Artists in Crime
Page 25
‘Dead?’ asked Curtis.
‘Very.’ Alleyn laid his hand on Fox’s arm. ‘Wait a moment. McCully, you can sit in the police car if you like. We shan’t be long.’
McCully, who still looked very shaken, got into the car. A constable and the man off the local beat joined the group in the doorway.
‘I think,’ said Alleyn, ‘that before you see the body I had better warn you that it is not a pleasant sight.’
‘Us?’ asked Fox, surprised. ‘Warn us?’
‘Yes, I know. We’re pretty well seasoned, aren’t we? I’ve never seen anything quite so beastly as this—not even in Flanders. I think he’s taken nitric acid.’
‘Good God!’ said Curtis.
‘Come along,’ said Alleyn.
He led them to the far end of the room, where the man at the table still sat with a coloured handkerchief over his face. Fox, Bailey and Curtis stood and looked at the body.
‘What’s the stench?’ asked Fox. ‘It’s bad, isn’t it?’
‘Nitric acid?’ suggested Bailey.
‘And other vomited matter,’ said Curtis.
‘You may smoke, all of you,’ said Alleyn, and they lit cigarettes.
‘Well,’ said Curtis, ‘I’d better look at him.’
He put out his well-kept doctor’s hand and drew away the handkerchief from the face.
‘Christ!’ said Bailey.
‘Get on with it,’ said Alleyn harshly. ‘Bailey, I want you to take his prints first. It’s Garcia all right. Then compare them with anything you can get from the bottle and cup. Before you touch the bottle we’ll take a photograph. Where’s Thompson?’
Thompson came in from the car with his camera and flashlight. The usual routine began. Alleyn, looking on, was filled with a violent loathing of the whole scene. Thompson took six photographs of the body and then they covered it. Alleyn began to talk.
‘You’d better hear what I make of all this on the face of the information we’ve already got. Bailey, you carry on while I’m talking. Go over every inch of the table and surrounding area. You’ve got my case? Good. We’ll want specimens of this unspeakable muck on the floor. I’ll do that.’
‘Let me fix it, sir,’ said Fox. ‘I’m out of a job, and we’d like to hear your reconstruction of this business.’
‘You’d better rig something over your nose and mouth. Nitric acid fumes are no more wholesome than they are pleasant, are they, Curtis?’
‘Not too good,’ grunted Curtis. ‘May as well be careful.’
The doors at the end opened to admit the PC whom Alleyn had left on guard.
‘What is it?’ asked Alleyn.
‘Gentleman to see you, sir.’
‘Is his name Bathgate?’
‘Yes, sir.’
‘Miserable young perisher,’ muttered Alleyn. ‘Tell him to wait. No. Half a minute. Send him in.’
When Nigel appeared Alleyn asked fiercely: ‘How did you get wind of this?’
‘I was down at the Yard. They’d told me you were out. I saw Fox and the old gang tootle away in a car, then the mortuary van popped out. I followed in a taxi. What’s up? There’s a hell of a stink in here.’
‘The only reason I’ve let you in is to stop you pitching some cock-and-bull story to your filthy paper. Sit down in a far corner and be silent.’
‘All right, all right.’
Alleyn turned to the others.
‘We’ll get on. Don’t move the body just yet, Curtis.’
‘Very good,’ said Dr Curtis, who was cleaning his hands with ether. ‘Speak up, Alleyn. Are you going to tell us this fellow’s swallowed nitric acid?’
‘I think so.’
‘Bloody loathsome way of committing suicide.’
‘He didn’t know it was nitric acid.’
‘Accident?’
‘No. Murder.’
CHAPTER 18
One of Five
‘I think,’ said Alleyn, ‘that we’ll start off with the packing case.’
He walked over to it and flashed his torch on the swathed shape inside.
‘That, I believe, is Garcia’s clay model of the Comedy and Tragedy for the cinemas at Westminster. We’ll have a look at it when Bailey has dealt with the case and the wet clothes. The point with which I think we should concern ourselves now is this. How did it get here?’
He lit a cigarette from the stump of his old one.
‘In the caravan we looked at this morning?’ suggested Fox from behind a white handkerchief he had tied across the lower half of his face. He was doing hideous things on the floor with a small trowel and a glass bottle.
‘It would seem so, Brer Fox. We found pretty sound evidence that the caravan had been backed up to the window. Twig on the roof, tyre-tracks under the sill, traces of the little wheeled platform on the ledge and the step and floor of the caravan. The discrepancy in the petrol fits in with this place quite comfortably, I think. Very well. That was all fine and dandy as long as Garcia was supposed to have driven himself and his gear up to London, and himself back to Tatler’s End House. Now we’ve got a different story. Someone returned the caravan to Tatler’s End House, and that person has kept quiet about it.’
‘Is it possible,’ asked Fox, ‘that Garcia drove the car back and returned here by some other means?’
‘Hardly, Fox, I think. On Friday night Garcia was recovering from a pipe or more of opium, and possibly a jorum of whisky. He was in no condition to get his stuff aboard a caravan, drive it thirty miles, open this place up, manoeuvre the caravan inside, unload it, drive it back, and then start off again to tramp back to London or catch a train or bus. But suppose somebody arrived at the studio on Friday night and found Garcia in a state of semi-recovery. Suppose this person offered to drive Garcia up to London and return the caravan. Does that quarrel with anything we have found? I don’t think it does. Can we find anything here to support such a theory? I think we can. The front part of the floor has been swept. Why the devil should Garcia sweep the floor of this place at midnight while he was in the condition we suppose him to have been in? Bailey, have you dealt with the bottle on the table?’
‘Yes, sir. We’ve got a fairly good impression of the deceased’s left thumb, forefinger and second finger.’
‘Very good. Will you all look now at the hands?’
Alleyn turned to the shrouded figure. The arms projected from under the sheets. The hands at the far edge of the table were uncovered.
‘Rigor mortis,’ said Alleyn, ‘has disappeared. The body is flaccid. But notice the difference between the right hand and the left. The fingers of the right are still curved slightly. If I flash this light on the under-surface of the table, you can see the prints left by the fingers when they clutched it. Bailey had brought them up with powder. You took a shot of these, Thompson, didn’t you? Good. As rigor wore off, you see, the fingers slackened. Now look at the left hand. It is completely relaxed and the fingers are straight. On the undersurface of the table-edge, about three inches to the right of the left hand, are four marks made by the fingers. They are blurred, but the impression was originally a strong one, made with considerably pressure. Notice that the blurs do not seem to have been caused by any relaxation of the fingers. It looks rather as if the pressure had not been relaxed at all, but the fingers dragged up the edge while they still clutched it. Notice that the present position of the hand bears no sort of relation to the points—it is three inches away from them. Did you find any left-hand prints on the top of the table, Bailey?’
‘No, sir.’
‘No. Now, taking into consideration the nature and direction of the blurs and all the rest of it, in my opinion there is a strong assumption that this hand was forcibly dragged from the edge of the table, possibly while in a condition of cadaveric spasm. At all events, there is nothing here to contradict such an assumption. Now have a look at this cup. It contains dregs of what we believe to be nitric acid and is standing in a stain made, presumably, by nitric acid. It is on the ext
reme right hand of the body. You’ve tried it for prints, Thompson, and found—?’
‘Four left-hand fingerprints and the thumb.’
‘Yes, by Jove!’ Alleyn bent over the cup. ‘There’s a good impression of the left hand. Now see here. You notice these marks across the table. It was thickly covered in dust when this man sat down at it. Dust on the under-surface of his sleeves—lots of it. If we measure these areas where the dust has been removed and compare it with the length of the sleeve, we find pretty good evidence that he must have swept his arms across the surface of the table. Something like this.’
Alleyn took the dead arms and moved them across the table. ‘You see, they follow the marks exactly. Here on the floor are the things he knocked off. Modeller’s tools. A plate—smashed in four pieces. Two dishes that were probably intended for use as etching baths. There’s almost as much dust under them as there is on the rest of the floor, so they haven’t been there more than a day or two. They themselves are not very dusty—he brushed them with his sleeves. Agreed that there’s a strong likelihood he swept them off?’
‘Certainly,’ said Fox.
‘All right. Now look again at the table. This bottle which held the nitric acid and this cup into which it was poured—these two objects we find bang in the middle of the area he swept with his arms in the violent spasm that followed the moment when he drank. Why were they not hurled to the floor with the plate and the modeller’s tools?’
‘By God, because they were put there afterwards,’ said Curtis.
‘Yes, and why was that cup which he held with his left hand put down on the right of the table with the print on the far side? To put the cup down where we found it he must have stood where I am now—or here—or perhaps here. Well, say he drank the stuff while he was in such a position. After taking it he put the cup at this end of the table and the bottle, which has a left-hand print, beside it. He then moved to the chair, swept away the other stuff in his death throes, but replaced the bottle and the cup.’
‘Which is absurd,’ said Thompson solemnly.
‘Ugh,’ said Bailey.
‘I think it is,’ said Alleyn. He glanced at Curtis. ‘What would happen when he drank nitric acid?’
‘Undiluted?’
‘I think so.’
‘Very quick and remarkably horrible.’ Curtis gave a rapid description of what would happen. ‘He wouldn’t perform any intelligent action. The initial shock would be terrific, and intense spasms would follow immediately. It’s quite beyond the bounds of possibility that he would replace the cup, seat himself, or do anything but make some uncontrolled and violent movement such as you’ve described in reference to the arms. But I cannot believe, Alleyn, that anybody in his senses could ever take nitric acid without knowing what he was doing.’
‘If he was not in his senses, but half doped with opium, and very thirsty? If he asked for a drink and it was put beside him?’
‘That’s more likely, certainly, but still—’
‘If he was asleep in his chair with his mouth open, and it was poured into his mouth,’ said Alleyn. ‘What about that?’
‘Well then—of course’—Curtis shrugged—‘that would explain everything.’
‘It may be the explanation,’ said Alleyn. ‘The stuff had spilled over the face very freely. I want you now to look at the back of the head.’ With his long, fastidious fingers he uncovered the hair, leaving the face veiled.
‘He wore his hair long, you see. Now look here. Look. Do you see these tufts of hair that are shorter? They seem to have been broken, don’t they? And see this. Hold your torch down and use a lens. The scalp is slightly torn as though a strand of hair has actually been wrenched away. On the floor behind this chair I found several hairs, and some of them have little flakes of scalp on the ends. Notice how the hair round the torn scalp is tangled. What’s the explanation? Doesn’t it suggest that a hand has been twisted in his hair? Now see the back of the chair. I think we shall find that these stains were made by nitric acid, and the floor beneath is stained in the same way. These are nitric stains—I’m afraid I’ll have to uncover the face—yes —you see, running from the corners of the mouth down the line ofthe jaw to the ears and the neck. Notice the direction. It’s important. It suggests strongly that the head was leaning back, far back, when the stuff was taken. Now if we lean him back in the chair—God, this is a filthy business! All right, Bathgate, damn you, get out. Now, Curtis, and you, Fox. Look how the hair fits between the acid stains on the back of the chair, and how the stains carry on from the jaw to the chair as if the stuff had run down. Would a man ever drink in this attitude with his face to the ceiling? Don’t you get a picture of someone standing behind him and pouring something into his mouth? He gasps and makes a violent spasmodic movement. A hand is wound in his hair and holds back his head. And still nitric acid is poured between his lips. God! Cover it up again. Now, let’s go to the door.’
They walked in silence down the place, opened the door, and were joined by a very green Nigel. Alleyn filled his pipe and lit it. ‘To sum up,’ he said, ‘and for Heaven’s sake, all of you, check me if I go too far —we have difficulty in fitting the evidence of the hands, the table, the position of the body, the cup and the bottle, with any theory of suicide. On the other hand, we find nothing to contradict the suggestion that this man sat at this table, was given a dose of nitric acid, made a series of violent and convulsive movements, vomited, clutched the edge of the table and died. We find nothing to contradict the theory that his murderer dragged the left hand away from the ledge of the table and used it to print the bottle and the cup, and then left them on the table. I don’t for a moment suggest there is a good case for us here, but at least there is a better case for murder than for suicide.’ He looked from one dubious face to another.
‘I know it’s tricky,’ he said. ‘Curtis—how long would he take to die?’
‘Difficult to say. Fourteen hours. Might be more, might be less.’
‘Fourteen hours! Damn and blast! That blows the whole thing sky-high.’ ‘Wait a moment, Alleyn. Have we any idea how much of the stuff he took?’
‘The bottle was full. Miss Troy and Miss Bostock said it was full on Friday morning. Allowing for the amount that splashed over, it might have been quite a cupful.’
‘This is the most shocking affair,’ said little Curtis. ‘I—never in the whole course of my experience have I—however. My dear chap, if a stream of the stuff was poured into his mouth while his head was held back, he may have died in a few minutes of a particularly unspeakable form of asphixiation. Actually, we may find he got some of it down his larynx, in which case death would be essentially from obstruction to breathing and would take place very quickly unless relieved by tracheotomy. You notice that the portions of the face that are not dicoloured by acid are bluish. That bears out this theory. If you are right, I suppose that’s what we shall find. We’d better clear up here and get the body away. We’ll have the autopsy as soon as possible.’
It was almost dark when they got back to the Yard. Alleyn went straight to his room, followed by Fox and by a completely silent Nigel. Alleyn dropped into an armchair. Fox switched on the light.
‘You want a drink, sir,’ he said, with a look at Alleyn.
‘We all do. Bathgate, I don’t know what the hell you’re doing here, but if you are going to be ill, you can get out. We’ve had enough of that sort of thing.’
‘I’m all right now,’ said Nigel. ‘What shall I do about this? The late edition—’
‘A hideous curse on the late edition! All right. Tell them we’ve found him and where, and suggest suicide. That’s all. Go away, there’s a good chap.’
Nigel went.
‘For pity’s sake, Fox,’ said Alleyn violently, ‘why do you stand there staring at me like a benevolent bullock? Is my face dirty?’
‘No, sir, but it’s a bit white. Now, you have that drink, Mr Alleyn, before we go any further. I’ve got my emergency flask here.’
‘Yes, sir, I do. I’ve been turning it over in my mind and I don’t see how any other theory will fit all the facts, more especially the tuft of hair torn from the scalp and found, as you might say, for the greater part on the floor.’
Fox briefly sucked in his short moustache and wiped his hand across his mouth.
‘He must have jerked about very considerably,’ he said, ‘and have been held on to very determinedly.’
‘Very.’
‘Yes. Now sir, as we know only too well, it’s one thing to have a lot of circumstantial evidence and another to tie somebody up in it. As far as times go, we’re all over the shop here, aren’t we? Some time late Friday night or early Saturday morning’s the nearest we can get to when Garcia left Tatler’s End House. All we can say about the time the caravan was returned is that it was probably before it was light on Saturday morning. Now, which of this crowd could have got away for at least two hours?’
‘At the very least.’
‘Yes. Two hours between seven-thirty on Friday evening, when Sadie Welsh heard Garcia speak, and before anybody was about—say, five o’clock —on Saturday morning. Do you reckon any of the lot that were up in London may have met him here?’
‘Murdered him, taken the caravan to Tatler’s End House and returned here—how?’
‘That’s true.’
‘And I repeat, Fox, that I cannot believe a man in Garcia’s condition could have gone through all the game with the caravan and the transport. We don’t even know if he could drive and I should not be at all surprised if we find he couldn’t. It would take a tolerably good driver to do all this. If it was one of the London lot, he went to Tatler’s End House by means unknown, brought Garcia here and murdered him, returned the caravan and came back here, again by means unknown. You’ve seen the alibis. Pretty hopeless to fit anything on to any single one of them, isn’t it?’