The Dinosaur Artist
Page 1
Copyright
Copyright © 2018 by Paige Williams
Jacket design by Alison Forner
Jacket copyright © 2018 by Hachette Book Group, Inc.
Geologic time illustration by Dave Rainey
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the author’s rights.
Hachette Books
Hachette Book Group
1290 Avenue of the Americas
New York, NY 10104
hachettebooks.com
twitter.com/hachettebooks
First Edition: September 2018
Hachette Books is a division of Hachette Book Group, Inc.
The Hachette Books name and logo are trademarks of Hachette Book Group, Inc.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
Library of Congress Control Number: 2018937293
ISBNs: 978-0-316-38253-3 (hardcover), 978-0-316-38250-2 (ebook)
E3-20180803-JV-PC
CONTENTS
Cover
Title Page
Copyright
Dedication
Epigraph
Abbreviations
Author’s Note
Introduction: Origins
PART I
1. “Superb Tyrannosaurus Skeleton”
2. Land O’ Lakes
3. Garcia, King of the Ice Age
4. Dive
5. Deal
6. Tucson
7. Big Game
8. Middleman in Japan
9. Hollywood Headhunters
PART II
10. The Warrior and the Explorer
11. The Flaming Cliffs
12. Market Conditions
13. “Go Gobi”
14. The Ghost of Mary Anning
15. The Last Dinosaur
16. The President’s Predicament
17. United States of America v. One Tyrannosaurus Bataar Skeleton
PART III
18. Raid!
19. Verdict
20. Tarbomania
21. Petersburg Low
22. The Dinosaur Bus
Epilogue
Acknowledgments
Quick Reference to Deep Time
Selected Bibliography
Notes
Newsletters
For my mother
The history of life on earth has been a history of interaction between living things and their surroundings.
—Rachel Carson
Fossil Hunting is by far the most fascinating of all sports. The hunter never knows what his bag will be, perhaps nothing, perhaps a creature never before seen by human eyes! The fossil hunter does not kill, he resurrects. And the result of his sport is to add to the sum of human pleasure and to the treasures of human knowledge.
—George Gaylord Simpson, 1934
A fed crow
Returns thirteen times
—Mongolian proverb
ABBREVIATIONS
AAPS Association of Applied Paleontological Sciences (commercial trade group)
AMNH American Museum of Natural History (New York City); occasionally referred to here as the “American Museum”
BLM Bureau of Land Management, a division of the U.S. Department of the Interior
CBP Customs and Border Protection, a division of the U.S. Department of Homeland Security
DOJ Department of Justice
FARA Foreign Agents Registration Act
FMNH Florida Museum of Natural History (Gainesville, Florida)
ICE Immigration and Customs Enforcement, a division of Homeland Security
IRI International Republican Institute
MPP Mongolian People’s Party (early 1920s)
MPRP Mongolian People’s Republic Party (starting in 1924)
MUST Mongolian University of Science and Technology
NHM Natural History Museum (London)
NMNH Smithsonian National Museum of Natural History (Washington, DC)
NPS National Park Service
OSCE Organization for Security and Co-operation in Europe
PRPA Paleontological Resources Preservation Act of 2009
SDNY Southern District of New York, a federal district court of the U.S. Department of Justice
SVP Society of Vertebrate Paleontology
AUTHOR’S NOTE
This is a work of nonfiction. No names have been changed, no information invented. My reporting began in 2009, but for the purposes of the book’s final form the immersive research occurred between 2012 and 2018. In the United States, I reported in Arizona, Connecticut, Florida, Georgia, Massachusetts, Montana, New Jersey, New York, Pennsylvania, South Dakota, Virginia, Washington, DC, and Wyoming. In Mongolia, I reported in the Gobi Desert, Töv Province, and Ulaanbaatar. In Canada, I reported in Edmonton, Alberta. In Europe, I reported in Munich, Germany, and in Charmouth, London, and Lyme Regis, England. The information that I gleaned from interviews with paleontologists, geologists, fossil dealers, preparators, collectors, museum curators, auctioneers, law enforcement, and various government agents may not appear in full here, yet these generous people’s insights informed the work. Written source material, some of it obtained through the Freedom of Information Act, included unclassified and declassified U.S. embassy cables and State Department reports, civil lawsuits, Department of Justice criminal case files and asset forfeiture records, library collections, news archives, peer-reviewed research papers, and county court documents. I also relied upon sources’ personal photos, videos, correspondence, and papers. Mongolian documents were translated by Mongolians unrelated to the Mongolian government or the T. bataar case.
Much of this book grew out of “Bones of Contention,” a piece that I wrote for The New Yorker in January 2013. There, as here, I tried to convey the nuances of the debate over who owns, or should be allowed to collect and own, natural history, and how that conflict may in turn affect a range of interests, including public policy, science, museums, and geopolitics. Various scenes I observed directly. For convenience, I occasionally interchange “dinosaur,” “fossil dinosaur,” and “skeleton”—writing that someone “bought a dinosaur” I of course refer to the extinct animal’s stony remains. Likewise, I occasionally use “bone” for “fossil,” having explained that fossilization yields rock. The title The Dinosaur Artist is not intended to refer exclusively to a leading subject of this book, Eric Prokopi, but rather also to dinosaurs’ unparalleled power to remain culturally, scientifically, and aesthetically relevant despite extinction, and to the long, crucial intersection between science and art. Some readers may also choose to infer the formal definition of the word: “a habitual practitioner, of a specified reprehensible activity.” When speaking, some scientists refer to natural history museums by their acronyms (“AMNH” instead of “the AMNH”); although “the AMNH” clangs in my ear, I use that construction for clarity. I’ve borrowed slivers of my own language from the original New Yorker piece and from a Smithsonian article I later wrote about the endangered takhi horse, a creature that was a divine thrill to see in person on the Mongolian steppe.
INTRODUCTION: ORIGINS
In the summer of 2009
, I came across a newspaper item about a Montana man convicted of stealing a dinosaur. The idea sounded preposterous. How was stealing a dinosaur even possible? And who would want to?
Nearly a decade earlier, this man, Nate Murphy, who led fossil-hunting tours in a geological signature in Montana called the Judith River Formation, had become well known for unveiling Leonardo, a late Cretaceous Brachylophosaurus and one of the best-preserved dinosaur skeletons ever found. A volunteer fossil hunter named Dan Stephenson had found the skeleton during one of Murphy’s excursions on a private ranch near the small town of Malta. The remains constituted the first sub-adult of its kind on record and, remarkably, still bore traces of “skin, scales, muscle, foot pads—and even his last meal in his stomach,” National Geographic reported. “To find one with so much external detail available, it’s like going from a horse and buggy to a steam combustion engine,” Murphy told the magazine. “It will advance our science a quantum leap.”
“Our science” was an intriguing phrase. Murphy wasn’t a trained scientist; he was an outdoorsman who had taught himself how to hunt fossils in the Cretaceous-bearing formations that run with photogenic accessibility through states like Wyoming, Utah, Montana, and South Dakota. He believed he had something to offer paleontology, and, presumably in pursuit of this idea, he had taken fossils that didn’t belong to him. (Not Leonardo; another dinosaur.) What at first appeared to be little more than a bizarre true-crime story became, to me, an absorbing question of our ongoing relationship with natural history, with the remnants of a world long gone.
We know which life-forms exist because we encounter them, but what came before? Answers can be found in rock. If you’ve ever picked up a shark tooth or a leaf-imprinted stone, you were holding a fossil—a time portal, a clue. By definition, fossils are prehistoric organic remains preserved in the earth’s crust by natural causes. If you, yourself, would like to become a fossil, a specific chain of events must occur. Your corpse must not be eaten or scattered by scavengers, or destroyed by other ruinous forces like weather and running water. You must be buried quickly in sediments or sand: metamorphic and igneous rock, which form under conditions too superheated and volatile to preserve much of anything, are no good at making fossils, but sedimentary rock—limestone, sandstone—proves an excellent tomb. Your soft tissues and organs will decompose, but unless they’re obliterated by the planet’s incessant chemical and tectonic motions, the hard bits—teeth and bone—will remain. These will be infiltrated by groundwater and will mineralize according to whatever elements exist in the patch of earth that has become your grave—eventually, you may become part crystal or iron. Then, to even start to be scientifically useful, you must be discovered.
Good luck with all that. It’s been estimated that less than one percent of the animal species that ever lived became fossils.
While the process is rare, the product is ubiquitous, at least regarding some species. But which fossils are important to science and how should they be protected? Paleontologists have one answer, commercial fossil dealers another, and they’ve been fighting about it for generations.
As the only record of life on Earth, fossils hold the key to understanding the history of the planet and its potential future. Studying them, scientists can better monitor pressing issues such as mass extinction and climate change; hunting, collecting, or viewing them, anyone may feel connected to both the universe’s infinite mystery and Earth’s tangible past. To see the dinosaur bone beds of the Liaoning province of northeastern China is to see a landscape that 120 million years ago featured lush lakes and forests in the shadow of active volcanoes. To encounter Glossopteris imprints—an extinct seed fern found in South America, Africa, Australia, and Antarctica—is to witness evidence that those continents once existed as a single landmass. To hold a Kansas clam is to touch a relic of the Western Interior Seaway, which for roughly 20 million years bisected North America, overlaying what are now North Dakota, Wyoming, Colorado, Texas, Louisiana, Mississippi, and Florida, along with parts of fourteen other states and swaths of Canada and Mexico.
Fossils are found in every part of the world, and so are fossil collectors, who are legion. Collectors spend significant chunks of their lives hunting for fossils, researching fossils, buying fossils, displaying fossils, trading fossils, visiting fossils in museums, and talking—and talking and talking—about them. Fossil enthusiasts are as obsessed a segment of natural history lovers as ever existed. “I have been in people’s houses where every possible inch of their home is covered in fossils,” the vertebrate paleontologist Mark Norell, of the American Museum of Natural History, once said. “Even the dishwasher has trilobites in it.”
This, minus the dishwasher, has been going on for millennia. As humans collected the remains of one life form after another, naturalists built an inventory of the planet’s former inhabitants. That inventory today is known as the fossil record, a compendium that is postulated, debated, and revised by paleontologists through peer-reviewed research, providing a portrait of lost time. Without fossils, an understanding of the earth’s formation and history would not be possible. Without fossils, we would not know Earth’s age: 4.6 billion years. We would not know when certain creatures lived, when they died out, how they looked, what they ate. Without fossils, natural history museums might not exist. The geologic time scale would not exist because knowledge of the earth’s stratigraphy, or layers, would not exist. We would not know that the continents were not always where they are now, and that Earth’s shifting, sliding plates rearrange land and sea. We would not know the climate has warmed and cooled and is changing still. We would not know that five mass extinctions have occurred and that we’re in the sixth one now. We would have no idea of any ice age. Without fossils, we would not know that birds evolved from dinosaurs; or that Earth was already billions of years old before flowering plants appeared; or that sea creatures transitioned to life on land and primates to creatures that crafted tools, grew crops, and started wars. We would not know that rhinos once lived in Florida and sharks swam around the Midwest. We would not know that stegosaurs lived millions of years before T. rex, an animal that, in geologic time, is closer to human beings than to the first of its kind.
The earth’s layers are finite: each has a beginning, middle, and end, like tiramisu, wherein ladyfingers meet mascarpone. The most recent layers hold mammals, fishes, and birds not terribly different from those that are alive today, but the further back one goes, the more fantastical some of the creatures. The fossil record shows that life began with microscopic organisms and flourished to the unthinkably gargantuan animals of the Mesozoic, a 160-million-year era that ended some 65.5 million years ago. In the Age of Reptiles, dinosaurs crashed through forests, terrorized prey, zipped around like overstimulated roadrunners, and lub-lubbed along, looking for something leafy to eat and trying to avoid being eaten. Their remains continually surface as weather, erosion, and civilization peel the planet layer by layer.
Fossils are the single most important clue to understanding how the planet evolved, yet attitudes toward their protection vary from continent to continent, and from state to state. The United States, a particularly fossil-rich country, is unusual: policymakers have had no desire to mess with private-property laws, so it remains true that if you find fossils on your own land, or on private property where you have permission to collect, they are yours to keep or sell or ignore or destroy, no matter what or how scientifically important the specimen may be.
Three primary groups of people seek and covet fossils: paleontologists, collectors, and commercial hunters. Paleontologists hone their expertise through undergraduate, graduate, and doctoral courses that immerse them in geology, evolutionary biology, zoology, computer science, statistical analysis, ecology, chemistry, climatology, and other maths and sciences. They pursue specialties in areas like paleobotany (fossil plants), invertebrate paleontology (animals without backbones, like mussels and corals), micropaleontology (requires a microscope), and vertebrates (backb
ones). Paleontologists tend to work in academia and museums, publishing their research in peer-reviewed scientific journals such as Geology and the Journal of Vertebrate Paleontology. Scientists believe it crucial to protect certain types of fossils by banning their trade. Commercial dealers, on the other hand, hunt, sell, and buy fossils, at trade shows, in privately owned natural history shops, and online. It is entirely legal to sell some fossils and illegal to sell others, and it’s often been hard for consumers to know the difference. Many dealers grew up hunting fossils and might have studied natural sciences in college if they’d had the chance. Most are self-taught. Many are libertarians and believe they should be able to do whatever they want as long as they’re not hurting anybody. Many loathe government regulations and feel entitled to fossils, taking the view that the earth belongs to everyone. Most fossil dealers feel that by collecting and selling fossils they’re rescuing materials that otherwise would erode, and that their industry provides a valuable service by supplying classrooms and collectors and, in some cases, museums, and by encouraging widespread interest in the natural world. Commercial hunters take pride in selling to museums, but they also court wealthy, private collectors. Successful dealers can make a living in fossils, though it is rarely a get-rich game, since so much of the profit folds back into the hunt. Overseas museums, especially those proliferating in China, Japan, and the Middle East, have no problem buying commercially while public museums in the United States—those supported by tax dollars—tend not to shop the market, preferring to collect their own materials under scientific conditions. While both a commercial hunter and a paleontologist may also be a collector, no reputable paleontologist is a dealer: paleontologists do not sell fossils for much the same reason hematologists don’t peddle vials of blood. Fossils are the data, it’s been said.
A fossil’s contextual information is as important as the fossil itself. Extracting a fossil minus that correlating data has been compared to removing a corpse from the scene of a homicide without noting, say, the presence of shell casings or biological evidence like semen and blood. Approximate cause and time of death may be inferred, but a fossil alone cannot tell the whole story; in fact, the whole story can never be told, at least not without a time machine. But the story starts to come together through the analysis of details like the circumstances of fossilization (called taphonomy), the presence of other fossil animals and plants, and stratigraphy, which helps paleontologists understand when the animal lived and died. The enormous femurs found protruding from the Big Bone Lick bogs of Kentucky (as happened in the 1700s) tell one story; the large three-toed footprints found sans bones in the Connecticut River Valley of Massachusetts (as happened in the 1800s) tell another.