Delphi Complete Works of Ann Radcliffe (Illustrated)

by Ann Radcliffe

  ‘That picture!’ said she, ‘where did you find it, lady? it is my blessed mistress herself!’

  She laid on the table the miniature, which Emily had long ago found among the papers her father had enjoined her to destroy, and over which she had once seen him shed such tender and affecting tears; and, recollecting all the various circumstances of his conduct, that had long perplexed her, her emotions increased to an excess, which deprived her of all power to ask the questions she trembled to have answered, and she could only enquire, whether Dorothee was certain the picture resembled the late marchioness.

  ‘O, ma’amselle!’ said she, ‘how came it to strike me so, the instant I saw it, if it was not my lady’s likeness? Ah!’ added she, taking up the miniature, ‘these are her own blue eyes — looking so sweet and so mild; and there is her very look, such as I have often seen it, when she had sat thinking for a long while, and then, the tears would often steal down her cheeks — but she never would complain! It was that look so meek, as it were, and resigned, that used to break my heart and make me love her so!’

  ‘Dorothee!’ said Emily solemnly, ‘I am interested in the cause of that grief, more so, perhaps, than you may imagine; and I entreat, that you will no longer refuse to indulge my curiosity; — it is not a common one.’

  As Emily said this, she remembered the papers, with which the picture had been found, and had scarcely a doubt, that they had concerned the Marchioness de Villeroi; but with this supposition came a scruple, whether she ought to enquire further on a subject, which might prove to be the same, that her father had so carefully endeavoured to conceal. Her curiosity, concerning the Marchioness, powerful as it was, it is probable she would now have resisted, as she had formerly done, on unwarily observing the few terrible words in the papers, which had never since been erased from her memory, had she been certain that the history of that lady was the subject of those papers, or, that such simple particulars only as it was probable Dorothee could relate were included in her father’s command. What was known to her could be no secret to many other persons; and, since it appeared very unlikely, that St. Aubert should attempt to conceal what Emily might learn by ordinary means, she at length concluded, that, if the papers had related to the story of the Marchioness, it was not those circumstances of it, which Dorothee could disclose, that he had thought sufficiently important to wish to have concealed. She, therefore, no longer hesitated to make the enquiries, that might lead to the gratification of her curiosity.

  ‘Ah, ma’amselle!’ said Dorothee, ‘it is a sad story, and cannot be told now: but what am I saying? I never will tell it. Many years have passed, since it happened; and I never loved to talk of the Marchioness to any body, but my husband. He lived in the family, at that time, as well as myself, and he knew many particulars from me, which nobody else did; for I was about the person of my lady in her last illness, and saw and heard as much, or more than my lord himself. Sweet saint! how patient she was! When she died, I thought I could have died with her!’

  ‘Dorothee,’ said Emily, interrupting her, ‘what you shall tell, you may depend upon it, shall never be disclosed by me. I have, I repeat it, particular reasons for wishing to be informed on this subject, and am willing to bind myself, in the most solemn manner, never to mention what you shall wish me to conceal.’

  Dorothee seemed surprised at the earnestness of Emily’s manner, and, after regarding her for some moments, in silence, said, ‘Young lady! that look of yours pleads for you — it is so like my dear mistress’s, that I can almost fancy I see her before me; if you were her daughter, you could not remind me of her more. But dinner will be ready — had you not better go down?’

  ‘You will first promise to grant my request,’ said Emily.

  ‘And ought not you first to tell me, ma’amselle, how this picture fell into your hands, and the reasons you say you have for curiosity about my lady?’

  ‘Why, no, Dorothee,’ replied Emily, recollecting herself, ‘I have also particular reasons for observing silence, on these subjects, at least, till I know further; and, remember, I do not promise ever to speak upon them; therefore, do not let me induce you to satisfy my curiosity, from an expectation, that I shall gratify yours. What I may judge proper to conceal, does not concern myself alone, or I should have less scruple in revealing it: let a confidence in my honour alone persuade you to disclose what I request.’

  ‘Well, lady!’ replied Dorothee, after a long pause, during which her eyes were fixed upon Emily, ‘you seem so much interested, — and this picture and that face of yours make me think you have some reason to be so, — that I will trust you — and tell some things, that I never told before to any body, but my husband, though there are people, who have suspected as much. I will tell you the particulars of my lady’s death, too, and some of my own suspicions; but you must first promise me by all the saints’ —

  Emily, interrupting her, solemnly promised never to reveal what should be confided to her, without Dorothee’s consent.

  ‘But there is the horn, ma’amselle, sounding for dinner,’ said Dorothee; ‘I must be gone.’

  ‘When shall I see you again?’ enquired Emily.

  Dorothee mused, and then replied, ‘Why, madam, it may make people curious, if it is known I am so much in your apartment, and that I should be sorry for; so I will come when I am least likely to be observed. I have little leisure in the day, and I shall have a good deal to say; so, if you please, ma’am, I will come, when the family are all in bed.’

  ‘That will suit me very well,’ replied Emily: ‘Remember, then, to-night’ —

  ‘Aye, that is well remembered,’ said Dorothee, ‘I fear I cannot come to-night, madam, for there will be the dance of the vintage, and it will be late, before the servants go to rest; for, when they once set in to dance, they will keep it up, in the cool of the air, till morning; at least, it used to be so in my time.’

  ‘Ah! is it the dance of the vintage?’ said Emily, with a deep sigh, remembering, that it was on the evening of this festival, in the preceding year, that St. Aubert and herself had arrived in the neighbourhood of Chateau-le-Blanc. She paused a moment, overcome by the sudden recollection, and then, recovering herself, added— ‘But this dance is in the open woods; you, therefore, will not be wanted, and can easily come to me.’

  Dorothee replied, that she had been accustomed to be present at the dance of the vintage, and she did not wish to be absent now; ‘but if I can get away, madam, I will,’ said she.

  Emily then hastened to the dining-room, where the Count conducted himself with the courtesy, which is inseparable from true dignity, and of which the Countess frequently practised little, though her manner to Emily was an exception to her usual habit. But, if she retained few of the ornamental virtues, she cherished other qualities, which she seemed to consider invaluable. She had dismissed the grace of modesty, but then she knew perfectly well how to manage the stare of assurance; her manners had little of the tempered sweetness, which is necessary to render the female character interesting, but she could occasionally throw into them an affectation of spirits, which seemed to triumph over every person, who approached her. In the country, however, she generally affected an elegant languor, that persuaded her almost to faint, when her favourite read to her a story of fictitious sorrow; but her countenance suffered no change, when living objects of distress solicited her charity, and her heart beat with no transport to the thought of giving them instant relief; — she was a stranger to the highest luxury, of which, perhaps, the human mind can be sensible, for her benevolence had never yet called smiles upon the face of misery.

  In the evening, the Count, with all his family, except the Countess and Mademoiselle Bearn, went to the woods to witness the festivity of the peasants. The scene was in a glade, where the trees, opening, formed a circle round the turf they highly overshadowed; between their branches, vines, loaded with ripe clusters, were hung in gay festoons; and, beneath, were tables, with fruit, wine, cheese and other rural fare, —
and seats for the Count and his family. At a little distance, were benches for the elder peasants, few of whom, however, could forbear to join the jocund dance, which began soon after sun-set, when several of sixty tripped it with almost as much glee and airy lightness, as those of sixteen.

  The musicians, who sat carelessly on the grass, at the foot of a tree, seemed inspired by the sound of their own instruments, which were chiefly flutes and a kind of long guitar. Behind, stood a boy, flourishing a tamborine, and dancing a solo, except that, as he sometimes gaily tossed the instrument, he tripped among the other dancers, when his antic gestures called forth a broader laugh, and heightened the rustic spirit of the scene.

  The Count was highly delighted with the happiness he witnessed, to which his bounty had largely contributed, and the Lady Blanche joined the dance with a young gentleman of her father’s party. Du Pont requested Emily’s hand, but her spirits were too much depressed, to permit her to engage in the present festivity, which called to her remembrance that of the preceding year, when St. Aubert was living, and of the melancholy scenes, which had immediately followed it.

  Overcome by these recollections, she, at length, left the spot, and walked slowly into the woods, where the softened music, floating at a distance, soothed her melancholy mind. The moon threw a mellow light among the foliage; the air was balmy and cool, and Emily, lost in thought, strolled on, without observing whither, till she perceived the sounds sinking afar off, and an awful stillness round her, except that, sometimes, the nightingale beguiled the silence with

  Liquid notes, that close the eye of day.

  At length, she found herself near the avenue, which, on the night of her father’s arrival, Michael had attempted to pass in search of a house, which was still nearly as wild and desolate as it had then appeared; for the Count had been so much engaged in directing other improvements, that he had neglected to give orders, concerning this extensive approach, and the road was yet broken, and the trees overloaded with their own luxuriance.

  As she stood surveying it, and remembering the emotions, which she had formerly suffered there, she suddenly recollected the figure, that had been seen stealing among the trees, and which had returned no answer to Michael’s repeated calls; and she experienced somewhat of the fear, that had then assailed her, for it did not appear improbable, that these deep woods were occasionally the haunt of banditti. She, therefore, turned back, and was hastily pursuing her way to the dancers, when she heard steps approaching from the avenue; and, being still beyond the call of the peasants on the green, for she could neither hear their voices, or their music, she quickened her pace; but the persons following gained fast upon her, and, at length, distinguishing the voice of Henri, she walked leisurely, till he came up. He expressed some surprise at meeting her so far from the company; and, on her saying, that the pleasant moonlight had beguiled her to walk farther than she intended, an exclamation burst from the lips of his companion, and she thought she heard Valancourt speak! It was, indeed, he! and the meeting was such as may be imagined, between persons so affectionate, and so long separated as they had been.

  In the joy of these moments, Emily forgot all her past sufferings, and Valancourt seemed to have forgotten, that any person but Emily existed; while Henri was a silent and astonished spectator of the scene.

  Valancourt asked a thousand questions, concerning herself and Montoni, which there was now no time to answer; but she learned, that her letter had been forwarded to him, at Paris, which he had previously quitted, and was returning to Gascony, whither the letter also returned, which, at length, informed him of Emily’s arrival, and on the receipt of which he had immediately set out for Languedoc. On reaching the monastery, whence she had dated her letter, he found, to his extreme disappointment, that the gates were already closed for the night; and believing, that he should not see Emily, till the morrow, he was returning to his little inn, with the intention of writing to her, when he was overtaken by Henri, with whom he had been intimate at Paris, and was led to her, whom he was secretly lamenting that he should not see, till the following day.

  Emily, with Valancourt and Henri, now returned to the green, where the latter presented Valancourt to the Count, who, she fancied, received him with less than his usual benignity, though it appeared, that they were not strangers to each other. He was invited, however, to partake of the diversions of the evening; and, when he had paid his respects to the Count, and while the dancers continued their festivity, he seated himself by Emily, and conversed, without restraint. The lights, which were hung among the trees, under which they sat, allowed her a more perfect view of the countenance she had so frequently in absence endeavoured to recollect, and she perceived, with some regret, that it was not the same as when last she saw it. There was all its wonted intelligence and fire; but it had lost much of the simplicity, and somewhat of the open benevolence, that used to characterise it. Still, however, it was an interesting countenance; but Emily thought she perceived, at intervals, anxiety contract, and melancholy fix the features of Valancourt; sometimes, too, he fell into a momentary musing, and then appeared anxious to dissipate thought; while, at others, as he fixed his eyes on Emily, a kind of sudden distraction seemed to cross his mind. In her he perceived the same goodness and beautiful simplicity, that had charmed him, on their first acquaintance. The bloom of her countenance was somewhat faded, but all its sweetness remained, and it was rendered more interesting, than ever, by the faint expression of melancholy, that sometimes mingled with her smile.

  At his request, she related the most important circumstances, that had occurred to her, since she left France, and emotions of pity and indignation alternately prevailed in his mind, when he heard how much she had suffered from the villany of Montoni. More than once, when she was speaking of his conduct, of which the guilt was rather softened, than exaggerated, by her representation, he started from his seat, and walked away, apparently overcome as much by self accusation as by resentment. Her sufferings alone were mentioned in the few words, which he could address to her, and he listened not to the account, which she was careful to give as distinctly as possible, of the present loss of Madame Montoni’s estates, and of the little reason there was to expect their restoration. At length, Valancourt remained lost in thought, and then some secret cause seemed to overcome him with anguish. Again he abruptly left her. When he returned, she perceived, that he had been weeping, and tenderly begged, that he would compose himself. ‘My sufferings are all passed now,’ said she, ‘for I have escaped from the tyranny of Montoni, and I see you well — let me also see you happy.’

  Valancourt was more agitated, than before. ‘I am unworthy of you, Emily,’ said he, ‘I am unworthy of you;’ — words, by his manner of uttering which Emily was then more shocked than by their import. She fixed on him a mournful and enquiring eye. ‘Do not look thus on me,’ said he, turning away and pressing her hand; ‘I cannot bear those looks.’

  ‘I would ask,’ said Emily, in a gentle, but agitated voice, ‘the meaning of your words; but I perceive, that the question would distress you now. Let us talk on other subjects. Tomorrow, perhaps, you may be more composed. Observe those moon light woods, and the towers, which appear obscurely in the perspective. You used to be a great admirer of landscape, and I have heard you say, that the faculty of deriving consolation, under misfortune, from the sublime prospects, which neither oppression, or poverty withhold from us, was the peculiar blessing of the innocent.’ Valancourt was deeply affected. ‘Yes,’ replied he, ‘I had once a taste for innocent and elegant delights — I had once an uncorrupted heart.’ Then, checking himself, he added, ‘Do you remember our journey together in the Pyrenees?’

  ‘Can I forget it?’ said Emily.— ‘Would that I could!’ he replied;— ‘that was the happiest period of my life. I then loved, with enthusiasm, whatever was truly great, or good.’ It was some time before Emily could repress her tears, and try to command her emotions. ‘If you wish to forget that journey,’ said she, ‘it must certa
inly be my wish to forget it also.’ She paused, and then added, ‘You make me very uneasy; but this is not the time for further enquiry; — yet, how can I bear to believe, even for a moment, that you are less worthy of my esteem than formerly? I have still sufficient confidence in your candour, to believe, that, when I shall ask for an explanation, you will give it me.’— ‘Yes,’ said Valancourt, ‘yes, Emily: I have not yet lost my candour: if I had, I could better have disguised my emotions, on learning what were your sufferings — your virtues, while I — I — but I will say no more. I did not mean to have said even so much — I have been surprised into the self-accusation. Tell me, Emily, that you will not forget that journey — will not wish to forget it, and I will be calm. I would not lose the remembrance of it for the whole earth.’

  ‘How contradictory is this!’ said Emily;— ‘but we may be overheard. My recollection of it shall depend upon yours; I will endeavour to forget, or to recollect it, as you may do. Let us join the Count.’— ‘Tell me first,’ said Valancourt, ‘that you forgive the uneasiness I have occasioned you, this evening, and that you will still love me.’— ‘I sincerely forgive you,’ replied Emily. ‘You best know whether I shall continue to love you, for you know whether you deserve my esteem. At present, I will believe that you do. It is unnecessary to say,’ added she, observing his dejection, ‘how much pain it would give me to believe otherwise. — The young lady, who approaches, is the Count’s daughter.’

  Valancourt and Emily now joined the Lady Blanche; and the party, soon after, sat down with the Count, his son, and the Chevalier Du Pont, at a banquet, spread under a gay awning, beneath the trees. At the table also were seated several of the most venerable of the Count’s tenants, and it was a festive repast to all but Valancourt and Emily. When the Count retired to the chateau, he did not invite Valancourt to accompany him, who, therefore, took leave of Emily, and retired to his solitary inn for the night: meanwhile, she soon withdrew to her own apartment, where she mused, with deep anxiety and concern, on his behaviour, and on the Count’s reception of him. Her attention was thus so wholly engaged, that she forgot Dorothee and her appointment, till morning was far advanced, when, knowing that the good old woman would not come, she retired, for a few hours, to repose.