NECROM

by Mick Farren

  In the last few sessions, Kooning had been concentrating on the fine print of what she assumed was Gibson's elaborate, rock-star fantasy. Her strategy seemed to be that by getting Gibson to examine it in the minutest detail it would begin to reveal itself as not being his past at all but the creation of a very disturbed mind. To give her what she wanted to hear wasn't as simple as it sounded. The details came all too easily, too thick and fast, in fact. It was, after all, as far as he was concerned, the only memory that he had. When Kooning questioned him on a point, he was forced to go deeper and he worried that he was actually convincing her that the fantasy was even more complex than she'd first imagined. She was even thinking aloud about sessions in which he'd be medicated with chemical disinhibitors. As far as Gibson could figure it, a chemical disinhibitor was some sort of fancy designer hallucinogen that would almost certainly turn him into a babbling idiot. He had to do something about that. If it happened, he'd give away so much that Kooning would figure that he was worth a popular book and maybe even a Donahue show, and then he'd never get out of the clinic.

  The previous three sessions, two doubles and a single, had been devoted to the early days on the glory road, when each new record sold more than the last one, and he and rest of the Holy Ghosts were gripped by a breathless excitement as everything went right, and the only fear was that they'd wake up and find that it was all a dream. At the start of this one, though, Kooning had switched focus and wanted to hear how it had all gone wrong.

  "I'm not sure I'm ready to talk about that yet."

  In this instance, the hesitation wasn't for effect. Gibson wasn't sure that he did want to talk about those final days, the nightmare days when he was watching everything fall apart and simultaneously losing his grip on his own sanity. Kooning fixed him with the blank expression that was neither compassion nor reproach but some neutral point between the two. It was a look that was supposed to prove that she cared but she wasn't involved.

  "Please try. Perhaps there was one specific event-"

  "There wasn't any single incident that did it. It was really a chain reaction of events that made things progressively worse. There'd be stress and then one of us, usually me, would flip out and do something really stupid and then, as a result, the stress would increase and there'd be another freak-out and the downward spiral would go through one more turn."

  "What don't you tell me about some of these times that you feel you behaved so stupidly?"

  Chapter Eight

  A PIERCING ELECTRONIC howl was filling the room as Gibson struggled desperately to recover his wits. He had been in such a deep sleep that, at first, he didn't even know where he was. Luxor? That's right. The apartment? He could remember that, but what was happening to the television? The glass of the screen seemed to have been transmuted into soft stretching plastic, and something was trying to push its way through it from inside. The raw energy blazing from the set was blinding, and it strobed back from the walls of the room like a short-circuiting psychedelic light show. Gibson raised an arm to shield his eyes, convinced that the picture tube itself was going to explode at any moment in a shower of glass. At that point he was still thinking in relatively normal terms like explosion or TV meltdown. He had yet to question why he was seeing flashes of dazzling color on a black-and-white set. It was only when something like an arm or a tentacle that seemed to be composed of swirling, multicolored interference extended out of the screen and into the room that he realized that he was still in the hostile world of the extraordinary. The thing was reaching around as though looking for a handhold, and it had formed indistinct fingers that blazed with red fire. It was like watching an electric lizard struggling out of its egg, except that as more of it emerged into the room it started to assume an increasingly humanoid form. Gibson watched transfixed as, with a final frenzied effort, it dragged its legs clear of the bulging screen and stepped to the floor, spilling cascades of sparks onto the dirty carpet, now only linked to the set by a glowing umbilical. It stood about six inches taller than Gibson, and he knew without being told that it meant him no good. When a black hole of a mouth opened the thing's approximation of a face, the electronic howl modulated as though it was trying to form words; then, without further preamble, it lunged for Gibson.

  Gibson hurled himself out of the chair and rolled sideways. He was certain that if the thing touched him he'd be instantly fried. The thing didn't move particularly fast, and it seemed to have little sense of direction, but there was a flash of discharge and the stench of burning leather and horsehair as it hit the chair where he'd been sitting moments before. The whole room seemed to be filled with static, and Gibson could feel his hair standing on end and small shocks running up and down his spine.

  The thing from the TV was turning and coming after him again. With no chance to get to his feet, Gibson scrambled backward across the floor like a terrified crab. It reached for him again, but he ducked under its arm. The gun! He had to get the gun. He didn't know whether it would do any good but it was all that he had. He could only go on ducking and weaving for so long. The gun was on the floor beside the chair where he'd been sleeping and, while the thing was turning again, he dived for it. Clint Eastwood would have been proud of the way that he came up off the floor with the automatic clutched in his fist. Doing his utmost to keep his hand steady, he squeezed the trigger. The gun bucked and the sound of the shot momentarily drowned out the electronic howl, but, to his dismay, the bullet went straight through the monster, and the only damage it did was blow a crater in the wall. A violet streak marked where the bullet had passed through the thing, but otherwise the only effect was to slow it up for a moment. The monster made what looked like a surprised gesture, as though it hadn't expected the bullet, but then it kept on coming.

  A voice barked an order inside his head. "Shoot the TV!" It was as though an emergency area of his brain had assumed control. Gibson didn't think about it. The creature was almost on him and he could smell ozone. He fired twice. The TV exploded in a blue flash, and the thing vanished in the same instant. It was as though the TV set had not only been its means of entry to the room but also its source of energy, perhaps the source of its very being. He slowly lowered the gun. After the noise and confusion, the silence in the room was like a hollow void. The TV stood in the corner with a curl of blue smoke rising from the shattered screen. After thirty seconds of total, shocked paralysis, he stuffed the still warm gun into the waistband of his pants and ran for the Johnnie Walker in the kitchen. He didn't even bother to pour it into a glass; he went straight for the bottle.

  Gibson knew he had to get out of there. It was a primal urge, not a logical decision. He didn't want to be in any place where things came at you out of the TV. Even though he'd killed the television, he had no reason to think that he was safe. For all he knew, there could be any number of other monsters waiting in the apartment to get him: in the fridge, the cooker, the electric toaster, even in the faucets in the bathroom. He wasn't waiting around for another attack; he'd rather take his chances on the streets of Luxor.

  The one thing he wasn't going to do, however, was to go out wearing the suit that had been bleached out by the transition. He wanted to be as anonymous as possible out there, and an albino in a white suit was about as anonymous as Frosty the Snowman on the Fourth of July. He made a quick inventory of his double's wardrobe and picked out a baggy black suit, a dark-blue work shirt, and finally a white tie for just the slightest touch of flash. He dressed quickly, stowed the gun and wallet in the pockets of the borrowed suit, and, after a few moments' speculation whether the hostility to freaks that he'd seen on television extended to albinos, he completed the ensemble with a dark overcoat, a black fedora, and a pair of sunglasses he'd found in a drawer while he'd been going through the look-alike's stuff. After a final swift, hard belt of Scotch, he took a last look at the broken TV and let himself out of the apartment. As he was locking the door behind him, the blue face of a small balding man poked out of one of the apartments down t
he hall.

  "What's going on? What's all the noise about."

  "There's no noise."

  "I heard shots."

  Gibson pocketed his keys and started walking away. "I shot the TV because I didn't like the show. You never heard of that before?"

  A fine drizzle was falling on the nighttime streets of Luxor as Gibson turned right out of the front door, pulled his hat down over his eyes, and started up the street at a brisk pace. He wanted to be as far away from the apartment building as fast as he could. There was always the chance that one of the neighbors had called the police. It didn't look to be the kind of building where gunshots were so commonplace that everyone ignored them. There was also the chance that if the streamheat had been monitoring the attack of the TV beast, they, too, might be on their way, if not to rescue him, at least to scrape his charred remains from the catpet. At the end of the block, he paused to listen, but he couldn't hear any sirens.

  He was heading in the general direction of the big intersection with the golden statue that he'd seen on the ride in with Klein, Once there, though, which was about the limit of what he knew of the local geography, Gibson had little real idea of where he was going or what he was going to do. His flight from the apartment and its possible dangers had been so precipitate and so urgent that he hadn't bothered to stop and think through a plan. The best that he could come up with was to find a bar and use the breathing space to see what else he could learn about the ways of Luxor. After that, maybe a cheap hotel and a little time to think. He was screwed and he knew it, but the longer that he could put off accepting that unpleasant fact the better.

  He turned the corner and kept on going. He could see the floodlit statue up ahead in the distance, and he continued in that direction. The traffic was fairly light in this largely residential area, and when he heard shouting and the gunning of car engines behind him, he reacted with the instincts of a paranoid and whirled round, his hand going toward the pistol in his pocket. He relaxed when he saw it was just a gang of teenagers in two convertibles, tops down despite the drizzle, drinking and hollering and generally carrying on. Then a beer can sailed past his head, bounced off the sidewalk, and was immediately followed by a torrent of abuse.

  "Fuck you, albino bastard! You gonna die!"

  "You gonna die, motherfucker freak!"

  In unison the kids in both cars broke into a fast chant that drifted back to him as they accelerated on down the street.

  "Die freak!"

  "Die freak!"

  "Die freak!"

  It was only as they were speeding away that Gibson noticed the banner hanging out of the second car, a stylized purple eagle on a red background. So what were these juvenile idiots, junior normal nazis out for an evening of freak baiting? The problem appeared to be worse than he had imagined from just watching TV. Not only was he in another dimension and subject to electric-monster attack but he also seemed to have joined the ranks of the local "niggers." Gibson had been in Luxor for less than a day, and he was becoming rapidly convinced that it sucked.

  After some more walking, he finally reached the intersection, and, as he stood wondering which way to go next, a police Batmobile came slowly round the statue, obviously making a routine inspection of anyone who was on the sidewalk. Gibson wanted to be the hell off the streets. The sooner he was in a warm, comfortable tavern with a drink in front of him the better. He'd seen a number of cabs cruising for fares but he'd hesitated over taking one. He still tended to believe Klein's statement that the streamheat operated one of the local cab lines, and the way his luck was running, he was quite likely to pick one of those and be right back in the frying pan again. On the other hand, though, he could wander around lost in the rain all night. It was time to take a chance and hail one and ask to be taken to the local equivalent of Times Square or whatever.

  The first empty cab that he attempted to wave down went right past without stopping. At the last minute, he spotted a small purple-eagle sticker on the windshield, just like the teenagers' banner. Clearly this particular driver didn't stop for albinos. It was some minutes before another one came along, and Gibson spent the time becoming increasingly nervous. Fortunately this driver didn't share the prejudice against freaks. The cab pulled up beside Gibson and he climbed in.

  "Where to?"

  "I'm a stranger in town and I'm looking for a place to get drunk."

  The driver didn't treat it as an at all unusual request. "You want it quiet or rowdy?"

  Gibson grinned. "Oh, rowdy any time."

  It wasn't just a matter of natural inclination. Gibson had decided rowdy would give him a good deal more natural cover. The driver set the cab in motion. "I'll drop you at the corner of Pomus and Schulman. That's pretty much the heart of the Strip."

  Gibson nodded. "The Strip sounds good to me."

  "Watch your money, though. The place is lousy with thieves."

  "Isn't everywhere, these days?"

  The driver nodded. "You said it, pal."

  They passed yet another of the billboards with a giant picture of Jaim Lancer on it. Gibson wondered where the president stood on the matter of freak hatred. He suspected that the president was the kind that rode the fence, deploring it in public but tipping the wink to the local nazis in private. He had that kind of look about him.

  Very soon they were passing through an area of gaudy neon and busy sidewalks. Gibson felt a little more encouraged. This was more like it. The pulsing, rippling lights and their mirror images on the wet street were beacons of vibrant trashy humanity against a darkness that, from where Gibson was sitting, seemed increasingly cold, threatening, and polluted. Ever since he'd been a kid, Gibson had been drawn to the bright lights of big cities. They'd been both his strength and quite possibly a part of his downfall. Certainly they'd always been there, offering their comfort, winking and blinking and constantly renewing their tawdry promises, so no matter how many times he'd been stung or cheated or washed up and left for dead in the cold daylight, he always went back.

  The driver turned in his seat. "You see anything you fancy in this sink of iniquity?"

  Gibson stared out of the window at the passing show. "Yeah, a whole bunch of things."

  What Gibson mainly saw were the crowds, and in their numbers he knew he had his best chance of safety. They moved along the sidewalks like the crowds in every red-light district he'd ever been in, strictly divided into two groups, the prey and the predators, the suckers and the players. The suckers always moved with a slow aimlessness, always looking for the forbidden thrills, always hoping and too stupid or too desperate to give up and go home, even when they must have realized that those thrills were just myth or imagined shadows. The predators only moved when they had to. With some, movement was a matter of open display, as with the prostitutes who swung their hips and lazily chewed their gum, or the corner cardsharps who flashed their cuffs and recited the soft come on. Others merely waited in the shadows, like the smooth, watchful, well-fed pimps in their sharkskin and gold checking on their stables, or the nervous takeoff artists laying for the careless or the drunk and ready to melt away at the first approach of a cop. Streets like this were a beckoning refuge for anyone on the run or with a need to disappear. There were already so many criminals, marginals, and illegals living on them that an organic system of boltholes, hiding places, warnings, and alarms was firmly in place. Streets like the Luxor Strip might take no prisoners, but they also asked very few questions.

  The driver pulled over to the curb. "I'll let you off here if that's okay."

  Gibson squinted at the meter. If he was reading the numbers right, the fare was 3.75. Gibson had yet to learn the name of the smaller unit of UKR currency that was one-hundredth of a kudo. His reckoning must have been correct, because the driver seemed quite satisfied with his kudo-and-a-half tip.

  As Gibson climbed out of the cab, the driver raised a hand. "You watch your ass now, you hear?"

  Gibson grinned. "I will, don't worry." The driver didn't know jus
t how carefully he would be watching his ass.

  The first thing that Gibson heard was the sound of bebop: a tune that sounded uncannily like Charlie Parker's "C-Jam Blues" came bouncing from a nearby blue-lit doorway, Gibson's spirits immediately lifted. Luxor might be a fucked-up place, but if it had bebop, it couldn't all be bad. The temptation was to duck straight through the blue door and submerge himself in the music, but Gibson had a natural aversion to simply going into the first place he saw. He'd walk on down the block and check out more of what the Strip had to offer before he settled on somewhere; besides, a live band might well indicate that it was a nightclub behind the blue door, and Gibson had some serious thinking to do before he could let himself go. A friendly shot-and-beer joint would be more his speed, if indeed Luxor had such a thing. He suspected that they did, although he knew that he had to be prepared for friendliness to be just an illusion.

  He couldn't read the neon signs, but the majority of their messages were loud and clear. Sex seemed once again to be the major selling point, and half the places that he passed featured some variation of striptease or girly show. On the other side of the street a blue neon woman with an hourglass figure and vibrant yellow hair towered three stories above the sidewalk, swinging her electric-light hips while her red bikini flashed on and off. When the bikini was in the off phase, pink nipples glowed in the center of her massive breasts. On the same sidewalk a gang of teenage boys shouldered their way through the slower-moving crowds with the nervous urgency of a gang on the prowl, obviously out of their own neighborhood but determined to play it tough in front of the more serious lowlifes who really operated on the Strip and called it home. In their black leather jackets, Hawaiian shirts, and black dungarees, they resembled the chorus from a revival of West Side Story. Gibson smiled to himself. What would they be getting next in this town, James Dean movies?