The Complete Stories

by David Malouf

  It hadn't always been so. As a very young man he had been an apprentice pastrycook. His paleness, the white cap and apron he wore, and the dusting of flour on his bare arms, had given him the look of a modest youth with a trade whose very domestic associations made him harmless or tame. He was cheeky, that's all; a good-natured fellow who liked a drink or two and was full of animal spirits, but in no way dangerous. He deceived several girls that way and some married women as well, and got the first of his reputations.

  But people ignored it. He was so likeable, so full of fun, such a ready spender, and so ready as well to share his adventures in the stories he told, which were all old jokes remade and brought back into the realm of actuality. Then, at not much more than twenty, he fell in love. The girl was called Alice—she was two years older—and with rather a sheepish look before his mates (he was, after all, betraying the spirit of his own stories), he married her.

  The girl's beauty made a great impression on everyone. She had the creamy blonde look that appealed to people in those days—big green eyes, a thinned-out arch of eyebrow, hair that hugged her head in a close cap then broke in tight little curls. Uncle Jake was crazy about her. He worked at the hot ovens all night and brought home from the bakery each morning a packet of fresh breakfast rolls that they ate in bed, and he made her cakes as well in the shape of frogs with open mouths, and piglets and hedgehogs. They were happy for a time, only they didn't know how to manage. The girl couldn't cook or sew and was reluctant to do housework, and Uncle Jake was ashamed to be found so often with his sleeves rolled up, washing dishes at the sink. He had always, himself, been such a clean fellow, such a neat and careful dresser. He couldn't bear dirt. They had house after house, moving on when the mess got too much for them.

  They had a child as well, a little girl just like the mother, and Alice didn't know how to look after the baby either. She didn't change its nappies or keep it clean. It was always hungry, dirty, crawling about the unswept floor covered with flies. Uncle Jake was distracted. At last he stopped going to work—there were no more fresh little rolls, no more green iced frogs with open mouths. He stayed home to care for the child, while Alice, as lazy and beautiful as ever, just sat about reading Photoplay till he lost his temper and blacked her eye. Uncle Jake doted on the child but felt dismayed, un-manned. He fretted for his old life of careless independence.

  Things went from bad to worse and when the little girl got whooping cough and died it was all over. Uncle Jake was so wild with grief that Alice had to be got out of the house, he might have killed her. She went to her mother's and never came back, and was, in my childhood, a big, blond woman, even-tempered and fattish, who drank too much.

  As for Uncle Jake, he recovered his spirits at last, but he never went back to the bakery or to any settled life. He had had his taste of that. Nobody blamed Alice for what had happened to him. He had simply, people said, reverted to his original wildness, which the apprenticeship to flour and icing-sugar, and his diversion for a time into suburban marriage, had done nothing to change.

  All this had happened long before I was born. By the time of my earliest childhood Uncle Jake was already a gambler. It was the period of his flash suits, his brushes with the law, and the little orange car.

  This beautiful machine, quite the grandest present I ever received, was his gift for my fourth birthday. “There,” he exulted when we all trooped out to the verandah to look, "it's for the kid.” It sat on the front lawn in its cellophane wrappers like a miniature Trojan Horse.

  My father was embarrassed: partly at being so ostentatiously out- done (my parents’ present had been a cricket bat and ball), but also because he was fond of my uncle, knew how generous he could be, and was certain that my mother would disapprove.

  She did. She regarded the machine, all gleaming and flame-coloured, as an instrument of the devil. Whenever I rode in it, furiously working the pedals and making a hrummm hrumm hrummm sound as I hurtled round the yard, she would look pained and beg me after a time to spare her head. The little orange car brought out a recklessness in me, a passion for noise and speed, that appalled her. I had always been such a quiet little boy. Was this it? Was this the beginning of it? Just working my legs so fast to get the wheels going introduced me to realms of sweaty excitement I couldn't have imagined till now—to scope, to risk! I had discovered at last the power that was coiled in my own small body, the depth of my lungs, the extraordinary joys of speed and dirt and accidents—of actually spilling and grazing a knee. Uncle Jake was beside himself. He had thought of me till then as a bit of a sissy, but look at this! "He's a real little tiger,” he said admiringly. “Just look at him go!”

  Uncle Jake was too attractive. My mother tried to keep him away but it wasn't possible. He was family. He was always there.

  I remember catching my parents once in a rare but heated quarrel. There was a family wedding or funeral to attend and the question had arisen of who might look after me.

  “No,” my mother whispered, "he's irresponsible. I won't have the child traipsing around billiard-saloons or sitting in gutters outside hotels. Or riding in a cab with that Hector Grierley He's an abortionist! Everyone knows it.”

  “He could spend the day at Ruby's.”

  I heard my mother gasp.

  “Have you gone off your head?”

  Ruby was one of Uncle Jake's girlfriends, a big china-doll of a woman who lived with her daughters at Stones Corner.

  What my mother did not know was that I had been to Ruby's already. Uncle Jake and I had dropped in there for an hour or so after an outing, and I had been impressed by his insistence that I swear, scout's honour, not to let on. The act of swearing and the establishment of complicity between us had made me see the quite ordinary house, which was on high stumps with a single hallway from front to back, in a special light.

  Ruby wore pink fur slippers and was sitting when we arrived on the front doorstep, painting soft, mustard-yellow wax on her legs, which she then drew off like sticking plaster, in strips. She had a walnut-veneer cocktail cabinet, and even at three in the afternoon it came brilliantly alight when you opened the doors. I was allowed, along with the two skinny daughters, to sip beer with lemonade in it; and later, while Uncle Jake and Ruby had a little lie down, I went off with the two girls, and a setter with a tail that swept the air like a scarlet feather, to see their under-the-house.

  “Watch out for the dead marines, love,” Ruby had called after us in her jolly voice, and one of the daughters, giggling at my puzzlement, indicated the stack of Fourex bottles on the back landing. “She means them, you dill!”

  Among the objects that had taken my eye at Ruby's was a bowl of roses, perfect buds and open blooms in red, yellow, and pink, that looked supernaturally real but were not. I had never seen anything so teasingly beautiful, and when I left, one of the scarlet buds went with me. In crossing the hallway on my way to the toilet I had stopped, unhooked the most brilliant of them from its wire basket, and taking advantage of my time behind the bathroom door, had slipped it easily into my pants.

  “Ruby's,” my mother said “is out of the question. I'm surprised at you even suggesting it.”

  So with Ruby's hotly in mind, and exaggerated in retrospect as a carnival place of forbidden colour, I spent the day with a neighbour, Mrs. Chard, who took me on a tram-ride to the Dutton Park terminus, questioned me closely about Jesus, and informed me that she was descended from Irish kings, "though you mightn’ think it." (I didn't, but at nearly seven was too polite to say so.) She had a place above her lip where she shaved—you could see the shadow picked out in sweat drops—and seemed quite unaware of how the afternoon in her company was transfigured by the pink glow of my imagination, and how her louvred weatherboard became for a moment, as we approached it, the site of lurid possibilities—not perhaps a cocktail cabinet, but some equally exotic object that would be continuous with the world of Ruby's where it had been decided I should not spend the day.

  But there was nothin
g. Only the smell of bacon fat in the kitchen, that clogged the back of my throat the way it clogged the drains, and an upright with candleholders.

  Mrs. Chard played something classical in which she crossed her plump, freckled wrists; “Mother McCrea.” After which she showed me photographs, all of children who were dead. Then, acting on some compulsion of her own, or responding perhaps to a mood that I myself had created, she disappeared into a room across the hallway and came back holding her hands behind her back and looking very coy and knowing.

  I was fascinated. She hadn't seemed at all like a woman who could tempt.

  Suddenly, with a little cry and a not-quite-pleasant giggle, she produced from behind her back a pair of glossy dancing-shoes such as little girls in those days wore to tap-dancing classes, and waggled them seductively before me. They were Kelly green, and were too small for her hands, which she was using to make them dance soundlessly on the air. Uncertain how to react, I smiled, and Mrs. Chard fell to her knees.

  She set the Kelly green shoes on the linoleum, where they sat empty and flat; then shuffling forward, she lifted me up, set me on the piano stool, and while I watched in a trancelike state of pure astonishment, she removed my good brown shoes, took up the Kelly greens, and forced my left foot—was she mad?—into the right one and my right into the even tighter left. Then she rose up, breathy with emotion, and set me down. I stood for what seemed ages among the bone china and maidenhair in an agony of humiliation, but unable, despite every encouragement, to make the shoes take flight and release their magic syncopations.

  I refused to cry. Boys do not. But Mrs. Chard did. She hugged and kissed me and called me her darling, while I quailed in terror at so much emotion that both did and did not involve me; then quietened at last to heaving sobs, she fell to her knees again, snatched the shoes off, and left me to resume my own.

  After our fit of shared passion she seemed unwilling to face me. When she did she was as cool as a schoolmistress. She stood watching me sweat over the laces, fixing me with a look of such plain hostility that I thought she might at any moment reach for a strap. The tap-shoes had disappeared, and it was clear to me that if I were ever to mention them, here or elsewhere, she would call me a liar and deny they had ever been.

  Of course all my mother's predictions, in Uncle Jake's case, came true. He did go to gaol, though only for a month, and as he got older his charm wore off and the flash suits lost their style. The days of Cagney and George Raft gave way to years of tight-lipped patriotism—to austerity, khaki. The Americans arrived and stole the more stunning girls. Uncle Jake was out of the race. Something had snapped in him. He had bluffed his way out of too many poker-hands, put his shirt on too many losers. He began to be a loser himself, and from being a bad example in one decade became inevitably a good one in the next—the model, pathetically threadbare and unshaven, in a soiled singlet and pants, of what not to be. I came to dread his attempts to engage my ear and explain himself. His rambling account of past triumphs and recent schemes that for one reason or another had gone bung ended always in the same way, a lapse into uneasy silence, then the lame formula: "If you foller me meanings.” I was growing up. I resented his assumption of an understanding between us and the belief that I was fated somehow to be his interpreter and heir.

  “Poor ol’ Jake,” my father would sigh, recalling the boy he had grown up with, who had so far outshone him in every sort of daring. He would every now and then slip him a couple of notes, and with his usual shyness of emotion say, "No mate—it's a loan, I'm keeping tag. You can pay me when your ship comes in.”

  My mother had softened by then. She could afford to. So far as she knew I had escaped contagion. “Poor ol’ Jake,” she agreed, and might have felt some regret at her own timidity before the Chances.

  So it was Uncle Jake who came to spend his days in the third bedroom of our house, and as he grew more pathetic, as meek as the milk puddings she made because it was the only thing he could keep down, my mother grew fond of him. She nursed him like a baby at the end. It's odd how these things turn out.

  A Change of Scene

  1

  Having come like so many others for the ruins, they had been surprised to discover, only three kilometres away, this other survival from the past: a big old-fashioned hotel.

  Built in florid neo-baroque, it dated from a period before the Great War when the site was much frequented by Germans, since it had figured, somewhat romanticised, in a passage of Hofmannsthal. The fashion was long past and the place had fallen into disrepair. One corridor of the main building led to double doors that were crudely boarded up, with warnings in four languages that it was dangerous to go on, and the ruined side-wings were given over to goats. Most tourists these days went to the Club Mditerrane on the other side of the bay. But the hotel still maintained a little bathing establishment on the beach (an attendant went down each morning and swept it with a rake) and there was still, on a cliff-top above zig-zag terraces, a pergolated belvedere filled with potted begonias, geraniums, and dwarf citrus—an oasis of cool green that the island itself, at this time of year and this late in its history, no longer aspired to. So Alec, who had a professional interest, thought of the ruins as being what kept them here, and for Jason, who was five, it was the beach; but Sylvia, who quite liked ruins and wasn't at all averse to lying half-buried in sand while Jason paddled and Alec, at the entrance to the cabin, tapped away at his typewriter, had settled at first sight for the hotel.

  It reminded her, a bit creepily of pre-war holidays with her parents up on the Baltic—a world that had long ceased to exist except in pockets like this. Half-lost in its high wide corridors, among rococo doors and bevelled gilt-framed mirrors, she almost expected—the past was so vividly present—to meet herself, aged four, in one of the elaborate dresses little girls wore in those days. Wandering on past unreadable numbers, she would come at last to a door that was familiar and would look in and find her grandmother, who was standing with her back to a window, holding in her left hand, so that the afternoon sun broke through it, a jar of homemade cherry syrup, and in her right a spoon. “Grandma,” she would say, "the others are all sleeping. I came to you.”

  Her grandmother had died peacefully in Warsaw, the year the Germans came. But she was disturbed, re-entering that lost world, to discover how much of it had survived in her buried memory, and how many details came back now with an acid sweetness, like a drop of cherry syrup. For the first time since she was a child she had dreams in a language she hadn't spoken for thirty years—not even with her parents—and was surprised that she could find the words. It surprised her too that Europe—that dark side of her childhood—was so familiar, and so much like home.

  She kept that to herself. Alec, she knew, would resent or be hurt by it. She had, after all, spent all but those first years in another place altogether, where her parents were settled and secure as they never could have been in Poland, and it was in that place, not in Europe, that she had grown up, discovered herself, and married.

  Her parents were once again rich, middle-class people, living in an open-plan house on the North Shore and giving al fresco parties at a poolside barbecue. Her father served the well-done steaks with an air of finding this, like so much else in his life, delightful but unexpected. He had not, as a boy in Lvov, had T-bone steaks in mind, nor even a dress factory in Marrickville. These were accidents of fate. He accepted them, but felt he was living the life of an imposter. It added a touch of humourous irony to everything he did. It was her mother who had gone over completely to the New World. She wore her hair tinted a pale mauve, made cheesecake with passion-fruit, and played golf. As for Sylvia, she was simply an odd sort of local. She had had no sense of a foreign past till she came back here and found how European she might be.

  Her mother, if she had known the full extent of it, would have found her interest in the “morbid,” meaning Jewish. And it was perverse of her (Alec certainly thought so) to prefer it to the more convenient cabins. The me
als were bad, the waiters clumsy and morose, with other jobs in the village or bits of poor land to tend. The plumbing, which looked impressive, all marble and heavy bronze that left a green stain on the porcelain, did not provide water. Alec had no feeling for these ruins of forty years ago. His period was that of the palace, somewhere between eleven and seven hundred B.C.,when the site had been inhabited by an unknown people, a client state of Egypt, whose language he was working on; a dark, death-obsessed people who had simply disappeared from the pages of recorded history, leaving behind them a few common artefacts, the fragments of a language, and this one city or fortified palace at the edge of the sea.

  Standing for the first time on the bare terrace, which was no longer at the edge of the sea, and regarding the maze of open cellars, Alec had been overwhelmed. His eyes, roving over the level stones, were already recording the presence of what was buried here—a whole way of life, richly eventful and shaped by clear beliefs and rituals, that rose grandly for him out of low brick walls and a few precious scratches that were the symbols for corn, salt, water, oil, and the names, or attributes, of gods.

  What her eyes roamed over, detecting also what was buried, was Alec's face; reconstructing from what passed over features she thought she knew absolutely, in light and in darkness, a language of feeling that he, perhaps, had only just become aware of. She had never, she felt, come so close to what, outside their life together, most deeply touched and defined him. It was work that gave his life its high seriousness and sense of purpose, but he had never managed to make it real for her. When he talked of it he grew excited, but the talk was dull. Now, in the breathlessness of their climb into the hush of sunset, with the narrow plain below utterly flat and parched and the great blaze of the sea beyond, with the child dragging at her arm and the earth under their feet thick with pine-needles the colour of rusty blood, and the shells of insects that had taken their voice elsewhere—in the dense confusion of all this, she felt suddenly that she understood and might be able to share with him now the excitement of it, and had looked up and found the hotel, just the outline of it. Jason's restlessness had delayed for a moment her discovery of what it was.