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Four by Sondheim

Page 23

by Stephen Sondheim

On how to correct your

  Mistakes.

  (Overlapping)

  What shall I wear?

  Where is my parasol?

  Do I compare?

  Would she dare?

  Have I missed it?

  Will I ever?

  MADAME ARMFELDT: I have no time ...

  OTHERS (All overlapping, gradually fading):

  Why did she smile? Will she remember?

  Why are we laughing? What will he want?

  Are you ever? Do you ever?

  When will I learn?

  Am I too late?

  Why did I say that? Is there time? Am I too late?

  Have I the right? What are the chances?

  Where is my parasol? ...

  “The Glamorous Life”

  In the stage version of Night Music, “The Glamorous Life” is a song about Desirée’s life as an actress on the road, with three different points of view — Fredrika’s, Desirée’s and Madame Armfeldt’s — but it was felt that this would be too convoluted and confusing for the film version, and the song was rewritten preserving only the verse of the number (with new lyrics) and employing only one point of view, Fredericka’s.

  FREDERICKA:

  Ordinary mothers lead ordinary lives,

  Mop the floors and chop the parsley,

  Mend the clothes and tend the children.

  Ordinary mothers, like ordinary wives,

  Make the beds and bake the pies

  And wither on the vine —

  Not mine.

  Dying by inches

  Every night,

  What a glamorous life!

  Pulled on by winches

  To recite —

  What a glamorous life!

  Ordinary mothers never get the flowers

  And ordinary mothers never know the joys,

  But ordinary mothers couldn’t cough for hours,

  Maintaining their poise.

  Sandwiches only,

  But she eats

  What she wants when she wants.

  Sometimes it’s lonely,

  But she meets

  Many handsome gallants.

  Ordinary mothers don’t live out of cases

  But ordinary mothers don’t go different places,

  Which ordinary mothers can’t do,

  Being mothers all day.

  Mine’s away in a play

  And she’s realer than they ...

  What if her brooch is only glass

  And her costumes unravel?

  What if her coach is second class?

  She at least gets to travel.

  And some time this summer,

  Meaning soon,

  She’ll be travelling to me!

  Some time this summer —

  Maybe June —

  I’m the new place she’ll see!

  Ordinary daughters may think life is better

  With ordinary mothers near them when they choose,

  But ordinary daughters seldom get a letter

  Enclosing reviews!

  Gay and resilient,

  With applause —

  What a glamorous life!

  Speeches are brilliant —

  When they’re Shaw’s —

  What a glamorous life!

  Ordinary mothers needn’t meet committees,

  But ordinary mothers don’t get keys to cities.

  No, ordinary mothers merely see their children all year —

  Which is lovely, I hear,

  But it does interfere

  With the glamorous ...

  I am the princess, guarded by dragons

  Snorting and grumbling and rumbling in wagons.

  She’s in her kingdom, wearing disguises,

  Living a life that is full of surprises,

  And some time this summer

  She’ll come galloping over the green!

  Some time this summer,

  To my rescue, my mother the queen!

  Ordinary mothers thrive on being private,

  But ordinary mothers somehow can survive it,

  And ordinary mothers never know they’re just standing

  still,

  With the kettles to fill,

  While they’re missing the thrill

  Of the glamorous life!

  “Send in the Clowns”

  For Barbra Streisand’s recording of this song on her Broadway Album, the lyrics were slightly revised, and a new lyric written for a second release.

  Isn’t it rich?

  Are we a pair?

  Me here at last on the ground,

  You in mid-air.

  Send in the clowns.

  Isn’t it bliss?

  Don’t you approve?

  One who keeps tearing around,

  One who can’t move.

  Where are the clowns?

  Send in the clowns.

  Just when I’d stopped

  Opening doors,

  Finally knowing

  The one that I wanted was yours,

  Making my entrance again

  With my usual flair,

  Sure of my lines,

  No one is there.

  Don’t you love farce?

  My fault, I fear.

  I thought that you’d want what I want —

  Sorry, my dear.

  But where are the clowns?

  There ought to be clowns.

  Quick, send in the clowns.

  What a surprise!

  Who could foresee

  I’d come to feel about you

  What you felt about me?

  Why only now when I see

  That you’ve drifted away?

  What a surprise ...

  What a cliché ...

  Isn’t it rich?

  Isn’t it queer?

  Losing my timing this late

  In my career?

  And where are the clowns?

  Quick, send in the clowns!

  Don’t bother, they’re here.

  MAJOR PRODUCTIONS

  A Little Night Music was first presented by Harold Prince, in association with Ruth Mitchell, at the Sam S. Shubert Theatre, New York City, on February 25, 1973, with the following cast:

  (in order of appearance)

  MR. LINDQUIST Benjamin Rayson

  MRS. NORDSTROM Teri Ralston

  MRS. ANDERSSEN Barbara Lang

  MR. ERLANSON Gene Varrone

  MRS. SEGSTROM Beth Fowler

  FREDRIKA ARMFELDT Judy Kahan

  MADAME ARMFELDT Hermione Gingold

  FRID, her butler George Lee Andrews

  HENRIK EGERMAN Mark Lambert

  ANNE EGERMAN Victoria Mallory

  FREDRIK EGERMAN Len Cariou

  PETRA D. Jamin-Bartlett

  DESIRÉE ARMFELDT Glynis Johns

  MALLA, her maid Despo

  BERTRAND, a page Will Sharpe Marshall

  COUNT CARL-MAGNUS MALCOLM Laurence Guittard

  COUNTESS CHARLOTTE MALCOLM Patricia Elliott

  OSA Sherry Mathis

  Production Directed by Harold Prince

  Choreography by Patricia Birch

  Scenic Production Designed by Boris Aronson

  Costumes Designed by Florence Klotz

  Lighting Designed by Tharon Musser

  Orchestrations by Jonathan Tunick

  Musical Direction by Harold Hastings

  The following songs were cut prior to the New York opening: “Silly People,” “Two Fairy Tales,” “My Husband the Pig,” and “Bang!”

  A Little Night Music gave its first performance at the Colonial Theatre in Boston, opening on January 23, 1973 and closing on February 10th after 23 performances. Previews began in New York City on February 14, 1973, and the show opened on February 25th and closed on August 3, 1974 after 601 performances and 12 previews.

  AWARDS

  New York Drama Critics Circle Award — Best Musical

  Tony Awards: Best Musical, Best Book of a Musical (Hugh Wheeler), Best Music and
Lyrics (Stephen Sondheim), Best Actress in a Musical (Glynis Johns), Best Supporting Actress in a Musical (Patricia Elliott), Best Costume Design (Florence Klotz). Also received Tony nominations for Best Direction of a Musical (Harold Prince), Best Actor in a Musical (Len Cariou), Best Supporting Actor in a Musical (Laurence Guittard), Best Supporting Actress in a Musical (Hermione Gingold), Best Scenic Design (Boris Aronson) and Best Lighting Design (Tharon Musser).

  A Little Night Music was first presented in London by Ruth Mitchell, Frank Milton, Eddie Kulukundis and Richard Pilbow, in association with Bernard Delfont, at the Adelphi Theatre on April 15, 1975 for 406 performances, with the following cast:

  (in order of appearance)

  MR. LINDQUIST John J. Moore

  MRS. NORDSTROM Chris Melville

  MRS. ANDERSSEN Liz Robertson

  MR. ERLANSON David Bexon

  MRS. SEGSTROM Jacquey Chappell

  FREDRIKA ARMFELDT Christine McKenna

  MADAME ARMFELDT Hermione Gingold

  FRID, her butler Michael Harbour

  HENRIK EGERMAN Terry Mitchell

  ANNE EGERMAN Veronica Page

  FREDRIK EGERMAN Joss Ackland

  PETRA Diane Langton

  DESIRÉE ARMFELDT Jean Simmons

  BERTRAND, a page Christopher Beeching

  COUNT CARL-MAGNUS MALCOLM David Kernan

  COUNTESS CHARLOTTE MALCOLM Maria Aitken

  OSA Penelope Potter

  Production Directed by Harold Prince

  Choreography by Patricia Birch

  Production Supervised by George Martin

  Scenic Production Designed by Boris Aronson

  Costumes Designed by Florence Klotz

  Lighting Designed by Tharon Musser

  Orchestrations by Jonathan Tunick

  Musical Direction by Ray Cook

  Sound by David Collison

  AWARD: London Standard Drama Award for Best Musical

  A Little Night Music was revived in London by H. M. Tennent Ltd., by arrangement with the Chichester Festival Theatre, John Gale, Executive Producer, at the Piccadilly Theatre, October 6, 1989–February 17, 1990 for 144 performances, with the following cast:

  MADAME ARMFELDT Lila Kedrova

  DESIRÉE ARMFELDT, her daughter Dorothy Tutin

  FREDRIKA ARMFELDT, her granddaughter Debra Beaumont

  FRID, her manservant David Hitchen

  FREDRIK EGERMAN, a lawyer Peter McEnery

  HENRIK EGERMAN, his son Alexander Hanson

  ANNE EGERMAN, his second wife Deborah Poplett

  PETRA, their maid Sara Weymouth

  COUNT CARL-MAGNUS MALCOLM Eric Flynn

  COUNTESS CHARLOTTE MALCOLM, his wife Susan Hampshire

  MALLA Mandi Martin

  OSA Susan Paule

  The Liebeslieder Singers

  MRS. NORDSTROM Dinah Harris

  MRS. ANDERSSEN Hilary Western

  MRS. SEGSTROM Susan Flannery

  MR. ERLANSON Michael Bulman

  MR. LINDQUIST Martin Nelson

  Directed by Ian Judge

  Designed by Mark Thompson

  Choreography by Anthony Van Laast

  Lighting by Nick Chelton

  Sound by Matthew Gale

  Music Supervised by John Owen Edwards

  Musical Director, Roger Ward

  A Little Night Music was presented by the New York City Opera (Christopher Keene, General Director) at the New York State Theatre, New York City, August 3, 1990, with the following cast:

  MR. LINDQUIST Ron Baker

  MRS. NORDSTROM Lisa Saffer

  MRS. ANDERSSEN Barbara Shirvis

  MR. ERLANSON Michael Rees Davis

  MRS. SEGSTROM Susanne Marsee

  FREDRIKA ARMFELDT Danielle Ferland

  MADAME ARMFELDT Regina Resnik

  FRID, her butler David Comstock

  HENRIK EGERMAN Kevin Anderson

  ANNE EGERMAN Beverly Lambert

  FREDRIK EGERMAN George Lee Andrews

  PETRA Susan Terry

  DESIRÉE ARMFELDT Sally Ann Howes

  MALLA, her maid Raven Wilkinson

  BERTRAND, a page Michael Rees Davis

  COUNT CARL-MAGNUS MALCOLM Michael Maguire

  COUNTESS CHARLOTTE MALCOLM Maureen Moore

  OSA Judith Jarosz

  SERVANTS: Michael Cornell, Ernest Foederer, Kent A. Heacock, Ronald Kelley, Brian Michaels, Brian Quirk, Christopher Shepherd, John Henry Thomas.

  Conducted by Paul Gemignani

  Directed by Scott Ellis

  Orchestrations by Jonathan Tunick

  Scenery Designed by Michael Anania

  Costumes Designed by Lindsay W. Davis

  Lighting Designed by Dawn Chiang

  Choreography by Susan Stroman

  Sound Designed by Abe Jacob

  The motion picture of A Little Night Music was produced by New World/Sascha-Wien Films, in association with Elliott Kastner, and released in March of 1978, with the following cast:

  DESIRÉE ARMFELDT Elizabeth Taylor

  CHARLOTTE MITTELHEIM Diana Rigg

  FREDERICK EGERMAN Len Cariou

  ANNE EGERMAN Lesley-Anne Down

  MME. ARMFELDT Hermione Gingold

  CARL-MAGNUS MITTELHEIM Laurence Guittard

  ERICH EGERMAN Christopher Guard

  FREDERICKA ARMFELDT Chloe Franks

  KURT Heins Marecek

  PETRA Lesley Dunlop

  CONDUCTOR Jonathan Tunick

  FRANZ Herbert Tscheppe

  BAND CONDUCTOR Rudolph Schrympf

  THE MAYOR Franz Schussler

  THE MAYORESS Johanna Schussler

  BOX OFFICE LADYIN THEATRE Jean Sincere

  FIRST LADY Dagmar Koller

  SECOND LADY Ruth Brinkman

  CONCIERGE Anna Veigl

  UNIFORMED SARGEANT Stefan Paryla

  FIRST WHORE Eva Dvorska

  SECOND WHORE Lisa De Cohen

  MAJOR DOMO Kurt Martynow

  COOK Gerty Barek

  FOOTMAN James De Groat

  (Note: For the film the locale was changed from Sweden to Vienna, and some of the character names were Germanized.)

  Directed by Harold Prince

  Screenplay by Hugh Wheeler

  Edited by John Jympson

  Photographed by Arthur Ibbetson, B.S.C.

  Costumes Designed by Florence Klotz

  Choreography by Patricia Birch

  Music Scored and Supervised by Jonathan Tunick

  Musical Direction by Paul Gemignani

  Executive Producer, Heinz Lazek

  Presented by Roger Corman — A New World Picture

  MUSICAL NUMBERS

  “Overture”/“Night Waltz” (“Love Takes Time”) Company

  “The Glamorous Life” Chloe Franks

  “Now”/“Soon”/“Later” Len Cariou, Lesley-Anne Down, Christopher Guard

  “You Must Meet My Wife” Len Cariou, Elizabeth Taylor

  “Every Day a Little Death” Diana Rigg

  Night Waltz Instrumental

  “A Weekend in the Country” Company

  “Send in the Clowns” Elizabeth Taylor

  “It Would Have Been Wonderful” Len Cariou, Laurence Guittard

  Finale: “Send in the Clowns”/“Night Waltz” Len Cariou, Elizabeth Taylor, Company

  The motion picture is available on video cassette: Embassy Home Entertainment 00103.

  SELECTED DISCOGRAPHY

  * Original Broadway Cast Recording (1973)

  Columbia Records

  LP KS (S)/SQ (Q)-32265

  Cassette ST 32265

  (Also included in Time-Life Records “American Musicals” series: Stephen Sondheim. LP STL-AM12, Cassette 4TL-AM12)

  (Although recorded for the original cast album, “Night Waltz II” was not included on the final original cast recording)

  + Original London Cast Recording (1975)

  RCA Records

  LP LRL1-5090 (S)

  Cassette CRK1-5090; reissue 50
90-4-RG

  Motion Picture Soundtrack Recording (1978)

  Columbia Records

  LP JS 35333 (S)

  Cassette JST 35333

  A Little Night Music (studio cast recording, 1990)

  That’s Entertainment Records (England)

  Cassette ZCTER 1179

  (Includes “Night Waltz II”)

  Sondheim: A Musical Tribute (1973)

  Warner Bros. Records

  LP 2WS 2705 (S); 2 record set

  RCA Records (1990 reissue)

  Cassette 60515-4

  Includes: “Silly People”—George Lee Andrews; “Two Fairy Tales”—Mark Lambert, Victoria Mallory

  * Winner of the Grammy Award for Best Original Cast Show Album

  + Nominated for the Grammy Award for Best Original Cast Show Album

  Note: “Send in the Clowns” won the 1975 Grammy for Song of the Year, with the award going to Mr. Sondheim as the composer/lyricist.

  Side by Side by Sondheim/Millicent Martin, Julia McKenzie and David Kernan (1976)

  RCA Records

  LP CBL2–1851 (S); 2 record set

  Cassette CBK2–1851; reissue 1851-4-RG

  Includes: “You Must Meet My Wife”—David Kernan, Millicent Martin; “Send in the Clowns”—Millicent Martin

  Songs of Sondheim (original Irish cast recording of Side by Side by Sondheim, 1977)

  RAM Records

  LP RMLP 1026

  Includes: “Send in the Clowns”—Gemma Craven

  Side by Side by Sondheim (original Australian cast recording, 1977)

  RCA Red Seal (Australia)

  LP VRL2–0156; 2 record set

  Cassette VRK2–0156; 2 tape set

  Includes: “You Must Meet My Wife”—Bartholomew John, Jill Perryman; “Send in the Clowns”—Jill Perryman

 

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