, Eric A. Mark the Music: The Life and Work of Marc Blitzstein. New York: St. Martin’s, 1989.

  Gordon, Joanne. Art Isn’t Easy: The Theatre of Stephen Sondheim. New York: Da Capo, 1992.

  Gordon, Joanne, ed. Stephen Sondheim: A Casebook. New York: Garland, 1997.

  Gottfried, Martin. Broadway Musicals. New York: Abrams, 1979.

  ———. More Broadway Musicals since 1980. New York: Abrams, 1991.

  ———. Sondheim. New York: Abrams, 1993.

  Gottlieb, Jack. “The Music of Leonard Bernstein: A Study of Melodic Manipulations.” DMA dissertation, University of Illinois, 1964.

  ———. Funny, It Doesn’t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood. Albany: State University of New York in association with the Library of Congress, 2004.

  Gradenwitz, Peter. Leonard Bernstein: The Infinite Variety of a Musician. New York: Berg, 1987.

  Grant, Mark. The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press, 2004.

  Green, Benny, ed. A Hymn to Him: The Lyrics of Alan Jay Lerner. New York: Limelight, 1987.

  Green, Jesse, “Sondheim Dismembers ‘Sweeney.’” New York Times, December 16, 2007.

  Green, Stanley. Broadway Musicals of the 30s. New York: Da Capo, 1971.

  ———. Encyclopedia of the Musical Theatre. New York: Da Capo, 1980.

  ———. Rodgers and Hammerstein Fact Book: A Record of Their Works Together and with Other Collaborators. New York: Lynn Farnol Group, 1980.

  ———. The World of Musical Comedy: The Story of the American Musical Stage as Told through the Careers of Its Foremost Composers and Lyricists. San Diego: A. S. Barnes, 1980; 4th ed., rev. and enl. New York: Da Capo, 1986.

  ———. Encyclopedia of the Musical Film. New York: Oxford University Press, 1981.

  Green, Stanley. Broadway Musicals Show by Show. Milwaukee, Wisc.: Hal Leonard, 1985.

  ———. Hollywood Musicals Year by Year. Milwaukee, Wisc.: Hal Leonard, 1990.

  Green, Stanley, ed. Rodgers and Hammerstein Fact Book. New York: Lynn Farnol Group, 1980.

  Greenberg, Rodney. George Gershwin. London: Phaidon, 1998.

  Guernsey, Otis L. Jr. Curtain Times: The New York Theater 1965–1987. New York: Applause, 1987.

  Guernsey, Otis L. Jr., ed. Playwrights, Lyricists, Composers, on Theatre. New York: Dodd, Mead, 1974.

  ———. Broadway Song & Story: Playwrights / Lyricists / Composers Discuss Their Hits. New York: Dodd, Mead, 1985.

  Gussow, Mel. “The Phantom’s Many Faces over the Years.” New York Times, January 30, 1988.

  ———. “‘West Side Story’: The Beginnings of Something Great.” New York Times, October 21, 1990, sec. 2, p. 5.

  Hamm, Charles. Yesterdays: Popular Song in America. New York: W. W. Norton, 1979.

  ———. Music in the New
World. New York: W. W. Norton, 1983.

  ———. “The Theatre Guild Production of Porgy and Bess.” Journal of the American Musicological Society 40 (1987): 495–532.

  ———. Putting Popular Music in Its Place. Cambridge: Cambridge University Press, 1995.

  ———. Irving Berlin: Songs from the Melting Pot: The Formative Years, 1907–1914. New York: Oxford University Press, 1997.

  ———. “Omnibus Review: Five Recent Books on American Musical Theater.” Kurt Weill Newsletter 23/2: 9–15.

  Hammerstein, Oscar 2nd. “In Re ‘Oklahoma!’: The Adaptor-Lyricist Describes How the Musical Hit Came into Being.” New York Times. May 23, 1943, 11.

  ———. “Turns on a Carousel.” New York Times, April 15, 1945, sec. 2, 1.

  ———. “Notes on Lyrics.” In Lyrics, 3–48. New York: Simon & Schuster, 1949; expanded and ed. by William Hammerstein. Milwaukee, Wisc.: Hal Leonard, 1985.

  Harburg, Ernest (see Rosenberg).

  Harriman, Margaret Case. Take Them Up Tenderly: A Collection of Profiles. New York: Knopf, 1945.

  Harrison, Rex. Rex: An Autobiography. New York: William Morrow, 1974.

  Hart, Dorothy, and Robert Kimball, eds. The Complete Lyrics of Lorenz Hart. New York: Knopf, 1986.

  Hart, Moss. Preface to Lady in the Dark. Vocal score. New York: Chappell Music, 1941.

  Hemming, Roy. The Melody Lingers On: The Great Songwriters and Their Movie Musicals. New York: Newmarket, 1986.

  Hirsch, Foster. Harold Prince and the American Musical Theatre. rev. and expanded ed. Cambridge: Cambridge University Press, 1989.

  ———. “Porgy and Bess—The Film.” I.S.A.M. Newsletter 28/1 (Fall 1998): 12–13.

  ———. Kurt Weill on Stage: From Berlin to Broadway. New York: Knopf, 2002.

  Hirschhorn, Clive. The Hollywood Musical: Every Hollywood Musical from 1927 to the Present Day. New York: Crown, 1981.

  Hirschhorn, Joel (see Kasha).

  Hischak, Thomas S. Boy Loses Girl: Broadway’s Librettists. Lanham, Md.: Scarecrow, 2002.

  ———. Through the Screen Door: What Happened to the Broadway Musical When It Went to Hollywood. Lanham, Md.: Scarecrow, 2004.

  Hitchcock, H. Wiley. Music in the United States. Englewood Cliffs, N.J.: Prentice Hall, 1969; rev. 3rd ed., 1988.

  Holden, Stephen. “A Glimpse of Olden Days, via Cole Porter.” New York Times, October 18, 1987, sec. 2, 5+.

  Horowitz, Mark Eden. Sondheim on Music: Minor Details and Major Decisions. Lanham, Md. Scarecrow Press, and Oxford in association with the Library of Congress, 2003.

  Horn, David. “From Catfish Row to Granby Street: Contesting Meaning in Porgy and Bess.” Popular Music 13 (1994): 165–74.

  Houghton, Norris. “Romeo and Juliet and West Side Story: An Appreciation.” In Romeo and Juliet/West Side Story, 7–14. New York: Dell, 1965.

  Houseman, John. Run-Through. New York: Simon & Schuster, 1972.

  Hubler, Richard G. The Cole Porter Story (introduction by Arthur Schwartz). Cleveland: World, 1965.

  Hummel, David. The Collector’s Guide to the American Musical Theatre. 2 vols. Metuchen, N.J.: Scarecrow Press, 1984.

  Hunter, John O. “Marc Blitzstein’s ‘The Cradle Will Rock’ as a Document of America, 1937.” American Quarterly 16 (1964): 227–33.

  Hyland, William G. The Song Is Ended: Songwriters and American Music, 1900–1950. New York: Oxford University Press, 1995.

  ———. Richard Rodgers. New Haven: Yale University Press, 1998.

  Ilson, Carol. Harold Prince: From “Pajama Game” to “Phantom of the Opera.” Ann Arbor, Michigan: UMI Research Press, 1989.

  Jablonski, Edward. Gershwin: A Biography. New York: Doubleday, 1987.

  ———. Irving Berlin: American Troubadour. New York: Henry Holt, 1999.

  Johnson, Hall. “Porgy and Bess—A Folk Opera.” Opportunity (January 1936): 24–28.

  Jones, John Bush. Our Musicals, Ourselves: A Social History of the American Musical. Hanover, N.H.: Brandeis University Press, 2003.

  Jowitt, Deborah. Jerome Robbins: His Life, His Theater, His Dance. New York: Simon & Schuster, 2004.

  Kantor, Michael, and Laurence Maslon. Broadway: The American Musical, based on the documentary film by Michael Kantor. New York: Bulfinch, 2004.

  Kasha, Al, and Joel Hirschhorn. Conversations with the Great Songwriters. Chicago: Contemporary, 1985.

  Katz, Ephriam. The Film Encylopedia: The Most Comprehensive Encyclopedia of World Cinema in a Single Volume. 2nd ed. New York: HarperPerennial, 1994.

  Kawin, Bruce F. (see Mast).

  Kennedy, Michael Patrick, and John Muir. Musicals. Glasgow: HarperCollins, 1997.

  Kerman, Joseph. Opera as Drama. New York: Knopf, 1956; new and rev. ed. Berkeley: University of California Press, 1988.

  Kimball, Robert., ed. The Complete Lyrics of Cole Porter. New York: Vintage Books, 1984.

  ———. The Complete Lyrics of Ira Gershwin. New York: Knopf, 1993.

  ———. See also D. Hart.

  ———. See also Krasker.

  Kimball, Robert, and Linda Emmet, eds. The Complete Lyrics of Irving Berlin. New York: Knopf, 2001.

  Kimball, Robert, and Steve Nelson, eds. The Complete Lyrics of Frank Loesser. New York: Knopf, 2003.

  King, William G. “Music and Musicians. Composer for the Theater—Kurt Weill Talks about ‘Practical Music.’” New York Sun, February 3, 1940.

  Kingman, Daniel. American Music: A Panorama. New York: Schirmer, 1979; rev. ed., 1990.

  Kirle, Bruce. Unfinished Business: Broadway Musicals as Works-in-Progress. Carbondale: Southern Illinois University Press, 2005.

  Kivy, Peter. Osmin’s Rage: Philosophical Reflections on Opera, Drama, and Text. Princeton, N.J.: Princeton University Press, 1988.

  Knapp, Raymond. The American Musical and the Formation of National Identity. Princeton: Princeton University Press, 2005.

  ———. The American Musical and the Performance of Personal Identity. Princeton: Princeton University Press, 2006.

  Kolodin, Irving. “‘Porgy and Bess’: American Opera in the Theatre.” Theatre Arts Monthly 19 (1935): 853–65.

  Kowalke, Kim H. Kurt Weill in Europe. Ann Arbor, Mich.: UMI Research Press, 1979.

  ———. “The Threepenny Opera in America.” In Kurt Weill: “The Threepenny Opera, ed. Stephen Hinton, 78–120. Cambridge: Cambridge University Press, 1990.

  ———. “Formerly German: Kurt Weill in America.” In A Stranger Here Myself: Kurt Weill Studien, ed. Kim H. Kowalke and Horst Edler, 35–57. Hildesheim: Georg Olms Verlag, 1993.

  ———. “Kurt Weill, Modernism, and Popular Culture: Öffentlichkeit als Stil,” Modernism/Modernity 2/1 (1995): 27–69.

  ———. Review essay of A Chronology of American Musical Theatre et al. Journal of the American Musicological Society 60/3 (Fall 2007): 688–714.

  ———. See also Symonette.

  Kowalke, Kim H., ed. A New Orpheus: Essays on Kurt Weill. New Haven: Yale University Press, 1986.

  Kowalke, Kim H., and Horst Edler, eds. A Stranger Here Myself: Kurt Weill Studien. Hildesheim, Ger.: Georg Olms Verlag, 1993.

  Krasker, Tommy, and Robert Kimball. Catalog of the American Musical: Musicals of Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers & Lorenz Hart. Washington, D.C.: National Institute for Opera and Musical Theater, 1988.

  Kreuger, Miles. “Show Boat”: The Story of a Classic American Musical. New York: Oxford University Press, 1977.

  ———. “Some Words about ‘Anything Goes’” and “The Annotated ‘Anything Goes.’” Notes to EMI/Angel CDC 7–49848–2 (1989), 9–17 and 133–40.

  ———. “Some Words about ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 13–24.

  ———. See also Morison.

  Lahr, John. “Mississippi Mud.” New Yorker, October 25, 1993, 123–26.

  Laird, Paul R. (see also Everett). Leonard Bernstein: A Guide to Research. New York: Routledge, 200
2.

  Laurents, Arthur. Original Story By: A Memoir of Broadway and Hollywood. New York: Knopf, 2000.

 

‹ Prev