World's End (The Lanny Budd Novels)

by Upton Sinclair

  Lanny and Jerry, duly warned, went in armed with cheerfulness. “Well, do you think you can stand me?” asked the victim; and Lanny said: “Don’t be silly, Marcel. You know we’d like you in sections if you came that way.”

  Jerry added: “I read an article about what the surgeons are doing, making new faces. Gosh, it takes your breath away!”

  “They’ve taken away pretty nearly everything but my breath,” replied the painter.

  Lanny said: “They’ve left your eyes and your hands, and you’ll go back to the Cap and paint better than ever.” That was the way to talk!

  VI

  What was Beauty going to make of this blow which fate had dealt her? She believed in happiness and talked about it as a right. A minister’s daughter, raised in a stuffy, uncultured home, she had learned to loathe incessant droning of hymns and preaching of tiresome duty; she had fled from it, and still avoided every mention of its symbols. But suddenly all those hated things had sprung as it were out of the earth, had seized her and bound her with chains which there could be no breaking.

  Lanny was all tenderness and kindness, and when she wanted to weep he was there to console her. In his presence she wept for Marcel; he never knew that she went alone and wept for herself. Over and over she fought this bitter battle. No use trying to get away from it—her bridges were burned. She couldn’t desert this wreck of a man, and whatever happiness she found would have to be by his side. She who was so dainty had had to accustom herself to blood and stenches; and now she would have to eat and sleep and walk and talk in the presence of what ordinary people see only in nightmares.

  Even from her devoted son she must hide her rage at this fate. Even to herself she was ashamed to admit that she regretted her bargain and dreamed of a happiness she might have had in a far-off land of plenty and peace. She had to force herself to be loyal to her choice; but this moral compulsion was associated in her mind with a dull and stolid religion, full of phrases which seemed to have been designed to take the gaiety and charm out of existence. Mabel Blackless, seventeen years old and bursting with the joy of life, hadn’t wanted to lay her burdens at the foot of the cross, or to have any redeeming blood spilled for her; she had wanted to see Paris, and had borrowed money and run away to join her brother.

  And now it seemed that she was back where she had come from; teaching herself to carry the cross. Her best friends mustn’t know about it, because if they did they would pity her, and to be pitied was unendurable. She must tie herself down once for all! In that mood she went out one day and told her story to the maire of the arrondissement, and arranged for him to come to the hospital. She went back and told Marcel what she had done, and refused to hear any of his objections, pretending to have her feelings hurt by them. With two of the nurses for witnesses, they were married under the French civil law.

  Did Marcel guess what was in her heart? She had to fight him, and lie vigorously; how else would he be persuaded to go on living? She and her son and her son’s tutor had to make real to themselves the game they played. It wasn’t hard for Lanny, because art counted for so much with him; also, it was wartime, and everybody was full of fervors, and wounds were a medal or badge of glory. The marriage made Beauty a “respectable woman” for the first time; but oddly enough it meant a social comedown, the name of Budd being one of power. She would have to get busy and boost Marcel’s paintings, and make herself “somebody” again!

  VII

  The first thing was to contrive something for him to wear over his face. Hero or no hero, he couldn’t bear to let anybody look at that mask of horror. He would cover the top of his head with a skullcap, and across his forehead would hang a close-fitting silk veil, with small holes for eyes and nose. Beauty went out and got some pink silk lingerie material, but he wouldn’t wear pink; he wanted gray, so that it wouldn’t show the dust; they compromised on white when Beauty said that she would make a lot of them and wash them with her own hands. She made a pattern, and after that had something to keep her fingers busy while she sat by his bedside.

  It was springtime before he was able to move about, and they took him back to Juan in the car, making a two-day journey of it, so as not to put any strain on him. He looked not so bad with his skullcap and veil; the world was getting used to the sight of mutilés—and not yet tired of them. Jerry supported him on one side and Lanny on the other, and they got him into Bienvenu without mishap.

  Oh, the glory of that sunshine in the little court; the almost overpowering scent of orange blossoms and jasmine in the evening, and the song of the nightingales! Here were three women to adore him and wait upon him, and nobody to disturb him; here Beauty meant him to spend the rest of his days in peace, and paint whatever wonderful things he might have in him. She was going to give up all her frivolous life—save only such contacts as might help in a campaign to win recognition for genius.

  There were just a few painter friends Marcel wanted to see, and these would come to him, and bring their work for him to look at—or if it was too big, Lanny would bring it in the car. The patient was soon able to sit up and read, and there were plenty of books and magazines. Often they read aloud; Jerry came and tutored Lanny, and Marcel would listen and improve his English. They had music; and when he grew stronger he walked about the place. The furies of pain would never let him entirely alone, but he learned to outwit them. He was a more silent man than he used to be; there were things going on inside him about which he did not tell and did not wish to be asked by anyone.

  VIII

  The military deadlock at the front continued. All winter long the Allies had spent their forces trying to take trenches defended by machine guns—a weapon of which the Germans had managed to get the biggest supply. It was something that Robbie Budd had helped to teach them—and which he had tried in vain to teach the French and British. He couldn’t write freely about it now, but there were hints in his letters, and Lanny knew what they meant, having been so often entertained by his father’s comic portrayals of the British War Office officials with whom he had been trying to do business. So haughty they were, so ineffable, almost godlike in their self-satisfaction—and so dumb! No vulgar American could tell them anything; and now dapper young officers strolled out in front of their troops, waving their swagger sticks, and the German sharpshooters knocked them over like partridges off tree limbs. It was sublime, but it wasn’t going to win this war of machines.

  All the nations had come to realize that they were facing a long struggle. Old M. Rochambeau, who came often to see Beauty and her husband, used a terrible phrase, “a war of attrition.” It was like the game of checkers in which you had one more man than your enemy, so every time you swapped with him, you increased your advantage. “Yes, dear lady,” said the ex-diplomat, in answer to Beauty’s exclamation of horror, “that is the basis on which military strategy is being calculated, and no one stops to ask what you or I think about it.”

  Man power plus manufacturing power was what would count. Britain had sacrificed her little professional army in order to save the Channel ports, and now she was rushing a new army into readiness, a volunteer army of a million men. There would be a second million, and as many more as needed; they would be shipped to some part of the fighting line, and swapped for Germans, man for man, or as near to it as possible.

  The Turkish politicians had been bought into the war on the German side; which meant that the Black Sea was shut off, and nothing could be sent into Russia’s southern ports. So a British expedition had been sent to take the Dardanelles. Rick informed Lanny that a cousin of his was going as a private in one of these regiments; Rosemary wrote that her father had been promoted to the rank of colonel, and was to command this same regiment. Rosemary had extracted a promise from her mother to be allowed to study nursing after one more year, and perhaps she would some day be on one of those ships. She promised that she would wave to Lanny as she went by!

  It wasn’t long before Italy was bought by the Allies, and that was important to peop
le who lived in Provence. It lifted a fear from their souls, and freed the regiments guarding the southeastern border. “You see,” said Marcel to his wife, “I saved a few months by volunteering!” It had been a sore point, that he had gone out of his way to get himself smashed up. Now she could congratulate herself that it had been done quickly!

  IX

  Marcel’s paintings had been stored in the spare room of the villa, and now he would set them up one by one and look at them. He wanted to see what sort of painter he had really been, in those days that now seemed a different lifetime. Lanny and Jerry and M. Rochambeau would join him, and make comments, more or less expert. Lanny and his tutor thought they were marvelous, but the painter took to shaking his head more and more. No, they weren’t much; it was too easy to do things like that; there was no soul in them. Lanny protested; but the old diplomat said: “You’ve become a different man.”

  It was something which happened now and then to painters, poets, musicians. Sometimes it amounted to a transformation. Verdi had changed his style entirely in his middle years; Tolstoy had decided that his greatest novels were useless, even corrupting. Van Gogh had painted everything gloomy and grim in Holland, and then had come to the Midi and exploded in a burst of color. “You will start work all over,” said the old gentleman; “find some new way to say what you feel.”

  People who didn’t understand art—people like Marcel’s wife, for example—were going to have an unhappy time while he was groping his way into that new stage of life. He became restless and discontented; he found fault with everybody and everything; his life had come to nothing. He took to going out at night, when people couldn’t stare at his mask, and wandering about the roads on the Cap. Beauty was exasperated, but she dared not show it; she was haunted by the idea that if she made him unhappy he might try to get back into the army, or else in some fit of melancholia he might seek to release her from her burden by jumping off the rocks. She had never forgotten Lanny’s suggestion of that possibility, at the time when she was thinking about Pittsburgh, Pennsylvania.

  She ordered built for her genius a little studio in an out of the way corner of the place; north light, and all modern conveniences, including a storeroom for his canvases; the whole place of stone, entirely fireproof. She got him a new easel, and a pneumatic cushion for his chair, to spare his sore bones. There was everything ready for him—everything but his own spirit. He would go to the place and sit and brood. He would spend much time stretching canvases on frames, and would sit and dab paint on them, and finally would take them out behind the studio and burn them, saying that he was no good any more. What he wanted to say couldn’t be said in any medium known.

  Blazing hot summer had come. It was before the Riviera had been discovered as a summer resort, but Lanny, now fifteen, went about all day in bathing trunks and loved it. Marcel sat in his studio in the same costume—with nobody to look at his scarred and battered body. He had taken to staying by himself; he painted or read all day, and ate his meals alone, and only came out after dark. Then he would take a long walk, or if there were visitors he cared about, he would sit on the veranda in the dark with them. Or he would sit alone and listen to Lanny playing the piano.

  X

  The war had lasted a year. Some thought it was a stalemate, and others thought that Germany was winning. She held her line in France, and let the Allies waste themselves pounding at it while she broke the Russian armies. She had launched gas warfare, a new device filling the world with dismay. She was answering the British blockade by submarine warfare; British waters were a “military area,” and all vessels in them liable to be sunk without warning.

  In May had come the attack upon the Lusitania, the incident which excited the greatest horror in the United States. This great passenger liner, with more than two thousand persons on board, was passing the Irish coast in a calm sea: two o’clock in the afternoon, and the passengers had come from lunch, and were walking the decks, or playing cards, reading or chatting, when a submarine rose from the depths and launched a torpedo, blowing a hole in the huge vessel’s side. The sea rushed in and sank her in a few minutes, drowning some twelve hundred persons, including more than a hundred babies.

  When Americans read about the sinking of merchant vessels, British or neutral, and the drowning of the crews, they didn’t know any of the people, and their imagination didn’t have much to take hold of. But here were people “everybody” knew—society people, rich people, some of them prominent and popular—writers like Justus Miles Forman and Elbert Hubbard, theatrical people like Charles Frohman and Charles Klein, millionaires like the Vanderbilts. Their friends had gone to the pier in New York to see them off, or to the pier to welcome them—and then they read this horror story. When the boatloads of survivors were brought in, the papers of the world were filled with accounts of families torn apart, of fathers and mothers giving their lives to save their little ones, of quiet heroism and serenity in the face of death.

  Americans in France felt the shock even more intensely, for nearly everyone had friends, American or English, on board. Two of Mrs. Emily’s oldest friends had given their lives to save children not their own. The sister of Edna Hackabury, now Mrs. Fitz-Laing, was among those of whom no word was heard. Beauty counted half a dozen persons of her acquaintance on the passenger list, and found only two on the list of survivors. Not much of the spirit of “neutrality” was left in the minds of ladies and gentlemen who discussed such matters over their afternoon tea.

  Thus America was dragged into the center of the world debate. President Wilson protested, and the German government answered that submarines could not give warning without risking destruction, and manifestly could not take off passengers and crew. The Lusitania had carried cartridges—so Germany charged, and the British denied it, and how was the truth to be known? The Germans agreed to sink no more such vessels, but they did not keep the promise. All passenger vessels carried cargo, and most merchant vessels carried passengers, and how could a submarine under war conditions make certain? The Germans demanded that President Wilson should resist the British attempt to starve the German people and should insist that American ships be allowed to carry to Germany food which Germany had bought and paid for. When President Wilson wrote letters denouncing German barbarity, the Allies were delighted; when he wrote letters denouncing British violations of American trade rights, all sympathizers with the Allies denounced him.

  For a year Robbie had kept writing to his son, never failing to warn him against losing his head. Robbie was determined that no Budd should be drawn into Europe’s quarrels; Budds were businessmen, and did not let themselves be used to pull anybody’s chestnuts out of the fire. Robbie had been on the inside, and knew that every one of these nations was thinking about its own aggrandizement. Twice it happened that an employee was coming to France, and Robbie took the trouble to write a long letter and have it mailed in Paris, so that it wouldn’t be opened by a censor. “Study and think and improve your mind, and keep it clear of all this fog of hatred and propaganda.” Lanny did his best to obey—but it is not pleasant to differ from everybody you meet.

  XI

  For several months Marcel worked at his painting and burned up everything he produced. Lanny got up the courage to protest, and got his mother to back him. One day when he was at the studio he began begging to be allowed to see what was on the easel, covered up with a cloth. He was so much interested in his stepfather’s development that he could learn even from his failures. “Please, Marcel! Right now!”

  The painter said it was nothing, just a joke; he had been avoiding an hour of boredom. But that made Lanny beg all the harder—he was bored too, he said. So finally Marcel let him take off the cloth. He looked, and laughed out loud, and was so delighted that he danced around.

  Marcel had painted himself lying on that bed in the hospital, head swathed in bandages, two frightened eyes looking out; and all around him on the bed crowded the little furies of pain, as he had watched them for so ma
ny months. It happened that Mr. Robin had sent Lanny a copy of a German weekly magazine, containing pictures of some of the national heroes, and Marcel had turned them into a swarm of little demons with instruments of torture in their claws. There was the stiff Prussian officer with his lean face, sharp nose, and monocle; there was Hindenburg with his shaven head and bull’s neck; there was the Kaiser with his bristling mustaches; there was the professor with bushy beard and stern dogmatic face. The whole of German Kultur was there, and it was amazing, the different kinds of malice that Marcel had managed to pack into those faces, and still keep them funny.

  Lanny argued harder than ever. If it gave him so much pleasure, why shouldn’t the family share it? So they took it up to the house, where Jerry did a war dance, and M. Rochambeau forgot his usual gravity, and even Beauty laughed. Lanny said it ought to be shown somewhere, but Marcel said, nonsense, it was just a caricature, he didn’t wish to be known as a cartoonist. But the elderly diplomat came to Lanny’s support; he said there was a lot of German propaganda all over the world, and why shouldn’t the French use their genius for ridicule? The four of them wrung this concession from the stubborn man of art—they might have a photograph of it and send copies to their friends.

  They got a real photographer and had a big one made, and wrote on the bottom of the negative: “Soldier in Pain.” Lanny sent one to his father, and one to Rick—whose father was now in charge of precautions against spies and saboteurs in his part of England. Beauty sent one to several of her friends; and the first thing she knew came a telegram from Mrs. Emily, saying that one of the big weekly papers in Paris offered two hundred francs for the right to reproduce the painting. When this magazine appeared there came a cablegram from one of the big New York newspapers offering a hundred dollars for the American rights; and on top of that a concern which was making picture post cards asked Marcel’s price to let them use it.