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The Algernon Blackwood Collection

Page 394

by Algernon Blackwood


  There was another thing he knew as well—that this corridor he moved along between rooms with fast-closed doors, was the Nightmare Corridor; often and often he had traversed it; each room was occupied. “This is the Nightmare Passage,” he whispered to himself, “but I know the Ruler—it doesn’t matter. None of them can get out or do anything.” He heard them, none the less, inside, as he passed by; he heard them scratching to get out. The feeling of security made him reckless; he took unnecessary risks; he brushed the panels as he passed. And the love of keen sensation for its own sake, the desire to feel “an awful thrill,” tempted him once so sharply that he raised his stick and poked a fast-shut door with it!

  He was not prepared for the result, but he gained the sensation and the thrill. For the door opened with instant swiftness half an inch, a hand emerged, caught the stick and tried to draw it in. Tim sprang back as if he had been struck. He pulled at the ivory handle with all his strength, but his strength was less than nothing. He tried to shout, but his voice had gone. A terror of the moon came over him, for he was unable to loosen his hold of the handle; his fingers had become a part of it. An appalling weakness turned him helpless. He was dragged inch by inch towards the fearful door. The end of the stick was already through the narrow, crack. He could not see the hand that pulled, but he knew it was terrific. He understood now why the world was strange, why horses galloped furiously, and why trains whistled as they raced through stations. All the comedy and terror of nightmare gripped his heart with pincers made of ice. The disproportion was abominable. The final collapse rushed over him when, without a sign of warning, the door slammed silently, and between the jamb and the wall the cane was crushed as flat as if it were a bulrush. So irresistible was the force behind the door that the solid stick just went flat as a stalk of a bulrush.

  He looked at it. It was a bulrush.

  He did not laugh; the absurdity was so distressingly unnatural. The horror of finding a bulrush where he had expected a polished cane—this hideous and appalling detail held the nameless horror of the nightmare. It betrayed him utterly. Why had he not always known really that the stick was not a stick, but a thin and hollow reed ...?

  Then the cane was safely in his hand, unbroken. He stood looking at it. The Nightmare was in full swing. He heard another door opening behind his back, a door he had not touched. There was just time to see a hand thrusting and waving dreadfully, familiarly, at him through the narrow crack—just time to realise that this was another Nightmare acting in atrocious concert with the first, when he saw closely beside him, towering to the ceiling, the protective, kindly Figure that visited his bedroom. In the turning movement he made to meet the attack, he became aware of her. And his terror passed. It was a nightmare terror merely. The infinite horror vanished. Only the comedy remained. He smiled.

  He saw her dimly only, she was so vast, but he saw her, the Ruler of the Other Wing at last, and knew that he was safe again. He gazed with a tremendous love and wonder, trying to see her clearly; but the face was hidden far aloft and seemed to melt into the sky beyond the roof. He discerned that she was larger than the Night, only far, far softer, with wings that folded above him more tenderly even than his mother’s arms; that there were points of light like stars among the feathers, and that she was vast enough to cover millions and millions of people all at once. Moreover, she did not fade or go, so far as he could see, but spread herself in such a way that he lost sight of her. She spread over the entire Wing. ...

  And Tim remembered that this was all quite natural really. He had often and often been down this corridor before; the Nightmare Corridor was no new experience; it had to be faced as usual. Once knowing what hid inside the rooms, he was bound to tempt them out. They drew, enticed, attracted him; this was their power. It was their special strength that they could suck him helplessly towards them, and that he was obliged to go. He understood exactly why he was tempted to tap with the cane upon their awful doors, but, having done so, he had accepted the challenge and could now continue his journey quietly and safely. The Ruler of the Other Wing had taken him in charge.

  A delicious sense of carelessness came on him. There was softness as of water in the solid things about him, nothing that could hurt or bruise. Holding the cane firmly by its ivory handle, he went forward along the corridor, walking as on air.

  The end was quickly reached: He stood upon the threshold of the mighty chamber where he knew the owner of the cane was waiting; the long corridor lay behind him, in front he saw the spacious dimensions of a lofty hall that gave him the feeling of being in the Crystal Palace, Euston Station, or St. Paul’s. High, narrow windows, cut deeply into the wall, stood in a row upon the other side; an enormous open fireplace of burning logs was on his right; thick tapestries hung from the ceiling to the floor of stone; and in the centre of the chamber was a massive table of dark, shining wood, great chairs with carved stiff backs set here and there beside it. And in the biggest of these throne-like chairs there sat a figure looking at him gravely—the figure of an old, old man.

  Yet there was no surprise in the boy’s fast-beating heart; there was a thrill of pleasure and excitement only, a feeling of satisfaction. He had known quite well the figure would be there, known also it would look like this exactly. He stepped forward on to the floor of stone without a trace of fear or trembling, holding the precious cane in two hands now before him, as though to present it to its owner. He felt proud and pleased. He had run risks for this.

  And the figure rose quietly to meet him, advancing in a stately manner over the hard stone floor. The eyes looked gravely, sweetly down at him, the aquiline nose stood out. Tim knew him perfectly: the knee-breeches of shining satin, the gleaming buckles on the shoes, the neat dark stockings, the lace and ruffles about neck and wrists, the coloured waistcoat opening so widely—all the details of the picture over father’s mantelpiece, where it hung between two Crimean bayonets, were reproduced in life before his eyes at last. Only the polished cane with the ivory handle was not there.

  Tim went three steps nearer to the advancing figure and held out both his hands with the cane laid crosswise on them.

  “I’ve brought it, Grandfather,” he said, in a faint but clear and steady tone; “here it is.”

  And the other stooped a little, put out three fingers half concealed by falling lace, and took it by the ivory handle. He made a courtly bow to Tim. He smiled, but though there was pleasure, it was a grave, sad smile. He spoke then: the voice was slow and very deep. There was a delicate softness in it, the suave politeness of an older day.

  “Thank you,” he said; “I value it. It was given to me by my grandfather. I forgot it when I——” His voice grew indistinct a little.

  “Yes?” said Tim.

  “When I—left,” the old gentleman repeated.

  “Oh,” said Tim, thinking how beautiful and kind the gracious figure was.

  The old man ran his slender fingers carefully along the cane, feeling the polished surface with satisfaction. He lingered specially over the smoothness of the ivory handle. He was evidently very pleased.

  “I was not quite myself—er—at the moment,” he went on gently; “my memory failed me somewhat.” He sighed, as though an immense relief was in him.

  “I forget things, too—sometimes,” Tim mentioned sympathetically. He simply loved his grandfather. He hoped—for a moment—he would be lifted up and kissed. “I’m awfully glad I brought it,” he faltered—“that you’ve got it again.”

  The other turned his kind grey eyes upon him; the smile on his face was full of gratitude as he looked down.

  “Thank you, my boy. I am truly and deeply indebted to you. You courted danger for my sake. Others have tried before, but the Nightmare Passage—er——” He broke off. He tapped the stick firmly on the stone flooring, as though to test it. Bending a trifle, he put his weight upon it. “Ah!” he exclaimed with a short sigh of relief, “I can now——”

  His voice again grew indistinct; Tim did not
catch the words.

  “Yes?” he asked again, aware for the first time that a touch of awe was in his heart.

  “—get about again,” the other continued very low. “Without my cane,” he added, the voice failing with each word the old lips uttered, “I could not ... possibly ... allow myself ... to be seen. It was indeed ... deplorable ... unpardonable of me ... to forget in such a way. Zounds, sir ...! I—I ...”

  His voice sank away suddenly into a sound of wind. He straightened up, tapping the iron ferrule of his cane on the stones in a series of loud knocks. Tim felt a strange sensation creep into his legs. The queer words frightened him a little.

  The old man took a step towards him. He still smiled, but there was a new meaning in the smile. A sudden earnestness had replaced the courtly, leisurely manner. The next words seemed to blow down upon the boy from above, as though a cold wind brought them from the sky outside.

  Yet the words, he knew, were kindly meant, and very sensible. It was only the abrupt change that startled him. Grandfather, after all, was but a man! The distant sound recalled something in him to that outside world from which the cold wind blew.

  “My eternal thanks to you,” he heard, while the voice and face and figure seemed to withdraw deeper and deeper into the heart of the mighty chamber. “I shall not forget your kindness and your courage. It is a debt I can, fortunately, one day repay. ... But now you had best return and with dispatch. For your head and arm lie heavily on the table, the documents are scattered, there is a cushion fallen ... and my son is in the house. ... Farewell! You had best leave me quickly. See! She stands behind you, waiting. Go with her! Go now ...!”

  The entire scene had vanished even before the final words were uttered. Tim felt empty space about him. A vast, shadowy Figure bore him through it as with mighty wings. He flew, he rushed, he remembered nothing more—until he heard another voice and felt a heavy hand upon his shoulder.

  “Tim, you rascal! What are you doing in my study? And in the dark, like this!”

  He looked up into his father’s face without a word. He felt dazed. The next minute his father had caught him up and kissed him.

  “Ragamuffin! How did you guess I was coming back to-night?” He shook him playfully and kissed his tumbling hair. “And you’ve been asleep, too, into the bargain. Well—how’s everything at home—eh? Jack’s coming back from school to-morrow, you know, and ...”

  4

  Jack came home, indeed, the following day, and when the Easter holidays were over, the governess stayed abroad and Tim went off to adventures of another kind in the preparatory school for Wellington. Life slipped rapidly along with him; he grew into a man; his mother and his father died; Jack followed them within a little space; Tim inherited, married, settled down into his great possessions—and opened up the Other Wing. The dreams of imaginative boyhood all had faded; perhaps he had merely put them away, or perhaps he had forgotten them. At any rate, he never spoke of such things now, and when his Irish wife mentioned her belief that the old country house possessed a family ghost, even declaring that she had met an Eighteenth Century figure of a man in the corridors, “an old, old man who bends down upon a stick”—Tim only laughed and said:

  “That’s as it ought to be! And if these awful land-taxes force us to sell some day, a respectable ghost will increase the market value.”

  But one night he woke and heard a tapping on the floor. He sat up in bed and listened. There was a chilly feeling down his back. Belief had long since gone out of him; he felt uncannily afraid. The sound came nearer and nearer; there were light footsteps with it. The door opened—it opened a little wider, that is, for it already stood ajar—and there upon the threshold stood a figure that it seemed he knew. He saw the face as with all the vivid sharpness of reality. There was a smile upon it, but a smile of warning and alarm. The arm was raised. Tim saw the slender hand, lace falling down upon the long, thin fingers, and in them, tightly gripped, a polished cane. Shaking the cane twice to and fro in the air, the face thrust forward, spoke certain words, and—vanished. But the words were inaudible; for, though the lips distinctly moved, no sound, apparently, came from them.

  And Tim sprang out of bed. The room was full of darkness. He turned the light on. The door, he saw, was shut as usual. He had, of course, been dreaming. But he noticed a curious odour in the air. He sniffed it once or twice—then grasped the truth. It was a smell of burning!

  Fortunately, he awoke just in time. ...

  He was acclaimed a hero for his promptitude. After many days, when the damage was repaired, and nerves had settled down once more into the calm routine of country life, he told the story to his wife—the entire story. He told the adventure of his imaginative boyhood with it. She asked to see the old family cane. And it was this request of hers that brought back to memory a detail Tim had entirely forgotten all these years. He remembered it suddenly again—the loss of the cane, the hubbub his father kicked up about it, the endless, futile search. For the stick had never been found, and Tim, who was questioned very closely concerning it, swore with all his might that he had not the smallest notion where it was. Which was, of course, the truth.

  THE OCCUPANT OF THE ROOM

  ..................

  HE ARRIVED LATE AT NIGHT by the yellow diligence, stiff and cramped after the toilsome ascent of three slow hours. The village, a single mass of shadow, was already asleep. Only in front of the little hotel was there noise and light and bustle—for a moment. The horses, with tired, slouching gait, crossed the road and disappeared into the stable of their own accord, their harness trailing in the dust; and the lumbering diligence stood for the night where they had dragged it—the body of a great yellow-sided beetle with broken legs.

  In spite of his physical weariness the schoolmaster, revelling in the first hours of his ten-guinea holiday, felt exhilarated. For the high Alpine valley was marvellously still; stars twinkled over the torn ridges of the Dent du Midi where spectral snows gleamed against rocks that looked like solid ink; and the keen air smelt of pine forests, dew-soaked pastures, and freshly sawn wood. He took it all in with a kind of bewildered delight for a few minutes, while the other three passengers gave directions about their luggage and went to their rooms. Then he turned and walked over the coarse matting into the glare of the hall, only just able to resist stopping to examine the big mountain map that hung upon the wall by the door.

  And, with a sudden disagreeable shock, he came down from the ideal to the actual. For at the inn—the only inn—there was no vacant room. Even the available sofas were occupied. ...

  How stupid he had been not to write! Yet it had been impossible, he remembered, for he had come to the decision suddenly that morning in Geneva, enticed by the brilliance of the weather after a week of rain.

  They talked endlessly, this gold-braided porter and the hard-faced old woman—her face was hard, he noticed—gesticulating all the time, and pointing all about the village with suggestions that he ill understood, for his French was limited and their patois was fearful.

  “There!”—he might find a room, “or there! But we are, hélas full—more full than we care about. To-morrow, perhaps—if So-and-So give up their rooms——!” And then, with much shrugging of shoulders, the hard-faced old woman stared at the gold-braided porter, and the porter stared sleepily at the schoolmaster.

  At length, however, by some process of hope he did not himself understand, and following directions given by the old woman that were utterly unintelligible, he went out into the street and walked towards a dark group of houses she had pointed out to him. He only knew that he meant to thunder at a door and ask for a room. He was too weary to think out details. The porter half made to go with him, but turned back at the last moment to speak with the old woman. The houses sketched themselves dimly in the general blackness. The air was cold. The whole valley was filled with the rush and thunder of falling water. He was thinking vaguely that the dawn could not be very far away, and that he might even
spend the night wandering in the woods, when there was a sharp noise behind him and he turned to see a figure hurrying after him. It was the porter—running.

  And in the little hall of the inn there began again a confused three-cornered conversation, with frequent muttered colloquy and whispered asides in patois between the woman and the porter—the net result of which was that, “If Monsieur did not object—there was a room, after all, on the first floor—only it was in a sense ‘engaged.’ That is to say——”

  But the schoolmaster took the room without inquiring too closely into the puzzle that had somehow provided it so suddenly. The ethics of hotel-keeping had nothing to do with him. If the woman offered him quarters it was not for him to argue with her whether the said quarters were legitimately hers to offer.

  But the porter, evidently a little thrilled, accompanied the guest up to the room and supplied in a mixture of French and English details omitted by the landlady—and Minturn, the schoolmaster, soon shared the thrill with him, and found himself in the atmosphere of a possible tragedy.

  All who know the peculiar excitement that belongs to high mountain valleys where dangerous climbing is a chief feature of the attractions, will understand a certain faint element of high alarm that goes with the picture. One looks up at the desolate, soaring ridges and thinks involuntarily of the men who find their pleasure for days and nights together scaling perilous summits among the clouds, and conquering inch by inch the icy peaks that for ever shake their dark terror in the sky. The atmosphere of adventure, spiced with the possible horror of a very grim order of tragedy, is inseparable from any imaginative contemplation of the scene; and the idea Minturn gleaned from the half-frightened porter lost nothing by his ignorance of the language. This Englishwoman, the real occupant of the room, had insisted on going without a guide. She had left just before daybreak two days before—the porter had seen her start—and ... she had not returned! The route was difficult and dangerous, yet not impossible for a skilled climber, even a solitary one. And the Englishwoman was an experienced mountaineer. Also, she was self-willed, careless of advice, bored by warnings, self-confident to a degree. Queer, moreover; for she kept entirely to herself, and sometimes remained in her room with locked doors, admitting no one, for days together: a “crank,” evidently, of the first water.

 

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