Book Read Free

With No One As Witness

Page 32

by Elizabeth George


  “What are Kilfoyle and Veness saying about Anton Reid, then?”

  “Kilfoyle says he doesn’t remember Anton. Veness is vague about it. Thinks he may, he says. Neil Greenham remembers him well enough.”

  “As to Greenham, Tommy,” John Stewart weighed in, “he’s got a real temper, according to the head teacher up in Kilburn where he taught. He lost it with kids a few times and he shoved one against the blackboard once. He heard about that from the parents straightaway and he apologised for it, but that doesn’t mean he was genuine about the apology.”

  “So much for his theories on discipline,” Havers noted.

  “Have we laid on surveillance for these blokes?” Lynley asked.

  “We’re stretched too thin, Tommy. Hillier’s not authorising any more men till we’ve got a result.”

  “God damn—”

  “But we’ve done some snooping, so we’ve got an idea of their nighttime activities.”

  “Which are?”

  Stewart gave the nod to his team three officers. So far, very little looked suspicious. After his day at Colossus, Jack Veness evidently went regularly to the Miller and Grindstone, his local in Bermondsey, where he also had a second job behind the bar at the weekends. He drank, smoked, and made the occasional call from a phone box outside—

  “That sounds promising,” someone pointed out.

  —but that was it. Then he went home or to a take-away curry shop near Bermondsey Square. Griffin Strong, on the other hand, seemed to alternate between his silk-screening business in Quaker Street and his home. He also, however, appeared to have a liking for a Bengali restaurant in Brick Lane, where he went to dine alone occasionally.

  As for Kilfoyle and Greenham, team three were gathering information telling them that Kilfoyle spent many of his evenings in the Othello Bar of the London Ryan Hotel, which was at the base of the Gwynne Place Steps. These led up to Granville Square. Otherwise, he was at home in the square.

  “Living with whom?” Lynley asked. “Do we know?”

  “Deed poll says the property belongs to Victor Kilfoyle. His dad, I reckon.”

  “What about Greenham?”

  “The only thing he’s done of interest is take Mummy to the Royal Opera House. And he apparently has a lady friend he meets on the side. We know they’ve done cheap Chinese in Lisle Street and a gallery opening in Upper Brook Street. Other than that, he’s at home with Mummy.” Stewart smiled. “In Gunnersbury, by the way.”

  “Is anyone surprised by that?” Lynley commented. He glanced at Havers. She was doing her best, he saw, not to crow I was right, and he had to give her marks for that. She’d made the connection between employees at Colossus and the dump sites of bodies from the start.

  Nkata joined them then, fresh from a meeting with Hillier. They were set to film Crimewatch, he reported, and he scowled at the good-natured comments about a star being born, which rose when he made this announcement. They’d be using the e-fit of the interloper seen at Square Four Gym, he informed them, which had been developed in concert with the bodybuilder who’d seen their potential suspect. To this, they would add the photographs of all identified victims as well as a dramatic reconstruction of what they now presumed to be Kimmo Thorne’s manner of encountering his killer: a red Ford Transit stopping a bicycle rider with stolen goods in his possession, the van’s driver helping to load the bicycle and the goods into the vehicle.

  “We’ve something to add to that as well,” Stewart put in when Nkata was done. He sounded pleased. “CCTV footage. I won’t say we’ve hit gold, but we’ve had a little luck at last with a CCTV camera mounted on one of the buildings near St. George’s Gardens: the image of a van driving down the street.”

  “Time and date?”

  “Matching up with Kimmo Thorne’s death.”

  “Christ in heaven, John, why’s it taken this long to get to it?”

  “We had it early on,” Stewart said, “but it wasn’t clear. We needed an enhancement, and that took time. But the wait was worth it. You’d better have a look and give the word on how you want it used. Crimewatch might get some mileage from it.”

  “I’ll look at it straightway,” Lynley told him. “What about surveillance at the body sites. Anything?”

  Nothing, as it turned out. If their killer was considering a nocturnal visit to the shrine of his criminal accomplishment—as contended in Hamish Robson’s remarks about him—he had not yet done so. Which brought up the profile itself. Barbara Havers said she’d had another look at it, and she wanted to point out part of Robson’s description: the section which claimed the killer probably lived with a dominant parent. They had two suspects so far with parents in the home: Kilfoyle and Greenham. One with Dad, one with Mum. And wasn’t it dodgy that Greenham was taking Mum to the Royal Opera House but the woman friend only got cheap Chinese and a gratis gallery opening? What did that mean?

  It was worth looking at, Lynley told her, and he said, “Who’s got the information on who Veness lives with?”

  John Stewart responded. “There’s a landlady. Mary Alice Atkins-Ward. A distant relation.”

  “Do we tighten up on Kilfoyle and Greenham, then?” a DC asked, pencil at the ready.

  “Let me look at the CCTV film first.” Lynley told them to get back to their assigned actions. He himself followed John Stewart to a video recorder. He signaled Nkata to accompany them. He saw Havers glower at this but chose to ignore it.

  He had high hopes of the CCTV footage. The e-fit had provided little enough inspiration. To him, it looked like Everyman and No Man. The suspect had worn a cap of some sort—didn’t they all?—and while upon an initial glimpse of it, Barbara Havers had pointed out gleefully that Robbie Kilfoyle wore a EuroDisney cap, that was hardly a damning piece of evidence. For Lynley’s money, the e-fit was on the borderline of worthless, and he reckoned Crimewatch would prove him right on that.

  Stewart snatched up the remote for the video recorder and switched on the television. Onto the corner of the screen, the time and date popped up along with a section of mews beyond which the wall of St. George’s Gardens curved. As they watched, the front of a van pulled into the picture at the end of the mews, which appeared to be some thirty yards from the CCTV camera guarding the mews itself. The vehicle stopped, lights out, and a figure emerged. He carried a tool and disappeared round the curve of the wall, presumably to apply his implement to something out of sight of the camera. This would, Lynley thought, be the padlock on the chain that held the gate closed at night.

  As they watched, the figure came back into view, too distant and, even on the enhanced film, too grainy to be distinguishable. He climbed into the van and it rolled smoothly forward. Before it disappeared behind the wall, Stewart paused the film. He said, “Have a look at that lovely little picture, Tommy.” He sounded pleased.

  As well he might, Lynley thought. For on the film, they’d managed to capture writing on the side of the van. The miracle would have been a complete identification, which was more than they got. But half of a miracle would do. Three partial lines of faded printing were visible:

  waf

  bile

  chen

  Below them a number was rendered: 873-61.

  “That last looks like part of a phone number,” Nkata said.

  “My money says the rest is the name of a business,” Stewart added. “Question is: Do we go with it on Crimewatch?”

  “Who’ve you got working on the van right now?” Lynley asked. “What are they doing?”

  “Trying to get something on that partial phone number from BT, checking business licences to see if we can find a match for those letters we can see in the name, running things through Swansea another time.”

  “That’ll take a century,” Nkata pointed out. “But how many million people see this ’f we put it on the telly?”

  Lynley considered the ramifications of running the video on Crimewatch. Millions watched the show, and it had been useful on dozens of occasions in accelerat
ing the speed of an investigation. But there were inherent risks in broadcasting the film countrywide, not the least of which was tipping their hand to the killer. For there was every chance that their man would be watching and would put the van through such a high-powered cleaning and scouring that all evidence of any of their dead boys having been in it would be forever obliterated. And there was the additional chance that their man would dump the van immediately, taking it to one of a hundred places far out of London where it wouldn’t be found for years. Or he might put it in a lockup somewhere with the same result.

  It was Lynley’s decision. He decided to hold off making it. He said, “I want to think about this,” and to Winston, “Tell Crimewatch we may have something for them, but we’re working on it.”

  Nkata looked uneasy, but he went for the phone. Stewart looked pleased as he returned to his desk.

  Lynley nodded to Havers, an I’ll-see-you-now look. She grabbed up what looked like a pristine notebook and followed him out of the incident room.

  “Good work,” he told her. He noted that she’d even dressed more suitably today, in a tweed suit and brogues. The suit had a stain on the skirt and the brogues weren’t polished, but it was otherwise a remarkable change in a woman who usually favoured drawstring trousers and T-shirts bearing groan-inducing puns.

  She shrugged. “I’m capable of taking the hint when I’m clubbed with it, sir.”

  “I’m glad to hear that. Get your things and come with me.”

  Her face altered, its hopeful brightness betraying her even as it deeply touched him. He wanted to tell her not to wear her professional heart on her sleeve, but he held his tongue. Havers was who Havers was.

  SHE DIDN’T ASK where they were going till they were in the Bentley and heading in the direction of Vaux-hall Bridge Road. Then she said, “Are we doing a runner, sir?”

  He said, “Believe me, I’ve thought about it more than once. But Webberly tells me there’s a route to dealing with Hillier. I’ve just not discovered it yet.”

  “That must be like searching for the Holy Grail.” She examined her brogues and appeared to note their sad condition. She wet her fingers on her tongue and rubbed the damp against a scuff, without result. She said, “How is he, then?”

  “Webberly? Slow progress, but progress.”

  “Well, that’s good, isn’t it?”

  “Everything but the slow part. We need him back before Hillier self-destructs and takes us all down with him.”

  “D’you think it’ll come to that?”

  “Sometimes,” he said, “I don’t know what to think.”

  At their destination, parking was its usual nightmare. He squeezed the Bentley in front of the entrance to the Kings Head and Eight Bells pub, directly beneath a “Do NOT Block This Entrance” sign, to which “You Will Die If You Do” had been added. Havers raised her eyebrow.

  “What’s life without risk?” Lynley asked. But he put a police placard prominently on the dashboard.

  “Now that’s living dangerously,” Havers noted.

  They walked the few yards up Cheyne Row to the house at the corner of Lordship Place, where they found St. James being regaled by both Deborah and Helen, who were leafing through magazines as they chatted about “The absolute solution to everything. Simon, you’ve married a genius.” They were all in the lab.

  “Logic,” Deborah replied. “It was nothing more.” She looked up and saw Lynley and Havers in the doorway. She said, “Just in time. Look who’s here. You won’t even have to go home to talk him into it, Helen.”

  “Talk me into what?” Lynley went to his wife, tilting back her chin to examine her face. “You’re looking tired.”

  “Don’t be a mother hen,” she chided. “You’ve got worry lines coming out on your forehead.”

  “That’s down to Hillier,” Havers said. “We’ll all look ten years older in another month.”

  “Isn’t he due to retire?” Deborah asked.

  “Assistant commissioners don’t retire, my love,” St. James told his wife. “Not until the last hope of being made commissioner is finally beaten out of them.” He looked at Lynley. “I take it that doesn’t seem likely to happen soon?”

  “You take it correctly. Have you got anything for us, Simon?”

  “I expect you mean information and not whisky,” St. James said. He added, “Fu.”

  “Phoo?” Havers said. “As in…what? Phooey? Typhoo tea?”

  “As in the letters F and U.” On a china board, St. James had been working on a diagram with splotches of faux blood, but he left it and went to his desk where he took from the top drawer a paper on which was drawn the same symbol that had been on the bottom of the note they’d received at the Yard, purporting to be from the serial killer. “It’s a Chinese symbol,” St. James explained. “It means authority, divine power, and the ability to judge. It stands, in fact, for justice. And it’s pronounced Fu.”

  Helen said, “Is that helpful, Tommy?”

  “It’s in keeping with the message of the note he sent. And to some extent, with the mark on Kimmo Thorne’s forehead as well.”

  “Because it is a mark?” Havers asked.

  “I expect that would be Dr. Robson’s point.”

  “Even if the other mark’s from alchemy?” Deborah asked the last question of her husband.

  “It’s the fact of the marking, I daresay,” St. James replied. “Two distinct symbols with interpretations readily available. Is that what you mean, Tommy?”

  “Hmm. Yes.” Lynley studied the piece of paper on which the mark had been reproduced and an explanation of the mark appeared. He said, “Simon, where did you get the information?”

  “Internet search,” he said. “It wasn’t difficult.”

  “So our boy’s got access to a computer as well,” Havers noted.

  “That narrows it down to half the population of London,” Lynley said grimly.

  “I think I can eliminate at least a portion of that group. There’s something else.” St. James had moved to a worktable where he was laying out a line of photographs. Lynley and Havers joined him, while Deborah and Helen remained at the other worktable, a selection of magazines open between them.

  “I had these from SO7,” St. James said, in reference to the pictures, which Lynley saw were of each of the dead boys, along with respective enlargements of one small portion of each boy’s torso. “D’you recall the autopsy reports, Tommy, how they all mention a specific area of what they called ‘woundlike bruising’ on every one of the bodies? Well, have a look at this. Deborah did the enlargements for me last night.” He reached for one of the larger photos.

  Lynley examined it, Havers looking over his shoulder. In the picture, he saw the bruising that St. James was talking about. He discerned that it was actually more of a pattern than a bruise, most distinguishable on Kimmo Thorne’s body because he was the only white youth. On Kimmo, a central pale area was ringed by dark bruiselike flesh. In the centre of the pale portion of this, two small marks had the look of burns. With variations due to the pigment of each boy, this distinctive mark was the same on every successive photograph that St. James handed over. Lynley looked up once he’d seen them all.

  “Did SO7 actually miss this?” he asked. What he thought was, Christ. What a bloody cock-up.

  “They mention it in the autopsies. The problem was in their term of reference. Calling it a bruise.”

  “What do you make of it yourself? It looks something between a bruise and a burn.”

  “I had a good idea, but I wasn’t entirely sure initially. So I scanned the photos and sent them over to a colleague in the States for a second opinion.”

  “Why the States?” Havers had taken up one of the pictures and had been frowning down at it, but now she looked up curiously.

  “Because, like nearly anything else you might imagine as a weapon, they’re legal in America.”

  “What?”

  “Stun guns. I think that’s how he’s incapacitating the bo
ys. Before he does the rest.” St. James went on to explain how the characteristics of the bruiselike wounds on the bodies compared point by point to the kind of bruise that was the result of being jolted by the fifty thousand to two hundred thousand volts of electricity that such a weapon discharged. “Each of the boys was hit in relatively the same place on the body, on the left side of the torso. That tells us that the killer’s using the gun in the same way each time.”

  “If you’ve got something that works, why mess about with it,” Havers said.

  “Exactly,” St. James agreed. “The electricity from the stun gun scrambles the body’s nervous system, leaving the victim—as the name implies—literally stunned, unable to move even if he wants to. His muscles work rapidly but without any efficiency. His blood sugar is converted to lactic acid, which depletes him of energy. His neurological impulses are interrupted. He’s weak, confused, and disoriented.”

  “While he’s in that condition, the killer has time to immobilise him,” Lynley added.

  “And if he starts to come round…?” Havers said.

  “The killer uses the gun on him again. By the time he’s back to normal, he’s gagged and restrained, and the killer can do what he wants with him.” Lynley handed the pictures back to St. James. “Yes. I think that’s exactly what’s happening.”

  “Except…” Havers handed her own photograph back to St. James although she spoke to Lynley. “These are streetwise kids. You’d think they’d notice someone about to shove a gun in their ribs, wouldn’t you?”

  “As to that, Barbara…” St. James dug out a few sheets of paper from an in basket on the top of a filing cabinet. He handed over to Lynley what first appeared to be an advertisement. On closer inspection, however, Lynley saw that the document had come from the Internet. On a site called PersonalSecurity.com, stun guns were offered for sale. But these were stun guns of an entirely different order from the pistol-shaped weapon one might associate with the name. Indeed, these didn’t appear to be guns at all, which was probably the point of owning one of them. Some of them were manufactured to look like mobile phones. Others looked like torches. All of them worked identically, however: The user had to make physical contact with the victim in order for the electrical charge to pass from the gun into the victim’s body.

 

‹ Prev