Complete Works of Samuel Johnson

by Samuel Johnson

  The necessary expense of preparing a work of such magnitude for the press, must have been a considerable deduction from the price stipulated to be paid for the copy-right. I understand that nothing was allowed by the booksellers on that account; and I remember his telling me, that a large portion of it having by mistake been written upon both sides of the paper, so as to be inconvenient for the compositor, it cost him twenty pounds to have it transcribed upon one side only.

  He is now to be considered as ‘tugging at his oar,’ as engaged in a steady continued course of occupation, sufficient to employ all his time for some years; and which was the best preventive of that constitutional melancholy which was ever lurking about him, ready to trouble his quiet. But his enlarged and lively mind could not be satisfied without more diversity of employment, and the pleasure of animated relaxation. He therefore not only exerted his talents in occasional composition very different from Lexicography, but formed a club in Ivy-lane, Paternoster-row, with a view to enjoy literary discussion, and amuse his evening hours. The members associated with him in this little society were his beloved friend Dr. Richard Bathurst, Mr. Hawkesworth, afterwards well known by his writings, Mr. John Hawkins, an attorney, and a few others of different professions.

  1749: AETAT. 40.] — In January, 1749, he published the Vanity of human Wishes, being the Tenth Satire of Juvenal imitated. He, I believe, composed it the preceding year. Mrs. Johnson, for the sake of country air, had lodgings at Hampstead, to which he resorted occasionally, and there the greatest part, if not the whole, of this Imitation was written. The fervid rapidity with which it was produced, is scarcely credible. I have heard him say, that he composed seventy lines of it in one day, without putting one of them upon paper till they were finished. I remember when I once regretted to him that he had not given us more of Juvenal’s Satires, he said he probably should give more, for he had them all in his head; by which I understood that he had the originals and correspondent allusions floating in his mind, which he could, when he pleased, embody and render permanent without much labour. Some of them, however, he observed were too gross for imitation.

  The profits of a single poem, however excellent, appear to have been very small in the last reign, compared with what a publication of the same size has since been known to yield. I have mentioned, upon Johnson’s own authority, that for his London he had only ten guineas; and now, after his fame was established, he got for his Vanity of Human Wishes but five guineas more, as is proved by an authentick document in my possession.

  His Vanity of Human Wishes has less of common life, but more of a philosophick dignity than his London. More readers, therefore, will be delighted with the pointed spirit of London, than with the profound reflection of The Vanity of Human Wishes. Garrick, for instance, observed in his sprightly manner, with more vivacity than regard to just discrimination, as is usual with wits: ‘When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his London, which is lively and easy. When he became more retired, he gave us his Vanity of Human Wishes, which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew.’

  Garrick being now vested with theatrical power by being manager of Drury-lane theatre, he kindly and generously made use of it to bring out Johnson’s tragedy, which had been long kept back for want of encouragement. But in this benevolent purpose he met with no small difficulty from the temper of Johnson, which could not brook that a drama which he had formed with much study, and had been obliged to keep more than the nine years of Horace, should be revised and altered at the pleasure of an actor. Yet Garrick knew well, that without some alterations it would not be fit for the stage. A violent dispute having ensued between them, Garrick applied to the Reverend Dr. Taylor to interpose. Johnson was at first very obstinate. ‘Sir, (said he) the fellow wants me to make Mahomet run mad, that he may have an opportunity of tossing his hands and kicking his heels.’ He was, however, at last, with difficulty, prevailed on to comply with Garrick’s wishes, so as to allow of some changes; but still there were not enough.

  Dr. Adams was present the first night of the representation of Irene, and gave me the following account: ‘Before the curtain drew up, there were catcalls whistling, which alarmed Johnson’s friends. The Prologue, which was written by himself in a manly strain, soothed the audience, and the play went off tolerably, till it came to the conclusion, when Mrs. Pritchard, the heroine of the piece, was to be strangled upon the stage, and was to speak two lines with the bowstring round her neck. The audience cried out “Murder! Murder!” She several times attempted to speak; but in vain. At last she was obliged to go off the stage alive.’ This passage was afterwards struck out, and she was carried off to be put to death behind the scenes, as the play now has it. The Epilogue, as Johnson informed me, was written by Sir William Yonge. I know not how his play came to be thus graced by the pen of a person then so eminent in the political world.

  Notwithstanding all the support of such performers as Garrick, Barry, Mrs. Cibber, Mrs. Pritchard, and every advantage of dress and decoration, the tragedy of Irene did not please the publick. Mr. Garrick’s zeal carried it through for nine nights, so that the authour had his three nights’ profits; and from a receipt signed by him, now in the hands of Mr. James Dodsley, it appears that his friend Mr. Robert Dodsley gave him one hundred pounds for the copy, with his usual reservation of the right of one edition.

  When asked how he felt upon the ill success of his tragedy, he replied, ‘Like the Monument;’ meaning that he continued firm and unmoved as that column. And let it be remembered, as an admonition to the genus irritabile of dramatick writers, that this great man, instead of peevishly complaining of the bad taste of the town, submitted to its decision without a murmur. He had, indeed, upon all occasions, a great deference for the general opinion: ‘A man (said he) who writes a book, thinks himself wiser or wittier than the rest of mankind; he supposes that he can instruct or amuse them, and the publick to whom he appeals, must, after all, be the judges of his pretensions.’

  On occasion of his play being brought upon the stage, Johnson had a fancy that as a dramatick authour his dress should be more gay than what he ordinarily wore; he therefore appeared behind the scenes, and even in one of the side boxes, in a scarlet waistcoat, with rich gold lace, and a gold-laced hat. He humourously observed to Mr. Langton, ‘that when in that dress he could not treat people with the same ease as when in his usual plain clothes.’ Dress indeed, we must allow, has more effect even upon strong minds than one should suppose, without having had the experience of it. His necessary attendance while his play was in rehearsal, and during its performance, brought him acquainted with many of the performers of both sexes, which produced a more favourable opinion of their profession than he had harshly expressed in his Life of Savage. With some of them he kept up an acquaintance as long as he and they lived, and was ever ready to shew them acts of kindness. He for a considerable time used to frequent the Green Room, and seemed to take delight in dissipating his gloom, by mixing in the sprightly chit-chat of the motley circle then to be found there. Mr. David Hume related to me from Mr. Garrick, that Johnson at last denied himself this amusement, from considerations of rigid virtue; saying, ‘I’ll come no more behind your scenes, David; for the silk stockings and white bosoms of your actresses excite my amorous propensities.’

  1750: AETAT. 41.] — In 1750 he came forth in the character for which he was eminently qualified, a majestick teacher of moral and religious wisdom. The vehicle which he chose was that of a periodical paper, which he knew had been, upon former occasions, employed with great success. The Tatler, Spectator, and Guardian, were the last of the kind published in England, which had stood the test of a long trial; and such an interval had now elapsed since their publication, as made him justly think that, to many of his readers, this form of instruction would, in some degree, have the advantage of novelty. A few days before the first of his Essays came out, there started a
nother competitor for fame in the same form, under the title of The Tatler Revived, which I believe was ‘born but to die.’ Johnson was, I think, not very happy in the choice of his title, The Rambler, which certainly is not suited to a series of grave and moral discourses; which the Italians have literally, but ludicrously translated by Il Vagabondo; and which has been lately assumed as the denomination of a vehicle of licentious tales, The Rambler’s Magazine. He gave Sir Joshua Reynolds the following account of its getting this name: ‘What MUST be done, Sir, WILL be done. When I was to begin publishing that paper, I was at a loss how to name it. I sat down at night upon my bedside, and resolved that I would not go to sleep till I had fixed its title. The Rambler seemed the best that occurred, and I took it.’

  With what devout and conscientious sentiments this paper was undertaken, is evidenced by the following prayer, which he composed and offered up on the occasion: ‘Almighty GOD, the giver of all good things, without whose help all labour is ineffectual, and without whose grace all wisdom is folly; grant, I beseech Thee, that in this undertaking thy Holy Spirit may not be with-held from me, but that I may promote thy glory, and the salvation of myself and others: grant this, O LORD, for the sake of thy son JESUS CHRIST. Amen.’

  The first paper of The Rambler was published on Tuesday the 20th of March, 1750; and its authour was enabled to continue it, without interruption, every Tuesday and Friday, till Saturday the 17th of March, 1752, on which day it closed. This is a strong confirmation of the truth of a remark of his, which I have had occasion to quote elsewhere, that ‘a man may write at any time, if he will set himself doggedly to it;’ for, notwithstanding his constitutional indolence, his depression of spirits, and his labour in carrying on his Dictionary, he answered the stated calls of the press twice a week from the stores of his mind, during all that time.

  Posterity will be astonished when they are told, upon the authority of Johnson himself, that many of these discourses, which we should suppose had been laboured with all the slow attention of literary leisure, were written in haste as the moment pressed, without even being read over by him before they were printed. It can be accounted for only in this way; that by reading and meditation, and a very close inspection of life, he had accumulated a great fund of miscellaneous knowledge, which, by a peculiar promptitude of mind, was ever ready at his call, and which he had constantly accustomed himself to clothe in the most apt and energetick expression. Sir Joshua Reynolds once asked him by what means he had attained his extraordinary accuracy and flow of language. He told him, that he had early laid it down as a fixed rule to do his best on every occasion, and in every company; to impart whatever he knew in the most forcible language he could put it in; and that by constant practice, and never suffering any careless expressions to escape him, or attempting to deliver his thoughts without arranging them in the clearest manner, it became habitual to him.

  As The Rambler was entirely the work of one man, there was, of course, such a uniformity in its texture, as very much to exclude the charm of variety; and the grave and often solemn cast of thinking, which distinguished it from other periodical papers, made it, for some time, not generally liked. So slowly did this excellent work, of which twelve editions have now issued from the press, gain upon the world at large, that even in the closing number the authour says, ‘I have never been much a favourite of the publick.’

  Johnson told me, with an amiable fondness, a little pleasing circumstance relative to this work. Mrs. Johnson, in whose judgement and taste he had great confidence, said to him, after a few numbers of The Rambler had come out, ‘I thought very well of you before; but I did not imagine you could have written any thing equal to this.’ Distant praise, from whatever quarter, is not so delightful as that of a wife whom a man loves and esteems. Her approbation may be said to ‘come home to his bosom;’ and being so near, its effect is most sensible and permanent.

  Mr. James Elphinston, who has since published various works, and who was ever esteemed by Johnson as a worthy man, happened to be in Scotland while The Rambler was coming out in single papers at London. With a laudable zeal at once for the improvement of his countrymen, and the reputation of his friend, he suggested and took the charge of an edition of those Essays at Edinburgh, which followed progressively the London publication.

  This year he wrote to the same gentleman upon a mournful occasion.

  ‘To MR. JAMES ELPHINSTON.

  September 25, 1750.

  ‘DEAR SIR, You have, as I find by every kind of evidence, lost an excellent mother; and I hope you will not think me incapable of partaking of your grief. I have a mother, now eighty-two years of age, whom, therefore, I must soon lose, unless it please GOD that she rather should mourn for me. I read the letters in which you relate your mother’s death to Mrs. Strahan, and think I do myself honour, when I tell you that I read them with tears; but tears are neither to YOU nor to ME of any further use, when once the tribute of nature has been paid. The business of life summons us away from useless grief, and calls us to the exercise of those virtues of which we are lamenting our deprivation. The greatest benefit which one friend can confer upon another, is to guard, and excite, and elevate his virtues. This your mother will still perform, if you diligently preserve the memory of her life, and of her death: a life, so far as I can learn, useful, wise, and innocent; and a death resigned, peaceful, and holy. I cannot forbear to mention, that neither reason nor revelation denies you to hope, that you may increase her happiness by obeying her precepts; and that she may, in her present state, look with pleasure upon every act of virtue to which her instructions or example have contributed. Whether this be more than a pleasing dream, or a just opinion of separate spirits, is, indeed, of no great importance to us, when we consider ourselves as acting under the eye of GOD: yet, surely, there is something pleasing in the belief, that our separation from those whom we love is merely corporeal; and it may be a great incitement to virtuous friendship, if it can be made probable, that that union that has received the divine approbation shall continue to eternity.

  ‘There is one expedient by which you may, in some degree, continue her presence. If you write down minutely what you remember of her from your earliest years, you will read it with great pleasure, and receive from it many hints of soothing recollection, when time shall remove her yet farther from you, and your grief shall be matured to veneration. To this, however painful for the present, I cannot but advise you, as to a source of comfort and satisfaction in the time to come; for all comfort and all satisfaction is sincerely wished you by, dear Sir, your most obliged, most obedient, and most humble servant,

  ‘SAM. JOHNSON.’

  The Rambler has increased in fame as in age. Soon after its first folio edition was concluded, it was published in six duodecimo volumes; and its authour lived to see ten numerous editions of it in London, beside those of Ireland and Scotland.

  The style of Johnson was, undoubtedly, much formed upon that of the great writers in the last century, Hooker, Bacon, Sanderson, Hakewell, and others; those ‘GIANTS,’ as they were well characterised by A GREAT PERSONAGE, whose authority, were I to name him, would stamp a reverence on the opinion.

  Johnson assured me, that he had not taken upon him to add more than four or five words to the English language, of his own formation; and he was very much offended at the general licence, by no means ‘modestly taken’ in his time not only to coin new words, but to use many words in senses quite different from their established meaning, and those frequently very fantastical.

  Sir Thomas Brown, whose life Johnson wrote, was remarkably fond of Anglo-Latin diction; and to his example we are to ascribe Johnson’s sometimes indulging himself in this kind of phraseology. Johnson’s comprehension of mind was the mould for his language. Had his conceptions been narrower, his expression would have been easier. His sentences have a dignified march; and, it is certain, that his example has given a general elevation to the language of his country, for many of our best writers have approached very
near to him; and, from the influence which he has had upon our composition, scarcely any thing is written now that is not better expressed than was usual before he appeared to lead the national taste.

  Though The Rambler was not concluded till the year 1752, I shall, under this year, say all that I have to observe upon it. Some of the translations of the mottos by himself are admirably done. He acknowledges to have received ‘elegant translations’ of many of them from Mr. James Elphinston; and some are very happily translated by a Mr. F. Lewis, of whom I never heard more, except that Johnson thus described him to Mr. Malone: ‘Sir, he lived in London, and hung loose upon society.’

  His just abhorrence of Milton’s political notions was ever strong. But this did not prevent his warm admiration of Milton’s great poetical merit, to which he has done illustrious justice, beyond all who have written upon the subject. And this year he not only wrote a Prologue, which was spoken by Mr. Garrick before the acting of Comus at Drury-lane theatre, for the benefit of Milton’s grand-daughter, but took a very zealous interest in the success of the charity.