The 12th Planet

by Zacharia Sitchin

  The head of the Egyptian pantheon was Ra ("creator"), who presided over an Assembly of the Gods that numbered twelve. He performed his wondrous works of creation in primeval times, bringing forth Geb ("Earth") and Nut ("sky"). Then he caused the plants to grow on Earth, and the creeping creatures - and, finally, Man. Ra was an unseen celestial god who manifested himself only periodically. His manifestation was the Aten - the Celestial Disc, depicted as a Winged Globe.

  The appearance and activities of Ra on Earth were, according to Egyptian tradition, directly connected with kingship in Egypt. According to that tradition, the first rulers of Egypt were not men but gods, and the first god to rule over Egypt was Ra. He then divided the kingdom, giving Lower Egypt to his son Osiris and Upper Egypt to his son Seth. But Seth schemed to overthrow Osiris and eventually had Osiris drowned. Isis, the sister and wife of Osiris, retrieved the mutilated body of Osiris and resur­rected him. Thereafter, he went through "the secret gates" and joined Ra in his celestial path; his place on the throne of Egypt was taken over by his son Horus, who was sometimes depicted as a winged and horned deity.

  Though Ra was the loftiest in the heavens, upon Earth he was the son of the god Ptah ("developer," "one who fashioned things"). The Egyptians believed that Ptah actually raised the land of Egypt from under floodwaters by building dike works at the point where the Nile rises. This Great God, they said, had come to Egypt from elsewhere; he established not only Egypt but also "the mountain land and the far foreign land." Indeed, the Egyptians acknowledged, all their "olden gods" had come by boat from the south; and many prehistoric rock drawings have been found that show these olden gods - distinguished by their horned headdress - arriving in Egypt by boat.

  The only sea route leading to Egypt from the south is the Red Sea, and it is significant that the Egyptian name for it was the Sea of Ur. Hieroglyphically, the sign for Ur meant "the far-foreign [land] in the east"; that it actually may also have referred to -he Sumerian Ur, lying in that very direction, cannot be ruled out.

  The Egyptian word for "divine being" or "god" was NTR, which meant "one who watches." Significantly, that is exactly the meaning of the name Shumer: the land of the "ones who watch."

  The earlier notion that civilization may have begun in Egypt has been discarded by now. There is ample evidence now showing that the Egyptian-organized society and civilization, which began half a millennium and more after the Sumerian one, drew its culture, architecture, technology, art of writing, and many other aspects of a high civilization from Sumer. The weight of evidence also shows that the gods of Egypt originated in Sumer.

  Cultural and blood kinsmen of the Egyptians, the Canaanites shared the same gods with them. But, situated in the land strip that was the bridge between Asia and Africa from time immemorial, the Canaanites also came under strong Semitic or Mesopotamian influences. Like the Hittites to the north, the Humans to the northeast, the Egyptians to the south, the Canaanites could not boast of an original pantheon. They, too, acquired their cosmogony, deities, and legendary tales from elsewhere. Their direct contacts with the Sumerian sources were the Amorites.

  The land of the Amorites lay between Mesopotamia and the Mediterranean lands of western Asia. Their name derives from the Akkadian amurru and Sumerian martu ("westerners"). They were not treated as aliens but as related people who dwelt in the

  western provinces of Sumer and Akkad.

  Persons bearing Amorite names were listed as temple functionaries in Sumer. When Ur fell to Elamite invaders circa 2000 B.C., a Martu named Ishbi-Irra reestablished Sumerian kingship at Larsa and made his first task the

  recapture of Ur and the restoration there of the great shrine to the god Sin. Amorite "chieftains" established the first independent dynasty in Assyria circa 1900 B.C. And Hammurabi, who brought greatness to Babylon circa 1800 B.C., was the sixth successor of the first dynasty of Babylon, which was Amorite.

  In the 1930s archaeologists came upon the center and capital city of the Amorites, known as Mari. At a bend of the Euphrates, where the Syrian border now cuts the river, the diggers uncovered a major city whose buildings were erected and continuously reerected, between 3000 and 2000 B.C., on foundations that date to centuries earlier. These earliest remains included a step pyramid and temples to the Sumerian deities Inanna, Ninhursag, and Enlil.

  The palace of Mari alone occupied some five acres and included a throne room painted with most striking murals, three hundred various rooms, scribal chambers, and (most important to the historian) well over twenty thousand tablets in the cuneiform script, dealing with the economy, trade, politics, and social life of those times, with state and military matters, and, of course, with the religion of the land and its people. One of the wall paintings at the great palace of Mari depicts the investiture of the king Zimri- Lim by the goddess Inanna (whom the Amorites called Ishtar).

  As in the other pantheons, the chief deity physically present among the Amurru was a weather or storm god. They called him Adad - the equivalent of the Canaanite Baal ("lord") - and they nicknamed him Hadad. His symbol, as might be expected, was fork lightning.

  In Canaanite texts, Baal is often called the "Son of Dagon." The Mari texts also speak of an older deity named Dagan, a "Lord of Abundance" who - like El - is depicted as a retired deity, who complained on one occasion that he was no longer consulted on the conduct of a certain war.

  Other members of the pantheon included the Moon God, whom the Canaanites called Yerah, the Akkadians Sin, and the Sumerians Nannar; the Sun God, commonly called Shamash; and other deities whose identities leave no doubt that Mari was a bridge (geographically and chronologically) connecting the lands and the peoples of the eastern Mediterranean with the Mesopotamian .sources.

  Among the finds at Mari, as elsewhere in the lands of Sumer, there were dozens of statues of the people themselves: kings, nobles, priests, singers. They were invariably depicted with their hands clasped in prayer, their gaze frozen forever toward their gods.

  Who were these Gods of Heaven and Earth, divine yet human, always headed by a pantheon or inner circle of twelve deities? We have entered the temples of the Greeks and the Aryans, the Hittites and the Hurrians, the Canaanites, the Egyptians, and the Amorites. We have followed paths that took us across continents and seas, and clues that carried us over several millennia. And all the corridors of all the temples have led us to one source: Sumer. SUMER: LAND OF THE GODS

  THERE IS NO DOUBT that the "olden words," which for thousands of years constituted the language of higher learning and religious scriptures, was the language of Sumer. There is also no doubt that the "olden gods" were the gods of Sumer; records and tales and genealogies and histories of gods older than those pertaining to the gods of Sumer have not been found anywhere.

  When these gods (in their original Sumerian forms or in the later Akkadian, Babylonian, or Assyrian) are named and counted, the list runs into the hundreds. But once they are classified, it is clear that they were not a hodgepodge of divinities. They were headed by a pantheon of Great Gods, governed by an Assembly of the Deities, and related to each other. Once the numerous lesser nieces, nephews, grandchildren, and the like are excluded, a much smaller and coherent group of deities emerges - each with a role to play, each with certain powers or responsibilities.

  There were, the Sumerians believed, gods that were "of the heavens." Texts dealing with the time "before things were created" talk of such heavenly gods as Apsu, Tiamat, Anshar, Kishar. No claim is ever made that the gods of this category ever appeared upon Earth. As we look closer at these "gods," who existed before Earth was created, we shall realize that they were the celestial bodies that make up our solar system; and, as we shall show, the so-called Sumerian myths regarding these celestial beings are, in fact, precise and scientifically plausible cosmologic concepts regarding the creation of our solar system. There were also lesser gods who were "of Earth." Their cult centers were mostly provincial towns; they were no more than local deities. At best, they were given charg
e of some limited operation - as, for example, the goddess NIN.KASHI ('lady-beer"), who supervised the preparation of beverages. Of them, no heroic tales were told. They possessed no awesome weapons, and the other gods did not shudder at their command. They remind one very much of the company of young gods that marched last in the procession depicted on the rocks of Hittite Yazilikaya.

  Between the two groups there were the Gods of Heaven and Earth, the ones called "the ancient gods." They were the "olden gods" of the epic tales, and, in the Sumerian belief, they had come down to Earth from the heavens.

  These were no mere local deities. They were national gods - indeed, international gods. Some of them were present and active upon Earth even before there were Men upon Earth. Indeed, the very existence of Man was deemed to have been the result of a deliberate creative enterprise on the part of these gods. They were powerful, capable of feats beyond mortal ability or comprehension. Yet these gods not only looked like humans but ate and drank like them and displayed virtually every human emotion of love and hate, loyalty and infidelity.

  Although the roles and hierarchical standing of some of the principal deities shifted over the millennia, a number of them never lost their paramount position and their national and international veneration. As we take a close look at this central group, there emerges a picture of a dynasty of gods, a divine family, closely related yet bitterly divided.

  The head of this family of Gods of Heaven and Earth was AN (or Anu in the Babylonian/Assyrian texts). He was the Great Father of the Gods, the King of the Gods. His realm was the expanse of the heavens, and his symbol was a star. In the Sumerian pictographic writing, the sign of a star also stood for An, for "heavens," and for "divine being," or "god" (descended of An). This fourfold meaning of the symbol remained through the ages, as the script moved from the Sumerian pictographic to the

  cuneiform Akkadian, to the stylized Babylonian and Assyrian.

  From the very earliest times until the cuneiform script faded away - from the fourth millennium B.C. almost to the time of Christ - this symbol preceded the names of the gods, indicating that the name written in the text was not of a mortal, but of a deity of heavenly origin.

  Anu's abode, and the seat of his Kingship, was in the heavens. That was where the other Gods of Heaven and Earth went when they needed individual advice or favor, or where they met in assembly to settle disputes among themselves or to reach major decisions. Numerous texts describe Anu's palace (whose portals were guarded by a god of the Tree of Truth and a god of the Tree of Life), his throne, the manner in which other gods approached him, and how they sat in his presence. The Sumerian texts could also recall instances when not only the other gods but even some chosen mortals were permitted to go up to Anu's abode, mostly with the object of escaping mortality. One such tale pertained to Adapa ("model of Man"). He was so perfect and so loyal to the god Ea, who had created him, that Ea arranged for him to be taken to Anu. Ea then described to Adapa what to expect. Adapa,

  thou art going before Anu, the King; The road to Heaven thou wilt take. When to Heaven thou hast ascended, and hast approached the gate of Anu, the "Bearer of Life" and the "Grower of Truth" at the gate of Anu will be standing.

  Guided by his creator, Adapa "to Heaven went up ... ascended to Heaven and approached the gate of Anu." But when he was offered the chance to become immortal, Adapa refused to eat the Bread of Life, thinking that the angry Anu offered him poisoned food. He was thus returned to Earth as an anointed priest but still a mortal.

  The Sumerian claim that not only gods but also selected mortals could ascend to the Divine Abode in the heavens is echoed in the Old Testament tales of the ascents to the heavens by Enoch and the prophet Elijah.

  Though Anu lived in a Heavenly Abode, the Sumerian texts reported instances when he came down to Earth - either at times of great crisis, or on ceremonial visits (when he was accompanied by his spouse ANTU), or (at least once) to make his great- granddaughter IN.ANNA his consort on Earth.

  Since he did not permanently reside on Earth, there was apparently no need to grant him exclusivity over his own city or cult center; and the abode, or "high house," erected for him was located at Uruk (the biblical Erech), the domain of the goddess Inanna. The ruins of Uruk include to this day a huge man-made mound, where archaeologists have found evidence of the construction and reconstruction of a high temple - the temple of Anu; no less than eighteen strata or distinct phases were discovered there, indicating the existence of compelling reasons to maintain the temple at that sacred site. The temple of Anu was called E.ANNA ("house of An"). But this simple name applied to a structure that, at least at some of its phases, was quite a sight to behold. It was, according to Sumerian texts, "the hallowed E-Anna, the pure sanctuary." Traditions maintained that the Great Gods themselves "had fashioned its parts." "Its cornice was like copper," "its great wall touching the clouds - a lofty dwelling place"; "it was the House whose charm was irresistible, whose allure was unending," And the texts also made clear the temple's purpose, for they called it "the House for descending from Heaven."

  A tablet that belonged to an archive at Uruk enlightens us as to the pomp and pageantry that accompanied the arrival of Anu

  and his spouse on a "state visit." Because of damage to the tablet, we can read of the ceremonies only from some midpoint,

  when Ami and Antu were already seated in the temple's courtyard. The gods, "exactly in the same order as before," then formed

  a procession ahead of and behind the bearer of the scepter. The protocol then instructed:

  They shall then descend to the Exalted Court,

  and shall turn towards the god Anu.

  The Priest of Purification shall libate the Scepter,

  and the Scepter-bearer shall enter and be seated.

  The deities Papsukal, Nusku and Shala

  shall then be seated in the court of the god Anu.

  Meanwhile, the goddesses, "The Divine Offspring of Anu, Uruk's Divine Daughters," bore a second object, whose name or purpose are unclear, to the E.NIR, "The House of the Golden Bed of the Goddess Antu." Then they returned in a procession to the courtyard, to the place where Antu was seated. While the evening meal was being prepared according to a strict ritual, a special priest smeared a mixture of "good oil" and wine on the door sockets of the sanctuary to which Anu and Antu were later to retire for the night - a thoughtful touch intended, it seems, to eliminate squeaking of the doors while the two deities slept. While an "evening meal" - various drinks and appetizers - was being served, an astronomer-priest went up to the "topmost stage of the tower of the main temple" to observe the skies. He was to look out for the rising in a specific part of the sky of the planet named Great Anu of Heaven. Thereupon, he was to recite the compositions named "To the one who grows bright, the heavenly planet of the Lord Anu," and "The Creator's image has risen."

  Once the planet had been sighted and the poems recited, Anu and Antu washed their hands with water out of a golden basin and the first part of the feast began. Then, the seven Great Gods also washed their hands from seven large golden trays and the second part of the feast began. The "rite of washing of the mouth" was then performed; the priests recited the hymn "The planet of Anu is Heaven's hero." Torches were lit, and the gods, priests, singers, and food-bearers arranged themselves in a procession, accompanying the two visitors to their sanctuary for the night.

  Four major deities were assigned to remain in the courtyard and keep watch until daybreak. Others were stationed at various designated gates. Meanwhile, the whole country was to light up and celebrate the presence of the two divine visitors. On a signal from the main temple, the priests of all the other temples of Uruk were "to use torches to start bonfires"; and the priests in other cities, seeing the bonfires at Uruk, were to do likewise. Then: The people of the Land shall light fires in their homes, and shall offer banquets to all the gods. . . . The guards of the cities shall light fires in the streets and in the squares.

  The departure of t
he two Great Gods was also planned, not only to the day but to the minute.

  On the seventeenth day,

  forty minutes after sunrise,

  the gate shall be opened before the gods Anu and

  Antu,

  bringing to an end their overnight stay.

  While the end of this tablet has broken off, another text in all probability describes the departure: the morning meal, the incantations, the handshakes ("grasping of the hands") by the other gods. The Great Gods were then carried to their point of departure on thronelike litters carried on the shoulders of temple functionaries. An Assyrian depiction of a procession of deities (though from a much later time) probably gives us a good idea of the manner in which Anu and Antu were carried during their procession in Uruk.

  Special incantations were recited when the procession was passing through "the street of the gods"; other psalms and hymns were sung as the procession neared "the holy quay" and when it reached "the dike of the ship of Anu." Good-byes were then said, and yet more incantations were recited and sung "with hand-raising gestures."

  Then all the priests and temple functionaries who carried the gods, led by the great priest, offered a special "prayer of

  departure." "Great Ami, may Heaven and Earth bless you!" they intoned seven times. They prayed for the blessing of the seven

  celestial gods and invoked the gods that were in Heaven and the gods that were upon Earth. In conclusion, they bade farewell

  to Anu and Antu, thus:

  May the Gods of the Deep,

  and the Gods of the Divine Abode,

  bless you!

  May they bless you daily -