Ghost

by Louise Welsh

  “Clara,” she said aloud. “Clara?” Two of the women leaving the room smiled back at her over their shoulders; almost all the women were leaving now, correctly combed and lipsticked, hurrying out talking together. In the space of a second, like birds leaving a tree, they all were gone and she sat alone in the room. She dropped the barrette into the ashstand next to her chair; the ashstand was deep and metal, and the barrette made a satisfactory clang falling down. Her hair down on her shoulders, she opened her pocketbook, and began to take things out, setting them on her lap as she did so. Handkerchief, plain, white, uninitialled. Compact, square and brown tortoise-shell plastic, with a powder compartment and a rouge compartment; the rouge compartment had obviously never been used, although the powder cake was half-gone. That’s why I’m so pale, she thought, and set the compact down. Lipstick, a rose shade, almost finished. A comb, an opened package of cigarettes and a package of matches, a change purse, and a wallet. The change purse was red imitation leather with a zipper across the top; she opened it and dumped the money out into her hand. Nickels, dimes, pennies, a quarter. Ninety-seven cents. Can’t go far on that, she thought, and opened the brown leather wallet; there was money in it but she looked first for papers and found nothing. The only thing in the wallet was money. She counted it; there were nineteen dollars. I can go a little farther on that, she thought.

  There was nothing else in the pocketbook. No keys – shouldn’t I have keys? she wondered – no papers, no address book, no identification. The pocketbook itself was imitation leather, light grey, and she looked down and discovered that she was wearing a dark grey flannel suit and a salmon pink blouse with a ruffle around the neck. Her shoes were black and stout with moderate heels and they had laces, one of which was untied. She was wearing beige stockings and there was a ragged tear in the right knee and a great ragged run going down her leg and ending in a hole in the toe which she could feel inside her shoe. She was wearing a pin on the lapel of her suit which, when she turned it around to look at it, was a blue plastic letter C. She took the pin off and dropped it into the ashstand, and it made a sort of clatter at the bottom, with a metallic clang when it landed on the barrette. Her hands were small, with stubby fingers and no nail polish; she wore a thin gold wedding ring on her left hand and no other jewelry.

  Sitting alone in the ladies’ room in the wicker chair, she thought, The least I can do is get rid of these stockings. Since no one was around she took off her shoes and stripped away the stockings with a feeling of relief when her toe was released from the hole. Hide them, she thought: the paper towel wastebasket. When she stood up she got a better sight of herself in the mirror; it was worse than she had thought: the grey suit bagged in the seat, her legs were bony, and her shoulders sagged. I look fifty, she thought; and then, consulting the face, but I can’t be more than thirty. Her hair hung down untidily around the pale face and with sudden anger she fumbled in the pocketbook and found the lipstick; she drew an emphatic rosy mouth on the pale face, realizing as she did so that she was not very expert at it, and with the red mouth the face looking at her seemed somehow better to her, so she opened the compact and put on pink cheeks with the rouge. The cheeks were uneven and patent, and the red mouth glaring, but at least the face was no longer pale and anxious.

  She put the stockings into the wastebasket and went barelegged out into the hall again, and purposefully to the elevator. The elevator operator said, “Down?” when he saw her and she stepped in and the elevator carried her silently downstairs. She went back past the grave professional doorman and out into the street where people were passing, and she stood in front of the building and waited. After a few minutes Jim came out of a crowd of people passing and came over to her and took her hand.

  Somewhere between here and there was her bottle of codeine pills, upstairs on the floor of the ladies’ room she had left a little slip of paper headed “Extraction”; seven floors below, oblivious of the people who stepped sharply along the sidewalk, not noticing their occasional curious glances, her hand in Jim’s and her hair down on her shoulders, she ran barefoot through hot sand.

  TWO IN ONE

  Flann O’Brien

  Flann O’Brien (1911–1966) is a pen name of Brian O’Nolan (Brian Ó’Nualláin), also known as Myles na Gopaleen (Myles na gCopaleen). O’Brien was born in Strabane, County Tyrone, Northern Ireland. His first language was Irish. In 1923, O’Brien’s family moved to Dublin where he was educated at the Christian Brothers School, before going on to Dublin University. After graduating he joined the civil service where he worked for eighteen years. He is best remembered for his comic novels, At Swim-Two-Birds and The Third Policeman.

  The story I have to tell is a strange one, perhaps unbelievable. I will try to set it down as simply as I can. I do not expect to be disturbed in my literary labours, for I am writing this in the condemned cell.

  Let us say my name is Murphy. The unusual occurrence which led me here concerns my relations with another man whom we shall call Kelly. Both of us were taxidermists.

  I will not attempt a treatise on what a taxidermist is. The word is ugly and inadequate. Certainly it does not convey to the layman that such an operator must combine the qualities of zoologist, naturalist, chemist, sculptor, artist, and carpenter. Who would blame such a person for showing some temperament now and again, as I did?

  It is necessary, however, to say a brief word about this science. First, there is no such thing in modern practice as “stuffing” an animal. There is a record of stuffed gorillas having been in Carthage in the 5th century, and it is a fact that an Austrian prince, Siegmund Herberstein, had stuffed bison in the great hall of his castle in the 16th century – it was then the practice to draw the entrails of animals and to substitute spices and various preservative substances. There is a variety of methods in use to-day but, except in particular cases – snakes, for example, where preserving the translucency of the skin is a problem calling for special measures – the basis of all modern methods is simply this: you skin the animal very carefully according to a certain pattern, and you encase the skinless body in plaster of Paris. You bisect the plaster when cast providing yourself with two complementary moulds from which you can make a casting of the animal’s body – there are several substances, all very light, from which such castings can be made. The next step, calling for infinite skill and patience, is to mount the skin on the casting of the body. That is all I need explain here, I think.

  Kelly carried on a taxidermy business and I was his assistant. He was the boss – a swinish, overbearing mean boss, a bully, a sadist. He hated me, but enjoyed his hatred too much to sack me. He knew I had a real interest in the work, and a desire to broaden my experience. For that reason, he threw me all the commonplace jobs that came in. If some old lady sent her favourite terrier to be done, that was me; foxes and cats and Shetland ponies and white rabbits – they were all strictly my department. I could do a perfect job on such animals in my sleep, and got to hate them. But if a crocodile came in, or a Great Borneo spider, or (as once happened) a giraffe – Kelly kept them all for himself. In the meantime he would treat my own painstaking work with sourness and sneers and complaints.

  One day the atmosphere in the workshop had been even fouler than usual, with Kelly in a filthier temper than usual. I had spent the forenoon finishing a cat, and at about lunchtime put it on the shelf where he left completed orders.

  I could nearly hear him glaring at it. Where was the tail? I told him there was no tail, that it was a Manx cat. How did I know it was a Manx cat, how did I know it was not an ordinary cat which had lost its tail in a motor accident or something? I got so mad that I permitted myself a disquisition on cats in general, mentioning the distinctions as between Felis manul, Felis silvestris, and Felis lybica, and on the unique structure of the Manx cat. His reply to that? He called me a slob. That was the sort of life I was having.

  On this occasion something within me snapped. I was sure I could hear the snap. I had moved up to where h
e was to answer his last insult. The loathsome creature had his back to me, bending down to put on his bicycle clips. Just to my hand on the bench was one of the long, flat, steel instruments we use for certain operations with plaster. I picked it up and hit him a blow with it on the back of the head. He gave a cry and slumped forward. I hit him again. I rained blow after blow on him. Then I threw the tool away. I was upset. I went out into the yard and looked around. I remembered he had a weak heart. Was he dead? I remember adjusting the position of a barrel we had in the yard to catch rainwater, the only sort of water suitable for some of the mixtures we used. I found I was in a cold sweat but strangely calm. I went back into the workshop.

  Kelly was just as I had left him. I could find no pulse. I rolled him over on his back and examined his eyes, for I have seen more lifeless eyes in my day than most people. Yes, there was no doubt: Kelly was dead. I had killed him. I was a murderer. I put on my coat and hat and left the place. I walked the streets for a while, trying to avoid panic, trying to think rationally. Inevitably, I was soon in a public house. I drank a lot of whiskey and finally went home to my digs. The next morning I was very sick indeed from this terrible mixture of drink and worry. Was the Kelly affair merely a fancy, a drunken fancy? No, there was no consolation in that sort of hope. He was dead all right.

  It was as I lay in bed there, shaking, thinking, and smoking, that the mad idea came into my head. No doubt this sounds incredible, grotesque, even disgusting, but I decided I would treat Kelly the same as any other dead creature that found its way to the workshop.

  Once one enters a climate of horror, distinction of degree as between one infamy and another seems slight, sometimes undetectable. That evening I went to the workshop and made my preparations. I worked steadily all next day. I will not appall the reader with gruesome detail. I need only say that I applied the general technique and flaying pattern appropriate to apes. The job took me four days at the end of which I had a perfect skin, face and all. I made the usual castings before committing the remains of, so to speak, the remains, to the furnace. My plan was to have Kelly on view asleep on a chair, for the benefit of anybody who might call. Reflection convinced me that this would be far too dangerous. I had to think again.

  A further idea began to form. It was so macabre that it shocked even myself. For days I had been treating the inside of the skin with the usual preservatives – cellulose acetate and the like – thinking all the time. The new illumination came upon me like a thunderbolt. I would don his skin and, when the need arose, BECOME Kelly! His clothes fitted me. So would his skin. Why not?

  Another day’s agonised work went on various alterations and adjustments but that night I was able to look into a glass and see Kelly looking back at me, perfect in every detail except for the teeth and eyes, which had to be my own but which I knew other people would never notice.

  Naturally I wore Kelly’s clothes, and had no trouble in imitating his unpleasant voice and mannerisms. On the second day, having “dressed,” so to speak, I went for a walk, receiving salutes from news-boys and other people who had known Kelly. And on the day after, I was foolhardy enough to visit Kelly’s lodgings. Where on earth had I been, his landlady wanted to know. (She had noticed nothing.) What, I asked – had that fool Murphy not told her that I had to go to the country for a few days? No? I had told the good-for-nothing to convey the message.

  I slept that night in Kelly’s bed. I was a little worried about what the other landlady would think of my own absence. I decided not to remove Kelly’s skin the first night I spent in his bed but to try to get the rest of my plan of campaign perfected and into sharper focus. I eventually decided that Kelly should announce to various people that he was going to a very good job in Canada, and that he had sold his business to his assistant Murphy. I would then burn the skin, I would own a business and – what is more stupid than vanity! – I could secretly flatter myself that I had committed the perfect crime.

  Need I say that I had overlooked something?

  The mummifying preparation with which I had dressed the inside of the skin was, of course, quite stable for the ordinary purposes of taxidermy. It had not occurred to me that a night in a warm bed would make it behave differently. The horrible truth dawned on me the next day when I reached the workshop and tried to take the skin off. It wouldn’t come off! It had literally fused with my own! And in the days that followed, this process kept rapidly advancing. Kelly’s skin got to live again, to breathe, to perspire.

  Then followed more days of terrible tension. My own landlady called one day, inquiring about me of “Kelly.” I told her I had been on the point of calling on her to find out where I was. She was disturbed about my disappearance – it was so unlike me – and said she thought she should inform the police. I thought it wise not to try to dissuade her. My disappearance would eventually come to be accepted, I thought. My Kelliness, so to speak, was permanent. It was horrible, but it was a choice of that or the scaffold.

  I kept drinking a lot. One night, after many drinks, I went to the club for a game of snooker. This club was in fact one of the causes of Kelly’s bitterness towards me. I had joined it without having been aware that Kelly was a member. His resentment was boundless. He thought I was watching him, and taking note of the attentions he paid the lady members.

  On this occasion I nearly made a catastrophic mistake. It is a simple fact that I am a very good snooker player, easily the best in that club. As I was standing watching another game in progress awaiting my turn for the table, I suddenly realised that Kelly did not play snooker at all! For some moments, a cold sweat stood out on Kelly’s brow at the narrowness of this escape. I went to the bar. There, a garrulous lady (who thinks her unsolicited conversation is a fair exchange for a drink) began talking to me. She remarked the long absence of my nice Mr. Murphy. She said he was missed a lot in the snooker room. I was hot and embarrassed and soon went home. To Kelly’s place, of course.

  Not embarrassment, but a real sense of danger, was to be my next portion in this adventure. One afternoon, two very casual strangers strolled into the workshop, saying they would like a little chat with me. Cigarettes were produced. Yes indeed, they were plain-clothes-men making a few routine inquiries. This man Murphy had been reported missing by several people. Any idea where he was? None at all. When had I last seen him? Did he seem upset or disturbed? No, but he was an impetuous type. I had recently reprimanded him for bad work. On similar other occasions he had threatened to leave and seek work in England. Had I been away for a few days myself? Yes, down in Cork for a few days. On business. Yes… yes… some people thinking of starting a natural museum down there, technical school people – that sort of thing.

  The casual manner of these men worried me, but I was sure they did not suspect the truth and that they were genuinely interested in tracing Murphy. Still, I knew I was in danger, without knowing the exact nature of the threat I had to counter. Whiskey cheered me somewhat.

  Then it happened. The two detectives came back accompanied by two other men in uniform. They showed me a search warrant. It was purely a formality; it had to be done in the case of all missing persons. They had already searched Murphy’s digs and had found nothing of interest. They were very sorry for upsetting the place during my working hours.

  A few days later the casual gentlemen called and put me under arrest for the wilful murder of Murphy, of myself. They proved the charge in due course with all sorts of painfully amassed evidence, including the remains of human bones in the furnace. I was sentenced to be hanged. Even if I could now prove that Murphy still lived by shedding the accursed skin, what help would that be? Where, they would ask, is Kelly?

  This is my strange and tragic story. And I end it with the thought that if Kelly and I must each be either murderer or murdered, it is perhaps better to accept my present fate as philosophically as I can and be cherished in the public mind as the victim of this murderous monster, Kelly. He was a murderer, anyway.

  SWADDLING CLOTHES


  Yukio Mishima

  Yukio Mishima (1925–1970) is the pen name of Kimitake Hiraoka who was born in Tokyo. He escaped military service in World War II after being misdiagnosed with tuberculosis. Mishima was detailed to work in an aircraft factory which manufactured kamikaze planes. He subsequently produced an impressive body of work which included poetry, short stories, novels, films, Kabuki plays and Noh dramas. Mishima was also a model and bodybuilder. He embraced the ancient ideals of Bushido and committed ritual suicide after leading a failed military coup.

  He was always busy, Toshiko’s husband. Even tonight he had to dash off to an appointment, leaving her to go home alone by taxi. But what else could a woman expect when she married an actor – an attractive one? No doubt she had been foolish to hope that he would spend the evening with her. And yet he must have known how she dreaded going back to their house, unhomely with its Western-style furniture and with the bloodstains still showing on the floor.

  Toshiko had been oversensitive since girlhood: that was her nature. As the result of constant worrying she never put on weight, and now, an adult woman, she looked more like a transparent picture than a creature of flesh and blood. Her delicacy of spirit was evident to her most casual acquaintance.

  Earlier that evening, when she had joined her husband at a night club, she had been shocked to find him entertaining friends with an account of “the incident.” Sitting there in his American-style suit, puffing at a cigarette, he had seemed to her almost a stranger.