The Living Dead

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by John Joseph Adams


  Sometime later she showed up at the front door, without keys. Darkness had set in. The trees and grass and the other homes on the street looked stunned. And she saw everything as if for the first time.

  She rang the bell and he let her in, moving away from the door as she passed him, not wanting a fight, but neither did she. Apparently the relationship was not worth fighting for. She climbed the stairs, suddenly exhausted, and entered their bedroom to find his matching suitcases on the bed, both three-quarters packed.

  Slowly she removed her clothes and let them drop to the floor then ran a bath and sank into a hot tub, a glass of Beaujolais in her hand, and fell asleep. When she woke, the water was cold, tinted with the undrunk wine as if it had been blood that spilled. The house was tomb silent. His suitcases were gone. She found a note on the dresser: something about being sorry, and wishing her a nice life. She had ripped it into tiny pieces and flushed it down the toilet.

  She cut up the broccoli raw and added it to the salad. A small bottle of olive oil sat on the floor in the coolest part of the kitchen area and she opened it to add a few drops to the vegetables, then pushed the cork back in. For a moment she stood looking at the salad, then covered the bowl with an elasticized net to keep insects out, turned and walked to the couch that doubled as a bed in this one-room house and fell onto it, exhausted. Always exhausted. Always unable to sleep.

  Why was all this coming back to her now? It felt like the disease of memory crept through her mind and heart, hiding, surging to the fore when she least expected it and did not want it.

  She glanced around the room helplessly. She had positioned the couch so that from here she could see every corner, and the door. One room. Convenient. Life condensed. Half buried in the earth like a grave, the design geared to keeping the heat down. And a small Alice Through the Looking Glass door behind the couch, but it only locked from the other side. The tunnel led through the dirt mound and would bring her 100 feet outside the compound should this house be invaded.

  One high-pitched, sharp laugh erupted from her. The idea was absurdity itself. If the compound was invaded, she would have no home. Outside the compound, where could she escape to? She had watched the villagers succumb until none were left uninfected. And if any were whole she had not come across them in the last year. But she had been making fewer and fewer trips into the villages because seeing these creatures cowering from the light became too much. Besides, most of the supplies she needed she already had, stored in a small shed just outside the door—canned goods, ammunition for the one rifle stationed next to the couch, and the handgun she carried in a holster around her waist—weapons she had only fired in practice and was not sure she could actually use on these formerly living humans.

  While there was still gas in the pumps and a couple of functioning vehicles left in the villages, she had already brought up many bottles of water, in case the well ran dry. Clothing, shoes, sheets and towels and kitchen equipment. Propane tanks, although she rarely cooked meals anymore. Over time she had learned through books how to use the solar panels. Getting them from the hardware store to the compound had been one thing, hauling them to the roof had been another. And the heavy batteries had tested her physical strength and ingenuity even more. Batteries to store the raw energy, a converter to turn it into something useful which then powered what had become a decreasing need for energy. With no TV broadcasts, no radio, no phones, no Internet, no contact with the outside world but for a CB radio that she left on but had stopped sending out messages from months ago, she only needed lighting and music to get by. Get by. That’s what she was doing, getting by. Barely. “Everything the female survivalist needs,” she said aloud, hearing her voice, the sound in the stillness so alien to her ears it brought tears to her eyes.

  Why was she alive when others were not? How had this nightmarish existence come upon her? Maybe she really had died and gone to hell and this was it. The Dante book she had read in her youth with the lovely Doré etchings described hell but she knew there were many more than nine levels.

  When the bacterial infections began, they rampaged through chronic care facilities, then hospitals in general, schools, workplaces, anywhere and everywhere human beings had physical contact with one another. At the same time, the ozone layer altered sufficiently that the icebergs at the North Pole melted, raising the sea level, turning what had been frozen tundra into almost pastoral terrain. Then the Antarctic ice began breaking off in large chunks and microorganisms trapped in the ice at both poles were released. Scientists learned that some lifeforms could lie in wait for millennia.

  Wars became the norm, day to day reality on the news, thousands killed here and there, weaponry of all types deployed and the “limited nuclear war” became reality. Suddenly the air was not just polluted with smog but radioactive dust circled with the altered jet streams. Soil and water turned toxic, and multinationals focused their resources on cleaning out the poisons so that food could still be grown and water drunk, but only by citizens wealthy enough to pay for purification. The masses could not. Brand new immune-system diseases soared.

  With enormous loss of life, human society began to disintegrate: garbage piled up; transportation came to a halt; medication ran out; electrical and cellular services died and depending on the season, people froze or burned to death, unless they were preyed upon by other human beings.

  Her mind scanned the hellish reality she had witnessed over five short years, descending circle by circle. And all the while humanity tried to adapt. Her heart felt heavy: the naivety, the stupidity, the complacency. The men in power said it would all be alright in the end. But it wasn’t alright. It would never be alright again. And just when things couldn’t get worse, they did: the new plague spread rapidly, and suddenly the dying could not die.

  But by then she was in New Zealand, traveling aimlessly. Nowhere to go. Nothing to do but sit back and watch the apocalypse unfold. Wait your turn, she told herself, but her turn had not come.

  In truth, New Zealand, and some of the other isolated islands in this region were the last to go. Although this country was not spared the nuclear fallout, they did manage to stem the flow of visitors and immigrants and eventually movement by their own citizens—nobody went in or out. But by then it was too late. For humanity, for Gary’s plea with her to come home to him in that last phone call. Everything was always too late.

  She picked up the journal she had been keeping, the latest one, atop a pile of five large books, one per year since she had arrived here, chronicling the deterioration and her own existence. Writing helped keep her sane, even though some days took up barely half a page, filled with mundane details of gardening, eating, defecating. Other entries analyzed the politics, or the science as she understood it—and with all the time in the world and all the books and magazines and newspapers in the library she had learned quite a bit. But the worst entries, the ones that made her cringe, were those where she saw her emotions sprayed on the page as if they were her blood. Tortured by loneliness and despair, she could barely re-read those. Because despite all that she had learned, and all that she understood, as far as she knew, she was the last person alive on the planet. Every attempt with the CB had met with dead air.

  “Dante had no idea!” she mumbled, her voice almost an echo in her ears. The circles of hell were infinite.

  Suicidal thoughts nearly overwhelmed her more times than she could count, and she did not yet know why she still lived, unscathed by the new plague, unaltered by the deadly air. But answers, like everything else, were in short supply, and she’d long ago stopped her obsessive reading and wondering about why she seemed immune to what affected others. Diseases that should have killed everyone, if only the others could die.

  But they could not die. They hid from daylight and wandered aimlessly at night. No, not aimlessly. They always found their way to her compound. She wondered if they sought her out for a connection to life when they possessed little resembling that. The walking dead, her only companions.
And the worst part was, some were not as decayed. Some she recognized still: Joe who used to run the butcher shop; Lucy from the pharmacy; Ned and his wife Sarah who farmed just outside the villages and ran a fruit and vegetable stand… The memory of their faces as they had been overlapped with how they were now moved a wave of hysteria up from her gut that caught in her throat and suddenly she found herself sobbing uncontrollably.

  This fit lasted only seconds. Her last eruption had been about six months ago.

  She picked up the pen and began writing, trying to convey in words the feelings that washed through her like waves in a storm. She could never get over how quickly the illnesses overtook the living. One day she had gone into the chemist’s and Lucy had been fine. The next day she had dark circles beneath her eyes and sneezed uncontrollably. The third day Bill, the owner, said she was “Out with a sniffle.” The next night Lucy was spotted walking the streets at midnight, her skin mottled, her eyes bearing an opaque sheen. People tried to talk with her, to help her, but she seemed incapable of speech, only incoherent mutterings and soft moans. And those that she touched came down with the sickness.

  Lucy was the first local to go. As the numbers of the undead increased, people packed up their families and fled the villages, as many as could get away. She had no idea where they went, where they could go.

  She found this house and when the grocery store and the hardware shop were abandoned she began stocking up, building the fence, securing her world. And then they came. Those who were left. Dozens from villages that once had claimed a combined population of 10,000. Every night they swarmed from their homes and headed to hers. A macabre ritual. Maybe they’re as lonely as I am, she wrote. I’m half dead in a different way. Maybe it’s a strange, symbiotic curse and we need each other. If I cease to survive, will they? If they disappear tomorrow, will I still exist? How Zen, she wrote. How perfectly, horribly Zen.

  Suddenly she felt heavy, tired, and her eyes would not stay open. She sank down to a full recline, telling herself that if she fell asleep now she would be up in the middle of the night, but not heeding the warning.

  In a dream that she knows to be a dream she walks over fields covered with wildflowers under a yellow sun crossing a blue sky with few clouds. The cool earth beneath her feet, the sweet scent of lilac in the air, a mild and warm breeze blows her skirt and her hair… She closes her eyes and feels heat penetrate to her bones, warming her, even as she thinks: the sun is too strong!

  A sound jolts her and she spins around to see a man coming towards her. He is dressed in blue jeans, a t-shirt and his body is muscular. With hair the color of the sun and eyes that she can see as he nears are blue as the sky, he is as alive as the day. As real as nature that heals and cleanses itself, over time.

  Suddenly the man is Gary, and he stops before her and reaches out to cup her chin. His touch is electric. It is as if her body is nothing but electrical current as sparks explode throughout her, sending signals to her brain, her heart, her genitals. She quivers, hungry for this, fearful of it at the same time. Without opening his mouth he says to her “Don’t worry! This was meant to be.”

  How? she wonders. “Are you dead?” she asks.

  He smiles and pulls her to him, kissing her full on the lips, and she tastes his familiar tongue inside her mouth, moving, probing. An image flashes through her of dark unwholesomeness. An invasion.

  She jerked awake, her body covered with sweat. She sat up abruptly and felt chilly, as if the temperature had plummeted. She grabbed the blanket from the foot of the couch and wrapped it around her shoulders, still shivering.

  Disoriented, she looked around the darkened room, lit only by one 15 Watt coiled florescent that she kept lit over the kitchen table to stave off the demons of darkness. But the demons had gotten through, again.

  She stood on shaky legs, feeling her cool forehead, and then headed to a cupboard where she kept a first aid bag. She placed the thermometer under her tongue and walked to the one window while she waited, moving the bar that held the thick wooden shutters so she could open them and look out.

  Darkness filled the night. And silence. Nothing. Once her eyes adjusted, she scanned the periphery of the fence to the gate, as far as the window would let her see. They had gone, at least from the area within her view.

  A full moon hung in the sky as if pasted there on top of the blackness. She squinted at the orb, struggling to see the face that she had seen as a child, but the thickened atmosphere blurred details.

  When she pulled out the thermometer and read it under the lamp she saw that her temperature was normal. She did not feel sick. A glance in the mirror by the door showed a too-thin face, haggard, but she had accepted that. She looked weary but bright-eyed. Absently she smoothed back her short hair, running fingers through it like a comb. I’m alright, she thought, feeling both relief and despair that she was not sick. “You’re ovulating,” she told her image. The serious image looked back at her with an expression that said: So? What does it matter? “Soon you’ll get old and die,” she said. The image did not reply. Old and die. Would she, could she die? Or was her destiny that of the undead, the ones who were sick but unable to get well, unable to die, caught in a balance of the battle of microorganisms that kept them in a terrible, stasis. That kept them walking endlessly, feebly, helplessly, unable to give themselves wholeheartedly to entropy. Weak, mindless, incapable of using tools—“Isn’t that what defines us as human?” she challenged her image. But the image, as always, did not long to respond.

  Suddenly, in anger, she threw off the blanket, stalked to the couch, grabbed the rifle, and unbolted the door. The night air felt cooler, and the cold wind of a storm snapped at her. Tonight she wanted change. Something would die. One of them. Or her. It didn’t matter. This couldn’t go on!

  Aware of the insanity of her thinking, she would not stop herself. She stormed to the fence and strode along the periphery. Soon she was passing the side of the vegetable garden, the side of the mound then reached the back of the dirt mound that enclosed her house, her prison. Nothing. No one. Where were they? Had they fled in despair? Had an alien ship come down and taken them all away? Did the balance of power finally fall to one side and the life-destroying organisms win and they at long last died? Tonight of all nights she wanted to find out. She wanted to stare into one of those hideous faces, to confront this half-being, to find a way to send it to oblivion. Maybe that was the way to go. Get over her aversion and shoot them in the head, one by one, until there were no more. Then she could walk free! What would it matter if that left her alone? She was alone now, totally. Thoroughly. The world she remembered had receded like a long-ago dream barely recalled.

  She passed the weakness in the fence and saw that it had not been breeched. Nothing had been breeched, just her psyche.

  Her quick strides brought her around to the other side of the mound, then back into what she deemed the front yard. Not one of the not-quite-dead. Frustrated, she stepped outside of the glow of the yard light and glared up at the impassive moon. Suddenly she gave in to an impulse of a different sort: snapping her head further back, letting the glow of the other-worldly light freeze her face, she howled like an animal. Wailed over and over into the impending storm until the sounds turned to shrieking. She dropped the rifle. Out of her control, her body staggered around the yard, arms protecting her solar plexus, screaming, sobbing, blind with the impossibleness of despair. She only stopped when she slammed against the fence and crumpled to the ground, her back braced against the chain link, her body curled into a fetal position.

  Out of her mind with grief, it took time to realize that something was different. She felt a burning at the back of her neck. The hotness moved along her flesh from side to side and at first she did not know what caused it. But then she did. Cold, so intense it felt hot, comforting, caressing her skin. Behind her, close, she heard breathing. Wet breathing. And while her mind warned her that she should be frightened, at the closeness, the touch, another part of her
ached for more. She sat up, pressing her back against the fence. More fingers touched her, caressing her as a lover would, as Gary had. Their foul odor entered her nostrils as flowers. Lilacs. She reached back over her shoulder; flesh met flesh. And as the rain blew from every direction, for the first time in a long time her sorrow evaporated into the wind.

  BITTER GROUNDS

  by Neil Gaiman

  Neil Gaiman is the best-selling author of American Gods, Coraline, and Anansi Boys, among many other novels. He’s also the writer of the popular Sandman comic book series, and has done work in television and film. His television projects include the BBC miniseries Neverwhere, which he later adapted into a novel, and a script for Babylon 5; in the realm of film, he co-wrote the screenplays for the films MirrorMask and Beowulf, and wrote the English-language screenplay of Hayao Miyazaki’s anime film Princess Mononoke. His novel Stardust was made into a film in 2007.

  Gaiman has won most if not all of the major awards the SF, fantasy, and horror genres have to offer, including 3 Hugos, 2 Nebulas, the World Fantasy Award, 4 Bram Stoker Awards, and 11 Locus Awards.

  “Bitter Grounds” originally appeared in the Caribbean fantasy anthology Mojo: Conjure Stories. On his blog, which can be found at journal.neilgaiman.com, Gaiman says that he suspects that the ideal reader of this story “reads it once, goes ‘hmph…’ and then, a week or so later, with the story sort of itching in the back of her head, goes back to read it again, and finds that it’s topographically reconfigured into a completely different story.”

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  “Come back early or never come”

 

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