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Copenhagen Tales

Page 30

by Helen Constantine


  the moment, and the ethical man whose principles are

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  352 n Notes on the Authors

  duty, the norm, and the rules. Here are a few Kierke-

  gaard sound bites: ‘I see it all perfectly; there are two

  possible situations—one can either do this or that. My

  honest opinion and my friendly advice is this: do it or

  do not do it—you will regret both.’ ‘Life is not a prob-

  lem to be solved, but a reality to be experienced.’

  ‘People demand freedom of speech to make up for

  the freedom of thought which they seldom use.’

  8. Jakob Ejersbo (1968–2008) Jakob Ejersbo, who died

  of cancer aged only 40, was the most promising writer

  of his generation. His first novel Nordkraft (2004) was

  hailed by readers and critics alike as a great new Danish

  work of gritty realism. ‘The Bra’ is from the short story

  collection Superego (2000), which deals with issues of

  youth culture, fashion, and alienation. Most of his early

  years were spent in Tanzania. The superb ‘Africa tril-

  ogy’ (Exile, Revolution, and Liberty), now also available

  in English, was a publishing sensation when it came out

  posthumously in Denmark in 2009.

  9. Hans Christian Andersen In a much-quoted comment

  on his stories, Andersen wrote: ‘They lay in my

  thoughts like a seed-corn, requiring only a flowing

  stream, a ray of sunshine, a drop of wormwood, for

  them to spring forth and burst into bloom.’ It is the

  ‘drop of wormwood’, so evident in the two tales I have

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  Notes on the Authors n 353

  chosen, that is all too often missed in the popular

  conception of the author. This tale is illustrated with

  ‘Flower Man’, one of Andersen’s many paper cuts.

  10. Jan Sonnergaard (b. 1963) Jan Sonnergaard, a novel-

  ist and playwright who has also published five short

  story collections, was born in Copenhagen. Like his

  contemporary Jakob Ejersbo, his debut collection of

  stories aimed to break with what he saw as the

  impoverished self-regarding literature of the 1980s,

  replacing it with a raw and concrete realism. His

  voice is often cynical, oozing with black humour. ‘Is

  there Life after Love?’ (2000) bears out one of his

  literary credos: ‘Exaggeration furthers understanding.’

  11. Katrine Marie Guldager (b. 1966) Katrine Marie

  Guldager, another contemporary specialist of the short

  story, was born in a suburb of Copenhagen. She has

  received many awards for her poetry and prose works,

  including

  the

  critics’ prize for her collection

  København (2004), from which ‘A Bench in Tivoli’ is

  taken. It contains eleven ‘Copenhagen’ stories in which

  a character who takes centre stage in one tale can

  reappear as a minor character in another. Central to

  the book is the sense of loneliness experienced by them

  all, the way people pass by and through each other’s

  universe in the big city.

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  354 n Notes on the Authors

  12. Naja Marie Aidt (b. 1963) Naja Marie Aidt, who now

  lives in New York, was born in Greenland, where her

  father was a teacher. The extreme contrasts she expe-

  rienced there between light and dark, and the contrast

  between Greenland and Copenhagen, where the fam-

  ily returned when she was 7 and the parents later

  divorced, have had a major impact on her work. She

  has written poetry, song lyrics, plays, children’s

  books, three volumes of short stories, and more

  recently a novel, and is the recipient of many literary

  prizes, including the prestigious Nordic Council’s Lit-

  erature Prize, which she won in 2008.

  13. Benny Andersen (b. 1929) Benny Andersen was born

  in Vangede, a suburb of Copenhagen, and initially

  earned his living as a light music pianist. Like so

  many of Denmark’s contemporary writers he is a

  jack-of-all-trades: musician and song writer, prolific

  poet and short story writer, and author of many pieces

  for theatre and radio. He writes for adults and children

  alike and is the most widely read, most often sung,

  and best loved of modern Danish lyricists. He is also

  an outspoken campaigner for the rights of new immi-

  grants, publishing Rubbish and Lies about Islam in

  2012. A life-affirming sense of humour permeates his

  work (his poetry collections include The Musical Eel

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  Notes on the Authors n 355

  and The Inner Bowler Hat), and on his 70th birthday

  in 1999 Copenhagen honoured him with a torchlight

  procession through the streets.

  14. Meı¨r Goldschmidt (1819–1887) Meïr Goldschmidt, a

  contemporary of Hans Christian Andersen and Kier-

  kegaard, was born into a Jewish merchant family in

  North Zealand and educated in Copenhagen. He was

  the first writer to explore the problems facing the

  Danish Jewish community from the inside, most nota-

  bly in his first novel A Jew (1845). His novels and

  novellas with Jewish protagonists deploy a special

  mixture of irony and sympathy in their exploration

  of his recurring themes of social rejection and neme-

  sis, ‘Nightingale’ being a fine example in a lighter vein.

  As a journalist Goldschmidt battled against social

  injustice and the absolutist monarchy. and was im-

  prisoned for a short period. He is now regarded as one

  of the pioneers of modern and independent Danish

  journalism. The linguistic notes to ‘Nightingale’ are

  Goldschmidt’s own, as is the Yiddish spelling.

  15. Anders Bodelsen (b. 1937) Anders Bodelsen, born in

  Frederiksberg, Copenhagen, is a prolific professional

  writer who in clear, realist prose examines how the

  forces of competition and consumerism affect indivi-

  duals, often clashing with their human values. In

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  356 n Notes on the Authors

  addition to over a dozen short story collections, he has

  published many novels and thrillers in which, as he

  says, ‘ordinary members of the steadily growing Dan-

  ish middle class are put in extreme and painful situa-

  tions’ where issues of motive, ambition, guilt, and fear

  are explored. Many of his bestsellers have been made

  into films, radio plays, and TV series. The illustration

  is from Constantin Hansen’s ‘Portrait of Elise Købke’

  (1850) in the National Museum of Art.

  16. Karen Blixen (1885–1962) Karen Blixen, who also

  wrote under the name of Isak Dinesen, was the most

  internationally renowned Danish writer of the twentieth

  century, best known today for Out of Africa and ‘Bab-

  ette’s Feast’, both of which have been filmed. Proud to

  call herself above all a storyteller, her many stories and

  novellas (Seven Gothic Tal
es, Winter’s Tales, etc.) are

  set back in time, often in exotic and imaginary envir-

  onments, and told in a somewhat archaic and colourful

  language overflowing with images and symbols. Her

  main themes are life, art, love, fate, and identity. ‘Con-

  versation One Night in Copenhagen’, the very last

  story in Last Tales, clearly had special personal reso-

  nance for an author looking back on her life’s work.

  ‘Sultan Orosmane’ is the male lead in Voltaire’s play

  Zaıˋre (1732), a role played in real life by the young king

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  Notes on the Authors n 357

  Christian VII himself, whose citations in French all

  come straight from the play. Rungstedlund, Karen

  Blixen’s home just outside Copenhagen, now a

  museum devoted to her life and work, had previously

  been an inn, and here Johannes Ewald, the poet in the

  tale, spent his happiest years before his death from ill

  health and alcoholism aged 38 in 1781. Laurence

  Sterne (aka ‘Yorick’), author of A Sentimental Journey

  and Tristram Shandy, was a favourite writer of both

  Ewald and Blixen.

  17. Merete Bonnesen (1901–1980) Merete Bonnesen,

  born in Copenhagen, was an all-round journalist

  who worked all of her professional life for Politiken,

  the left wing daily paper founded by Georg Brandes

  and his brother Edvard in 1884 with the motto ‘the

  paper of greater enlightenment’. One of the first

  women journalists to work in the traditionally male

  areas of politics and foreign affairs, she became for-

  eign editor of the paper under the German occupa-

  tion, and was for a short while interned in the

  Horserød camp along with several hundred other

  leading cultural figures. Her passionate commitment

  to the people and events she describes is obvious from

  this commemorative article she wrote for Politiken on

  the 10th anniversary of Denmark’s liberation.

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  Further Reading

  and Viewing

  Books

  The usual guide books such as The Rough Guide to Co-

  penhagen, Lonely Planet Copenhagen, Time Out Copenha-

  gen, and Politiken’s Travel Guide: Copenhagen are all

  useful for a first-time visitor. The City Museum

  (Københavns Bymuseum) on Vesterbrogade follows the

  history of the city from its medieval beginnings to the

  present day, with special sections on Søren Kierkegaard

  and new immigrants to the city. The Museum of the

  Danish Resistance (Frihedsmuseet, beside Churchill Park,

  under renovation after a major fire in 2013) is devoted

  to the history of occupation and liberation 1940–5

  (see Tale 17).

  For those wanting to find out more about the country

  and its capital the following books will be useful:

  Patrick Kingsley’s How to be Danish, part reportage,

  part travelogue, is a fun and easy introduction to contem-

  porary Danish culture. Stig Hornshøj-Møller’s A Short

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  Further Reading and Viewing n 359

  History of Denmark is an ideal companion on a first visit.

  Knud Jespersen’s A History of Denmark covers the story

  from the Reformation, focusing on how the modern Dan-

  ish state has evolved. Torben Ejlersen’s Copenhagen:

  A Historical Guide is a very helpful introduction. Pernille

  Stensgaard’s Copenhagen: People and Places has lovely

  pictures and a lively text. Henrik Sten Møller’s Copenha-

  gen, A Love Affair, also beautifully illustrated, is a personal

  reflection on the city’s architectural heritage and recent

  town planning.

  Highly recommended novels by Danish authors with a

  Copenhagen setting, all available in translation, are Henrik

  Pontoppidan’s Lucky Per, Tove Ditlevsen’s Early Spring,

  Hans Scherfig’s Stolen Spring, and Peter Hoegh’s Miss

  Smilla’s Feeling for Snow. Copenhagen Noir is a collection

  of contemporary Danish crime stories, including one by

  Naja Marie Aidt (see Tale 12).

  Edmund Gosse wrote an entertaining book called Two

  Visits to Denmark, 1872, 1874, telling of his meetings with

  many famous Danes, including Hans Christian Andersen

  and Georg Brandes, describing the enormous develop-

  ment taking place in the city right at that time. Rose

  Tremain’s Music and Silence is a hugely entertaining his-

  torical novel about seventeenth-century Denmark and the

  court of King Christian IV, the ‘architect king’ whose

  vision shaped much of the old city centre. Each of Thomas

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  360 n Further Reading and Viewing

  E. Kennedy’s fine ‘Copenhagen Quartet’ of novels (Falling

  Sideways, Kerrigan in Copenhagen, etc.) is in one way or

  another a homage to the city and its citizens. Patricia

  Berman’s In Another Light: Danish Painting in the Nine-

  teenth Century, now also available in paperback, is a very

  attractive survey (see Tale 15).

  Cinema and TV

  Lars von Trier and Thomas Vinterberg’s famous 1995

  ‘Dogme’ manifesto for movie-making without technical

  wizardry relaunched Danish cinema, gaining it the inter-

  national audience it had lost since the films of Carl Dreyer

  over fifty years before. The classics are Vinterberg’s Festen

  and von Trier’s Idioterne (The Idiots), a no-holds-barred

  satire on Danish middle-class conformity (see Tales 3, 8,

  and 12) set in the wealthy Copenhagen suburb of Søllerød.

  Von Trier’s Riget (The Kingdom) is a wonderfully whacky

  TV series set in Copenhagen’s main hospital, Rigshospita-

  let (see Tale 5).

  Susanne Bier, who initially worked in the Dogme

  mode, has made a number of Copenhagen-based films of

  great appeal, notably Open Hearts, Brothers, and After the

  Wedding. Ole Madsen’s Flame and Citron is a powerful

  film about resistance fighters against the Nazi occupation

  set in Copenhagen. Nikolaj Arcel’s Oscar-nominated film

  A Royal Affair concerns the ‘mad’ King Christian VII (see

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  Further Reading and Viewing n 361

  Tale 16) and his German physician Struensee, whose affair

  with the king’s English wife, Caroline Mathilde, led to his

  fall from favour and public execution.

  The master of Copenhagen noir cinema is Nicolas

  Refn, whose Pusher trilogy explores the dark underworld

  of the city’s drug and gangland cultures. His influence is

  evident in the best of the currently very popular Danish

  noir TV thriller series: The Killing (series 1–3), and The

  Bridge (series 1 and 2, with series 3 due soon), a Danish–

  Swedish collaboration with at its heart the great Øresund

  bridge between the two countries. Borgen is an excellent 3-

  series TV drama about political and personal intrigues in

  and around Christiansborg, the Danish parliament (see

&
nbsp; Tale 3).

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  Publisher’s

  Acknowledgements

  1. H. C. Andersen, ‘Vanddråben’ from Nye Eventyr.

  Reitzel 1848.

  2. Henrik Pontoppidan, ‘To gange mødt’ from Skyer.

  Gyldendal 1890.

  3. Bjarne Reuter, ‘Et tricky tidspunkt’ from Halvvejen til

  Rafael. Gyldendal 2006.

  4. Eugen Kluev, ‘At fange en Dansker’ from Herfra min

  verden går. Danish Pen 2009.

  5. Dan Turèll, ‘Willadsen’ from Onkel Danny fortæller.

  Borgen 1976.

  6. Tove Ditlevsen, ‘En æggesnaps’ from Dommeren. Has-

  selbach 1948.

  7. Søren Kierkegaard, extract from Enten-Eller. Reitzel

  1878.

  8. Jakob Ejersbo, ‘Brystholder’ from Superego. Gyldendal

  2000.

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  Publisher’s Acknowledgements n 363

  9. H. C. Andersen, ‘Den uartige dreng’ from Eventyr

  fortalt for børn. Reitzel 1835.

  10. Jan Sonnergaard. ‘Er der liv efter kærligheden?’ from

  Sidste søndag i Oktober. Gyldendal 2000.

  11. Katrine Marie Guldager, En bænk i Tivoli’ from

  København. Gyldendal 2004.

  12. Naja Marie Aidt, ‘Som englene flyver’ from Vandmær-

  ket. Gyldendal 1993.

  13. Benny Andersen, ‘Bukserne’ from Puderne. Borgen

  1963.

  14. Meïr Goldschmidt, ‘Avromche Nattergal’. Christian

  Steen. 1871.

  15. Anders Bodelsen, ‘Amelies øjne’ from 16 noveller.

  Gyldendal 1957.

  16. Karen Blixen, ‘Samtale om natten i København’ from

  Sidste fortællinger. Gyldendal 1957.

  17. Merete Bonnesen, ‘Den store lykkes fællesnat’. Politi-

  ken, 4 May 1955.

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  Bispebjerg 4 km

  Dee

  Vangede 8 km

  Rigshospitalet

  ØSTE

  NØRR

  Assistenz

  EBR

  Cemetery

  OGADE

  NØRRREBRO

  EDAG

  AGS

  IM

  R

  Ørsteds

  FA

  Parken

  RE

  R

  Ø

  N

  SMALL

  FREDERIKSBERG

  E

  S

  GADE

  Frederiksberg

  Town Hall

  P

  Rådhuspladsen

  GAMMEL KONGEVEJ

 

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