All Flesh Is Grass and Other Stories

by Clifford D. Simak

  Rand nodded. "How did you know?"

  "Well, eating like this. Cheaper than a restaurant. And you got a sleeping bag. You sleep in the car?"

  "That is right," said Rand. "It's not as bad for me as it is for some of the others. I have no family."

  "I have a family," said Sterling. "Wife, three kids. We talked it over, the wife and me. She didn't want me to leave, but it made sense I should. Money all gone, unemployment run out. Long as I was around, it was hard to get relief. But if I deserted her, she could get relief. That way there's food for the wife and kids, a roof over their heads. Hardest thing I ever did. Hard for all of us. Someday I'll go back. When times get better, I'll go back. The family will be waiting."

  Out on the highway the cars went whisking past. A squirrel came down out of a tree, advanced cautiously toward the table, suddenly turned and fled for his very life, swarming up a nearby trunk.

  "I don't know," said Sterling. "It might be too big for us, this society of ours. It may be out of hand. I read a lot. Always liked to read. And I think about what I read. It seems to me maybe we've outrun our brains. The brains we have maybe were OK back in prehistoric days. We did all right with the brains we had until we built too big and complex. Maybe we built beyond our brains. Maybe our brains no longer are good enough to handle what we have. We have set loose economic forces we don't understand and political forces that we do not understand, and if we can't understand them, we can't control them. Maybe that is why you and I are out of jobs."

  "I wouldn't know," said Rand. "I never thought about it."

  "A man thinks a lot," said Sterling. "He dreams a lot walking down the road. Nothing else to do. He dreams some silly things: Things that are silly on the face of them, but are hard to say can't be really true. Did this ever happen to you?"

  "Sometimes," said Rand.

  "One thing I thought about a lot. A terribly silly thought. Maybe thinking it because I do so much walking. Sometimes people pick me up, but mostly I walk. And I got to wondering if a man should walk far enough could he leave it all behind? The farther a man might walk, the farther he would be from everything."

  "Where you heading?" Rand asked.

  "Nowhere in particular. Just keep on moving, that is all. Month or so I'll start heading south. Get a good head start on winter. These northern states are no place to be when winter comes,"

  "There are two eggs left," said Rand. "How about it?"

  "Hell, man, I can't. I already…

  "Three eggs aren't a lot. I can get some more."

  "Well, if you're sure that you don't mind. Tell you what — let's split them, one for you, one for me."

  The giddy old lady had finished cutting her bouquet and had gone into the house. From up the street came the tapping of a cane — Rand's other ancient neighbor, out for his evening walk. The sinking sun poured a blessing on the land. The leaves were gold and red, brown and yellow — they had been that way since the day that Rand had come. The grass had a tawny look about it — not dead, just dressed up for dying.

  The old man came trudging carefully down the walk, his cane alert against a stumble, helping himself with it without really needing any help. He was slow, was all. He halted by the walk that ran up to the porch. "Good afternoon," he said. "Good afternoon." said Rand. "You have a nice day for your walk." The old man acknowledged the observation graciously and with a touch of modesty, as if he, himself, might somehow be responsible for the goodness of the day. "It looks," he said, "as if we might have another fine day tomorrow." And having said that, he continued down the street.

  It was ritual. The same words were said each day. The situation, like the village and the weather, never varied. He could sit here on this porch a thousand years, Rand told himself, and the old man would continue going past and each time the selfsame words would be mouthed — a set piece, a strip of film run over and over again. Something here had happened to time. The year had stuck on autumn.

  Rand did not understand it. He did not try to understand it. There was no way for him to try. Sterling had said that man's cleverness might have outstripped his feeble, prehistoric mind — or, perhaps, his brutal and prehistoric mind. And here there was less chance of understanding than there had been back in that other world.

  He found himself thinking of that other world in the same myth-haunted way as he thought of this one. The one now seemed as unreal as the other. Would he ever, Rand wondered, find reality again? Did he want to find it?

  There was a way to find reality, he knew. Go into the house and take out the photos in the drawer of his bedside table and have a look at them. Refresh his memory, stare reality in the face again. For those photos, grim as they might be, were a harder reality than this world in which he sat or the world that he had known. For they were nothing seen by the human eye, interpreted by the human brain.

  They were, somehow, fact. The camera saw what it saw and could not lie about it; it did not fantasize, it did not rationalize, and it had no faulty memory, which was more than could be said of the human mind.

  He had gone back to the camera shop where he had left the film and the clerk had picked out the envelope from the box behind the counter.

  "That will be three ninety-five." he said.

  Rand took a five-dollar bill out of his wallet and laid it on the counter.

  "If you don't mind my asking," said the clerk, "where did you get these pictures?"

  "It is trick photography," said Rand.

  The clerk shook his head. "If that is what they are, they're the best I've ever seen."

  The clerk rang up the sale and, leaving the register open, stepped back and picked up the envelope.

  "What do you want?" asked Rand.

  The man shook the prints out of the envelope, shuffled through them.

  "This one," he said.

  Rand stared at him levelly. "What about it?" he asked.

  "The people. I know some of them. The one in front. That is Bob Gentry. He is my best friend."

  "You must be mistaken," Rand said coldly.

  He took the prints from the clerk's fingers, put them back in the envelope.

  The clerk made the change. He still was shaking his head, confused, perhaps a little frightened, when Rand left the shop.

  He drove carefully, but with no loss of time, through the city and across the bridge. When he hit open country beyond the river, he built up his speed, keeping an eye on the rear-vision mirror. The clerk had been upset, perhaps enough to phone the police. Others would have seen the pictures and been upset as well. Although, he told himself, it was silly to think of the police. In taking the photos, he had broken no regulations, violated no laws. He had had a perfect right to take them.

  Across the river and twenty miles down the highway, he turned off into a small, dusty country road and followed it until he found a place to pull off, where the road widened at the approach to a bridge that crossed a small stream. There was evidence that the pull-off was much used, fishermen more than likely parking their cars there while they tried their luck. But now the place was empty.

  He was disturbed to find that his hands were shaking when he pulled the envelope from his pocket and shook out the prints.

  And there it was — as he no longer could remember it.

  He was surprised that he had taken as many pictures as he had. He could not remember having taken half that many. But they were there, and as he looked at them, his memory, reinforced, came back again, although the photos were much sharper than his memory. The world, he recalled, had seemed to be hazed and indistinct so far as his eyes had been concerned; in the photos it lay cruel and merciless and clear. The blackened stumps stood up, stark and desolate, and there could be no doubt that the imprint that lay upon the photos was the actuality of a bombed-out city. The photos of the bluff showed the barren rock no longer masked by trees, with only here and there the skeletons of trees that by some accidental miracle had not been utterly reduced by the storm of fire. There was only one photo of th
e band of people who had come charging down the hill toward him; and that was understandable, for once having seen them, he had been in a hurry to get back to the car. Studying the photo, he saw they were much closer than he'd thought. Apparently they had been there all the time, just a little way off, and he had not noticed them in his astonishment at what had happened to the city. If they had been quieter about it, they could have been on top of him and overwhelmed him before he discovered them. He looked closely at the picture and saw that they had been close enough that some of the faces were fairly well defined. He wondered which one of them was the man the clerk back at the camera shop had recognized.

  He shuffled the photographs together and slid them back into the envelope and put it in his pocket. He got out of the car and walked down to the edge of the stream. The stream, he saw, was no more than ten feet or so across; but here, below the bridge, it had gathered itself into a pool, and the bank had been trampled bare of vegetation, and there were places where fishermen had sat. Rand sat down in one of these places and inspected the pool. The current came in close against the bank and probably had undercut it, and lying there, in the undercut, would be the fish that the now-absent anglers sought, dangling their worms at the end of a long cane pole and waiting for a bite.

  The place was pleasant and cool, shaded by a great oak that grew on the bank just below the bridge. From some far-off field came the subdued clatter of a mower. The water dimpled as a fish came up to suck in a floating insect. A good place to stay, thought Rand. A place to sit and rest awhile. He tried to blank his mind, to wipe out the memory and the photos, to pretend that nothing at all had happened, that there was nothing he must think about.

  But there was, he found, something that he must think about. Not about the photos, but something that Sterling had said just the day before. "I got to wondering." he had said, "if a man should walk far enough, could he leave it all behind."

  How desperate must a man get, Rand wondered, before he would be driven to asking such a question. Perhaps not desperate at all — just worried and alone and tired and not being able to see the end of it. Either that, or afraid of what lay up ahead. Like knowing, perhaps, that in a few years time (and not too many years, for in that photo of the people the clerk had seen a man he knew) a warhead would hit a little Iowa town and wipe it out. Not that there was any reason for it being hit; it was no Los Angeles, no New York, no Washington, no busy port, no center of transportation or communication, held no great industrial complex, was no seat of government. Simply hit because it had been there, hit by blunder, by malfunction, or by miscalculation. Although it probably didn't matter greatly, for by the time it had been hit, the nation and perhaps the world might have been gone. A few years, Rand told himself, and it would come to that. After all the labor, all the hopes and dreams, the world would come to just that.

  It was the sort of thing that a man might want to walk away from, hoping that in time be might forget it ever had been there. But to walk away, he thought, rather idly, one would have to find a starting point. You could not walk away from everything by just starting anywhere.

  It was an idle thought, sparked by the memory of his talk with Sterling; and he sat there, idly, on the stream bank; and because it had a sense of attractive wonder, he held it in his mind, not letting go at once as one did with idle thoughts. And as he sat there, still holding it in mind, another thought, another time and place crept in to keep it company; and suddenly he knew, with no doubt at all, without really thinking, without searching for an answer, that he knew the place where he could start.

  He stiffened and sat rigid, momentarily frightened, feeling like a fool trapped by his own unconscious fantasy. For that, said common sense, was all that it could be. The bitter wondering of a beaten man as he tramped the endless road looking for a job, the shock of what the photos showed, some strange, mesmeric quality of this shaded pool that seemed a place apart from a rock-hard world — all of these put together had produced the fantasy.

  Rand hauled himself erect and turned back toward the car, but as he did he could see within his mind this special starting place. He had been a boy — how old? he wondered, maybe nine or ten — and he had found the little valley (not quite a glen, yet not quite a valley, either) running below his uncle's farm down toward the river. He had never been there before and he had never gone again; on his uncle's farm there had been too many chores, too many things to do to allow the time to go anywhere at all. He tried to recall the circumstances of his being there and found that he could not. All that he could remember was a single magic moment, as if he had been looking at a single frame of a movie film — a single frame impressed upon his memory because of what? Because of some peculiar angle at which the light had struck the landscape? Because for an instant he had seen with different eyes than he'd ever used before or since? Because for the fractional part of a second he had sensed a simple truth behind the facade of the ordinary world? No matter what, he knew, he had seen magic in that moment.

  He went back to the car and sat behind the wheel, staring at the bridge and sliding water and the field beyond, but seeing, instead of them, the map inside his head. When he went back to the highway, he'd turn left instead of right, back toward the river and the town, and before he reached them he would turn north on another road and the valley of the magic moment would be only a little more than a hundred miles away. He sat and saw the map and purpose hardened in his mind. Enough of this silliness, he thought; there were no magic moments, never had been one; when he reached the highway, he'd turn to the right and hope the job might still be there when he reached Chicago.

  When he reached the highway, he turned not right, but left.

  It had been so easy to find, he thought as he sat on the porch. There had been no taking of wrong roads, no stopping for directions; he'd gone directly there as if he'd always known he would be coming back and had kept the way in mind. He had parked the car at the hollow's mouth, since there was no road, and had gone on foot up the little valley. It could so easily have been that he would not have found the place, he told himself, admitting now for the first time since it all began that he might not have been so sure as he had thought he was. He might have gone up the full length of the valley and not have found the magic ground, or he might have passed it by, seeing it with other eyes and not recognizing it.

  But it still was there, and he had stopped and looked at it and known it; again he was only nine or ten, and it was all right, the magic still was there. He had found a path he had not seen before and had followed it, the magic still remaining; and when he reached the hilltop, the village had been there. He had walked down the street in the quietness of the golden sunshine, and the first person that he had seen had been the old lady waiting at the gate of her picket fence, as if she had been told that he would becoming.

  After he had left her house be went across the street to the house she said was his. As he came in the front door, there was someone knocking at the back.

  "I am the Milkman," the knocker had explained. He was a shadowy sort of person: you could see and yet you did not really see him; when one looked away and then looked back at him, it was as if one were seeing someone he had never seen before.

  "Milkman," Rand had said. "Yes, I suppose I could do with milk."

  "Also," said the Milkman, "I have eggs, bread, butter, bacon and other things that you will need. Here is a can of oil; you'll need it for your lamps. The woodshed is well stocked, and when there's need of it, I'll replenish it. The kindling's to the left as you go through the door."

  Rand recalled that he'd never paid the milkman or even mentioned payment. The Milkman was not the kind of man to whom one mentioned money. There was no need, either, to leave an order slip in the milkbox; the Milkman seemed to know what one might need and when without being told. With some shame, Rand remembered the time he had mentioned garden seeds and caused embarrassment, not only for the Milkman, but for himself as well. For as soon as he mentioned them, he had sens
ed that he'd broken some very subtle code of which he should have been aware.

  The day was fading into evening, and he should be going in soon to cook himself a meal. And after that, what he wondered. There still were books to read, but he did not want to read them. He could take out from the desk the plan he had laid out for the garden and mull over it a while, but now he knew he'd never plant the garden. You didn't plant a garden in a forever-autumn land, and there were no seeds.

  Across the street a light blossomed in the windows of that great front room with its massive furniture, its roomy window seats, the great fireplace flaring to the ceiling. The old man with the cane had not returned, and it was getting late for him. In the distance now Rand could hear the sounds of children playing in the dusk.

  The old and young, he thought. The old, who do not care: the young, who do not think. And what was he doing here, neither young nor old?

  He left the porch and went down the walk. The street was empty, as it always was. He drifted slowly down it, heading toward the little park at the village edge. He often went there, to sit on a bench beneath the friendly trees; and it was there, he was sure, that he would find the children. Although why he should think that he would find them there he did not know, for he had never found them, but only heard their voices.

  He went past the houses, standing sedately in the dusk. Had people ever lived in them, he wondered. Had there ever been that many people in this nameless village? The old lady across the street spoke of friends she once had known, of people who had lived here and had gone away. But was this her memory speaking or the kind befuddlement of someone growing old?

  The houses, he had noted, all were in good repair. A loose shingle here and there, a little peeling paint, but no windows broken, no loosened gutters, sagging from the eaves, no rotting porch posts. As if, he thought, good householders had been here until very recently.