The Algernon Blackwood Collection

by Algernon Blackwood

  Though there were no sounds, he knew that in the well of the house there was movement going on, and preparation. And this knowledge, inasmuch as it came to him irresistibly and through other and more subtle channels than those of the senses kept the sense of horror fresh in his blood and made him alert and awake.

  But, no matter how great the dread in the heart, the power of sleep will eventually overcome it. Exhausted nature is irresistible, and as the minutes wore on and midnight passed, he realised that nature was vigorously asserting herself and sleep was creeping upon him from the extremities.

  To lessen the danger he took out his pencil and began to draw the articles of furniture in the room. He worked into elaborate detail the cupboard, the mantelpiece, and the bed, and from these he passed on to the portraits. Being possessed of genuine skill, he found the occupation sufficiently absorbing. It kept the blood in his brain, and that kept him awake. The pictures, moreover, now that he considered them for the first time, were exceedingly well painted. Owing to the dim light, he centred his attention upon the portraits beside the fireplace. On the right was a woman, with a sweet, gentle face and a figure of great refinement; on the left was a full-size figure of a big handsome man with a full beard and wearing a hunting costume of ancient date.

  From time to time he turned to the windows behind him, but the vision of the face was not repeated. More than once, too, he went to the door and listened, but the silence was so profound in the house that he gradually came to believe the plan of attack had been abandoned. Once he went out on to the balcony, but the sleet stung his face and he only had time to see that the shutters above were closed, when he was obliged to seek the shelter of the room again.

  In this way the hours passed. The fire died down and the room grew chilly. Shorthouse had made several sketches of the two heads and was beginning to feel overpoweringly weary. His feet and his hands were cold and his yawns were prodigious. It seemed ages and ages since the steps had come to listen at his door and the face had watched him from the window. A feeling of safety had somehow come to him. In reality he was exhausted. His one desire was to drop upon the soft white bed and yield himself up to sleep without any further struggle.

  He rose from his chair with a series of yawns that refused to be stifled and looked at his watch. It was close upon three in the morning. He made up his mind that he would lie down with his clothes on and get some sleep. It was safe enough, the door was locked on the inside and the window was fastened. Putting the bag on the table near his pillow he blew out the candles and dropped with a sense of careless and delicious exhaustion upon the soft mattress. In five minutes he was sound asleep.

  There had scarcely been time for the dreams to come when he found himself lying side-ways across the bed with wide open eyes staring into the darkness. Someone had touched him, and he had writhed away in his sleep as from something unholy. The movement had awakened him.

  The room was simply black. No light came from the windows and the fire had gone out as completely as if water had been poured upon it. He gazed into a sheet of impenetrable darkness that came close up to his face like a wall.

  His first thought was for the papers in his coat and his hand flew to the pocket. They were safe; and the relief caused by this discovery left his mind instantly free for other reflections.

  And the realisation that at once came to him with a touch of dismay was, that during his sleep some definite change had been effected in the room. He felt this with that intuitive certainty which amounts to positive knowledge. The room was utterly still, but the corroboration that was speedily brought to him seemed at once to fill the darkness with a whispering, secret life that chilled his blood and made the sheet feel like ice against his cheek.

  Hark! This was it; there reached his ears, in which the blood was already buzzing with warning clamour, a dull murmur of something that rose indistinctly from the well of the house and became audible to him without passing through walls or doors. There seemed no solid surface between him, lying on the bed, and the landing; between the landing and the stairs, and between the stairs and the hall beyond.

  He knew that the door of the room was standing open! Therefore it had been opened from the inside. Yet the window was fastened, also on the inside.

  Hardly was this realised when the conspiring silence of the hour was broken by another and a more definite sound. A step was coming along the passage. A certain bruise on the hip told Shorthouse that the pistol in his pocket was ready for use and he drew it out quickly and cocked it. Then he just had time to slip over the edge of the bed and crouch down on the floor when the step halted on the threshold of the room. The bed was thus between him and the open door. The window was at his back.

  He waited in the darkness. What struck him as peculiar about the steps was that there seemed no particular desire to move stealthily. There was no extreme caution. They moved along in rather a slipshod way and sounded like soft slippers or feet in stockings. There was something clumsy, irresponsible, almost reckless about the movement.

  For a second the steps paused upon the threshold, but only for a second. Almost immediately they came on into the room, and as they passed from the wood to the carpet Shorthouse noticed that they became wholly noiseless. He waited in suspense, not knowing whether the unseen walker was on the other side of the room or was close upon him. Presently he stood up and stretched out his left arm in front of him, groping, searching, feeling in a circle; and behind it he held the pistol, cocked and pointed, in his right hand. As he rose a bone cracked in his knee, his clothes rustled as if they were newspapers, and his breath seemed loud enough to be heard all over the room. But not a sound came to betray the position of the invisible intruder.

  Then, just when the tension was becoming unbearable, a noise relieved the gripping silence. It was wood knocking against wood, and it came from the farther end of the room. The steps had moved over to the fireplace. A sliding sound almost immediately followed it and then silence closed again over everything like a pall.

  For another five minutes Shorthouse waited, and then the suspense became too much. He could not stand that open door! The candles were close beside him and he struck a match and lit them, expecting in the sudden glare to receive at least a terrific blow. But nothing happened, and he saw at once that the room was entirely empty. Walking over with the pistol cocked he peered out into the darkness of the landing and then closed the door and turned the key. Then he searched the room—bed, cupboard, table, curtains, everything that could have concealed a man; but found no trace of the intruder. The owner of the footsteps had disappeared like a ghost into the shadows of the night. But for one fact he might have imagined that he had been dreaming: the bag had vanished!

  There was no more sleep for Shorthouse that night. His watch pointed to 4 a.m. and there were still three hours before daylight. He sat down at the table and continued his sketches. With fixed determination he went on with his drawing and began a new outline of the man’s head. There was something in the expression that continually evaded him. He had no success with it, and this time it seemed to him that it was the eyes that brought about his discomfiture. He held up his pencil before his face to measure the distance between the nose and the eyes, and to his amazement he saw that a change had come over the features. The eyes were no longer open. The lids had closed!

  For a second he stood in a sort of stupefied astonishment. A push would have toppled him over. Then he sprang to his feet and held a candle close up to the picture. The eye-lids quivered, the eye-lashes trembled. Then, right before his gaze, the eyes opened and looked straight into his own. Two holes were cut in the panel and this pair of eyes, human eyes, just fitted them.

  As by a curious effect of magic, the strong fear that had governed him ever since his entry into the house disappeared in a second. Anger rushed into his heart and his chilled blood rose suddenly to boiling point. Putting the candle down, he took two steps back into the room and then flung himself forward with all his strength
against the painted panel. Instantly, and before the crash came, the eyes were withdrawn, and two black spaces showed where they had been. The old huntsman was eyeless. But the panel cracked and split inwards like a sheet of thin cardboard; and Shorthouse, pistol in hand, thrust an arm through the jagged aperture and, seizing a human leg, dragged out into the room—the Jew!

  Words rushed in such a torrent to his lips that they choked him. The old Hebrew, white as chalk, stood shaking before him, the bright pistol barrel opposite his eyes, when a volume of cold air rushed into the room, and with it a sound of hurried steps. Shorthouse felt his arm knocked up before he had time to turn, and the same second Garvey, who had somehow managed to burst open the window came between him and the trembling Marx. His lips were parted and his eyes rolled strangely in his distorted face.

  “Don’t shoot him! Shoot in the air!” he shrieked. He seized the Jew by the shoulders.

  “You damned hound,” he roared, hissing in his face. “So I’ve got you at last. That’s where your vacuum is, is it? I know your vile hiding-place at last.” He shook him like a dog. “I’ve been after him all night,” he cried, turning to Shorthouse, “all night, I tell you, and I’ve got him at last.”

  Garvey lifted his upper lip as he spoke and showed his teeth. They shone like the fangs of a wolf. The Jew evidently saw them too, for he gave a horrid yell and struggled furiously.

  Before the eyes of the secretary a mist seemed to rise. The hideous shadow again leaped into Garvey’s face. He foresaw a dreadful battle, and covering the two men with his pistol he retreated slowly to the door. Whether they were both mad, or both criminal, he did not pause to inquire. The only thought present in his mind was that the sooner he made his escape the better.

  Garvey was still shaking the Jew when he reached the door and turned the key, but as he passed out on to the landing both men stopped their struggling and turned to face him. Garvey’s face, bestial, loathsome, livid with anger; the Jew’s white and grey with fear and horror;—both turned towards him and joined in a wild, horrible yell that woke the echoes of the night. The next second they were after him at full speed.

  Shorthouse slammed the door in their faces and was at the foot of the stairs, crouching in the shadow, before they were out upon the landing. They tore shrieking down the stairs and past him, into the hall; and, wholly unnoticed, Shorthouse whipped up the stairs again, crossed the bedroom and dropped from the balcony into the soft snow.

  As he ran down the drive he heard behind him in the house the yells of the maniacs; and when he reached home several hours later Mr. Sidebotham not only raised his salary but also told him to buy a new hat and overcoat, and send in the bill to him.

  SKELETON LAKE: AN EPISODE IN CAMP

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  THE UTTER LONELINESS OF OUR moose-camp on Skeleton Lake had impressed us from the beginning—in the Quebec backwoods, five days by trail and canoe from civilisation—and perhaps the singular name contributed a little to the sensation of eeriness that made itself felt in the camp circle when once the sun was down and the late October mists began rising from the lake and winding their way in among the tree trunks.

  For, in these regions, all names of lakes and hills and islands have their origin in some actual event, taking either the name of a chief participant, such as Smith’s Ridge, or claiming a place in the map by perpetuating some special feature of the journey or the scenery, such as Long Island, Deep Rapids, or Rainy Lake.

  All names thus have their meaning and are usually pretty recently acquired, while the majority are self-explanatory and suggest human and pioneer relations. Skeleton Lake, therefore, was a name full of suggestion, and though none of us knew the origin or the story of its birth, we all were conscious of a certain lugubrious atmosphere that haunted its shores and islands, and but for the evidences of recent moose tracks in its neighbourhood we should probably have pitched our tents elsewhere.

  For several hundred miles in any direction we knew of only one other party of whites. They had journeyed up on the train with us, getting in at North Bay, and hailing from Boston way. A common goal and object had served by way of introduction. But the acquaintance had made little progress. This noisy, aggressive Yankee did not suit our fancy much as a possible neighbour, and it was only a slight intimacy between his chief guide, Jake the Swede, and one of our men that kept the thing going at all. They went into camp on Beaver Creek, fifty miles and more to the west of us.

  But that was six weeks ago, and seemed as many months, for days and nights pass slowly in these solitudes and the scale of time changes wonderfully. Our men always seemed to know by instinct pretty well “whar them other fellows was movin’,” but in the interval no one had come across their trails, or once so much as heard their rifle shots.

  Our little camp consisted of the professor, his wife, a splendid shot and keen woods-woman, and myself. We had a guide apiece, and hunted daily in pairs from before sunrise till dark.

  It was our last evening in the woods, and the professor was lying in my little wedge tent, discussing the dangers of hunting alone in couples in this way. The flap of the tent hung back and let in fragrant odours of cooking over an open wood fire; everywhere there were bustle and preparation, and one canoe already lay packed with moose horns, her nose pointing southwards.

  “If an accident happened to one of them,” he was saying, “the survivor’s story when he returned to camp would be entirely unsupported evidence, wouldn’t it? Because, you see—”

  And he went on laying down the law after the manner of professors, until I became so bored that my attention began to wander to pictures and memories of the scenes we were just about to leave: Garden Lake, with its hundred islands; the rapids out of Round Pond; the countless vistas of forest, crimson and gold in the autumn sunshine; and the starlit nights we had spent watching in cold, cramped positions for the wary moose on lonely lakes among the hills. The hum of the professor’s voice in time grew more soothing. A nod or a grunt was all the reply he looked for. Fortunately, he loathed interruptions. I think I could almost have gone to sleep under his very nose; perhaps I did sleep for a brief interval.

  Then it all came about so quickly, and the tragedy of it was so unexpected and painful, throwing our peaceful camp into momentary confusion, that now it all seems to have happened with the uncanny swiftness of a dream.

  First, there was the abrupt ceasing of the droning voice, and then the running of quick little steps over the pine needles, and the confusion of men’s voices; and the next instant the professor’s wife was at the tent door, hatless, her face white, her hunting bloomers bagging at the wrong places, a rifle in her hand, and her words running into one another anyhow.

  “Quick, Harry! It’s Rushton. I was asleep and it woke me. Something’s happened. You must deal with it!”

  In a second we were outside the tent with our rifles.

  “My God!” I heard the professor exclaim, as if he had first made the discovery. “It is Rushton!”

  I saw the guides helping—dragging—a man out of a canoe. A brief space of deep silence followed in which I heard only the waves from the canoe washing up on the sand; and then, immediately after, came the voice of a man talking with amazing rapidity and with odd gaps between his words. It was Rushton telling his story, and the tones of his voice, now whispering, now almost shouting, mixed with sobs and solemn oaths and frequent appeals to the Deity, somehow or other struck the false note at the very start, and before any of us guessed or knew anything at all. Something moved secretly between his words, a shadow veiling the stars, destroying the peace of our little camp, and touching us all personally with an undefinable sense of horror and distrust.

  I can see that group to this day, with all the detail of a good photograph: standing half-way between the firelight and the darkness, a slight mist rising from the lake, the frosty stars, and our men, in silence that was all sympathy, dragging Rushton across the rocks towards the camp fire. Their moccasins crunched on the san
d and slipped several times on the stones beneath the weight of the limp, exhausted body, and I can still see every inch of the pared cedar branch he had used for a paddle on that lonely and dreadful journey.

  But what struck me most, as it struck us all, was the limp exhaustion of his body compared to the strength of his utterance and the tearing rush of his words. A vigorous driving-power was there at work, forcing out the tale, red-hot and throbbing, full of discrepancies and the strangest contradictions; and the nature of this driving-power I first began to appreciate when they had lifted him into the circle of firelight and I saw his face, grey under the tan, terror in the eyes, tears too, hair and beard awry, and listened to the wild stream of words pouring forth without ceasing.

  I think we all understood then, but it was only after many years that anyone dared to confess what he thought.

  There was Matt Morris, my guide; Silver Fizz, whose real name was unknown, and who bore the title of his favourite drink; and huge Hank Milligan—all ears and kind intention; and there was Rushton, pouring out his ready-made tale, with ever-shifting eyes, turning from face to face, seeking confirmation of details none had witnessed but himself—and one other.

  Silver Fizz was the first to recover from the shock of the thing, and to realise, with the natural sense of chivalry common to most genuine back-woodsmen, that the man was at a terrible disadvantage. At any rate, he was the first to start putting the matter to rights.