A Season for the Dead

by David Hewson

  Fosse stared after her, a wild animal look in his eyes, part fear, part rage. Nic Costa felt, for a moment, afraid. ‘Where is she?’ Fosse asked. ‘Will she come back?’

  ‘Sure, she’ll come back,’ he said, trying to sound confident.

  ‘I didn’t know,’ Fosse said. ‘I did it to the others because they were whores. That’s what they were for. I didn’t know …’

  Fosse’s black eyes stared into his. ‘It haunts me. I don’t want it in my head any longer.’

  A part of Gino Fosse wasn’t mad at all, Costa thought, and then he let his mind go blank, unable to countenance the possibilities that lay within what he’d just heard. There was no time. People were moving through the shadows, big, dark bodies, men in jackets, men with a purpose. Costa wondered who would get there first, who might be in the church already. He’d tried to cover as many options as possible.

  Someone brushed past him. An arm reached down towards the altar rail, some coins fell in the box there and, in a sudden, aching flash, the lights of the canvas burst into life.

  Costa blinked at the image on the wall. It looked alive. If he tried, he thought, he would hear the assassin’s breathing, feel the strength of the light pouring out from the canvas, trying to shed its redeeming grace on them all.

  Then a familiar face, half lit by the yellow electric lamps, pushed between them.

  ‘Where the hell is he?’ Falcone demanded, snatching the gun away from him. ‘Denney? What have you done with the bastard?’

  The people he called should have been here now. He could hear someone else moving through the darkness. They needed more light than this single wan pool of yellow in one corner of the nave.

  ‘I never saw him,’ he replied honestly.

  ‘One way in, one way out,’ Falcone hissed. ‘For Christ’s sake. He knew this place like the back of his hand. He’s gone. He must be gone.’

  He said nothing, trying to think. One minute, she said. Just a little time to talk and to keep him safe. Though they must, he now realized, have spoken already that day. Was there really anything else left to say?

  ‘And you …’ Falcone’s finger jabbed into his shoulder. ‘You just can’t stay away, can you?’

  ‘I think, sir,’ he replied, ‘you should consider your position.’ He looked into Falcone’s cold, bleak face. ‘You can’t carry on with this now. It’s bound to come out.’

  Falcone shook his head. ‘What do I care about my position? To hell with it!’

  Without warning he snatched a pair of handcuffs from his pocket, slammed one end on Gino Fosse’s wrist and locked the other to the iron railing. Costa looked into Fosse’s eyes. He was scared.

  Falcone took Costa by the arm, peered closely into his face. ‘This bastard killed your partner. We’re walking away, kid. We’re done with this mess.’

  The painting shone at him from the wall. He was unable to take his eyes off the figure in the background: Caravaggio himself, watching the murder which came from his own imagination, pitying the victim bleeding on the ground, pitying too the assassin led by fate to be the instrument of his death.

  Falcone was dragging him now, by the arm, away from the scene. He struggled.

  ‘Jesus!’ Falcone threw Costa against a pillar, and snarled into his face, ‘I want you out of harm’s way, Nic. I don’t want any more dead men sitting around in my head.’

  ‘No,’ Nic Costa said softly. ‘I can’t let this happen.’

  There were more bodies moving. Maybe they were the people Falcone expected. Maybe someone else. He thought he heard Teresa Lupo’s voice rising in the clamour. From somewhere a camera flashed. People were beginning to shout. On the far side of the church a set of lights suddenly came on. Banks of bulbs followed them, marching around the ceiling as someone found the switches.

  Costa looked at Falcone. The inspector’s bright eyes were darting around the church, trying to make sense of it all.

  ‘This has got to stop,’ Costa said, pushing himself out of Falcone’s grip. He fought free with a sudden jab, then raced the few yards to Gino Fosse. They were there. Two men. He pushed in front as they closed in on Fosse, raising their hands, two barrels beginning to gleam in the wan light. He fought to take his eyes off the figures on the wall: the stricken man, his white tunic red with blood, the furious, naked attacker.

  There was a noise that could have been the angry, leaden sky outside, a burning flash of bright light so intense it seared a raw, sharp pain somewhere behind his eyes. Nic Costa stared at the image on the wall: a young bearded man, watching in agony and amazement the bloody, vivid scene he had created. Then the face faded and with it the bright, life-giving light.

  SIXTY-SIX

  Leo Falcone had two appointments in his diary that chill October day. One was mandatory. For the second he would be an uninvited, unwelcome guest.

  Disciplinary proceedings always left him cold. This was his third appearance before the tribunal in twenty-five years with the force. He knew what was required: an admission of some limited form of guilt, a display of penitence, the silent acceptance of a formal token of reproof. Perhaps they would dock his pay or make him attend some course of ‘retraining’. It was possible that he would be demoted, though he believed that unlikely. The Questura was scarcely overflowing with experienced officers to take his place.

  Falcone’s position was plain. Whatever else had gone wrong, Gino Fosse was dead and the city was rid of a vicious, psychotic killer. He had lost officers to this man. His team had worked day and night trying to bring him to justice. Denney may have escaped, along with his daughter. There was more bloodshed than anyone wanted, even, he privately believed, those who initiated Fosse’s game and made its existence known to official quarters when it suited them.

  But none of this could be easily laid at his door. The investigation they had ordered found no evidence of collusion between himself, the Vatican and the criminal parties who had gathered at San Luigi dei Francesi to kill the fleeing cardinal and his wayward son. There was talk in the wilder parts of the papers about a cover-up. The last, snatched pictures of the shooting in the church, taken by the woman journalist Nic Costa had sent there, continued to do the rounds. The gunmen had escaped. They would, he knew, never be found. So be it. This wasn’t the first time the authorities had acquiesced in order to forestall a greater furore. Given the nature of Roman politics, he doubted it would be the last. And the media had short memories. Soon there would be another scandal to occupy them, another face to sell more papers.

  The hearing lasted ninety minutes. He walked out with a reprimand. They had been persuaded by his argument that a conspiracy, if it existed, and he felt sure this was impossible, could only have begun over his head. They were moved by his genuine grief for his lost men. They were willing to give him the benefit of the doubt. This time, anyway.

  At the end, after announcing a verdict which had clearly been decided before he entered the room, the commissioner led him to the door, taking his arm. ‘None of us is untouchable these days, Leo,’ he said. ‘We live in changed times. Take care. I can’t save you again.’

  Falcone didn’t want to look into his eyes. Maybe the man would see the bitter amusement lurking there. Had Falcone fallen, the commissioner would have followed not long after, and they both knew it.

  ‘I understand, sir,’ he replied and walked down the corridor, thinking of what lay ahead.

  For the sake of form – to let them know he was still in harness, his power undiminished – he then spent an hour in his office, taking reports concerning the stabbing of a tourist who made the mistake of hustling for dope at the station. At midday Falcone put on his coat and left the station. He could not, in all conscience, avoid what came next.

  The crematorium was off the Via Appia Nuova, not more than two kilometres from the Costa family home. He watched from his car. There were perhaps twenty mourners, mainly men, in dark suits. A tall woman in over-elegant mourning clothes was pushing the figure in the wheelchair. Falcon
e sat listening to the radio for thirty minutes, thinking about the ceremony inside. It was a myth, a ritual. As a young cop he’d been called to a fatal accident at a crematorium once and come to understand the way they worked. This was a mechanical process. Messy, imperfect. It could be anyone’s ashes you walked away with. No one would know. No one, if they were honest enough to admit it, really cared about detail. This was a dumb show to ease the grief of those still alive. Details hardly mattered.

  The distant doors opened and they came out again, leaving in a slow procession of black cars. He followed them back to the farmhouse, parking opposite the drive, just out of sight. It was three hours before the last had left. Falcone got out of his car and looked down the drive. There was just the woman now. And the figure in the wheelchair.

  He swallowed hard and wished he didn’t have to go through with this. Then he walked up the drive, where he was met halfway by the woman.

  ‘He doesn’t want to see you.’ She was attractive in an old-fashioned way. Her eyes were bright and intelligent. She’d been crying.

  ‘He doesn’t have a choice,’ Falcone said and kept on walking.

  There was a table by the wheelchair. On it sat a bottle of old Barolo, almost empty, and a couple of glasses. And a white alabaster urn, a small thing, so bright and shiny it could have been plastic.

  Falcone poured himself some wine, looked at the man in the wheelchair and said, ‘You’re cultivating expensive tastes for an invalid, Nic. That meagre pension we’re giving you won’t buy many cases of this stuff.’

  Costa looked terrible. He’d put on weight while confined to the wheelchair. His face had puffed out. There was a distinct red tinge to his cheeks. Falcone knew what men looked like when they sat on the edge of a pool of booze, wondering whether to dive in. It had happened to so many cops. It was part of the job for some. He’d never expected Nic Costa to be among them.

  ‘Why are you here?’ Costa asked. His eyes were bleary, his voice cracked.

  Falcone pulled the envelope out of his pocket. ‘I brought your mail. They’ve been intercepting it, in case you hadn’t guessed. Nothing to do with me. I’ve been lying low in Sardinia for the last couple of weeks. Enforced vacation. You probably heard.’

  Costa gazed at the long white airmail envelope. It had the farm’s address on the front, written in a long, sloping, feminine hand. The letter had been scissored open at the top.

  ‘You know where they are?’

  Falcone glanced at the postmark. ‘Says here this was posted in the Florida Keys. Guess they’re long gone from there now. Somewhere in the States, I imagine. Not a clue in the letter. The way Denney and the woman got out of here in the first place is still beyond me. He’d plenty of money with him but that doesn’t explain everything. Maybe he had more friends than we knew. The Americans say they’re looking for him, on our behalf you under-stand. Lying bastards. They’re holed up somewhere with new names, a new house, new lives, promising to keep their mouths shut. We won’t see them again. That’s my take on things anyway. I could be wrong. It happens.’

  Costa looked at the letter. It couldn’t contain anything important. They would never have passed it on if it did.

  ‘Take it,’ Falcone said, pushing the envelope across the table. ‘It’s for you. Personal. Like I said, this wasn’t my decision. They had to do it, though.’

  It contained a single page. On it, in the same elegant hand, just five words: ‘I thought you were dead.’

  Falcone watched him, trying to assess his reaction. ‘Can’t blame her,’ he said. ‘We all thought that at the time. We forgot you were such a stubborn little bastard.’

  ‘Sorry to disappoint you.’

  ‘Hey,’ Falcone snapped. ‘A word of advice. A man in a wheelchair should avoid self-pity. It’s not becoming.’

  Costa reached for the Barolo and refilled his glass.

  Falcone calmed down a touch and took a seat at the table. ‘A lot of people were pleased to see you pull through, Nic. And then … this. It’s like you’re dead again somehow.’

  ‘Is this you talking? Or your friends? Or Hanrahan? Tell me that.’

  ‘Just me,’ Falcone said. ‘No one knows I’m here. Hanrahan’s skulking somewhere back in Ireland, keeping his head down. Won’t last for ever, of course. He’s too damn useful to them. Just for the record, he’s not my friend. Never was. Never will be.’

  Costa’s eyes were fixed on the neatly tended garden with its rows and rows of tidy plants. Falcone wondered if he was still listening. ‘I heard it on the radio,’ he said. ‘You got off with a reprimand. So no one pays for this. No one except Gino Fosse.’

  ‘You could look at it that way, I guess.’

  ‘There’s some other way to see things?’

  Falcone shrugged. He was getting tired of this.

  ‘Why are you here?’ Costa asked again.

  ‘I don’t want any more victims. I’ve got enough on my conscience as it is. Nic …’ He was back staring into the wine glass as if all the answers lay beneath its thick meniscus. ‘I’m sorry your father’s dead. I never knew him. People who did, say he was a good and honest man. We could use more like that. But don’t think you can take his place. You don’t belong in that wheelchair. You haven’t earned that yet.’

  Costa said nothing and gulped at the wine.

  Falcone pulled up his chair and got close to him. ‘I talked to the doctors. They said this isn’t a permanent disability. You could be out of that chair in three months, maybe less. You could be back to your old self in six. If you turned up for the physio sessions. If you wanted to.’

  ‘Get out of here,’ Costa snarled.

  The woman had returned. She’d been eavesdropping. She was carrying a bottle of mineral water and a couple of glasses. She put them on the table and removed the wine. Costa avoided her eyes.

  ‘Listen to him, Nic,’ she said. ‘Please.’

  ‘Bea, you don’t know who this man is.’

  She gave Falcone a cold stare. ‘I know. I read the papers. I still think you should listen to him.’

  He scowled and took the glass of water all the same. Falcone looked at the woman. He was grateful. Then he nodded and she retreated once more.

  ‘Here.’ He reached into his jacket, took out something and placed it next to Costa’s hand. It was his old ID card, the one he’d thrown into Falcone’s face a lifetime before.

  ‘I’m back at work on Monday. I’ve got a desk with your name on it. I’ve got work for you.’

  ‘Work?’

  ‘Yes! Work! Let’s face it. What else are you going to do? Drink yourself stupid day in and day out and call on the housemaid every time you want to take a piss?’

  ‘I’m a damned cripple,’ Costa yelled at him.

  ‘Then learn to walk!’ Falcone bawled back. ‘Jesus …’ The older man stood up. ‘Look. I’ll say this once. I need you, Nic. You’re a smart cop. We can’t afford to lose you. There’s something else too.’ Falcone eyed the horizon sourly. ‘You remind me of what happened. How I screwed up. Maybe it’ll make me think twice in the future.’

  Costa’s interest was stirring, Falcone could feel it.

  ‘Don’t think for one moment this is sympathy. I’ll ride you as hard as I always did. All the more so once you climb out of that damn chair.’

  ‘Go to hell,’ Costa spat.

  Falcone smiled. He recognized the moment. ‘Thank you. By the way, I went back to work a few weeks ago. They said I showed up too early. Sent me back to do a little more time.’

  There was something different in Falcone’s eyes. Self-doubt maybe. An empty, dead loneliness. Or just the mask of a clever actor.

  ‘Monday,’ Falcone repeated. ‘I’m not asking you to like me. Just to keep me company. Stay off the drink this weekend. You need to sweat some of that shit out of your system. And if you’ve got any questions …’ he nodded at the urn on the table, ‘ask him, not me.’

  Then he set off down the drive, a tall man, beautifully dressed
in a dark suit, but stiff, uncomfortable with himself in some way Costa hadn’t noticed before.

  A light breeze was coming in from the north. The wind was gently tearing the last few leaves from the old almond tree in the drive. They scuttered around the departing Falcone’s feet. Through the bare branches Costa could now see the distant roof of the austere old church on the Appian Way. ‘Domine, Quo Vadis?’ Lord, where are you going? His father’s reason for rebuilding the old farmhouse, for making this place the Costa family’s home.

  He shivered in his thin jacket. The wine wasn’t enough to keep him warm. He looked around for Bea. She had moved into the house before his father died, caring for them both. He took her for granted, he knew. There seemed no other way.

  ‘Bea!’ he yelled. ‘Bea!’

  She didn’t come. Maybe she was watching him from the house, thinking about what Falcone had said. Maybe she was wondering why a woman in her mid-fifties should be looking after a man almost thirty years younger, a cripple who refused his own chance of redemption. Maybe she was thinking Falcone was right.

  ‘Bea,’ he cried, one last time. There was no reply.

  It was cold now. The light was fading. If he had one more drink he knew what would happen, where his mind would go. To the bedroom upstairs and the night, the single night, he spent with Sara Farnese.

  This was important. Nic hoped Bea was watching.

  He grasped the alabaster urn with his right hand then, with his left, took hold of the gnarled grape vine that wormed its way up the patio pillar. Struggling, short of breath, feeling a distant sensation run down his injured spine and press a little movement into his half-dead legs, he dragged himself upright and looked at the field.

  It was immaculate. Bea had called in men to help her. The green heads of cavolo nero were rising in spite of the season, forcing themselves upright, working towards the sky.