The Lies We Told

by Camilla Way

  “Are you okay?” Clara asked, putting her hand on his arm. Such a friendly, affectionate gesture. It didn’t mean anything, he knew; she didn’t feel about him as he did about her. But maybe one day she would. Her love for Luke was finished; that was clear. Maybe the friendship she felt for him would develop into something more.

  He swallowed back his fear and regret and forced himself to smile. Perhaps she’d never find out; perhaps it would all be okay. “Come on,” he said, putting his arm around her. “Let’s get out of here, shall we?”

  THIRTY-FIVE

  LONDON, 2017

  Hannah slammed the pay phone receiver down and allowed the waiting officer to lead her back to her unit. How fucking dare Mac hang up on her like that? Spineless. He was utterly spineless.

  She had been on remand for months now, though the trial was finally nearing its end. She would be found guilty, of course, and her sentence would be a long one, but she didn’t particularly care. She was neither more nor less happy in prison—it made little difference to her. And in the meantime she had plenty to occupy her mind. Plans to make. It wasn’t over between the Lawsons and her, not by a long shot—she had big things in store for them. And not just the Lawsons, but Clara too.

  The way she’d ingratiated herself with Oliver and Rose—“like a daughter to them,” Mac had told her once. The Lawsons were her family, and always would be; Oliver didn’t need another daughter—he had one right here. Then there was the way she’d stuck her nose in where it wasn’t wanted, tricking her way into her flat, laying it on thick in court while the jury lapped it all up. There was no way she was getting away with that.

  The door banged shut behind her and as the lock turned, she took a seat on the narrow bed and smiled. It wasn’t so very bad here. After all, it gave her plenty of time to think. They didn’t have much on her: assault, kidnapping, stalking, blackmail. It could have been worse. It was supposed to have been worse. But even if she got ten years or more, it really didn’t matter; the Lawsons, Mac, Clara, they’d all get what they deserved in the end.

  ACKNOWLEDGMENTS

  Huge thanks to Hellie Ogden and Will Francis at Janklow & Nesbit UK, and to Emma Parry at Janklow & Nesbit US. Thanks so much to my editor Danielle Perez and her assistant, Jennifer Snyder; to Fareeda Bullert, Dan Walsh, Emily Osborne, Loren Jaggers, Sarah Blumenstock, and everyone else at Berkley/Penguin Random House who has played a part in the making of this book. I’m grateful to you all. In the UK, my thanks go to my editor Julia Wisdom, Kathryn Cheshire, Felicity Denham, Laura di Giuseppe, Stefanie Kruszyk, Ellie Game, and Anne O’Brien at HarperCollins. Thank you to Marcus Jones, Laura Espinel Gonzalez, Alex Pierce, and especially to David Holloway.

  QUESTIONS FOR DISCUSSION

  1. The novel alternates primarily between Clara’s and Beth’s perspectives. Why do you think the author chose these two perspectives to focus on? How did the alternating points of view affect your reading of the book?

  2. Rose and Oliver withhold information from their children on multiple occasions out of self-preservation, but by doing so they directly endanger them. How do you think they reconciled keeping their secrets while knowing what Hannah was capable of? Do you understand their decisions, and do you have any sympathy for them?

  3. As Beth notes, mental illness can be a result of both biological and environmental factors. Do you think that either of these elements had a stronger impact on Hannah than the other? How does the nature-versus-nurture question relate to the other characters in the book as well?

  4. How much do you think Luke’s actions and the secrets he kept from Clara were responsible for the events in the book? Do you think the abduction could’ve been avoided if he had been more open about his stalker?

  5. Over the course of the novel, Clara learns more and more details about Luke that don’t line up with the person she knows him to be, and she is forced to question what will happen with their relationship if he’s ever found. Were you satisfied with her final decision?

  6. How are themes of trust and belonging explored in the novel? What do they mean for Clara? For Hannah? Use specific examples from the book to illustrate your points.

  7. A recurring element of the book is the public perception that the Lawsons are good, kind people, and the exploration of people not being what they seem. How would you characterize Rose, Oliver, Tom, Luke, and Emily by the end of the novel?

  8. Discuss the character of Mac. Why do you think the author chose to give a brief glimpse into his perspective? Were you surprised by his actions over the course of the book?

  9. Do you think rehabilitation is possible for Hannah? Do you think it’s possible for her to make peace with what was done to her and her mother? Why or why not?

  READ ON FOR AN EXCERPT FROM

  WATCHING EDIE

  AVAILABLE NOW FROM BERKLEY

  AFTER

  Outside my kitchen window the long afternoon empties of light. I look at London stretched out far below, my dripping hands held poised above the sink. The doorbell rings, one long high peal; the broken intercom vibrates. The view from up here, it’s incredible, as if you’re flying. Deptford and Greenwich, New Cross and Erith, then the river, and beyond that there’s the Gherkin, over there the Shard. From my top-floor flat here on Telegraph Hill, you can see forever and as usual it calms me, soothes me: how big it is, how small I am, how far from where I used to be.

  The doorbell rings more urgently—whoever it is putting their finger on the buzzer and holding it there. The night hovers.

  At first I used to see Heather everywhere. Connor too, of course. From the corner of my eye I’d catch a glimpse of one or the other of them, and there’d be that sharp, cold lurch that would leave me sick and shaken long after I’d realized that it had been an illusion; just a stranger with similar hair or the same way of walking. Whenever it happened I’d go somewhere busy and lose myself among the crowds, roaming the southeast London streets until I’d reassured myself that all that was very far away and long ago. A small West Midlands town a million miles from here. And the doorbell rings and rings as I’d always known it would one day.

  I live on the top floor of a large, ugly Victorian building, and there are lots of us squashed in here side by side, in our small, drafty little flats. Housing Association, most of us. And when I wedge my door open with a shoe and go down to answer the bell, past four floors of white doors marked with brass letters, the early-evening sounds seep from beneath each one: a baby crying, a telly’s laughter, a couple arguing: the lives of strangers.

  I’m entirely unprepared for what’s waiting for me beyond the heavy, wide front door and when I open it the world seems to tilt and I have to grip the doorframe to stop myself from falling. Because there she is, standing on my doorstep, staring back at me. There, after all this time, is Heather.

  And I have imagined this, dreamed of this, dreaded this, so many hundreds of times for so many years that the reality is both entirely surreal and anticlimactic. I see and hear life continuing on this ordinary London street on this ordinary afternoon—cars and people passing, children playing down the street, a dog barking—as if from far away, and as I stare into her face the sour taste of fear creeps around the back of my tongue. I open my mouth, but no words come and we stand in silence for a while, two thirty-three-year-old versions of the girls we’d once been.

  It’s she who speaks first. “Hello, Edie,” she says.

  And then she does the unthinkable. She steps across the threshold (my heart jumping as she looms so suddenly close), wraps me in her arms, and hugs me. I stand there rigid, enclosed, as memories slam into me: the wiry feel of her hair as it brushes against my cheek, that weird fried-onions smell her clothes always had, her tall, heavy presence. My mind is empty. I am only my heart knocking in my throat, and now she’s following me into the hallway—no, no, no, this is just one of your dreams—and up the stairs, past all the
other doors with their brass letters and their chipped paint, and we’re at the top and I’m watching my hand as it pushes open my door and we’re here inside my kitchen—no, no, no, no, no—and we’re sitting down at my table, and I’m staring into the face I’d once hoped never to see again for the rest of my life.

  Neither of us speaks at first and I’m suddenly filled with longing for my quiet, solitary life within these three cramped rooms of just moments before. The tap drips, the seconds pass, the browning tendrils of my spider plant shiver on the windowsill. I get up so I don’t have to look at her, and I turn away and grip the work surface. With my back to her like this, I finally manage to speak. “How’d you find me, then?” I ask, and when she doesn’t answer I look back and see that she’s gazing around the room, peering across the hallway to the narrow lounge with its fold-down bed.

  “Hmm?” she says vaguely. “Oh.” She looks at me. “Your mum. Still lives in your old place, doesn’t she?”

  And I nod, although I hadn’t known, because Mum and I haven’t spoken in years and in that instant I’m back there, in the old Fremton house. We’re in the kitchen, the strip light flickering, the blackness outside making mirrors of the windows. I’m crying and telling Mum everything, every single thing about what happened that night, as if telling her might stop the screaming in my head, clear the pictures from my mind. I tell her about Heather and Connor and what they did, but it’s as if I’m telling her about some horror film or a nightmare I’ve had. I listen to myself say the words and I can’t believe that what I’m saying is true. I don’t stop talking until I’ve told her every last detail, and when I’ve finished, I reach for her, but Mum’s body is rigid and her face gray with shock. She backs away from me, and never, never again in my life do I want someone to look at me the way she does then.

  When she finally speaks she spits out her words like stones. “Go to bed, Edith,” she says. “And don’t ever talk to me about this again. Do you hear me? I never want to hear about this again.” She turns her back, staring at the window, and I see her pinched, awful face reflected in the glass. The next morning I get up before dawn, take some money from her purse, and catch the train to my uncle Geoff’s in Erith, and I never go back there again.

  I’m stunned by what Heather has told me: that my mother had my address to give her amazes me. My uncle never knew what caused the rift between us and always hoped that we would one day reconcile, so the fact that he passed it on to her is no surprise. But that Mum had actually written it down and kept it safe somewhere is a revelation.

  I feel exhaustion roll over me in waves, but still I force myself to ask, “What do you want, Heather? Why have you come here now?” Because I always knew, really, that this moment would come. Hadn’t I dreamed about it night after night, woken in the small hours sick with the fear of it, looked over my shoulder certain it was approaching, out there somewhere, getting steadily closer?

  She doesn’t answer at first. On the table in front of her, she’s put her bag: a black woolen knitted thing with a chipped plastic button. Clinging to the wool are bits of fluff, crumbs, and lots of little ginger hairs; cats’ hairs, maybe. Her small hazel eyes peer at me beneath sparse pale lashes; she wears no makeup except for an incongruous smear of bright pink lipstick that looks as if it should be on someone else’s face. In the silence a woman’s voice drifts up to us from the street, “Terry . . . Terry . . . Terrrrrrr-eeeeeee . . . ,” and we listen to it dwindle and die, and at that moment the darkness over London pounces, that sad, final instant where daylight vanishes, the electric lights of the city suddenly strong, and I hear a faint tremor of hurt and reproach in Heather’s voice as she says, “Nothing. I don’t want anything. I just wanted to see you again.”

  I try to make sense of this, my mind confusedly grasping at various possible explanations, but then she starts to speak again, and she says—with loneliness like an open wound, so raw and familiar that I have to turn my eyes from it—“You were my best friend.”

  “Yes,” I whisper. And because I have no idea what else to do, I get up and put the kettle on and I make some tea while Heather talks, for all the world as though this were an ordinary visit—two old friends catching up: how she lives in Birmingham now (“we moved not long after you left”), the newsagent’s where she works part-time.

  As she talks I take in little glances. Such an ordinary-looking woman. A little on the large size, her chubby hands folded in front of her on the table, her soft Welsh accent, her shoulder-length hair, her eager smile. “Do you still live with your mum and dad?” I ask, for something to say, falling in with the game she’s playing, if that’s what this is. And she nods. Yes, I think—it would be hard, even now, to imagine her coping without them. She was never stupid, Heather, not backward or anything like that—in fact, she’d always done well at school. But despite her cleverness, there’d always been an inexplicable something missing somehow, an innocence that made her vulnerable, too easily led astray. I sit down in the chair next to her. “Heather,” I say quickly, before I lose my nerve, “Heather, what do you want?”

  But instead of answering she reaches over and, taking me by surprise, gently pulls a strand of my hair between her fingers. “Still so pretty, Edie,” she says dreamily. “You haven’t changed a bit.” And I can’t help it: I flinch so obviously that I have to get to my feet, cluttering the tea things together in the sink, her eyes boring into my back.

  “Can I see your flat?” she asks, and when I nod she goes and stands at the door to my tiny living room. I follow her, and together we look in at the cramped, dusty mess, the fold-down bed, the rail of clothes, the crappy, secondhand telly. “It’s lovely,” she says in a hushed voice. “You’re so lucky.” And I have to stifle a sudden desire to laugh. If you had asked me at sixteen what sort of person I would become, what sort of life my future self might lead, I would never have pictured this.

  It occurs to me that she must have found her way to London by herself, and then made her way through the city to get here, and I’m both impressed and horrified by this. The thought hits me that she might expect to stay the night, and the idea is so awful that I blurt, “Heather, I’m really sorry but I have to go out. I have to go out soon and it’s been so nice to see you again, but I really do have to—”

  Her face falls. “Oh.” She looks around the room wistfully, disappointment etched into her face. “Maybe I could stay here until you get back.”

  She eyes my sofa hopefully and I try very hard to keep the panic from my voice as I lie, “I’m going away for a few days actually, with friends,” and I begin to steer her back toward the kitchen. “I’m sorry.” Reluctantly she nods and follows me to where she’s left her coat and bag. I watch her, my heart sinking, knowing I should relent. She’s only been here fifteen minutes after all. But I stand there as she puts her coat on, and I say nothing.

  “Can I have your number?” she asks. “I could phone you and then next time we could spend the day or even the weekend together.”

  There’s such longing in her eyes that I feel myself nodding hopelessly and she rummages eagerly in her bag. I watch her, my arms folded tightly, as she slowly punches my name into her mobile.

  She looks up expectantly, but something in my posture or the angle in which I’m standing reveals something to her and as realization dawns, her mouth gapes. “You’re pregnant!” she says.

  For the briefest moment I see something in her eyes that makes me shudder, though I don’t know why—just for a second something else peeps out at me from behind her hazel stare. My hands fly defensively to my belly and an image, gone almost before it’s there, of Heri’s face flickers across my mind. I don’t reply.

  “Well,” she says after a silence, “congratulations. How lovely.” As she continues to gaze at me, her pupils twitch intently, and sensing that she’s about to ask more questions, I rattle off my number and watch as she punches it in, agonizingly slowly, until finally I open
the door and say good-bye as warmly as I know how, and at last she turns to leave. But just before she does she pauses and says very softly, “Do you remember the quarry, Edie? How we used to go up there together, all of us?”

  I feel momentarily light-headed, a wave of nausea washes over me, and when I speak my voice is barely a whisper. “Yes.”

  She nods. “Me too. I think about it all the time.” And then, finally, she leaves, her sensible lace-ups clattering upon the staircase as she retreats lower and lower. I lean against the wall, weak with relief, until from far below I hear the front door’s heavy slam as she closes it behind her, like a jailer.

  BEFORE

  Year 11 leavers’ day, and everywhere you look girls are writing on one another’s shirts in felt-tip pen, drinking from Coke cans I think they’ve filled with something else, throwing flour bombs out of top-floor windows. I sit on the bench below the library window and watch. They’re all going up to the rec later to get drunk—I’d heard them talking about it in the loos. They hadn’t asked me, but I don’t really mind because Mum always worries if I’m back late. I see Nicola Gates over by the water fountain, but she turns away when I wave.

  And that’s when I first see Edie, walking across the forecourt in the direction of the main doors. As I watch, her face appearing then disappearing behind others in the crowd, she stops, her eyes squinting up at the building before darting around herself again and then finally landing upon me. I hold my breath. I don’t think I’ve ever seen anyone so pretty before, not in real life.

  Then there she is, standing right in front of me, and at first I’m too distracted by all the different parts of her to take in what she’s saying: the smell of the leather jacket she’s carrying over her arm, mixed with something else, something soft and appley, her eyes, big and golden brown with lots of black eyeliner, pale mauve varnish on her nails. In the hollow of her clavicle is a little gold locket with a tiny green stone in the middle. If you were to put your finger beneath it, you’d feel the jump-jump-jump of her pulse.