24
L. Tolstoy, The Sebastopol Sketches, trans. D. McDuff (London, 1986), pp. 56–7.
25
N. Dubrovin, 349-dnevnaia zashchita Sevastopolia (St Petersburg, 2005), p. 15.
26
A. Apukhtin, Sochineniia, 2 vols. (St Petersburg, 1895), vol. 2, p. iv. Translation by Luis Sundkvist and the author.
27
M. Kozelsky, Christianizing Crimea: Shaping Sacred Space in the Russian Empire and Beyond (De Kalb, Ill., 2010), pp. 130–39; R. Wortman, Scenarios of Power: Myth and Ceremony in Russian Monarchy, vol. 2: From Alexander II to the Abdication of Nicholas II (Princeton, 2000), p. 25; O. Maiorova, ‘Searching for a New Language of Self: The Symbolism of Russian National Belonging during and after the Crimean War’, Ab Imperio, 4 (2006), p. 199.
28
RGVIA, f. 481, op. 1, d. 27, 1. 116; M. Bogdanovich (ed.), Istoricheskii ocherk deiatel’nosti voennago upravlennia v Rossii v pervoe dvatsatipiatiletie blagopoluchnago tsarstvoivaniia Gosudaria Imperatora Aleksandra Nikolaevicha (1855–1880 gg.), 6 vols. (St Petersburg, 1879–81), vol. 1, p. 172.
29
S. Plokhy, ‘The City of Glory: Sevastopol in Russian Historical Mythology’, Journal of Contemporary History, 35/3 (July 2000), p. 377.
30
S. Davies, ‘Soviet Cinema and the Early Cold War: Pudovkin’s Admiral Nakhimov in Context’, Cold War History, 4/1 (Oct. 2003), pp. 49–70.
31
Quoted in Plokhy, ‘The City of Glory’, p. 382.
32
The conference papers are online: http://www.cnsr.ru/projects.php?id=10.
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