Fosse
Page 75
Winchell, [>], [>]
work routine, [>]–[>]
Colby, Christine, [>], [>], [>], [>], [>], [>]
Cole, Frances, [>]
Cole, Jack
Alive and Kicking, [>], [>]
Benny Goodman music in club act, [>]
dance style, [>]–[>]
Kismet, [>]
“Limehouse Blues,” [>], [>]
management style, [>]
memorial, [>]
The Merry Widow, [>]
relationship with Verdon, [>]–[>]
Verdon as dance assistant, [>], [>], [>], [>]–[>]
Coleman, Cy
Atlantic City, [>], [>]
friendship with Fosse, [>], [>], [>], [>]
on Hearts and Flowers, [>]
Little Me, [>]
Sweet Charity, [>], [>]
on Verdon’s singing, [>]
Columbia Pictures
All That Jazz, [>], [>], [>], [>]
Altered States, [>], [>]
Annie, [>]
Dancin’, [>]
executives, [>], [>], [>], [>]
Lenny, [>]
Love Story, [>]
My Sister Eileen, [>], [>]
Comden, Betty, [>], [>], [>]
Comerford, Miss Marguerite “Trixie,” [>], [>], [>], [>], [>], [>], [>]
Como, Perry, [>]
Cook, Barbara, [>], [>]
Cook, Jill, [>], [>]
Cooper, Mel, [>]–[>]
Coppola, Francis Ford, [>], [>], [>], [>], [>]–[>], [>]
Cox, Wally, [>], [>]
Coyne, Jeanne, [>]
creative impulse
to combat depression, [>]
source, [>]–[>]
wedded to death, [>], [>], [>]
Creative Management Associates (CMA), [>]–[>], [>], [>], [>], [>]
Croce, Arlene, [>]–[>]
Cuban Missile Crisis, [>]
Cukor, George, [>], [>]
culture
Broadway, [>], [>], [>], [>], [>], [>], [>] (See also musicals; Tony Award)
U.S., late 1960s-1970s, [>]–[>], [>], [>]–[>] (See also historical events)
Culver City, CA, [>], [>], [>], [>], [>]
Curtis, Tony, [>]–[>]
Damone, Vic, [>]
Dance Magazine award, [>]–[>]
dancer, Fosse as
The Affairs of Dobie Gillis, [>], [>], [>]
Call Me Mister, [>]–[>]
Damn Yankees, [>]
Dance Me a Song, [>], [>]–[>], [>]
dinner-theater revues, [>]–[>]
early, [>]–[>], [>]–[>]
and empathy as a choreographer, [>], [>]
at the Empire Room, [>]
The Fifty-Fourth Street Revue, [>]–[>]
first Manhattan stage appearance, [>]
first movie appearance, [>]
first television appearance, [>]–[>]
first top-liner, [>]
Ford Star Revue, [>]
The George Burns and Gracie Allen Show, [>]
Give a Girl a Break, [>]–[>], [>]–[>], [>], [>]
hiding his talent, [>]–[>], [>]
to honor Chayefsky at memorial, [>]
Hook, Line, and Sinker, [>]
Kiss Me Kate, [>]–[>], [>], [>]
The Little Prince, [>]–[>], [>]–[>], [>]
MGM contract, [>], [>], [>]
during military service, [>]–[>], [>], [>]
My Sister Eileen, [>], [>], [>]
with Niles, [>]–[>], [>]–[>], [>]–[>]
Pal Joey (City Center revival), [>]–[>], [>]
Pal Joey (Connecticut), [>]
Pal Joey (summer stock), [>]–[>], [>]
Riff Brothers partnership, [>]–[>], [>]–[>], [>], [>]
“Seasons of Youth” Timex revue, [>]–[>]
Toni Twin Time, [>]
Tough Situation, [>], [>]–[>]
Your Hit Parade, [>]
dancers
challenges of the profession, [>], [>], [>], [>], [>]–[>], [>], [>]–[>]
competition among, [>], [>]–[>], [>]–[>]
female, effects of decline of burlesque, [>]–[>]
injuries, [>], [>]–[>]
loyalty, [>], [>], [>]–[>], [>]
male, misconceptions, [>]
swings, [>]
the thing you love can also kill you, [>], [>], [>]
See also performing arts, principles of
Dancing for Writers, [>]–[>], [>]
Daniele, Graciela, [>]
Daniels, Danny, [>]
Dante, Nicholas, [>]
Davies, Jack, [>]
Davies, Marion, [>]
Davis, Sammy, Jr., [>]
Day, Doris, [>]
Dean, James, [>]
death and Fosse
contemplation of, [>], [>]–[>], [>], [>]
five stages of dying and Stages, [>]
imagined death/ending scenes, [>], [>], [>]–[>], [>], [>], [>]–[>] (See also “Bye Bye Life”)
philosophy, [>], [>]–[>], [>], [>]–[>]
relationship with creativity, [>], [>], [>]
remains, directive in will, [>]
Sept. [>], 1987, [>], [>]
De Laurentiis, Dino, [>], [>]
de Mille, Agnes
backing of the SSDC, [>]
Bloomer Girl, [>]
influence on Fosse, [>]
and McCracken, [>], [>], [>]
Oklahoma!, [>]–[>], [>], [>]
De Niro, Robert, [>]
depression and darkness, of Fosse
after All That Jazz, [>]
after death of Chayefsky, [>], [>]
after surgery, [>], [>], [>], [>]
and creativity, [>], [>], [>], [>], [>]
and death (See death and Fosse, contemplation of)
and final line of Pippin, [>], [>]–[>]
overview, [>], [>], [>]–[>]
Derricks, Cleavant, [>], [>]
Devine, Loretta, [>], [>]
Diamond, Neil, [>], [>]
Dietrich, Marlene, [>], [>]
Dillon, Sara, [>], [>]
director/editor, Fosse as
All That Jazz, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
audition process, [>]–[>], [>], [>], [>], [>]
Big Deal, [>]–[>], [>]–[>]
Burnt Offerings, [>]–[>]
Cabaret, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
casting issues, [>]–[>], [>]
The Conquering Hero, [>]–[>], [>]–[>], [>], [>]
Dancin’, [>]–[>], [>]–[>], [>], [>]–[>], [>]
development of skills, [>], [>], [>], [>]
education, [>], [>]
Ford Startime, [>]–[>], [>]
The Goodbye People, [>]–[>], [>]
high school drag act, [>]–[>]
Lenny
Barry joining the project, [>]
casting, [>]–[>]
editing, [>]–[>], [>], [>]–[>], [>]
good match for Fosse, [>]–[>], [>]
opening day and success, [>]–[>]
rehearsals and filming, [>], [>]–[>]
research and script work, [>]–[>]
limitations, [>], [>], [>]
Liza Live at the Winter Garden, [>]
Liza with a Z, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]
Pippin (movie for television), [>]–[>], [>]–[>], [>]–[>], [>]
Pippin (stage production), [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>]
Pleasures and Palaces, [>]–[>], [>]
Redhead, [>]–[>], [>], [>]
“Seasons of Youth” Timex revue, [>]–[>]
in social interactions, [>]
Star [>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
Sweet Charity (movie), [>]–[>], [>], [>], [>]
Sweet Charity (revival), [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]–[>]
Sweet Charity (stage production), [>]–[>], [>], [>]
Thieves, [>]–[>]
Winchell, [>]–[>]
Doby, Kathryn
All That Jazz, [>], [>], [>], [>]–[>]
on Big Deal, [>], [>]
Cabaret, [>], [>], [>]
Chicago, [>], [>], [>]
Dancin’, [>], [>], [>]
Little Me, [>]
Pippin, [>], [>], [>], [>], [>]
Pleasures and Palaces, [>], [>]
Sweet Charity, [>]
Doctorow, E. L.
on Big Deal, [>]
at Chayefsky’s memorial, [>], [>]
Dancing for Writers, [>]–[>], [>]
on Fosse’s personality, [>], [>]
friendship with Fosse, [>], [>], [>], [>], [>]–[>], [>], [>]–[>]
“The Hunter,” [>]
Loon Lake, [>]
Ragtime, [>]–[>]
Doctorow, Helen, [>], [>]
Dolger, Henry, [>]
Donen, Stanley
background, [>]
Damn Yankees, [>]
discussion of Sweet Charity with Fosse, [>]
film style studied by Fosse, [>]
friendship with Fosse, [>], [>]
Funny Face, [>]
Give a Girl a Break, [>]–[>], [>]–[>], [>], [>]
Jumbo, [>], [>]
The Little Prince, [>], [>]
The Pajama Game, [>]
Singin’ in the Rain, [>], [>]
Donovan, Arlene, [>], [>], [>], [>]
Douglas, Kirk, [>]
Drake, Ervin, [>]
Draper, Paul, [>]
Dreyfuss, Richard, [>]–[>], [>], [>]–[>]
drug problem
after the heart attack, [>]
attempts to quit, [>], [>], [>]
behavioral effects, [>]–[>], [>], [>], [>], [>], [>]
help from Fred Weaver, [>]–[>]
physiological effects, [>], [>], [>]
with prescription drugs, [>]–[>], [>], [>]–[>]
during productions
All That Jazz, [>]
Cabaret, [>], [>]
Chicago, [>]
The Conquering Hero, [>], [>]–[>]
Dancin’, [>]
How to Succeed in Business Without Really Trying, [>]
Lenny, [>]–[>], [>]–[>], [>]
Liza with a Z, [>]–[>], [>]
Pippin, [>], [>]–[>]
Star [>], [>]
Sweet Charity, [>]
Walking Happy, [>]
Duncan-Gibbs, Mamie, [>], [>]
Dunphy, Jack, [>]
Durante, Jimmy, [>], [>], [>]
Dylan, Bob, [>]
East Hampton, NY, [>], [>], [>]–[>], [>], [>], [>], [>]
Eastwood, Clint, [>]
Ebb, Fred
Cabaret, [>], [>], [>]
Chicago
songwriting with Kander, [>], [>]–[>], [>], [>], [>]–[>]
writing with Fosse, [>], [>]–[>], [>], [>], [>], [>]
on Fosse’s work methods, [>]
Liza with a Z, [>], [>], [>], [>]–[>]
party for Fosse, [>]
Edens, Roger, [>]
Edith (receptionist), [>], [>]
Edwards, Blake, [>]
Embs, Lisa, [>], [>]–[>]
Emmons, Don, [>]
Emmy Award, [>], [>]
Ending (book; Wolitzer), [>]
Engel, Lehman, [>]
Ettinger, Edwin, [>], [>]–[>], [>]
Evans, Harvey
New Girl in Town, [>]–[>], [>]
on Niles, [>]
The Pajama Game, [>]
Redhead, [>], [>], [>], [>]
on selection criteria of Fosse, [>]
“Everything Old Is New Again” (dance), [>]
Fairbanks, Douglas, [>]
fame and Fosse, [>], [>], [>], [>], [>]
Farmakis, Mary, [>]
Ferguson, Gilbert, [>]
Ferrier, Patricia. See Kiley, Patricia Ferrier
Feuer, Cy
at Academy Awards, [>]
background, [>]
Big Deal, [>]
Cabaret, [>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>]
Can-Can, [>], [>], [>], [>]
On a Clear Day You Can See Forever, [>]–[>]
description, [>]
Guys and Dolls, [>], [>]
How to Succeed in Business Without Really Trying, [>], [>]–[>], [>]–[>], [>], [>]
Little Me, [>], [>], [>]
Pleasures and Palaces, [>]
relationship with Fosse, [>], [>]–[>], [>], [>], [>], [>]
Stay Away, Joe, [>]–[>]
Walking Happy, [>]
Fields, Dorothy, [>], [>], [>], [>]
Fields, Freddie, [>]–[>], [>]
Fields, Herbert, [>], [>], [>]
film technique, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]
Fire Island, NY, [>], [>], [>], [>]–[>], [>]
Fisher, Jules, [>], [>], [>]–[>]
Fitzpatrick, Melvene, [>]
Flemming, Charlotte, [>], [>]
Foldi, Erzebet “Liz,” [>]–[>], [>], [>]
Fontanne, Lynn, [>]
Foote, Gene, [>], [>], [>], [>]
Fosse, Cyril, Jr. “Buddy” (brother), [>], [>], [>]–[>], [>]
Fosse, Cyril, Sr. (father), [>]–[>], [>], [>], [>], [>], [>], [>]
Fosse, Donald (brother), [>], [>], [>]
Fosse, Edward (brother), [>], [>], [>]
Fosse, Marianne (sister), [>], [>], [>], [>]
Fosse, Nicole Providence (daughter)
adolescence, [>]–[>], [>]–[>], [>]–[>], [>]–[>]
birth, [>]
childhood, [>], [>], [>], [>], [>], [>]
dance training, [>], [>]–[>], [>], [>]–[>]
Dancing for Writers, [>]
description, [>]
at father’s wake, [>]
in father’s will, [>]–[>]
knowledge of father’s women, [>], [>]
love of The Little Prince book, [>]
“The Magic Bird of Fire,” [>]–[>]
and Phantom of the Opera, [>]–[>]
reactions to father’s career, [>], [>]–[>], [>]
relationship with Reinking, [>]
visits to father in the dance studio, [>]–[>]
visit to father in the hospital, [>]
Fosse, Patsy (sister), [>], [>]–[>], [>], [>]
Fosse, Richard (uncle), [>]
Fosse, Robert Louis “Bob”
acting ability, limitations, [>]
artist vs. craftsman, [>]–[>]
awards and nominations
Academy Award, [>]–[>], [>]–[>], [>]
Astaire Award, [>]
Capezio Dance Award, [>]
Dance Magazine award, [>]–[>]
Emmy Award, [>]
Mr. Abbott Award, [>]
Palme d’Or, [>]–[>]
Tony Award, [>], [>], [>], [>], [>], [>], [>]–[>]
Boredom, Whimsy, and Flash, [>], [>], [>]
career
dance numbers, See under title of work
productions (See under choreographer; dancer; director/editor; producer; writer)
Dancing for Writers, [>