The Park Service 01: The Park Service
Page 27
You fool, I think. No man could outrun this wave.
Holocene II! The thought smashes into my consciousness, waking me from my trance. I have to know if Holocene II was saved. I have to know or my last thought will be a thought of failure. I have to know if I’ve died for any reason at all.
I turn from the wave, run inside the house, sprint across the living room, and race down the stairs to find her in the safe room, pale as a corpse, looking into the monitor, staring at the wave. Stepping up beside her, I look at the toggles—
The key is removed, the panel closed.
I look at the third monitor—the Transfer Station lights are still dim, the machines still quiet, nothing looks disturbed.
She speaks without looking away from the wave:
“The water will drain from the Foundation. When it does, you and Hannah will need to begin again. The right way.”
Me and Hannah? Does she not see the wave, I wonder.
She grabs my hand, pressing something cold into my palm. I look down and see a clear-plastic case filled with syringes of red serum, the same syringes that Dr. Radcliffe showed me. I look over and see the open refrigerator. When I look back, the safe room door is closing, sealing, the loud metallic click of the electromagnetic locks, and Mrs. Radcliffe is gone.
My eyes dart to the monitors, the transmissions dead, the screens completely black. Air rushes in from the ceiling vent, the walls vibrate, something slams against the metal door. My ears pop from the increased pressure. Then the water comes. It streams up from the toilet, leaks down from the ceiling, gushes through the cracks in the locked door. It pours in, covering my feet, swirling in a whirlpool on the floor. I stuff the syringes in my pocket and jump onto the desk. The water keeps coming. The walls vibrate again, harder. The ceiling vent breaks open, funneling a wide stream of water into the safe room, rising to cover the chair, the desk, the controls.
I’m surprisingly calm—maybe because I’ve drowned already once before. As the water rises to my chest, I stretch up and breathe in the shrinking pocket of air. Then I’m swept off my feet and pulled into the pool, paddling to stay afloat. The LED lights go dark; the safe room turns as black as any grave. I tread water, bumping into walls, kicking submerged supplies, listening to the water pour in from the blown-out ceiling vent. Then the flow of water slows to a trickle and stops.
I slow my paddling and float, listening …
Heavy silence punctuated by my breath. Dripping water echoing off the walls. Floating blind, I paddle around the room feeling for the door. I find it. I stretch my foot down into the depths and kick the wall, aiming for the Door Open button. I’m not sure it will even work, but I’m betting the battery’s still functioning or the electromagnetic locks shouldn’t be holding at all. I feel something—yes, there it is. I tap it with my toe, but nothing happens. Then I remember there are two buttons, left one green, right one red. I move my toe left and kick again. The door springs open and the water rushes out, carrying me with it into the flooded daylight of the basement, or what would be the basement if there were any house left at all.
The ceiling is gone, the walls too. Just a gray open-air pool cut into the ground, the remaining lake house foundation encircling it above like jagged teeth made of stone. The water comes only to my waist, though the lip of the pool is far above my head. I turn and look at the steel safe room, stripped of its coverings, standing exposed against the barren concrete wall.
It held—the damn thing held after all.
CHAPTER 42
One Last Night
Washed clean.
Everything.
I can’t imagine the brute force of a wave that sweeps away an entire house and everything in it. I think of Mrs. Radcliffe locking me in the safe room and stepping out to meet her fate, and I remember our conversation about suicide in the kitchen that day. I guess she chose to end it herself after all.
Reaching the edge of the pool, I climb a set of crude stone steps that must have led to some ancient cellar long before the Radcliffes rebuilt. I step onto the peninsula and stand dripping on the bare rock where the lake house had been.
Other than the few foundation stones, nothing remains.
No floors, no walls. Not a blade of grass, not a flower. The dock and the boathouse are gone. The red-clay tennis court is stripped to just a smooth pad of concrete. The garden wall is erased, a shallow trench where it once stood. I look up to the bluff and gape at the destruction. The hillside stripped bare, the raw clay and exposed rock dripping. It looks like the wave ran several hundred meters up the slope, snapping pine trees like twigs and carrying them away in its retreat. All around the lake, an enormous ring of destruction rises up the banks. I look back at the water, strangely calm. A few floating trees, a few bobbing boathouse timbers.
A sparrow circles then swoops down, looking for its nest. It lands not far from where I stand, jerks its curious head left and right, and then it accepts the new surroundings and dabs its beak in a puddle and begins cleaning itself.
Life goes on, I guess.
I walk to where the garden wall had been. I remember Jimmy boosting me to look over, I remember Hannah standing there with her hands on her hips and telling me that the door wasn’t locked. There’s no door now. I step across the narrow trench and head up the bluff to look for Hannah and Jimmy.
It feels like climbing a mountain on Mars, everything a wasteland, even the topsoil gone. As the bluff levels off, I pass splintered stumps of enormous pine trees and craters where others were ripped right out from the ground, roots and all.
Arriving at the edge of the wave’s reach, I hop over a few trees left lying in my path, and scramble up the steep rise that leads the last several yards to the top. I look around.
Then I see Hannah running toward me through the trees, her red hair bouncing around her shoulders. We come together in a wild tangle of arms and tears and kisses, and we stand meshed together in a tight embrace, turning a slow circle on the edge of the bluff, kissing and caressing one another.
“I was sure you were dead,” she says.
“Yeah, me too,” I say. “Where were you?”
“We ran,” she says, nodding behind her. “I wanted to stay and wait for you, but Jimmy made me run. We’re just working our way back now. I’m so glad you’re alive.”
I feel something brush against my leg, look down, and see Junior jumping with excitement. When I look up again, Jimmy is walking toward us, a wide grin stretched across his face.
We sit together on the edge of the bluff looking out over the lake. The sun has dropped behind the mountains at our backs, and I know it must be setting over the ocean now, setting on that cove of so long ago. I look at Jimmy, idly petting Junior beside him. His eye is swollen shut from the explosion at Eden, his ear still caked with dried blood. I look at Hannah, her green eyes staring off across the water. The cut her father gave her is sure to leave a scar on her chin. I think about everything that we’ve been through, everything that we’ve lost—especially the people we each loved. I think about our adventures, and about the strange events that brought us all together.
Hannah lays her head in my lap, I lean down and kiss the cut on her chin. A long time passes without a word between us. The coming night drops a blue blanket of stars down in the east, the dark mountains cutting a black outline against it. The lake holds the last of the day’s light and gives it back in silvery purples—hues that reflect the mood.
By and by, I hear a click and catch a spark. Turning, I see Jimmy lighting a fire made of broken limbs that he’s gathered. He blows it lit, builds it up, and soon the flames are licking at the dark, popping and shooting red sparks rising into the night.
I reach to my neck and remove my father’s pipe. Then I dip in my pocket for the tobacco canister, unseal it, and stuff the pipe full. Leaning over, I grab a stick and stretch it into the fire, being careful not to wake Hannah sleeping in my lap. Then I draw the flaming tip slowly to the pipe and puff the pipe lit.
&n
bsp; I cradle the pipe in my palm, just like my father used to do, and I roll the sweet smoke around my mouth, then blow it out and watch it coil away and disappear into the night.
Hannah sits up and rubs her eyes.
“That stinks,” she says, scrunching up her nose.
Jimmy stirs the fire.
“Give ’em a break. It was his father’s.”
“I know it,” Hannah snaps back. “I’m not stupid.”
And here I was worried about them and they’re back to their old selves and fighting again already. Jimmy stretches out on his back, resting his head in his hands, and Junior lies down beside him, resting his head on his paws.
“We’d better get us some sleep,” Jimmy says, after several minutes. “Gotta get up early and hunt up somethin’ to eat.”
“I hope you don’t think I’m eating meat,” Hannah says.
“Ya hearin’ this over here, Aubrey?” Jimmy calls, laughing. “Yer little princess wants pancakes fer breakfast.”
“You’re a jerk,” she says.
“Yeah, well you’s spoiled rotten.”
Hannah turns to me.
“You’re not going to let him talk to me like that, are you?”
“I’m not getting involved,” I say, puffing my pipe.
Hannah crosses her arms and turns her head away.
Several quiet minutes pass. I think about what Hannah’s mother said, about us starting over and doing things right this time. I only wish I knew what the right thing was.
I reach into my pocket and feel the case of syringes there. Do I even want to live for a thousand years? And what about Mrs. Radcliffe’s warning? Can you really love someone for that long? What about Holocene II? She said the water will recede, and I know we need to get down to the Foundation before the next train arrives for Eden, but I have no idea what to do then. Can you just free thousands of people who’ve been used to living a certain way for centuries? And if we do, how will we prevent them from destroying the world again?
Then I think about the drones, the submarines, the ships. I’ve no idea how to stop their targeting of humans, or if I even should. What am I thinking? Of course I should. I must. But what about violent people? Enemies? What about the rest of the world out there? What about all those curious other places that Dr. Radcliffe never got to tell me about?
I’m tempted to tell Hannah and Jimmy about the forever serum in my pocket, to inject ourselves with it right here, right now. To put our three heads together and make a plan for the Park Service, a plan for Holocene II.
I pull the pipe from my mouth to tell them, but before I can say anything, Hannah huffs at Jimmy over her shoulder.
“Savage,” she says.
“Snob,” Jimmy shoots back.
I clamp the pipe between my teeth again, look into the fire and laugh to myself. I wonder if they’d argue like this for a thousand years. I decide our planning can wait until morning.
For just one last night, I want to be a kid.
THE END of BOOK ONE
Second Book Email Sign Up
Be the first to know when the second book in The Park Service Trilogy releases by signing up with your email address at www.parkservicetrilogy.com/signup.
About the Author
Ryan Winfield is a novelist, poet, and screenwriter writer living in Seattle. His debut novel South of Bixby Bridge quickly became a viral success story, selling over 100,000 copies in the first year. The Park Service is his second novel. If you would like to get in touch with Ryan, he would love to hear from you at www.RyanWinfield.com.
Copyright
The Park Service
Book One of The Park Service Trilogy
By Ryan Winfield
Copyright © 2012 Ryan Winfield
All rights reserved.
Please visit www.RyanWinfield.com
EPUB Edition
ISBN-10: 0988348217
ISBN-13: 978-0-98834821-9
Cover art by Adam Mager
Cover art and design © 2012 Ryan Winfield
Cover image trees: Daryl Benson Photodisc Getty Images
Cover image girl: Famke Backx Vetta Getty Images
The Licensed Material is being used for illustrative purposes only; and any person depicted in the Licensed Material, if any, is a model.
Author photo: Sarah T. Skinner www.sarahtskinner.com
This is a work of fiction. Names, characters, places, and incidents are either the products of the author’s imagination or are used here fictitiously. Any resemblance to any real persons or events is entirely coincidental.
Summary: In the distant, post-apocalyptic future, a fifteen-year old boy stumbles on a world where humans are hunted by a mysterious Park Service and sets out to uncover who’s behind the gruesome killings.
BIRCH PAPER PRESS
Post Office Box 4252
Seattle, Washington 98194
eBooks created by www.ebookconversion.com
Table of Contents
Cover
Title Page
Table of Contents
PROLOGUE: The End of the Holocene
Part One CHAPTER 1: Tomorrow’s the Big Day
CHAPTER 2: Good Thinking and Good Luck
CHAPTER 3: What Did I Do?
CHAPTER 4: I Love You, Son
CHAPTER 5: I’ve Died and Gone to Eden
Part Two CHAPTER 6: What in the World Happened?
CHAPTER 7: The Boy Who Sits on Water
CHAPTER 8: Jimmy
CHAPTER 9: Thank You, Robert Frost
CHAPTER 10: Welcome to the Cove
CHAPTER 11: You’ll See Soon Enough
CHAPTER 12: Idols from the Past
CHAPTER 13: Rites of Passage
CHAPTER 14: The Butterfly Waits
CHAPTER 15: The Slaughter
CHAPTER 16: Horror in the Cove
CHAPTER 17: The Funeral Pyre
CHAPTER 18: The Storm Passes
CHAPTER 19: There’s Nowhere to Go
Part Three CHAPTER 20: Just Passing Through
CHAPTER 21: One Foot In Front of the Other, and Don’t Slip
CHAPTER 22: Who Lives Here?
CHAPTER 23: The Lake House at Malthusai
CHAPTER 24: My Sweet, Sweet Hannah
CHAPTER 25: Dr. Radcliffe
CHAPTER 26: The Foundation
CHAPTER 27: Touring the Park
CHAPTER 28: Stories and Storms
Part Four CHAPTER 29: Days of Rain
CHAPTER 30: Gloria
CHAPTER 31: Mrs. Radcliffe
CHAPTER 32: One, Two, It’s All Through
CHAPTER 33: I Love You, Dad
CHAPTER 34: But What About Eden?
CHAPTER 35: My Last Mistake
CHAPTER 36: You Don’t Look Like an Angel
CHAPTER 37: How Many Miles Down to Babylon?
CHAPTER 38: You’re Free Now
CHAPTER 39: You Got a Better Plan?
CHAPTER 40: Why is Courage Wasted on the Young?
CHAPTER 41: The Wave
CHAPTER 42: One Last Night
Second Book Email Sign Up
About the Author
Copyright