Puppet on a Chain

by Alistair MacLean

  The dark and deadly man with the deadly gun would have made good his escape by this time: it was purely the routine and now ingrained instinct of checking even the uncheckable that made me glance towards the immigration area to confirm that he had indeed disappeared.

  The dark man had not yet made good his escape. He was about two-thirds of the way along towards the immigration area, ambling unconcernedly along the in-bound moving platform, casually swinging his airline bag, and seemingly unaware of the commotion behind him. For a moment I stared at him, not comprehending, but only for a moment: this was the way the professional made good his escape. The professional pickpocket at Ascot who has just relieved the grey-top-hatted gentleman by his side of his wallet doesn’t plunge away madly through the crowd to the accompaniment of cries of ‘Stop thief’ and the certainty of rapid apprehension: he is more likely to ask his victim his tip for the next race. A casual unconcern, a total normality, that was how the honours graduates in crime did it. And so it was with the dark man. As far as he was concerned I was the only witness to his action, for it was now that I belatedly realized for the first time the part the other three men had played in Duclos’s death — they were still in the cluster of people round the dead man but there was nothing I or anybody else could ever prove against them. And, as far as the dark man knew, he’d left me in a state in which I’d be unable to provide him with any trouble for some considerable time to come.

  I went after him.

  My pursuit didn’t even begin to verge on the spectacular. I was weak, giddy and my midriff ached so wickedly that I found it impossible to straighten up properly, so that the combination of my weaving staggering run along that moving platform with my forward inclination of about thirty degrees must have made me look like nothing as much as a nonagenarian with lumbago in pursuit of God knows what.

  I was half-way along the travelator, with the dark man almost at its end, when instinct or the sound of my running feet made him whirl round with the same catlike speed he’d shown in crippling me seconds before. It was immediately clear that he had no difficulty in distinguishing me from any nonagenarians he might have known, for his left hand immediately jerked up his airline bag while the right slid under the flap. I could see that what had happened to Duclos was going to happen to me — the travelator would discharge me or what was left of me to the floor at the end of its track: an ignominious way to die.

  I briefly wondered what folly had prompted me, an unarmed man, to come in pursuit of a proven killer with a silenced pistol and was on the point of throwing myself flat on the platform when I saw the silencer waver and the dark man’s unwinking gaze switch slightly to the left. Ignoring the probability of being shot in the back of the head, I swung round to follow his line of sight.

  The group of people surrounding Duclos had temporarily abandoned their interest in him and transferred it to us: in view of what they must have regarded as my unhinged performance on the travelator it would have been odd if they hadn’t. From the brief glance I had of their faces, their expressions ranged from astonishment to bafflement: there were no traces of understanding. Not in that particular knot of people. But there was understanding in plenty and a chilling purposefulness in the faces of the three men who had followed Duclos to his death: they were now walking briskly up the in-bound travelator behind me, no doubt bent on following me to my death.

  I heard a muffled exclamation behind me and turned again. The travelator had reached the end of its track, obviously catching the dark man off guard, for he was now staggering to retain his balance. As I would have expected of him by then he regained it very quickly, turned his back on me and began to run: killing a man in front of a dozen witnesses was a different matter entirely from killing a man in front of one unsupported witness, although I felt obscurely certain that he would have done so had he deemed it essential and the hell with the witnesses. I left the wondering why to later. I started to run again, this time with a deal more purpose, more like a lively septuagenarian.

  The dark man, steadily outdistancing me, ran headlong through the immigration hall to the obvious confusion and consternation of the immigration officials, for people are not supposed to rush through immigration halls, they are supposed to stop, show their passports and give a brief account of themselves, which is what immigration halls are for. By the time it came to my turn to run the gamut, the dark man’s hurried departure combined with my weaving staggering run and blood-streaked face had clearly alerted them to the fact that there was something amiss, for two of the immigration officials tried to detain me but I brushed by them – ‘brushed’ was not the word they used in their later complaints – and passed through the exit door the dark man had just used.

  At least, I tried to pass through it, but the damned door was blocked by a person trying to enter. A girl, that was all I’d the time or the inclination to register, just any girl. I dodged to the right and she dodged to the left, I dodged to my left, she dodged to her right. Check. You can see the same performance take place practically any minute on any city pavement when two overpolite people, each bent on giving the right of way to the other, side-step with such maladroit effectiveness that they succeed only in blocking each other’s way: given the right circumstances where two really super-sensitive souls encounter each other the whole embarrassing fandango can continue almost indefinitely.

  I’m as quick an admirer of a well-executed pas de deux as the next man but I was in no mood to be detained indefinitely and after another bout of abortive side-stepping I shouted ‘Get out of my damned way’ and ensured that she did so by catching her by the shoulder and shoving her violently to one side. I thought I heard a bump and exclamation of pain, but I ignored it: I’d come back and apologize later.

  I was back sooner than I expected. The girl had cost me not more than a few seconds, but those few seconds had been more than enough for the dark man. When I reached the concourse, the inevitably crowded concourse, there was no sign whatsoever of him, it would have been difficult to identify a Red Indian chief in full regalia among those hundreds of apparently aimlessly milling people. And it would be pointless to alert the airport security police, by the time I’d established my bona fides he’d be half-way to Amsterdam: even had I been able to get immediate action, their chances of apprehending the dark man would have been remote: highly skilled professionals were at work here, and such men always had the options on their escape routes wide open. I retraced my steps, this time at a leaden trudge, which was by now all I could muster. My head ached viciously but compared to the condition of my stomach I felt it would have been wrong to complain about my head. I felt awful and a glimpse of my pale and blood-smeared face in a mirror did nothing to make me feel any better.

  I returned to the scene of my ballet performance where two large uniformed men, with holstered pistols, seized me purposefully by the arms.

  ‘You’ve got the wrong man,’ I said wearily, ‘so kindly take your damned hands off me and give me room to breathe.’ They hesitated, looked at each other, released me and moved away: they moved away nearly all of two inches. I looked at the girl who was being talked to gently by someone who must have been a very important airport official for he wasn’t wearing a uniform. I looked at the girl again because my eyes ached as well as my head and it was easier looking at her than at the man by her side.

  She was dressed in a dark dress and dark coat with the white roll of a polo-necked jumper showing at the throat. She would have been about in her mid-twenties, and her dark hair, brown eyes, almost Grecian features and the olive blush to her complexion made it clear she was no native of those parts. Put her alongside Maggie and Belinda and you’d have to spend not only the best years of your life but also most of the declining ones to find a trio like them, although, admittedly, this girl was hardly looking at her best at that moment: her face was ashen and she was dabbing with a large white handkerchief, probably borrowed from the man at her side, at the blood oozing from an already swelling bruise on he
r left temple.

  ‘Good God!’ I said. I sounded contrite and I felt it for no more than the next man am I given to the wanton damaging of works of art. ‘Did I do that?’

  ‘Of course not.’ Her voice was low and husky but maybe that was only since I’d knocked her down. ‘I cut myself shaving this morning.’

  ‘I’m terribly sorry. I was chasing a man who’s just killed someone and you got in my way. I’m afraid he escaped.’

  ‘My name is Schroeder. I work here.’ The man by the girl’s side, a tough and shrewd-looking character in perhaps his mid-fifties, apparently suffered from the odd self-depreciation which unaccountably afflicts so many men who have reached positions of considerable responsibility. ‘We have been informed of the killing. Regrettable, most regrettable. That this should happen in Schiphol Airport!’

  ‘Your fair reputation,’ I agreed. ‘I hope the dead man is feeling thoroughly ashamed of himself.’

  ‘Such talk doesn’t help,’ Schroeder said sharply. ‘Did you know the dead man?’

  ‘How the hell should I? I’ve just stepped off the plane. Ask the stewardess, ask the captain, ask a dozen people who were aboard the plane. KL 132 from London, arrival time 1555.’ I looked at my watch. ‘Good God! Only six minutes ago.’

  ‘You haven’t answered my question.’ Schroeder not only looked shrewd, he was shrewd.

  ‘I wouldn’t know him even if I saw him now.’

  ‘Mm. Has it ever occurred to you, Mr – ah—’

  ‘Sherman.’

  ‘Has it ever occurred to you, Mr Sherman, that normal members of the public don’t set off in pursuit of an armed killer?’

  ‘Maybe I’m sub-normal.’

  ‘Or perhaps you carry a gun, too?’

  I unbuttoned my jacket and held the sides wide.

  ‘Did you – by any chance – recognize the killer?’

  ‘No.’ But I’d never forget him, though. I turned to the girl. ‘May I ask you a question, Miss—’

  ‘Miss Lemay,’ Schroeder said shortly.

  ‘Did you recognize the killer? You must have had a good look at him. Running men invariably attract attention.’

  ‘Why should I know him?’

  I didn’t try to be shrewd as Schroeder had been. I said: ‘Would you like to have a look at the dead man? Maybe might recognize him?’

  She shuddered and shook her head.

  Still not being clever, I said: ‘Meeting someone?’

  ‘I don’t understand.’

  ‘Your standing at the immigration exit.’

  She shook her head again. If a beautiful girl can look ghastly, then she looked ghastly.

  ‘Then why be here? To see the sights? I should have thought the immigration hall in Schiphol was the most unsightly place in Amsterdam.’

  ‘That’ll do.’ Schroeder was brusque. ‘Your questions are without point and the young lady is clearly distressed.’ He gave me a hard look to remind me that I was responsible for her distress. ‘Interrogation is for police officers.’

  ‘I am a police officer.’ I handed over my passport and warrant card and as I did Maggie and Belinda emerged from the exit. They glanced in my direction, broke step and stared at me with a mixture of concern and consternation as well they might considering the way I felt and undoubtedly looked, but I just scowled at them, as a selfconscious and injured man will scowl at anyone, who stares at him, so they hurriedly put their faces straight again and moved on their way. I returned my attention to Schroeder, who was now regarding me with a quite different expression on his face.

  ‘Major Paul Sherman, London Bureau of Interpol. This makes a considerable difference, I must say. It also explains why you behaved like a policeman and interrogate like a policeman. But I shall have to check your credentials, of course.’

  ‘Check whatever you like with whoever you like,’ I said, assuming that Mr Schroeder’s English grammar wouldn’t be up to picking faults in my syntax. ‘I suggest you start with Colonel Van de Graaf at the Central HQ.’

  ‘You know the Colonel?’

  ‘It’s just a name I picked out of my head. You’ll find me in the bar.’ I made to move off, then checked as the two big policemen made to follow me. I looked at Schroeder. ‘I’ve no intention of buying drinks for them.’

  ‘It’s all right,’ Schroeder said to the two men. ‘Major Sherman will not run away.’

  ‘Not as long as you have my passport and warrant card,’ I agreed. I looked at the girl. ‘I am sorry, Miss Lemay. This must have been a great shock to you and it’s all my fault. Will you come and have a drink with me? You look as if you need one.’

  She dabbed her cheek some more and looked at me in a manner that demolished all thoughts of instant friendship.

  ‘I wouldn’t even cross the road with you,’ she said tonelessly. The way she said it indicated that she would willingly have gone half-way across a busy street with me and then abandoned me there. If I had been a blind man.

  ‘Welcome to Amsterdam,’ I said drearily and trudged off in the direction of the nearest bar.

  TWO

  I don’t normally stay at five-star hotels for the excellent reason that I can’t afford to, but when I’m abroad I have a practically unlimited expense account about which questions are seldom asked and never answered, and as those foreign trips tend to be exhausting affairs I see no reason to deny myself a few moments of peace and relaxation in the most comfortable and luxurious hotels possible.

  The Hotel Rembrandt was undoubtedly one such. It was rather a magnificent if somewhat ornate edifice perched on a corner of one of the innermost ring canals of the old city: its splendidly carved balconies actually overhung the canal itself so that any careless sleepwalker could at least be reassured that he wouldn’t break his neck if he toppled over the edge of his balcony – not, that is, unless he had the misfortune to land on top of one of the glass-sided canal touring boats which passed by at very frequent intervals: a superb eye-level view of those same boats could be had from the ground-floor restaurant which claimed, with some justification, to be the best in Holland.

  My yellow Mercedes cab drew up at the front door and while I was waiting for the doorman to pay the cab and get my bag my attention was caught by the sound of ‘The Skaters’ Waltz’ being played in the most excrutiatingly off-key, tinny and toneless fashion I’d ever heard. The sound emanated from a very large, high, ornately painted and obviously very ancient mechanical barrel-organ parked across the road in a choice position to obstruct the maximum amount of traffic in that narrow street. Beneath the canopy of the barrel-organ, a canopy which appeared to have been assembled from the remnants of an unknown number of faded beach umbrellas, a row of puppets, beautifully made and, to my uncritical eye, exquisitely gowned in a variety of Dutch traditional costumes, jiggled up and down on the ends of rubber-covered springs: the motive power for the jiggling appeared to derive purely from the vibration inherent in the operation of this museum piece itself.

  The owner, or operator, of this torture machine was a very old and very stooped man with a few straggling grey locks plastered to his head. He looked old enough to have built the organ himself when he was in his prime, but not, obviously, when he was in his prime as a musician. He held in his hand a long stick to which was attached a round tin can which he rattled continuously and was as continuously ignored by the passers-by he solicited, so I thought of my elastic expense account, crossed the street and dropped a couple of coins in his box. I can’t very well say that he flashed me an acknowledging smile but he did give me a toothless grin and, as token of gratitude, changed into high gear and started in on the unfortunate Merry Widow. I retreated in haste, followed the porter and my bag up the vestibule steps, turned on the top step and saw that the ancient was giving me a very old-fashioned look indeed: not to be outdone in courtesy I gave him the same look right back and passed inside the hotel.

  The assistant manager behind the reception desk was tall, dark, thin-moustached, impeccably tail-coate
d and his broad smile held all the warmth and geniality of that of a hungry crocodile, the kind of smile you knew would vanish instantly the moment your back was half-turned to him but which would be immediately in position, and more genuinely than ever, no matter how quickly you turned to face him again.

  ‘Welcome to Amsterdam, Mr Sherman,’ he said. ‘We hope you will enjoy your stay.’

  There didn’t seem any ready reply to this piece of fatuous optimism so I just kept silent and concentrated on filling in the registration card. He took it from me as if I were handing him the Cullinan diamond and beckoned to a bell-boy, who came trotting up with my case, leaning over sideways at an angle of about twenty degrees.

  ‘Boy! Room 616 for Mr Sherman.’

  I reached across and took the case from the hand of the far from reluctant ‘boy’. He could have been – barely – the younger brother of the organ-grinder outside.

  ‘Thank you.’ I gave the bell-boy a coin. ‘But I think I can manage.’

  ‘But that case looks very heavy, Mr Sherman.’ The assistant manager’s protesting solicitude was even more sincere than his welcoming warmth. The case was, in fact, very heavy, all those guns and ammunition and metal tools for opening up a variety of things did tot up to a noticeable poundage, but I didn’t want any clever character with clever ideas and even cleverer keys opening up and inspecting the contents of my bag when I wasn’t around. Once inside an hotel suite there are quite a few places where small objects can be hidden with remote risk of discovery and the search is seldom assiduously pursued if the case is left securely locked in the first place …

  I thanked the assistant manager for his concern, entered the near-by lift and pressed the sixth-floor button. Just as the lift moved off I glanced through one of the small circular peephole windows inset in the door. The assistant manager, his smile now under wraps, was talking earnestly into a telephone.