Book Read Free

Experimental Fiction

Page 20

by Armstrong, Julie;


  globalization 147

  Gonzo Journalism 94

  grammar, conventional use 29

  Grand Narratives

  breakdown of 155, 166

  collapse into meta-narratives 133

  Enlightenment 98, 127

  postmodernity 99, 139

  of religion 139

  Great Expectations 25, 113

  Great Gatsby, The 38

  Greenwich 16, 42

  Gregson, Ian 109

  Grey, Alex 147, 162, 165–6

  group sex 82

  Harding, Paul 164

  Hardy, Thomas 19

  Harlem Renaissance 14, 44

  Harvey, Samantha 159, 170

  head massage 159

  Hegelianism 100

  hell, myth of 133

  Hello Kitty 171

  Hemingway, Ernest 19

  Hess, Hermann 70–2

  Heti, Shelia 162

  high street retailers 187

  hippie 59, 65, 68, 122

  hipsters 65

  History of Love, The 173

  Hitchcock, Alfred 14

  Holtby, Winifred 31, 33, 52

  homosexuality 38–9, 81

  see also Gender Crisis

  hot stone treatments 159

  Hours, The 22

  House of leaves 181

  Huncke, Herbert 60, 80

  Hutcheon, Linda 99

  Huxley, Aldous 69, 70

  hybridity 150

  id 47

  identity in flux 109

  ideologies and styles 1

  impressionism

  aspect of 12

  negative attitude towards 11

  individualism 156

  Industrial Revolution 15, 97

  see also postmodernity

  In Search of Lost Time 19

  instant gratification 156

  International Conference on Time 42

  International Necronautical Society (INS) 164

  Interpretation of Dreams, The 17, 47

  intertextuality 134, 152

  irrationalism 50

  Jackson, Kevin 13, 14, 43

  James, E. L. 188

  James, William 29

  jazz 2, 14, 37, 45, 59, 63, 65–8, 82, 89–90

  Johnson, Joyce 90

  Jones, Gail 22, 195

  Joyce, James 13, 21–3, 29, 32, 36, 38, 41, 44, 62, 88

  Joyce, Rachel 157, 169

  juxtaposition 21

  Kafka, Franz 13

  Kerouac, Jack 1, 2, 57, 60, 64–6, 68, 72–5, 77, 79, 81–3, 85–93

  see also beats

  Kindle 188–9

  King, Martin Luther 58

  Kiss Me First 175

  Krauss, Nicole 171, 173

  Kureishi, Hanif 150, 152

  Lady Chatterley’s Lover 27

  language games 134

  Larsen, Reif 181

  Lawrence, D. H. 21, 27, 36, 38–9, 48–9

  Lehrer, Jonah 49, 50

  Lennon, John 68, 83, 169

  Le Roy, J. T. 176–7

  Le Sacre Du Printemps 12

  Life of Pi 131

  linear plot 19, 25–6, 91, 105

  literary conventions 13, 18, 91

  literary criticism 7, 185

  literary fiction, new 2

  literary hoaxes 178

  Lodge, David 144

  love–hate relationship 21

  Lutheranism 168

  Lyon, David 136, 139

  Macfarlane, Robert 157

  magic realism 135, 151–2

  Magnetic Fields 48

  Manet and the Post-Impressionists 11

  marginalized voices 147

  Mark on the Wall, The 33

  Marriage of Heaven and Hell, The 70

  Marsden, Dora 36

  Martel, Yann 131

  mass media 14, 104, 135

  materialism 70, 72, 87, 89

  McCarthyism, rise of 57

  McCarthy, Joseph 57

  McCleen, Grace 159, 167

  McGregor, Jon 3, 22, 102–3, 143

  media

  development of 139

  examine through dialogue 142

  impact 140–1

  metafiction 106, 121, 184–6

  metamorphiction.com 190

  Metamorphosis, The 13

  meta-narratives 100, 133

  Midnight’s Children 149, 151

  Miller, Henry 69

  Mind at Large 70

  Mitchell, David 159, 169

  Mo, Timothy 148

  modern cities, rise of 41–3

  cafe culture 43–4

  modernist cities 41

  modern writers 44–5

  new writing styles 45

  nightclub 43–4

  as a source of inspiration 44

  technology development 41

  transport development 42

  modern fiction

  form of 25–6

  perceived reality 31–2

  writing techniques 27–8

  modernist fiction

  priorities for 29–30

  consciousness 30

  form and writing techniques 30

  human consciousness 29

  structure 26–7

  alienation 26

  dislocation 26

  portrayed the war 27

  understanding of 30

  modernist writers 23, 29–30, 32–3, 41, 48, 50, 53–4, 167

  complex realities 31

  consciousness 29–30, 48

  experiment with anti-liner fiction 30

  idea of time 53

  inner experience 20

  modern cities 41

  multiple perspectives 33

  perception about world 33

  reaction against realism 32–3

  modernity(ism) 11–23, 35, 41, 50, 61, 99–101, 106–8

  cinematograph 16

  classical traditions 15

  commercial printing 16

  condition of 17

  development of cars 16

  fiction language 21

  growth of cities 16

  growth of urbanism 15

  impact of 21–3

  impact upon fiction 18–21

  legacy of 23

  mobility and communications 16

  moving picture 16

  multiplication of perspectives 108

  narrative sequencing 19

  Nietzsche’s impact on 50

  photography 16

  preoccupation with time and memory 23

  print media 17

  priorities of modern fiction 20

  rise of capitalism 15

  women role 35–8

  Moggach, Lottie 175

  montage 21

  motifs 21

  Moyses, Louis 43

  multiple narratives 21

  multiple voices 28

  Myspace 156

  mythology 108, 152

  Naipaul, V.S. 148

  Naked Lunch 61, 63, 80–2

  narratives, juxtapositions of 137

  narrative strategies 136, 144

  Nazism 142–3

  Neuromancer 124

  new era 155, 159–60, 167, 169, 171–2

  capitalism 156

  content of fiction 159–60, 167–72

  cyber bullying 156

  engagement with classics 159–60

  euro zone debt crisis 156

  fiction, form of 160–3

  form of 172–3

  individualism 156

  non-linear narratives 161

  paranoia 156

  political unrest 156

  postmodern culture questioning 171–2

  realist novel in crisis 163–4

  shallowness of postmodern fiction 159

  shift in content 160

  suffused with spirituality 169

  traditional 172

  writer’s ideas 167

  Newtonian model of physics 129

  Nietzsche, Friedrich 13, 50–1

  Niffenegger, Audrey 183
r />   nightclub 43–4

  nightmarish fiction 13

  nihilism 13

  1922: Modernism Year One 13

  Nobel Prize for literature 71

  non-attachment 76–7

  see also Buddhism

  non-linear text 137

  Noon, Jeff 123–5, 190

  Nude Descending a Staircase 12

  Number9dream 169

  old narratives of religion 134

  Old Ways: A Journey on Foot, The 157

  online predators 156

  On the Road 2, 63, 72–3, 77, 79, 81–2, 85–94

  alienation sense 92

  capture of 91–4

  conventional narrative 86

  experimental writing 90

  form 91

  free-flowing style of letters 88

  immediacy 88

  improvisational techniques 88

  influence 93

  inspiration 87–8

  jazz 89

  reason for written 85–6

  relationship with the beats 88

  self-censorship 87

  tenderness among wild young 92

  writing style 88

  Orange prize 159

  organic food 157

  Origin of Species 17

  origin of universe, myth of 132

  ostranenie 143

  Our Tragic Universe 169, 171–2

  Ozeki, Ruth 171

  Palahniuk, Chuck 116

  Pankhurst, Emmeline 36

  paradigm shift 18, 98, 111, 188

  paranoia 57, 123, 156

  Paris Exposition 42

  see also modern cities, rise of

  Parker, Charlie 63

  see also beats

  Parks, Rosa 58

  pastiche 112

  Patanjali 76

  perception, plurality and fluidity of 32

  philosophy development 50

  photography 16

  plagiarism 112–13, 163

  Plant, Sadie 82, 84

  Player of Games, The 3

  pluralism 105

  Poetics of Postmodernism 99

  pointillism 12

  Politics 195

  pornography 112

  post-Christian world 157

  postcolonial fiction 151–2

  post-impressionism 11

  postmodern era, reality 139–40

  postmodern fiction 101–2, 105, 108, 111, 131, 133–5

  construction of reality 143–4

  portrayal of history 134–6

  postmodernity(ism) 8, 97–101, 103, 107–8, 110, 113, 123, 127, 148, 155, 159, 165

  body and sexuality 112

  computer mediation 97

  consumer commodities 104

  context-dependent language games 100

  continuity notions 103

  cultural stimuli 127

  cultural technology 97

  dispersion of voices 108

  electronic revolution 98

  elitist 103

  Enlightenment 98

  essence 98

  female and male stereotypes 110

  feminism 112–13

  fiction 101–3, 108

  form and language 105–6

  fractured vision of 165

  gender, new representations 111

  gender perception 109–10

  genre-splicing and mixing 108

  Grand Narratives 98, 100

  identity 112

  images 142–3

  influence 155

  Lyotard versus Habermas 100–1

  media impact 140–1

  media-shaped world of simulation 123

  metafiction 106

  meta-narratives 100

  and modern fiction 106–8

  mood of 99

  moving away from 165–6

  multi-layered concept 97

  narratives creation 106

  narratives recycling 104

  ontological questions 107

  oppressive 110

  ostranenie technique 143

  over-exposure to otherness 127

  pluralism 105

  plurality of opportunities 110

  reader’s perceptions of reality 144

  relations with modernism 99

  representations of mass media 104

  sexuality 109–12

  signs 142–3

  single centre of consciousness 105

  slogans 142–3

  sophisticated modernism 107

  spirituality 166–7

  strategies 103–6

  techniques 103–6

  textual gaps 102

  time shifts 103

  truth exploration 127–8

  postmodern writers, displacement exploring 149–51

  poststructuralist theory 113

  Potter, Dennis 106

  Pound, Ezra 13, 36, 62

  power of the imagination 178–9

  Prime Meridian Conference 42

  Principles of Psychology 29

  print media 17

  decline of 187

  Professor of Poetry, The 167

  prose-narrative 2

  Proust, Marcel 19, 51, 113

  psychological realism 102

  psychology developments

  ego 47

  fundamental developments 47

  id 47

  impact on writer 48–9

  modernist writing techniques 49

  superego 47

  Pulitzer Prize 161, 164, 189

  punctuation, conventional use 29

  Pykett, Lyn 18, 35–6

  quick-silverness of mind 30–1

  rationalism 50

  real events, re-telling of 178

  realism 18, 32–3, 114, 125, 127, 144, 182

  conventions of 106

  realist fiction 4, 13, 29, 102, 106, 147–8

  other voices 148

  restrictions of 164

  realist literature, characteristics of 5–6

  realist novel 19, 163–4

  Reality Hunger: A Manifesto 163, 175, 177

  reality perceptions 175–9

  manipulation of 176

  reader’s perceptions 144–5

  real transition 130

  re-evaluation of power 155

  reflexology 159

  reiki 159

  religious doctrine 131, 167

  Renault, Mary 159

  Richardson, Dorothy 29, 36, 48, 54

  Riley, Joan 148

  Rimbaud, Arthur 59, 65

  Roberts Symmons, Michael 170

  romanticism 62

  Royle, Nicholas 184, 185

  Rushdi, Salman 107, 149, 151–2

  Russian-doll narrative 173–4

  Ryan, Rob 161, 182

  Sackville, Amy 22–3, 39

  samskara 76

  see also Buddhism

  Sarah 176

  Satanic Verses 149, 152

  Schad, John 185

  science developments 51–3

  absolute-time-space 52

  quantum theory 52

  relativity theory 52

  wave particle duality 52

  writing techniques 53–4

  scraps, fiction building from 181–3

  Black Boxes 182

  House of Leaves 181

  Incestuous Sisters 183

  Like Bees to Honey 182

  Selected Works of T. S. Spivet 181

  Sky Full of Kindness 182

  This Is For You 182

  Time Traveller’s Wife 183

  Second Sex, The 109

  Selected Works of T. S. Spivet, The 181

  Self, Will 23

  self-publishing opportunities 187

  self-realization 2, 76

  self-referential signs 139

  self-reflexive fiction 19

  semi-fictionalized sequence of elaborations 186

  sentence construction 21

  Sexing the Cherry 114–15, 128–30

  sexual liberation 39

  shamanism 132

&
nbsp; Shelley, Percy 62

  Shields, David 163–4, 175, 177–8

  shift in displacement 148–9

  Shock of the Fall, The 173

  simulation through dialogue 141

  Skype 156

  Slaughterhouse-Five 93, 103–4, 144

  Smailes, Caroline 182, 190

  Smith, Ali 185–6

  Smith, Zadie 150, 164

  Someone Called Derrida 185

  Sons and Lovers 21, 48

  Sound and Fury, The 21, 29

  Soupault, Philippe 48

  Soviet communism, collapse of 97

  Special Theory of Relativity 17

  Spengler, Oswald 72

  spirituality 68–77, 165–7, 169–71

  Bhagavad Gita 69–70

  Buddhism 73

  spiritual writers 69–72

  tantric Buddhism 70

  Upanishads 70–1

  Vedanta 69

  State of the Art, The 3

  Stein, Gertrude 2, 16, 21, 39, 45

  Stevenson, Randall 30

  Stieglitz, Alfred 16

  Still Point 22

  stream of consciousness 21

  Suffragette Movement 15

  see also feminism

  superego 47

  surrealism 12, 48, 61–3

  see also Breton, Andre

  sutras 76–7

  swadhyaya 76

  see also Buddhism

  Sweet Sour 148

  symbolism 12

  symbols 21

  syntax, conventional use 29

  Taoism 171

  techno-music pumping 125

  Wasteland, The 13, 83, 72

  Thirty Nine Steps, The 187

  Thomas, Scarlett 19, 93, 159, 169, 171–2

  Thompson, Hunter S. 94

  Tibetan Book of the Dead 70, 83

  To the Lighthouse 27, 30, 49, 159

  traditional realist fiction 1–2, 4–8, 105, 121, 135, 184–6, 194–6

  challenges 184–6

  cross-formal experimentation 185

  metafiction 184

  notion of reality 185

  trainspotting 125

  transcendentalism 75

  trauma 28

  truth of religion, constructed 132

  TV advertisements 140

  Twelve Dancing Princesses, The 115

  Twitter 156, 161, 189–91

  Ulysses 13, 23, 29, 32, 41, 44, 54, 88

  Unbelonging, The 148

  unconventional punctuation 21

  unconventional writing 1

  Unlikely Pilgrimage of Harold Fry, The 157, 169, 172

  Upanishad

  conflict of duality 71

  focus of 71

  US National Book Award for Fiction 93

  Valentino, Rudolph 14

  vanity publishing 162

  Victorian fiction 25

  Vietnam War 68

  Virgin Suicides, The 195

  virtual transitions 130

  Visit from the Goon Squad, A 189

  Vonnegut, Kurt 93, 103, 144

  wages for motherhood 36

  Walker Thompson, Karen 167

  wave-particle duality 52, 130

  Welsh, Irvine 125

  Western materialism 149

  White Noise 140, 142

  White Teeth 150–1

  Wilson, Leigh 14–15, 18–19

  Winfrey, Oprah 177

  Winterson, Jeanette 3, 105–6, 114–15, 128–30, 132–3

  Women in Love 38

  Women’s Movement 110

  Women’s Social and Political Union 36

 

‹ Prev