Book Read Free

Adventures of Bobby Orde

Page 27

by Anonymous


  XXVI

  THE SIXTEEN GAUGE SHOTGUN

  Bobby and his friend, Johnny English, sat on the floor of Bobby'schamber reviewing the exciting events of the afternoon. In the tumultfollowing the sheriff's announcement, Bobby was temporarily forgotten.He had slipped back into the crowd, and from that point had followedclosely all that had ensued. Laughton's confession merely filled in thedetails of Bobby's surmises. It seems that Pritchard had had a violentquarrel with his man, ending by knocking him down and stalking offacross the fields. Mad with rage, Laughton had picked himself up andfollowed without even pausing long enough to get a hat. He had losttrack of his victim in the popple thicket, but had come across Kincaid'scap, which he had appropriated. A shot from Pritchard's little rifleapprised him of his enemy's whereabouts. The murder committed, he hadmounted a stump to spy upon the country. He had seen Kincaid and hisdog, and was just about to withdraw, when the cap was knocked from hishead by a bullet which at the same time broke the skin on his scalp.Thinking himself discovered, he had run. Later reconnoitring carefully,he had seen two apparently unexcited small boys climbing into a ponycart a half-mile away and had come to the conclusion that the bullet hadbeen spent, and a chance shot. The idea of incriminating Mr. Kincaid hadnot come to him until later.

  Mr. Kincaid had at once been released. Under cover of thecongratulations, the boys made their escape.

  "I don't see how you ever figured it out!" cried Johnny for the twelfthtime.

  "I knew it must have hit his head unless it just grazed his cap," saidBobby, "and when I saw that scar----"

  "Gee, it was great!" gloated Johnny, "just like a book! It'll be in allthe papers to-morrow. You saved Mr. Kincaid's life, didn't you?"

  "I suppose I did," said Bobby complacently.

  At this moment the open hot-air register began to speak, carrying up thevoices from the rooms below. As the subject under discussion was theclosest to the boys' hearts for the moment, they drew near to listen.

  "It's Mr. Kincaid himself!" breathed Bobby.

  "I've been trying to catch you all the way up the street," Mr. Kincaidwas saying, "but you walk like a steam engine."

  "I felt good," explained Mr. Orde. "I knew you were innocent, of course;but it looked dark."

  "Yes, it looked dark," admitted Mr. Kincaid. "Where's that youngster ofyours? He saved the day."

  "I was just going to look for him. There're a few points I'd like toclear up. If he saw all that, why didn't he say something before?"

  "Don't know. But he certainly spoke to the point when he did get going.Look here, Orde, I'm proud of that kid. I want you to let me dosomething; he's old enough now to have a sure enough gun, and I want youto let me give it to him. Stafford has a little shotgun--16 gauge--eversee one?"

  "Nothing smaller than a 12" confessed Orde.

  "Well, I told him to keep it for me. I'd like to give it to Bobby. He'slearned fast, and he's paid attention to what he learned. I don'tbelieve in guns for small boys, but Bobby is careful; he doesn't makeany breaks."

  Johnny reached over to clasp Bobby excitedly.

  "Now we can get partridges!" he squealed under his breath.

  But Bobby was unexpectedly cold to this enthusiasm. He reached over toclose the register. At once the voices were shut off. Then for some timehe sat cross-legged staring straight in front of him. To Johnny'sremarks he replied irritably until that youngster flounced himself intoa corner with a book, ostentatiously indifferent.

  Bobby was seeing things. As was his habit, he was visualizing a scenethat had passed, recalling each little detail of what had at the timeapparently passed lightly over his consciousness.

  He saw again plainly the yellow sand-hills under his feet, and thevillage lying below, its roofs half hidden in the lilac and mauve ofbared branches, its columns of smoke rising straight up in the frostyair. He saw the sturdy round-shouldered form in the old shooting coat,the lined brown lean face, the white moustache and the eyebrows, thekindly twinkling eyes squinted against the western light. He heard againMr. Kincaid's deep slow voice:

  "Sonny, you can always be a sportsman--a sportsman does things becausehe likes them, Bobby, for no other reason--not for money, nor to becomefamous, nor even to win--and a right man does not get pleasure in doinga thing if in any way he takes an unfair advantage--if _you_--not thethinking you, nor even the conscience you, but the way-down-deep-in-yourheart _you_ that you can't fool nor trick nor lie to--if that _you_ issatisfied, it's all right."

  Bobby sighed deeply and went downstairs.

  XXVII

  THE SPORTSMAN

  He opened the door and entered very quietly, so that neither occupant ofthe room saw him before he spoke.

  "I heard what you said--through the register----" he explained. "But Ican't take the shotgun."

  Both men turned and looked at him curiously, the first naturalexclamations stilled on their lips by the sight of his straight, earnestlittle figure facing them.

  "Why not, Bobby?" asked Mr. Orde at last.

  "I was the one who fired that shot that hit Mr. Laughton's head. I didit a-purpose."

  "What for?"

  "I saw something brown in the brush, and I was sure it was a partridge,so I shot at it. I really didn't know it was a partridge. It just lookedbrown. You told me not to do that, lots of times, but I got all excited,and forgot. So you see I'm not careful, like you said. I ought not tohave any shotgun."

  "Oh, Bobby!" said Mr. Kincaid. "And that's one of the most importantthings of all!"

  "I know, sir," said Bobby. "That's why I thought I'd tell you."

  The two men examined the youngster for some time in silence. A verytender look lurked back in their eyes.

  "What did you do then?" asked Mr. Orde at last.

  "I saw the cap fly up in the air, and ran."

  "Yes?"

  "And then after a little I saw Mr. Kincaid come out down below, and Ithought it was all right until I got home."

  "Why did you jump up in court this afternoon?"

  "I knew where I was standing, and I saw a scar on Laughton's head, andthen I knew if the holes in the cap were low down, he must have been theman."

  "Why didn't you tell all this before?"

  "I'd never seen the cap; and I thought Mr. Kincaid had done it. I wasn'tgoing to give him away."

  Both men burst into laughter.

  "And you thought I'd kill a man!" reproached Mr. Kincaid at last.

  "I'd have done it--to old Pritchard," maintained Bobby stoutly.

  After a time Mr. Kincaid returned to the first subject.

  "There is no doubt, Bobby," said he, "that a man careless enough toshoot at anything without knowing what it is--especially in a settledcountry--is not fit to have a gun of any kind. There are plenty ofpeople killed every year through just such carelessness. On that groundyou are quite right in saying that you do not deserve the new shotgun."

  "Yes, sir," said Bobby.

  "But you will never do anything like that again. You have learned yourlesson. And you told the truth. That is a great thing. It is easy tocover up a mistake; but very hard to show it when you don't have to. Iwas a little disappointed that you forgot about shooting at things; butI am more than proud that you remembered to be a sportsman. With yourfather's permission, I'm going to get you that shotgun, just the same.We'll go down together in the morning to get it."

  At the end of ten minutes more, Bobby returned to his room. He lookedabout it as one looks on a half-remembered spot visited long ago. Theplace seemed smaller; the toys trivial. A deep gulf had been passedsince he had left the room a half-hour before. To his eyes had opened anew vision. Little Boyhood had fallen away from him as a garment. Atouch had loosed. All experience and observation had led the way; but itwas only in expectation of the supreme test of self-sacrifice. Characterchanges radically only under that test. Bobby had borne it well; and nowstood at the threshold of his Youth.

  He picked up the Flobert rifle and looked it over.

  "It'll alw
ays be handy to fool with," said he to Johnny.

  That youngster looked up with sardonic humour.

  "Gee, you're gettin' swelled head with your new gun," said he.

  THE END

  * * * * *

  KATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHT

  Full of originality and humor, kindliness and cheer

  THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in twocolors. Illustrations by Alice Barber Stephens.

  One of the prettiest romances that has ever come from this author's penis made to bloom on Christmas Eve in the sweet freshness of an old NewEngland meeting house.

  PENELOPE'S PROGRESS. Attractive cover design in colors.

  Scotland is the background for the merry doings of three very clever andoriginal American girls. Their adventures in adjusting themselves to theScot and his land are full of humor.

  PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope'sProgress."

  The trio of clever girls who rambled over Scotland cross the border tothe Emerald Isle, and again they sharpen their wits against newconditions, and revel in the land of laughter and wit.

  REBECCA OF SUNNYBROOK FARM.

  One of the most beautiful studies of childhood--Rebecca's artistic,unusual and quaintly charming qualities stand out midst a circle ofaustere New Englanders. The stage version is making a phenomenaldramatic record.

  NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn.

  Some more quaintly amusing chronicles that carry Rebecca through variousstages to her eighteenth birthday.

  ROSE O' THE RIVER. With illustrations by George Wright.

  The simple story of Rose, a country girl and Stephen a sturdy youngfarmer. The girl's fancy for a city man interrupts their love and mergesthe story into an emotional strain where the reader follows the eventswith rapt attention.

  * * * * *

  LOUIS TRACY'S

  CAPTIVATING AND EXHILARATING ROMANCES

  May be had wherever books are sold. Ask for Grosset & Dunlap's list

  CYNTHIA'S CHAUFFEUR. Illustrated by Howard Chandler Christy.

  A pretty American girl in London is touring in a car with a chauffeurwhose identity puzzles her. An amusing mystery.

  THE STOWAWAY GIRL. Illustrated by Nesbitt Benson.

  A shipwreck, a lovely girl stowaway, a rascally captain, a fascinatingofficer, and thrilling adventures in South Seas.

  THE CAPTAIN OF THE KANSAS.

  Love and the salt sea, a helpless ship whirled into the hands ofcannibals, desperate fighting and a tender romance.

  THE MESSAGE. Illustrated by Joseph Cummings Chase.

  A bit of parchment found in the figurehead of an old vessel tells of aburied treasure. A thrilling mystery develops.

  THE PILLAR OF LIGHT.

  The pillar thus designated was a lighthouse, and the author tells withexciting detail the terrible dilemma of its cut-off inhabitants.

  THE WHEEL O'FORTUNE. With illustrations by James Montgomery Flagg.

  The story deals with the finding of a papyrus containing the particularsof some of the treasures of the Queen of Sheba.

  A SON OF THE IMMORTALS. Illustrated by Howard Chandler Christy.

  A young American is proclaimed king of a little Balkan Kingdom, and apretty Parisian art student is the power behind the throne.

  THE WINGS OF THE MORNING.

  A sort of Robinson Crusoe _redivivus_ with modern settings and a verypretty love story added. The hero and heroine, are the only survivors ofa wreck, and have many thrilling adventures on their desert island.

  _Ask for complete free list of G. & D. Popular Copyrighted Fiction_

  * * * * *

  GROSSET & DUNLAP'S

  DRAMATIZED NOVELS

  Original, sincere and courageous--often amusing--the kind that aremaking theatrical history.

  MADAME X. By Alexandre Bisson and J. W. McConaughy. Illustrated withscenes from the play.

  A beautiful Parisienne became an outcast because her husband would notforgive an error of her youth. Her love for her son is the great finalinfluence in her career. A tremendous dramatic success.

  THE GARDEN OF ALLAH. By Robert Hichens.

  An unconventional English woman and an inscrutable stranger meet andlove in an oasis of the Sahara. Staged this season with magnificent castand gorgeous properties.

  THE PRINCE OF INDIA. By Lew. Wallace.

  A glowing romance of the Byzantine Empire, presenting with extraordinarypower the siege of Constantinople, and lighting its tragedy with thewarm underglow of an Oriental romance. As a play it is a great dramaticspectacle.

  TESS OF THE STORM COUNTRY. By Grace Miller White. Illust. by HowardChandler Christy.

  A girl from the dregs of society, loves a young Cornell Universitystudent, and it works startling changes in her life and the lives ofthose about her. The dramatic version is one of the sensations of theseason.

  YOUNG WALLINGFORD. By George Randolph Chester. Illust. by F. R. Grugerand Henry Raleigh.

  A series of clever swindles conducted by a cheerful young man, each ofwhich is just on the safe side of a State's prison offence. As"Get-Rich-Quick Wallingford," it is probably the most amusing expose ofmoney manipulation ever seen on the stage.

  THE INTRUSION OF JIMMY. By P. G. Wodehouse. Illustrations by Will Grefe.

  Social and club life in London and New York, an amateur burglaryadventure and a love story. Dramatized under the title of "A Gentlemanof Leisure," it furnishes hours of laughter to the play-goers.

  THE NOVELS OF STEWART EDWARD WHITE

  THE RULES OF THE GAME. Illustrated by Lajaren A. Hiller

  The romance of the son of "The Riverman." The young college hero goesinto the lumber camp, is antagonized by "graft" and comes into theromance of his life.

  ARIZONA NIGHTS. Illus. and cover inlay by N. C. Wyeth.

  A series of spirited tales emphasizing some phases of the life of theranch, plains and desert. A masterpiece.

  THE BLAZED TRAIL. With illustrations by Thomas Fogarty.

  A wholesome story with gleams of humor, telling of a young man whoblazed his way to fortune through the heart of the Michigan pines.

  THE CLAIM JUMPERS. A Romance.

  The tenderfoot manager of a mine in a lonesome gulch of the Black Hillshas a hard time of it, but "wins out" in more ways than one.

  CONJUROR'S HOUSE. Illustrated Theatrical Edition.

  Dramatized under the title of "The Call of the North." Conjuror's Houseis a Hudson Bay trading post where the head factor is the absolute lord.A young fellow risked his life and won a bride on this forbidden land.

  THE MAGIC FOREST. A Modern Fairy Tale. Illustrated.

  The sympathetic way in which the children of the wild and their life istreated could only belong to one who is in love with the forest and openair. Based on fact.

  THE RIVERMAN. Illus. by N. C. Wyeth and C. Underwood.

  The story of a man's fight against a river and of a struggle betweenhonesty and grit on the one side, and dishonesty and shrewdness on theother.

  THE SILENT PLACES. Illustrations by Philip R. Goodwin.

  The wonders of the northern forests, the heights of feminine devotion,and masculine power, the intelligence of the Caucasian and the instinctof the Indian, are all finely drawn in this story.

  THE WESTERNERS.

  A story of the Black Hills that is justly placed among the best Americannovels. It portrays the life of the new West as no other book has donein recent years.

  THE MYSTERY. In collaboration with Samuel Hopkins Adams Withillustrations by Will Crawford.

  The disappearance of three successive crews from the stout ship"Laughing Lass" in mid-Pacific, is a mystery weird and inscrutable. Inthe solution, there is a story of the most exciting voyage that man everundertook.

  * * * * *

  TITLES SELECTED FROM

  G
ROSSET & DUNLAP'S LIST

  May be had wherever books are sold. Ask for Grosset & Dunlap's list.

  HIS HOUR. By Elinor Glyn. Illustrated.

  A beautiful blonde Englishwoman visits Russia, and is violently madelove to by a young Russian aristocrat. A most unique situationcomplicates the romance.

  THE GAMBLERS. By Charles Klein and Arthur Hornblow. Illustrated by C. E.Chambers.

  A big, vital treatment of a present day situation wherein men play forbig financial stakes and women flourish on the profits--or repudiate themethods.

  CHEERFUL AMERICANS. By Charles Battell Loomis. Illustrated by FlorenceScovel Shinn and others.

  A good, wholesome, laughable presentation of some Americans at home andabroad, on their vacations, and during their hours of relaxation.

  THE WOMAN OF THE WORLD. By Ella Wheeler Wilcox.

  Clever, original presentations of present day social problems and thebest solutions of them. A book every girl and woman should possess.

  THE LIGHT THAT LURES. By Percy Brebner. Illustrated. Handsomely coloredwrapper.

  A young Southerner who loved Lafayette, goes to France to aid him duringthe days of terror, and is lured in a certain direction by the lovelyeyes of a Frenchwoman.

  THE RAMRODDERS. By Holman Day. Frontispiece by Harold Matthews Brett.

  A clever, timely story that will make politicians think and will makewomen realize the part that politics play--even in their romances.

  A CERTAIN RICH MAN. By William Allen White.

  A vivid, startling portrayal of one man's financial greed, its widespreading power, its action in Wall Street, and its effect on the threewomen most intimately in his life. A splendid, entertaining Americannovel.

  IN OUR TOWN. By William Allen White. Illustrated by F. R. Gruger and W.Glackens.

  Made up of the observations of a keen newspaper editor, involving thetown millionaire, the smart set, the literary set, the bohemian set, andmany others. All humorously related and sure to hold the attention.

  NATHAN BURKE. By Mary S. Watts.

  The story of an ambitious, backwoods Ohio boy who rose to prominence.Everyday humor of American rustic life permeates the book.

  THE HIGH HAND. By Jacques Futrelle. Illustrated by Will Grete.

  A splendid story of the political game, with a son of the soil on theone side, and a "kid glove" politician on the other. A pretty girl,interested in both men, is the chief figure.

  THE BACKWOODSMEN. By Charles G. D. Roberts. Illustrated.

  Realistic stories of men and women living midst the savage beauty of thewilderness. Human nature at its best and worst is well portrayed.

  YELLOWSTONE NIGHTS. By Herbert Quick.

  A jolly company of six artists, writers and other clever folks take atrip through the National Park, and tell stories around camp fire atnight. Brilliantly clever and original.

  THE PROFESSOR'S MYSTERY. By Wells Hastings and Brian Hooker. Illustratedby Hanson Booth.

  A young college professor, missing his steamer for Europe, has aromantic meeting with a pretty girl, escorts her home, and is envelopedin a big mystery.

  _Ask for complete free list of G. & D. Popular Copyrighted Fiction_

  GROSSET & DUNLAP, 526 WEST 26TH ST., NEW YORK

 


‹ Prev