Delphi Complete Poetry and Plays of W. B. Yeats (Illustrated) (Delphi Poets Series)
Page 17
In muscular youth well known to Mayo men
For horsemanship at meets or at race-courses,
That could have shown how purebred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.
6
They were my close companions many a year,
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend’s dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death.
7
For all things the delighted eye now sees
Were loved by him; the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream’s edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.
8
When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes, and where was it
He rode a race without a bit?
And yet his mind outran the horses’ feet.
9
We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world’s delight.
10
What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.
11
Some burn damp fagots, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As ‘twere all life’s epitome.
What made us dream that he could comb grey hair?
12
I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved,
Or boyish intellect approved,
With some appropriate commentary on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.
AN IRISH AIRMAN FORESEES HIS DEATH
I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love;
My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor angry crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
MEN IMPROVE WITH THE YEARS
I am worn out with dreams;
A weather-worn, marble triton
Among the streams;
And all day long I look
Upon this lady’s beauty
As though I had found in book
A pictured beauty,
Pleased to have filled the eyes
Or the discerning ears,
Delighted to be but wise,
For men improve with the years;
And yet and yet
Is this my dream, or the truth?
O would that we had met
When I had my burning youth;
But I grow old among dreams,
A weather-worn, marble triton
Among the streams.
THE COLLAR-BONE OF A HARE
Would I could cast a sail on the water
Where many a king has gone
And many a king’s daughter,
And alight at the comely trees and the lawn,
The playing upon pipes and the dancing,
And learn that the best thing is
To change my loves while dancing
And pay but a kiss for a kiss.
I would find by the edge of that water
The collar-bone of a hare
Worn thin by the lapping of water,
And pierce it through with a gimlet and stare
At the old bitter world where they marry in churches,
And laugh over the untroubled water
At all who marry in churches,
Through the white thin bone of a hare.
UNDER THE ROUND TOWER
‘Although I’d lie lapped up in linen
A deal I’d sweat and little earn
If I should live as live the neighbours,’
Cried the beggar, Billy Byrne;
‘Stretch bones till the daylight come
On great-grandfather’s battered tomb.’
Upon a grey old battered tombstone
In Glendalough beside the stream,
Where the O’Byrnes and Byrnes are buried,
He stretched his bones and fell in a dream
Of sun and moon that a good hour
Bellowed and pranced in the round tower;
Of golden king and silver lady,
Bellowing up and bellowing round,
Till toes mastered a sweet measure,
Mouth mastered a sweet sound,
Prancing round and prancing up
Until they pranced upon the top.
That golden king and that wild lady
Sang till stars began to fade,
Hands gripped in hands, toes close together,
Hair spread on the wind they made;
That lady and that golden king
Could like a brace of blackbirds sing.
‘It’s certain that my luck is broken,’
That rambling jailbird Billy said;
‘Before nightfall I’ll pick a pocket
And snug it in a feather-bed,
I cannot find the peace of home
On great-grandfather’s battered tomb.’
SOLOMON TO SHEBA
Sang Solomon to Sheba,
And kissed her dusky face,
‘All day long from mid-day
We have talked in the one place,
All day long from shadowless noon
We have gone round and round
In the narrow theme of love
Like an old horse in a pound.’
To Solomon sang Sheba,
Planted on his knees,
‘If you had broached a matter
That might the learned please,
You had before the sun had thrown
Our shadows on the ground
Discovered that my thoughts, not it,
Are but a narrow pound.’
Sang Solomon to Sheba,
And kissed her Arab eyes,
‘There’s not a man or woman
Born under the skies
Dare match in learning with us two,
And all day long we have found
There’s not a thing but love can make
The world a narrow pound.’
THE LIVING BEAUTY
I’ll say and maybe dream I have drawn content —
Seeing that time has frozen up the blood,
The wick of youth being burned and the oil spent —
From beauty that is cast out of a mould
In bronze, or that in dazzling marble appears,
Appears, and when we have gone is gone again,
Being more indifferent to our solitude
Than ‘twere an apparition. O heart, we are old,
The living beauty is for younger men,
We cannot pay its tribute of wild tears.
A SONG
I thought no more was needed
Youth to prolong
Than dumb-bell and foil
To keep the body young.
Oh, who could have foretold
That the heart grows old?
Though I have many words,
What woman’s satisfied,
I am no longer faint
Because at her side?
Oh, who could have foretold
That the heart grows old?
I have not lost desire
But the heart that I had,
I thought ‘twould burn my body
Laid on the death-bed.
But who could have foretold
That the heart grows old?
TO A YOUNG BEAUTY
Dear fellow-artist, why so free
With every sort of company,
With every Jack and Jill?
Choose your companions from the best;
Who draws a bucket with the rest
Soon topples down the hill.
You may, that mirror for a school,
Be passionate, not bountiful
As common beauties may,
Who were not born to keep in trim
With old Ezekiel’s cherubim
But those of Beaujolet.
I know what wages beauty gives,
How hard a life her servant lives,
Yet praise the winters gone;
There is not a fool can call me friend,
And I may dine at journey’s end
With Landor and with Donne.
TO A YOUNG GIRL
My dear, my dear, I know
More than another
What makes your heart beat so;
Not even your own mother
Can know it as I know,
Who broke my heart for her
When the wild thought,
That she denies
And has forgot,
Set all her blood astir
And glittered in her eyes.
THE SCHOLARS
Bald heads forgetful of their sins,
Old, learned, respectable bald heads
Edit and annotate the lines
That young men, tossing on their beds,
Rhymed out in love’s despair
To flatter beauty’s ignorant ear.
They’ll cough in the ink to the world’s end;
Wear out the carpet with their shoes
Earning respect; have no strange friend;
If they have sinned nobody knows.
Lord, what would they say
Should their Catullus walk that way?
TOM O’ROUGHLEY
‘Though logic choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,’
Or so did Tom O’Roughley say
That saw the surges running by,
‘And wisdom is a butterfly
And not a gloomy bird of prey.
‘If little planned is little sinned
But little need the grave distress.
What’s dying but a second wind?
How but in zigzag wantonness
Could trumpeter Michael be so brave?’
Or something of that sort he said,
‘And if my dearest friend were dead
I’d dance a measure on his grave.’
THE SAD SHEPHERD
SHEPHERD
That cry’s from the first cuckoo of the year
I wished before it ceased.
GOATHERD
Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God’s Providence.
Let the young wish. But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to stone.
SHEPHERD
I am looking for strayed sheep;
Something has troubled me and in my trouble
I let them stray. I thought of rhyme alone,
For rhyme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its place
The sheep had gone from theirs.
GOATHERD
I know right well
What turned so good a shepherd from his charge.
SHEPHERD
He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth
Is dead.
GOATHERD
The boy that brings my griddle cake
Brought the bare news.
SHEPHERD
He had thrown the crook away
And died in the great war beyond the sea.
GOATHERD
He had often played his pipes among my hills
And when he played it was their loneliness,
The exultation of their stone, that cried
Under his fingers.
SHEPHERD
I had it from his mother,
And his own flock was browsing at the door.
GOATHERD
How does she bear her grief? There is not a shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife.
SHEPHERD
She goes about her house erect and calm
Between the pantry and the linen chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived
But for her grandson now; there is no change
But such as I have seen upon her face
Watching our shepherd sports at harvest-time
When her son’s turn was over.
GOATHERD
Sing your song,
I too have rhymed my reveries, but youth
Is hot to show whatever it has found
And till that’s done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
SHEPHERD
You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking shed
As others will, when first they take possession,
But left the house as in his father’s time
As though he knew himself, as it were, a cuckoo,
No settled man.
And now that he is gone
There’s nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
GOATHERD
You have put the thought in rhyme.
SHEPHERD
I worked all day
And when ‘twas done so little had I done
That maybe ‘I am sorry’ in plain prose
Had sounded better to your mountain fancy.
[He sings.
‘Like the speckled bird that steers
Thousands of leagues oversea,
And runs for a while or a while half-flies
Upon his yellow legs through our meadows,
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape in the lengthening shadows,
Where the sheep are thrown in the pool,
When he vanished from ears and eyes.
I had wished a dear thing on that day
I heard him first, but man is a fool.’
GOATHERD
You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
SHEPHERD
They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
GOATHERD
Indeed
My daily thoughts since the first stupor of youth