Girl on the Train

by Paula Hawkins

  “You think that you should feel worse than you do? That you don’t feel bad enough for your mistakes?”

  “Yes.”

  Kamal shook his head. “Rachel, you have told me that you lost your marriage, you lost your job—do you not think this is punishment enough?”

  I shook my head.

  He leaned back a little in his chair. “I think perhaps you are being rather hard on yourself.”

  “I’m not.”

  “All right. OK. Can we go back a bit? To when the problem started. You said it was . . . four years ago? Can you tell me about that time?”

  I resisted. I wasn’t completely lulled by the warmth of his voice, by the softness of his eyes. I wasn’t completely hopeless. I wasn’t going to start telling him the whole truth. I wasn’t going to tell him how I longed for a baby. I told him that my marriage broke down, that I was depressed, and that I’d always been a drinker, but that things just got out of hand.

  “Your marriage broke down, so . . . you left your husband, or he left you, or . . . you left each other?”

  “He had an affair,” I said. “He met another woman and fell in love with her.” He nodded, waiting for me to go on. “It wasn’t his fault, though. It was my fault.”

  “Why do you say that?”

  “Well, the drinking started before . . .”

  “So your husband’s affair was not the trigger?”

  “No, I’d already started, my drinking drove him away, it was why he stopped . . .”

  Kamal waited, he didn’t prompt me to go on, he just let me sit there, waiting for me to say the words out loud.

  “Why he stopped loving me,” I said.

  I hate myself for crying in front of him. I don’t understand why I couldn’t keep my guard up. I shouldn’t have talked about real things, I should have gone in there with some totally made-up problems, some imaginary persona. I should have been better prepared.

  I hate myself for looking at him and believing, for a moment, that he felt for me. Because he looked at me as though he did, not as though he pitied me, but as though he understood me, as though I was someone he wanted to help.

  “So then, Rachel, the drinking started before the breakdown of your marriage. Do you think you can point to an underlying cause? I mean, not everyone can. For some people, there is just a general slide into a depressive or an addicted state. Was there something specific for you? A bereavement, some other loss?”

  I shook my head, shrugged. I wasn’t going to tell him that. I will not tell him that.

  He waited for a few moments and then glanced quickly at the clock on his desk.

  “We will pick up next time, perhaps?” he said, and then he smiled and I went cold.

  Everything about him is warm—his hands, his eyes, his voice—everything but the smile. You can see the killer in him when he shows his teeth. My stomach a hard ball, my pulse skyrocketing again, I left his office without shaking his outstretched hand. I couldn’t stand to touch him.

  I understand, I do. I can see what Megan saw in him, and it’s not just that he’s arrestingly handsome. He’s also calm and reassuring, he exudes a patient kindness. Someone innocent or trusting or simply troubled might not see through all that, might not see that under all that calm he’s a wolf. I understand that. For almost an hour, I was drawn in. I let myself open up to him. I forgot who he was. I betrayed Scott, and I betrayed Megan, and I feel guilty about that.

  But most of all, I feel guilty because I want to go back.

  WEDNESDAY, AUGUST 7, 2013

  MORNING

  I had it again, the dream where I’ve done something wrong, where everyone is against me, sides with Tom. Where I can’t explain, or even apologize, because I don’t know what the thing is. In the space between dreaming and wakefulness, I think of a real argument, long ago—four years ago—after our first and only round of IVF failed, when I wanted to try again. Tom told me we didn’t have the money, and I didn’t question that. I knew we didn’t—we’d taken on a big mortgage, he had some debts left over from a bad business deal his father had coaxed him into pursuing—I just had to deal with it. I just had to hope that one day we would have the money, and in the meantime I had to bite back the tears that came, hot and fast, every time I saw a stranger with a bump, every time I heard someone else’s happy news.

  It was a couple of months after we’d found out that the IVF had failed that he told me about the trip. Vegas, for four nights, to watch the big fight and let off some steam. Just him and a couple of his mates from the old days, people I had never met. It cost a fortune, I know, because I saw the booking receipt for the flight and the room in his email inbox. I’ve no idea what the boxing tickets cost, but I can’t imagine they were cheap. It wasn’t enough to pay for a round of IVF, but it would have been a start. We had a horrible fight about it. I don’t remember the details because I’d been drinking all afternoon, working myself up to confront him about it, so when I did it was in the worst possible way. I remember his coldness the next day, his refusal to speak about it. I remember him telling me, in flat disappointed tones, what I’d done and said, how I’d smashed our framed wedding photograph, how I’d screamed at him for being so selfish, how I’d called him a useless husband, a failure. I remember how much I hated myself that day.

  I was wrong, of course I was, to say those things to him, but what comes to me now is that I wasn’t unreasonable to be angry. I had every right to be angry, didn’t I? We were trying to have a baby—shouldn’t we have been prepared to make sacrifices? I would have cut off a limb if it meant I could have had a child. Couldn’t he have forgone a weekend in Vegas?

  I lie in bed for a bit, thinking about that, and then I get up and decide to go for a walk, because if I don’t do something I’m going to want to go round to the corner shop. I haven’t had a drink since Sunday and I can feel the fight going on within me, the longing for a little buzz, the urge to get out of my head, smashing up against the vague feeling that something has been accomplished and that it would be a shame to throw it away now.

  Ashbury isn’t really a good place to walk, it’s just shops and suburbs, there isn’t even a decent park. I head off through the middle of town, which isn’t so bad when there’s no one else around. The trick is to fool yourself into thinking that you’re headed somewhere: just pick a spot and set off towards it. I chose the church at the top of Pleasance Road, which is about two miles from Cathy’s flat. I’ve been to an AA meeting there. I didn’t go to the local one because I didn’t want to bump into anyone I might see on the street, in the supermarket, on the train.

  When I get to the church, I turn around and walk back, striding purposefully towards home, a woman with things to do, somewhere to go. Normal. I watch the people I pass—the two men running, backpacks on, training for the marathon, the young woman in a black skirt and white trainers, heels in her bag, on her way to work—and I wonder what they’re hiding. Are they moving to stop drinking, running to stand still? Are they thinking about the killer they met yesterday, the one they’re planning to see again?

  I’m not normal.

  I’m almost home when I see it. I’ve been lost in thought, thinking about what these sessions with Kamal are actually supposed to achieve: am I really planning to rifle through his desk drawers if he happens to leave the room? To try to trap him into saying something revealing, to lead him into dangerous territory? Chances are he’s a lot cleverer than I am; chances are he’ll see me coming. After all, he knows his name has been in the papers—he must be alert to the possibility of people trying to get stories on him or information from him.

  This is what I’m thinking about, head down, eyes on the pavement, as I pass the little Londis shop on the right and try not to look at it because it raises possibilities, but out of the corner of my eye I see her name. I look up and it’s there, in huge letters on the front of a tabloid newspaper: WAS MEGAN A CHILD KILLER?

  ANNA

  • • •

  WEDNESDAY, AUGU
ST 7, 2013

  MORNING

  I was with the National Childbirth Trust girls at Starbucks when it happened. We were sitting in our usual spot by the window, the kids were spreading Lego all over the floor, Beth was trying (yet again) to persuade me to join her book club, and then Diane showed up. She had this look on her face, the self-importance of someone who is about to deliver a piece of particularly juicy gossip. She could barely contain herself as she struggled to get her double buggy through the door.

  “Anna,” she said, her face grave, “have you seen this?” She held up a newspaper with the headline WAS MEGAN A CHILD KILLER? I was speechless. I just stared at it and, ridiculously, burst into tears. Evie was horrified. She howled. It was awful.

  I went to the loos to clean myself (and Evie) up, and when I got back they were all speaking in hushed tones. Diane glanced slyly up at me and asked, “Are you all right, sweetie?” She was enjoying it, I could tell.

  I had to leave then, I couldn’t stay. They were all being terribly concerned, saying how awful it must be for me, but I could see it on their faces: thinly disguised disapproval. How could you entrust your child to that monster? You must be the worst mother in the world.

  I tried to call Tom on the way home, but his phone just went straight to voice mail. I left him a message to ring me back as soon as possible—I tried to keep my voice light and even, but I was trembling and my legs felt shaky, unsteady.

  I didn’t buy the paper, but I couldn’t resist reading the story online. It all sounds rather vague. “Sources close to the Hipwell investigation” claim an allegation has been made that Megan “may have been involved in the unlawful killing of her own child” ten years ago. The “sources” also speculate that this could be a motive for her murder. The detective in charge of the whole investigation—Gaskill, the one who came to speak to us after she went missing—made no comment.

  Tom rang me back—he was in between meetings, he couldn’t come home. He tried to placate me, he made all the right noises, he told me it was probably a load of rubbish anyway. “You know you can’t believe half the stuff they print in the newspapers.” I didn’t make too much of a fuss, because he was the one who suggested she come and help out with Evie in the first place. He must be feeling horrible.

  And he’s right. It may not even be true. But who would come up with a story like that? Why would you make up a thing like that? And I can’t help thinking, I knew. I always knew there was something off about that woman. At first I just thought she was a bit immature, but it was more than that, she was sort of absent. Self-involved. I’m not going to lie—I’m glad she’s gone. Good riddance.

  EVENING

  I’m upstairs, in the bedroom. Tom’s watching TV with Evie. We’re not talking. It’s my fault. He walked in the door and I just went for him.

  I was building up to it all day. I couldn’t help it, couldn’t hide from it, she was everywhere I looked. Here, in my house, holding my child, feeding her, changing her, playing with her while I was taking a nap. I kept thinking of all the times I left Evie alone with her, and it made me sick.

  And then the paranoia came, that feeling I’ve had almost all the time I’ve lived in this house, of being watched. At first, I used to put it down to the trains. All those faceless bodies staring out of the windows, staring right across at us, it gave me the creeps. It was one of the many reasons why I didn’t want to move in here in the first place, but Tom wouldn’t leave. He said we’d lose money on the sale.

  At first the trains, and then Rachel. Rachel watching us, turning up on the street, calling us up all the time. And then even Megan, when she was here with Evie: I always felt she had half an eye on me, as though she were assessing me, assessing my parenting, judging me for not being able to cope on my own. Ridiculous, I know. Then I think about that day when Rachel came to the house and took Evie, and my whole body goes cold and I think, I’m not being ridiculous at all.

  So by the time Tom came home, I was spoiling for a fight. I issued an ultimatum: we have to leave, there’s no way I can stay in this house, on this road, knowing everything that has gone on here. Everywhere I look now I have to see not only Rachel, but Megan, too. I have to think about everything she touched. It’s too much. I said I didn’t care whether we got a good price for the house or not.

  “You will care when we’re forced to live in a much worse place, when we can’t make our mortgage payments,” he said, perfectly reasonably. I asked whether he couldn’t ask his parents to help out—they have plenty of money—but he said he wouldn’t ask them, that he’d never ask them for anything again, and he got angry then, said he didn’t want to talk about it anymore. It’s because of how his parents treated him when he left Rachel for me. I shouldn’t even have mentioned them, it always pisses him off.

  But I can’t help it. I feel desperate, because now every time I close my eyes I see her, sitting there at the kitchen table with Evie on her lap. She’d be playing with her and smiling and chattering, but it never seemed real, it never seemed as if she really wanted to be there. She always seemed so happy to be handing Evie back to me when it was time for her to go. It was almost as though she didn’t like the feel of a child in her arms.

  RACHEL

  • • •

  WEDNESDAY, AUGUST 7, 2013

  EVENING

  The heat is insufferable, it builds and builds. With the apartment windows open, you can taste the carbon monoxide rising from the street below. My throat itches. I’m taking my second shower of the day when the phone rings. I let it go, and it rings again. And again. By the time I’m out, it’s ringing for a fourth time, and I answer.

  He sounds panicky, his breath short. His voice comes to me in snatches. “I can’t go home,” he says. “There are cameras everywhere.”

  “Scott?”

  “I know this is . . . this is really weird, but I just need to go somewhere, somewhere they won’t be waiting for me. I can’t go to my mother’s, my friends’. I’m just . . . driving around. I’ve been driving around since I left the police station . . .” There’s a catch in his voice. “I just need an hour or two. To sit, to think. Without them, without the police, without people asking me fucking questions. I’m sorry, but could I come to your house?”

  I say yes, of course. Not just because he sounds panicked, desperate, but because I want to see him. I want to help him. I give him the address and he says he’ll be here in fifteen minutes.

  The doorbell rings ten minutes later: short, sharp, urgent bursts.

  “I’m sorry to do this,” he says as I open the front door. “I didn’t know where to go.” He has a hunted look to him: he’s shaken, pale, his skin slick with sweat.

  “It’s all right,” I say, stepping aside to allow him to pass me. I show him into the living room, tell him to sit down. I fetch him a glass of water from the kitchen. He drinks it, almost in one gulp, then sits, bent over, forearms on his knees, head hanging down.

  I hover, unsure whether to speak or to hold my tongue. I fetch his glass and refill it, saying nothing. Eventually, he starts to speak.

  “You think the worst has happened,” he says quietly. “I mean, you would think that, wouldn’t you?” He looks up at me. “My wife is dead, and the police think that I killed her. What could be worse than that?”

  He’s talking about the news, about the things they’re saying about her. This tabloid story, supposedly leaked by someone in the police, about Megan’s involvement in the death of a child. Murky, speculative stuff, a smear campaign on a dead woman. It’s despicable.

  “It isn’t true, though,” I say to him. “It can’t be.”

  His expression is blank, uncomprehending. “Detective Riley told me this morning,” he says. He coughs, clears his throat. “The news I always wanted to hear. You can’t imagine,” he goes on, his voice barely more than a whisper, “how I’ve longed for it. I used to daydream about it, imagine how she’d look, how she’d smile at me, shy and knowing, how she’d take my hand and press
it to her lips . . .” He’s lost, he’s dreaming, I have no idea what he’s talking about. “Today,” he says, “today I got the news that Megan was pregnant.”

  He starts to cry, and I am choking, too, crying for an infant who never existed, the child of a woman I never knew. But the horror of it is almost too much to bear. I cannot understand how Scott is still breathing. It should have killed him, should have sucked the life right out of him. Somehow, though, he is still here.

  I can’t speak, can’t move. The living room is hot, airless despite the open windows. I can hear noises from the street below: a police siren, young girls shouting and laughing, bass booming from a passing car. Normal life. But in here, the world is ending. For Scott, the world is ending, and I can’t speak. I stand there, mute, helpless, useless.

  Until I hear footfalls on the steps outside, the familiar jangle of Cathy fishing around in her huge handbag for her house keys. It jolts me to life. I have to do something: I grab Scott’s hand and he looks up at me, alarmed.

  “Come with me,” I say, pulling him to his feet. He lets me drag him into the hallway and up the stairs before Cathy unlocks the door. I close the bedroom door behind us.

  “My flatmate,” I say by way of explanation. “She’d . . . she might ask questions. I know that’s not what you want at the moment.”

  He nods. He looks around my tiny room, taking in the unmade bed, the clothes, both clean and dirty, piled on my desk chair, the blank walls, the cheap furniture. I am embarrassed. This is my life: messy, shabby, small. Unenviable. As I’m thinking this, I think how ridiculous I am to imagine that Scott could possibly care about the state of my life at this moment.

  I motion for him to sit down on the bed. He obeys, wiping his eyes with the back of his hand. He breathes out heavily.

  “Can I get you something?” I ask him.

  “A beer?”

  “I don’t keep alcohol in the house,” I say, and I can feel myself going red as I say it. Scott doesn’t notice, though, he doesn’t even look up. “I can make you a cup of tea?” He nods again. “Lie down,” I say. “Rest.” He does as he’s told, kicking off his shoes and lying back on the bed, docile as a sick child.

  Downstairs, while I boil the kettle I make small talk with Cathy, listening to her going on about the new place in Northcote she’s discovered for lunch (“really good salads”) and how annoying the new woman at work is. I smile and nod, but I’m only half hearing her. My body is braced: I’m listening out for him, for creaks or footsteps. It feels unreal to have him here, in my bed, upstairs. It makes me dizzy to think about it, as though I’m dreaming.

  Cathy stops talking eventually and looks at me, her brow furrowed. “Are you all right?” she asks. “You look . . . kind of out of it.”

  “I’m just a bit tired,” I tell her. “I’m not feeling very well. I think I’ll go to bed.”

  She gives me a look. She knows I’ve not been drinking (she can always tell), but she probably assumes I’m about to start. I don’t care, I can’t think about it now; I pick up the cup of tea for Scott and tell her I’ll see her in the morning.

  I stop outside my bedroom door and listen. It’s quiet. Carefully, I twist the doorknob and push the door open. He’s lying there, in exactly the same position I left him, his hands at his sides, his eyes shut. I can hear his breathing, soft and ragged. His bulk takes up half the bed, but I’m tempted to lie down in the space next to him, to put my arm across his chest, to comfort him. Instead, I give a little cough and hold out the cup of tea.

  He sits up. “Thank you,” he says gruffly, taking the mug from me. “Thank you for . . . giving me sanctuary. It’s been . . . I can’t describe how it’s been, since that story came out.”

  “The one about what happened years ago?”

  “Yeah, that one.”

  How the tabloids got hold of that story is hotly disputed. The speculation has been rife, fingers pointed at the police, at Kamal Abdic, at Scott.

  “It’s a lie,” I say to him. “Isn’t it?”

  “Of course it is, but it gives someone a motive, doesn’t it? That’s what they’re saying: Megan killed her baby, which would give someone—the father of the child, presumably—a motive to kill her. Years and years later.”

  “It’s ridiculous.”

  “But you know what everyone’s saying. That I made this story up, not just to make her look like a bad person, but to shift suspicion away from me, onto some unknown person. Some guy from her past that no one even knows about.”

  I sit down next to him on the bed. Our thighs almost touch.