Girl on the Train

by Paula Hawkins

  with the girls, and I was going to babysit. I thought perhaps it wouldn’t be such a bad thing—she would come round and I’d have it out with her. I’d make her understand. But then you came along, Rachel, and fucked everything up.”

  He leans back on the sofa, his legs spread wide apart, the big man, taking up space. “It was your fault. The whole thing was actually your fault, Rachel. Anna didn’t end up having dinner with her friends—she was back here after five minutes, upset and angry because you were out there, pissed as usual, stumbling around with some bloke outside the station. She was worried that you were going to head over here. She was worried about Evie.

  “So instead of sorting things out with Megan, I had to go out and deal with you.” His lip curls. “God, the state of you. Looking like shit, stinking of wine . . . you tried to kiss me, do you remember?” He pretends to gag, then starts laughing. Anna laughs, too, and I can’t tell whether she finds it funny or whether she’s trying to appease him.

  “I needed to make you understand that I didn’t want you anywhere near me—near us. So I took you back up the road into the underpass so that you wouldn’t be making a scene in the street. And I told you to stay away. And you cried and whined, so I gave you a smack to shut you up, and you cried and whined some more.” He’s talking through gritted teeth; I can see the muscle tensing in his jaw. “I was so pissed off, I just wanted you to go away and leave us alone, you and Megan. I have my family. I have a good life.” He glances over at Anna, who is trying to get the child to sit down in the high chair. Her face is completely expressionless. “I’ve made a good life for myself, despite you, despite Megan—despite everything.

  “It was after I’d seen you that Megan came along. She was heading down towards Blenheim Road. I couldn’t let her go to the house. I couldn’t let her talk to Anna, could I? I told her that we could go somewhere and talk, and I meant it—that was all I was going to do. So we got into the car and drove to Corly, to the wood. It was a place we sometimes used to go, if we hadn’t got a room. Do it in the car.”

  From my seat on the sofa, I can feel Anna flinch.

  “You have to believe me, Anna, I didn’t intend for things to go the way they did.” Tom looks at her, then hunches over, looking down at the palms of his hands. “She started going on about the baby—she didn’t know if it was mine or his. She wanted everything out in the open, and if it was mine she’d be OK with me seeing it . . . I was saying, ‘I’m not interested in your baby, it’s got nothing to do with me.’” He shakes his head. “She got all upset, but when Megan gets upset . . . she’s not like Rachel. There’s no crying and whining. She was screaming at me, swearing, saying all sorts of shit, telling me she’d go straight to Anna, she wasn’t going to be ignored, her child wasn’t going to be neglected . . . Christ, she just wouldn’t fucking shut up. So . . . I don’t know, I just needed her to stop. So I picked up a rock”—he stares down at his right hand, as though he can see it now—“and I just . . .” He closes his eyes and sighs deeply. “It was just one hit, but she was . . .” He puffs out his cheeks, exhales slowly. “I didn’t mean for this. I just wanted her to stop. She was bleeding a lot. She was crying, making a horrible noise. She tried to crawl away from me. There was nothing I could do. I had to finish it.”

  The sun is gone, the room is dark. It’s quiet, save for the sound of Tom’s breathing, ragged and shallow. There’s no street noise. I can’t remember the last time I heard a train.

  “I put her in the boot of the car,” he says. “I drove a bit farther into the wood, off the road. There was no one around. I had to dig . . .” His breathing is shallower still, quickening. “I had to dig with my bare hands. I was afraid.” He looks up at me, his pupils huge. “Afraid that someone would come. And it was painful, my fingernails ripped in the soil. It took a long time. I had to stop to phone Anna, to tell her I was out looking for you.”

  He clears his throat. “The ground was actually quite soft, but I still couldn’t go down as deep as I wanted. I was so afraid that someone would come. I thought there would be a chance to go back, later on, when things had all died down. I thought I would be able to move her, put her somewhere . . . better. But then it started raining and I never got the chance.”

  He looks up at me with a frown. “I was almost sure that the police would go for Scott. She told me how paranoid he was about her screwing around, that he used to read her emails, check up on her. I thought . . . well, I was planning to put her phone in his house at some point. I don’t know. I thought I might go round there for a beer or something, a friendly neighbour kind of thing. I don’t know. I didn’t have a plan. I hadn’t thought it all through. It wasn’t like a premeditated thing. It was just a terrible accident.”

  But then his demeanour changes again. It’s like clouds scudding across the sky, now dark, now light. He gets to his feet and walks slowly over to the kitchen, where Anna is now sitting at the table, feeding Evie. He kisses her on the top of the head, then lifts his daughter out of the chair.

  “Tom . . .” Anna starts to protest.

  “It’s OK.” He smiles at his wife. “I just want a cuddle. Don’t I, darling?” He goes over to the fridge with his daughter in his arms and pulls out a beer. He looks over at me. “You want one?”

  I shake my head.

  “No, best not, I suppose.”

  I hardly hear him. I’m calculating whether I can reach the front door from here before he can get hold of me. If it’s just on the latch, I reckon I could make it. If he’s locked it, then I’d be in trouble. I pitch myself forward and run. I get into the hallway—my hand is almost on the door handle—when I feel the bottle hit the back of my skull. There’s an explosion of pain, white before my eyes, and I crumple to my knees. His fingers twist into my hair as he grabs a fistful and pulls, dragging me back into the living room, where he lets go. He stands above me, straddling me, one foot on either side of my hips. His daughter is still in his arms, but Anna is at his side, tugging at her.

  “Give her to me, Tom, please. You’re going to hurt her. Please, give her to me.”

  He hands the wailing Evie over to Anna.

  I can hear Tom talking, but it seems like he’s a long way away, or as though I’m hearing him through water. I can make out the words but they somehow don’t seem to apply to me, to what’s happening to me. Everything is happening at one remove.

  “Go upstairs,” he says. “Go into the bedroom and shut the door. You mustn’t call anyone, OK? I mean it, Anna. You don’t want to call anyone. Not with Evie here. We don’t want things to turn nasty.” Anna doesn’t look down at me. She clutches the child to her chest, steps over me and hurries away.

  Tom bends down, slips his hands into the waistband of my jeans, grabs hold of them and drags me along the floor into the kitchen. I’m kicking out with my legs, trying to get a hold of something, but I can’t. I can’t see properly—tears are stinging my eyes, everything is a blur. The pain in my head is excruciating as I bump along the floor, and I feel a wave of nausea come over me. There’s hot, white pain as something connects with my temple. Then nothing.

  ANNA

  • • •

  SUNDAY, AUGUST 18, 2013

  EVENING

  She’s on the floor in the kitchen. She’s bleeding, but I don’t think it’s serious. He hasn’t finished it. I’m not really sure what he’s waiting for. I suppose it’s not easy for him. He did love her, once.

  I was upstairs, putting Evie down, and I was thinking that this is what I wanted, isn’t it? Rachel will be gone at last, once and for all, never to return. This is what I dreamed about happening. Well, not exactly this, obviously. But I did want her gone. I dreamed of a life without Rachel, and now I could have one. It would be just the three of us, me and Tom and Evie, like it should be.

  For just a moment, I let myself enjoy the fantasy, but then I looked down at my sleeping daughter and I knew that was all it was. A fantasy. I kissed my finger and touched it to her perfect lips and I kne
w that we would never be safe. I would never be safe, because I know, and he won’t be able to trust me. And who’s to say another Megan won’t come along? Or—worse—another Anna, another me?

  I went back downstairs and he was sitting at the kitchen table, drinking a beer. I couldn’t see her at first, but then I noticed her feet, and I thought at first that it was done, but he said she was all right.

  “Just a little knock,” he said. He won’t be able to call this one an accident.

  So we waited. I got myself a beer, too, and we drank them together. He told me he was really sorry about Megan, about the affair. He kissed me, he told me he’d make it up to me, that we’d be OK, that everything would be all right.

  “We’ll move away from here, just like you’ve always wanted. We’ll go anywhere you want. Anywhere.” He asked me if I could forgive him, and I said that I could, given time, and he believed me. I think he believed me.

  The storm has started, just like they said it would. The rumble of thunder wakes her, brings her to. She starts to make a noise, to move around on the floor.

  “You should go,” he says to me. “Go back upstairs.”

  I kiss him on the lips and I leave him, but I don’t go back upstairs. Instead I pick up the phone in the hallway, sit on the bottom stair and listen, the handset in my hand, waiting for the right moment.

  I can hear him talking to her, soft and low, and then I hear her. I think she’s crying.

  RACHEL

  • • •

  SUNDAY, AUGUST 18, 2013

  EVENING

  I can hear something, a hissing sound. There’s a flash of light and I realize it’s the rain, pouring down. It’s dark outside, there’s a storm. Lightning. I don’t remember when it got dark. The pain in my head brings me back to myself, my heart crawls into my throat. I’m on the floor. In the kitchen. With difficulty, I manage to lift my head and raise myself onto one elbow. He’s sitting at the kitchen table, looking out at the storm, a beer bottle between his hands.

  “What am I going to do, Rach?” he asks when he sees me raise my head. “I’ve been sitting here for . . . almost half an hour now, just asking myself that question. What am I supposed to do with you? What choice are you giving me?” He takes a long draught of beer and regards me thoughtfully. I pull myself up to a sitting position, my back to the kitchen cupboards. My head swims, my mouth floods with saliva. I feel as though I’m going to throw up. I bite my lip and dig my fingernails into my palms. I need to bring myself out of this stupor, I can’t afford to be weak. I can’t rely on anyone else. I know that. Anna isn’t going to call the police. She isn’t going to risk her daughter’s safety for me.

  “You have to admit it,” Tom is saying. “You’ve brought this upon yourself. Think about it: if you’d just left us alone, you’d never be in this situation. I wouldn’t be in this situation. None of us would. If you hadn’t been there that night, if Anna hadn’t come running back here after she saw you at the station, then I’d probably have just been able to sort things out with Megan. I wouldn’t have been so . . . riled up. I wouldn’t have lost my temper. I wouldn’t have hurt her. None of this would have happened.”

  I can feel a sob building in the back of my throat, but I swallow it down. This is what he does—this is what he always does. He’s a master at it, making me feel as though everything is my fault, making me feel worthless.

  He finishes his beer and rolls the empty bottle across the table. With a sad shake of his head, he gets to his feet, comes over to me and holds out his hands. “Come on,” he says. “Grab hold. Come on, Rach, up you come.”

  I let him pull me to my feet. My back is to the kitchen counter, he is standing in front of me, against me, his hips pressing against mine. He reaches up to my face, wipes the tears off my cheekbones with his thumb. “What am I supposed to do with you, Rach? What do you think I should do?”

  “You don’t have to do anything,” I say to him, and I try to smile. “You know that I love you. I still do. You know that I wouldn’t tell anyone . . . I couldn’t do that to you.”

  He smiles—that wide, beautiful smile that used to make me melt—and I start to sob. I can’t believe it, can’t believe we are brought to this, that the greatest happiness I have ever known—my life with him—was an illusion.

  He lets me cry for a while, but it must bore him, because the dazzling smile disappears and now his lip is twisted into a sneer.

  “Come on, Rach, that’s enough,” he says. “Stop snivelling.” He steps away and grabs a handful of Kleenex from a box on the kitchen table. “Blow your nose,” he says, and I do what I’m told.

  He watches me, his face a study in contempt. “That day when we went to the lake,” he says. “You thought you had a chance, didn’t you?” He starts to laugh. “You did, didn’t you? Looking up at me, all doe-eyed and pleading . . . I could have had you, couldn’t I? You’re so easy.” I bite down hard on my lip. He steps closer to me again. “You’re like one of those dogs, the unwanted ones that have been mistreated all their lives. You can kick them and kick them, but they’ll still come back to you, cringing and wagging their tails. Begging. Hoping that this time it’ll be different, that this time they’ll do something right and you’ll love them. You’re just like that, aren’t you, Rach? You’re a dog.” He slips his hand around my waist and puts his mouth on mine. I let his tongue slip between my lips and press my hips against his. I can feel him getting hard.

  I don’t know if everything’s in the same place that it was when I lived here. I don’t know whether Anna rearranged the cupboards, put the spaghetti in a different jar, moved the weighing scales from bottom left to bottom right. I don’t know. I just hope, as I slip my hand into the drawer behind me, that she didn’t.

  “You could be right, you know,” I say when the kiss breaks. I tilt my face up to his. “Maybe if I hadn’t come to Blenheim Road that night, Megan would still be alive.”

  He nods and my right hand closes around a familiar object. I smile and lean in to him, closer, closer, snaking my left hand around his waist. I whisper into his ear, “But do you honestly think, given you’re the one who smashed her skull, that I’m responsible?”

  He jerks his head away from me and it’s then that I lunge forward, pressing all my weight against him, throwing him off balance so that he stumbles back against the kitchen table. I raise my foot and stamp down on his as hard as I can, and as he pitches forward in pain, I grab a fistful of hair at the back of his head and pull him towards me, while at the same time driving my knee up into his face. I feel a crunch of cartilage as he cries out. I push him to the floor, grab the keys from the kitchen table and am out of the French doors before he’s able to get to his knees.

  I head for the fence, but I slip in the mud and lose my footing, and he’s on top of me before I get there, dragging me backwards, pulling my hair, clawing at my face, spitting curses through blood—“You stupid, stupid bitch, why can’t you stay away from us? Why can’t you leave me alone?” I get away from him again, but there’s nowhere to go. I won’t make it back through the house and I won’t make it over the fence. I cry out, but no one’s going to hear me, not over the rain and the thunder and the sound of the approaching train. I run to the bottom of the garden, down towards the tracks. Dead end. I stand on the spot where, a year or more ago, I stood with his child in my arms. I turn, my back to the fence, and watch him striding purposefully towards me. He wipes his mouth with his forearm, spitting blood to the ground. I can feel the vibrations from the tracks in the fence behind me—the train is almost upon us, its sound like a scream. Tom’s lips are moving, he’s saying something to me, but I can’t hear him. I watch him come, I watch him, and I don’t move until he’s almost upon me, and then I swing. I jam the vicious twist of the corkscrew into his neck.

  His eyes widen as he falls without a sound. He raises his hands to his throat, his eyes on mine. He looks as though he’s crying. I watch until I can’t look any longer, then I turn my back on him. As th
e train goes past I can see faces in brightly lit windows, heads bent over books and phones, travellers warm and safe on their way home.

  TUESDAY, SEPTEMBER 10, 2013

  MORNING

  You can feel it: it’s like the hum of electric lights, the change in atmosphere as the train pulls up to the red signal. I’m not the only one who looks now. I don’t suppose I ever was. I suppose that everyone does it—looks out at the houses they pass—only we all see them differently. All saw them differently. Now, everyone else is seeing the same thing. Sometimes you can hear people talk about it.

  “There, it’s that one. No, no, that one, on the left—there. With the roses by the fence. That’s where it happened.”

  The houses themselves are empty, number fifteen and number twenty-three. They don’t look it—the blinds are up and the doors open, but I know that’s because they’re being shown. They’re both on the market now, though it may be a while before either gets a serious buyer. I imagine the estate agents mostly escorting ghouls around those rooms, rubberneckers desperate to see it up close, the place where he fell and his blood soaked the earth.

  It hurts to think of them walking through the house—my house, where I once had hope. I try not to think about what came after. I try not to think about that night. I try and I fail.

  Side by side, drenched in his blood, we sat on the sofa, Anna and I. The wives, waiting for the ambulance. Anna called them—she called the police, she did everything. She took care of everything. The paramedics arrived, too late for Tom, and on their heels came uniformed police, then the detectives, Gaskill and Riley. Their mouths literally fell open when they saw us. They asked questions, but I couldn’t make out their words. I could barely move, barely breathe. Anna spoke, calm and assured.

  “It was self-defence,” she told them. “I saw the whole thing. From the window. He went for her with the corkscrew. He would have killed her. She had no choice. I tried . . .” It was the only time she faltered, the only time I saw her cry. “I tried to stop the bleeding, but I couldn’t. I couldn’t.”

  One of the uniformed police fetched Evie, who miraculously had slept soundly through the whole thing, and they took us all to the police station. They sat Anna and me in separate rooms and asked yet more questions that I don’t remember. I struggled to answer, to concentrate. I struggled to form words at all. I told them he attacked me, hit me with a bottle. I said that he came at me with the corkscrew. I said that I managed to take the weapon from him, that I used it to defend myself. They examined me: they looked at the wound on my head, at my hands, at my fingernails.

  “Not much in the way of defensive wounds,” Riley said doubtfully. They went away and left me there, with a uniformed officer—the one with the neck acne who came to Cathy’s flat in Ashbury a lifetime ago—standing at the door, avoiding my eye. Later, Riley came back. “Mrs. Watson confirms your story, Rachel,” she said. “You can go now.” She couldn’t meet my gaze, either. A uniformed policeman took me to the hospital, where they stitched up the wound on my scalp.

  There’s been a lot of stuff about Tom in the papers. I found out that he was never in the army. He tried to get in, but he was rejected twice. The story about his father was a lie, too—he’d twisted it all round. He took his parents’ savings and lost it all. They forgave him, but he cut all ties with them when his father declined to remortgage their house in order to lend him more money. He lied all the time, about everything. Even when he didn’t need to, even when there was no point.

  I have the clearest memory of Scott talking about Megan, saying I don’t even know who she was, and I feel exactly the same way. Tom’s whole life was constructed on lies—falsehoods and half-truths told to make him look better, stronger, more interesting than he was. And I bought them, I fell for them all. Anna, too. We loved him. I wonder whether we would have loved the weaker, flawed, unembellished version. I think that I would. I would have forgiven his mistakes and his failures. I have committed enough of my own.

  EVENING

  I’m at a hotel in a little town on the Norfolk coast. Tomorrow, I go farther north. Edinburgh, maybe, perhaps farther still. I haven’t made my mind up yet. I just want to make sure I put plenty of distance behind me. I have some money. Mum was quite generous when she discovered everything I’d been through, so I don’t have to worry. Not for a while.

  I hired a car and drove to Holkham this afternoon. There’s a church just outside the village where Megan’s ashes are buried, next to the bones of her daughter, Libby. I read about it in the papers. There was some controversy over the burial, because of Megan’s supposed role in the child’s death. But it was allowed, in the end, and it seems right that it was. Whatever she did, she’s been punished enough.

  It was just starting to rain when I got there, with not a soul in sight, but I parked the car and walked around the graveyard anyway. I found her grave right in the furthermost corner, almost hidden under a line of firs. You would never know that she was there, unless you knew to go looking. The headstone marker bears her name and the dates of her life—no “loving memory,” no “beloved wife,” or “daughter,” or “mother.” Her child’s stone just says Libby. At least now her grave is properly marked; she’s not all alone by the train tracks.

  The rain started to fall harder, and when I walked back through the churchyard I saw a man standing in the doorway of the chapel, and for just a second I imagined that he was Scott. My heart in my mouth, I wiped the rain from my eyes and looked again and saw that it was a priest. He raised a hand to me in greeting.

  I half ran back to the car, feeling needlessly afraid. I was thinking of the violence of my last meeting with Scott, of the way he was at the end—wild and paranoiac, on the edge of madness. There’ll be no peace for him now. How can there be? I think about that, and the way he used to be—the way they used to be, the way I imagined them to be—and I feel bereft. I feel their loss, too.

  I sent an email to Scott, apologizing for all the lies I told him. I wanted to say sorry about Tom, too, because I should have known. If I’d been sober all those years, would I have known? Maybe there will be no peace for me, either.

  He didn’t reply to my message. I didn’t expect him to.

  I drive to the hotel and check in, and to stop myself thinking about how nice it would be to sit in a leather armchair in their cosy, low-lit bar with a glass of wine in my hand, I go for a walk out to the harbour instead.

  I can imagine exactly how good I would feel halfway through my first drink. To push away the feeling, I count the days since I last had a drink: twenty.