Underground (Greywalker, Book 3)

by Kat Richardson

  He handed the bag over to Fish and admonished him with a raised finger and a twinkle in his eye, “All right, then. Those are for Grandma Ella—because I swear she’d put a curse on me or something if she knew I didn’t hand them over. That is my personal high roller stash for buttering up the big winners. If you want your own, there’s plenty to choose from,” Willet added, pointing to a humidor cabinet on the back wall of the tiny shop.

  “I don’t smoke,” Fish objected.

  Willet looked at Quinton and me again; we both shook our heads. “Too bad,” he muttered. I started to reach for my wallet, but he put up his hands. “No, no. Can’t accept payment for a gift to Grandma Ella. Just tell her I sent them. I want to start off the year on her good side.”

  Willet shooed us off to deal with a couple of other customers and we continued on our way.

  Back in the Rover, Fish directed me deeper into the reservation. We headed down toward the water, into an area called Priest Point, where the Snohomish River emptied into Puget Sound. The building I parked near, at Fish’s command, was quietly lunatic—a collection of additions and repairs under which the original building couldn’t be detected, the whole perfectly painted and clean in the midst of its frost-withered yard and a fog of spirits. A narrow dock stuck out into the water a few dozen yards behind the house. I could make out a trail of Grey habit worn down to the end of the dock where generations of fishermen must have sat or stood to cast their lines.

  The path to the door looked odd—frosted with Grey and wandering through sudden dislocations of time that looked like fence posts of neon yellow and sparkly blue. As I stepped forward, the smells of brackish water, cedar smoke, and some kind of hot fat sizzling over flame wafted over me in alternating waves. The short walk felt like miles across one of those fun house floors of sliding planks and bouncing, slipping slabs. I was grateful Fish was in front and couldn’t see how hard I concentrated on every footstep. Quinton stayed just behind me and when we reached the comparative stability of the front stoop, he touched the small of my back and caught my eye, giving me a questioning look.

  I felt a little dizzy, but I murmured, “It’s all right. There’s just a lot of ghost stuff here.”

  He nodded and redirected his immediate attention to the house, though he left his hand a moment longer on my back and a little spark of orange leapt from him in my direction and tingled a second on my skin like the brush of a blackberry leaf.

  The front door lay up some steps and behind an enclosed porch with a deep overhang. Inside the porch, several sets of fishermen’s bright yellow foul-weather gear hung on pegs above a bench with two pairs of muck boots under it. Next to the foulies someone had hung a basket that looked like the oversized bell of a French horn and a shaggy cape of some kind with bits of shell sewn on in patterns obscured by the folds. Fish saw me studying the hairy garment.

  “That’s a cedar cloak—it’s made of shredded cedar bark. I’m not sure anyone wears it anymore, but I don’t want to ask.”

  I nodded, sure it would be a bad idea to remove the cloak and basket while their ghostly owner was standing and glowering beside them. The specter was clothed in the memory of the cape and wore the basket on his head, which made him look remarkably like the shaggy creature who’d brought me the zombie Friday night— if the shaggyman had been wearing a truncated cone for a hat.

  Fish knocked on the door.

  A voice like a chorus of seagulls called out in incomprehensible syllables. Fish called back and waited.

  “Let yourself in!” the seagull voice screeched. “I’m an old woman, you young fool!”

  Fish sighed and opened the door, waving us through ahead of him. The interior was bakery-hot and smelled of sage. Another row of hooks waited for our dry coats and we were glad to use them.

  Fish pointed to a slatted wooden tray on the floor. “Take off your shoes and leave them there—she’ll rant for hours if we track mud on the floor.”

  I was relieved to sit down to remove my boots—it gave me a moment to get used to the tumbling, twisted state of the Grey inside the house. Planes of time and ghosts of trees stuck up or out at tilted angles and a flight of salmon swam past, disrupted by the jerking loop of an owl that swooped through them in multiple exposure. Bits of people appeared, moved, and vanished as if seen in shattered shards of mirror hanging in the air or scattered across the discontinuous floors of every version of the house and land that had ever existed. Animate sparks of colorful energy broke from the grid and scampered loose through the chaos like animals and mythical sprites. I could barely separate the real house from the illusions, so odd was the construction ahead.

  Finally, sock-footed and undressed of outer layers, we trooped through a pair of offset doorways, down a hall, and into a sudden calm—the energy within the Grey snapped into a grid of gleaming threads and all the riotous dislocation and overlapping phantasms vanished, leaving only a thin silver sheen to everything. The nearly bare living room we entered must have been as large as the original house and a wall of windows faced south to show the Sound outside. There was a stone fireplace on each end of the room and both of them contained blazing logs of cedar and fir that perfumed the air and lent momentary shape to swirls of cold memory. Rugs covered the wooden floor that supported a couple of low, heavy chairs, a rocker, one sofa at one end of the room, and a scattered herd of red-and-black wool hassocks at the other.

  The ancient woman sitting on a hassock near the western fire must have been huge once. Now her skin hung in folds over the jagged frame of her bones, and the long twin plaits of her hair looked like two white snakes coiled on the floor beside her and rising to whisper in her ears. Shapes like the wings of giant birds folded around her in the Grey, glinting with gold tips. She was wearing baggy, old, gray sweats and pink socks. A carved wooden cane poked out from under her cushion on one side. She stared at us, her gaze sweeping over each in turn. Then she put out her hand.

  “For me?”

  Fish seemed startled, as if he had forgotten she could talk, and stumbled a step forward, holding out the gold-wrapped package with the bag of cigars on top. “Yes, Grandma. We brought you some chocolate and Russell Willet sent you some cigars.”

  Grandma Ella cackled. “Hah! Buttering me up.” Her sharp glance cut to me and Quinton. “You two. Go in the kitchen and fetch out that bread and coffee. Can’t tell tales without food and drink.” She pointed with her skeletal hand from which the skin hung loose as tattered fabric.

  Wordlessly, Quinton and I went to the kitchen, leaving Fish caught in a net of Ella Graham’s cawing in Lushootseed—the language we’d heard so often among the Native Americans, both living and dead; the same language the young prostitute’s ghost had spoken to me.

  Coffee and freshly baked bread were sitting on the kitchen counter. We gathered things together and put them on a tray, while Quinton said, “She’s . . . kind of scary, though I’m not sure why.”

  “There’s a lot of uncanny stuff around this house. I don’t think she’s bad—I’m not even sure she knows about everything that’s gathered around her—but she is a bit unsettling.”

  “That’s a word for it. Fish really jumped when she took notice of him.”

  “Wouldn’t you? I mean, even if she’s not some kind of witch, the ghosts around here are paying her a lot of attention and there’s a bunch of other things—magical things—running around in here.”

  “In here?” Quinton asked, his eyes a little wide as he pointed at the floor.

  I thought about lying to ease his nerves, but instead I said, “Not so many in here and none in the living room.” OK, so I’d downplayed the number of things in the kitchen a little. “In the entry and outside there are a lot of bits of magic and . . . elemental things, I guess. They don’t seem to be interested in us except that we’re visiting Mrs. Graham and they’re interested in her.”

  “Hurry up in there!” The old woman’s voice rang in the air of the kitchen without her raising her volume in the living ro
om.

  We both started a little, and then I took a deep breath and picked up the tray. “You know, I flunked food service in college,” I said. “Let’s hope I don’t drop this thing.”

  “I can take it,” Quinton offered, his hands full of other bits and bobs.

  “I have the impression she expects it to be me. Remember what Fish said about catering to her old-school attitude.”

  Quinton nodded. “Yeah, right.”

  We marched back into the living room and put the tray down on the floor near the fire, which earned a gap-toothed grimace from Grandma Ella. There was no place else to put it at that end of the room and no place else to sit but on the strewn cushions, so that’s what we did. Fish sat beside the old lady—apparently to play the part of translator and servant—while Quinton and I sat across the hearthstone from her. The whites of Fish’s eyes were showing.

  “Hmph!” the old woman grunted, and I realized she was sucking on one of the chocolate-covered caramels from the now-opened gift box. “Salty. Good.” Fish breathed a sigh of relief and loosened a little.

  There was a ridiculous amount of rigmarole with distributing the bread and coffee and getting one of the cigars lit, putting the coffee pot near the fire so it stayed hot, finding just the right spot for the cigar so the smoke curled into the air properly and the tobacco stayed alight. Mrs. Graham grinned at us the whole time. Then she turned her sharp, dark eyes—barely etched by age—on me and I shivered even in the sweltering room.

  “Sisiutl,” she said, her voice a mixture of serpent hiss and bird cry. She glowered as she said it, as if she’d just noticed something about me she didn’t like. The wing shapes around her head in the Grey heaved slowly upward and fell back down, folding tight around the old woman. “Sisiutl zeqwa . . .” She continued in Lushootseed for a sentence or two, and Fish translated while she stopped for a sip of coffee.

  “You call him Sistu, but he’s properly called Sisiutl. A zeqwa— a monster—Sisiutl is a creature of the water—a sea serpent—that lives in the waters of the Sound,” Fish said. “He is the emblem of warriors who may bathe in his blood to harden their skin against the arrows of their enemies. He is the death of many seals and many men.”

  “Sisiutl?” I asked, unable to keep an edge of amusement out of my voice at the sound of the word.

  Fish looked nervous and the air near him turned the color of light through ferns. “That’s his proper name. It’s a Kwakiutl word—”

  “Funny, is it?” Grandma Ella shrieked. “If you respect the creature you call him by his true name! He won’t heed your call if you name him something else. Sisiutl is crafty and cruel and hungry. He tells the warrior, ‘Bathe in my blood and be strong,’ but he must not, or he’ll be turned to stone! A single drop is enough for strength. A foolish, greedy man will become a rock and Sisiutl will laugh at his fate. He will become a canoe and offer to take the hunter to the best seals, but if the hunter does not pay him a seal, the canoe becomes Sisiutl again and will devour the man. The man cannot escape him. Sisiutl is strong and fast. Three-headed is Sisiutl—the double-ended serpent.”

  “Three heads?” I asked, not sure how a double-ended snake could have three heads.

  “One head at each end like a snake—as quick and as vicious, with a viper’s tongue and horned brow. In the middle”—she covered her sunken belly with one hand—“a man’s face with mustaches like a sturgeon, horns, and two clawed hands beside it. This is its true head, from which Sisiutl speaks. Between his scales grows hair like cedar strings and he can change his form at will. In water, he swims faster than the seal, faster than orca, but on land he is slower and moves like a snake. He is the guardian of Qamaits’s pool outside the house that leads to the land of the gods, and worthy men may call upon his help, but if they fail to pay him, he will eat.”

  “Who or what is Qamaits?” I asked. You’d think I’d be pretty used to the weird and unsettling by that time, but the oddity of the house and its occupant threw me and left me feeling a bit at sea.

  Grandma Ella waved my question aside and glared at Fish as she helped herself to more bread.

  Fish bit his bottom lip before replying. “She’s another zeqwa, an ogress who eats children. She’s kind of like Baba Yaga and she lives in a magical house. She’s got a bunch of other names, too, but all her aspects are kind of half-magic, half-monster. Umm . . . I’m trying to remember the rest of the legend about the house. . . .”

  Ella Graham snorted. “See what leaving your people causes? Ignorance!” She returned her glare to me as Fish blushed and lowered his head. “Inside the house of Qamaits lies the staircase to the sky—where the gods live. You can climb to the sky through a hole, like the sisters who married stars did, but that won’t bring you to the gods. If you want to talk to the gods in the sky, you go up the stairs, past Qamaits and past her guardian, Sisiutl. If you please the gods, they will bless your hunting with his help. But if you anger them, squander their gifts, or do not feed their helper well, the gods will be angry and let Sisiutl eat you.”

  “Is there more than one Sisiutl?” I asked.

  She scoffed. “No! He is the Sisiutl.”

  Now came the crazy bit, but I figured there wasn’t much crazier than three-headed sea serpents that eat people and turn into canoes, so I dove in. “What would happen if the—if Sisiutl got loose from his pool?”

  “He would eat. As he ate after the earthquake.”

  “Which earthquake?”

  “After the Second World War. I had been worried for my sons but they came home safe. Then Sisiutl shook the ground and ate the men he found there. Horrible. To survive the killing in Europe only to be eaten at home. We didn’t have the casino and the houses and the shops then. Many people went away from the reservation to work. When Sisiutl came, our people were the only ones who knew it was him. It was difficult to find Qamaits and make her call Sisiutl back to the pool. If Sisiutl had been hunting men, the gods would have been furious, but he was only hungry after so long asleep. No hunters were fed to Sisiutl that day and only Qamaits could put him back into the pool.”

  “Where was Sisiutl’s pool? Where did your people send him?”

  “It was in the garbage dump, then. But there’s no water there now. When you fight Sisiutl, you’ll have to find another pool for him or send him back to the gods.”

  I was taken aback. “Why would I fight Sisiutl?”

  Ella Graham spat into the fire and started to get up from her cushion. Fish jumped up to help her to her feet.

  Clutching her cane, she glared at us, batted Fish aside, and hobbled to the fieldstone mantle above the eastern fireplace, her white braids dragging on the floor and her loose flesh swaying like weeds in water. She took something off the shelf and returned. Fish helped her down.

  “Get me another cushion, Reuben,” she ordered, and Fish gave her his. She sank down and over, so she was reclining on her side, her face gone waxy from some pain. She held out a long brown and gold feather toward me. “You take this, Pheasant Woman. You’ll need it to unpick the knots of dead things.”

  I was flabbergasted and shot an irritated glance at Fish. He shook his head rapidly, eyes wide, scared. “What makes you think—?” I started.

  Grandma Ella cawed a nasty laugh that made me bristle. “You’re just like Pheasant. Pheasant’s daughter died but he loved her so much he went to the land of the dead to bring her back. He couldn’t see the dead with his open eyes, only when he closed them, but he couldn’t keep his eyes closed and he stepped on the dead and made them angry. They tried to send him away, but Pheasant didn’t want to leave his daughter. He wanted to stay, but the land of the dead is not for the living. So one eye died, and Pheasant sees the dead through one eye and the living through the other. Like you. Take this,” she repeated, thrusting the pheasant tail feather at me again.

  Reluctantly, I took the feather and felt her shudder as I touched it. It didn’t seem special, but I could see the wings that folded around Ella Graham unfurl and r
efold, glittering—they reminded me of something. . . .