Tony Hillerman - Leaphorn & Chee 07 - Skinwalkers
Page 15
Janet Pete was leaning on the car door while she said this, and smiling slightly. But it wasn't a friendly smile.
"Where did you hear about the homicide?"
She tapped the car. "Radio," she said. "Noon news, KGAK, Gallup, New Mexico."
"They didn't say who was shot?"
"'Police did not reveal the identity of the victim,'" she said, but the smile faded as she said it. "Who was it?"
"It was Roosevelt Bistie," Chee said.
"Oh, no," she said. She sat down on the front seat again, wrinkled her face, closed her eyes, shook her head against this mortality. "That poor man." She put her hands across her face. "That poor man."
"Somebody came to his house last night. His daughter was gone. They shot him."
Janet Pete lowered her hands to listen to this, staring at Chee. "Why? Do you know why? He was dying, anyway. He said the doctor told him the cancer would kill him."
"We don't know why," Chee said. "I want to talk to you about it. We're trying to find out why."
They left Janet Pete's clean Chevy and got into Chee's unwashed patrol car. At the Turquoise Cafe, Janet Pete ordered iced tea and Chee had coffee.
"You want to know who called me. That's funny, because the man who called lied. I found out later. He said his name was Curtis Atcitty. Spelled with the A. Not E. I had him spell it for me."
"Did he say who he was?"
"He said he was a friend of Roosevelt Bistie's, and he said Bistie was being held without bond and without any charges being filed against him, and that he was sick and didn't have any lawyer and he needed help." She paused, thinking about it. "And he said that Bistie had asked him to call DNA about a lawyer." She looked at Chee. "That's where he lied. When I told Bistie about it, he said he hadn't asked anybody to call. He said he didn't know anybody named Curtis Atcitty."
Chee clicked his tongue against his teeth, the sound of disappointment. So much for that.
"When you left the jail, I saw you driving back into Farmington. Where did you go? When was the last time you saw him?"
"Down to the bus station. He thought one of his relatives might be there, and they'd give him a ride home. But nobody he knew was there, so I took him back to Shiprock. He saw a truck he recognized at the Economy Washomat and I left him out there."
"Did he ever tell you why he tried to kill Old Man Endocheeney?"
Janet Pete simply looked at him.
"He's dead," Chee said. "No lawyer-client confidentiality left. Now it's try to find out who killed him."
Janet Pete studied her hands, which were small and narrow, with long, slender fingers, and if her fingernails were polished it was with the transparent, colorless stuff. Nice feminine hands, Chee thought. He remembered Mary Landon's hands, strong, smooth fingers intertwined with his own. Mary Landon's fingertips. Mary Landon's small white fist engulfed in his own. Janet Pete's right hand now gripped her left.
"I'm not stalling," she said. "I'm thinking. I'm trying to remember."
Chee wanted to tell her it was important. Very important. But he decided it wasn't necessary to say that to this lawyer. He watched her hands, thinking of Mary Landon, and then her face, thinking of Janet Pete.
"He said very little altogether," she said. "He didn't talk much. He wanted to know if he could go home. We talked about that. I asked him if he knew exactly what he was accused of doing. What law he was supposed to have broken." She glanced at Chee, then turned her eyes away, gazing out the street window through the dusty glass on which THE TURQUOISE CAFE was lettered in reverse. Beyond the glass, the dry wind was chasing a tumbleweed down the street. "He said he had shot a fellow over in the San Juan Canyon. And then he sort of chuckled and said maybe he just scared him. But anyway the man was dead and that was what you had him in jail for." She frowned, concentrating, right hand gripping the left. "I asked him why he had shot at the man and he said something vague." She shook her head.
"Vague?"
"I don't remember. Something like 'I had a reason,' or 'good reason' or something like that-without saying why."
"Did you press him at all?"
"I said something like 'You must have had a good reason to shoot at a man,' and he laughed, I remember that, but not like he thought it was funny, and I asked him directly what his reason was and he just shut up and wouldn't answer."
"He wouldn't tell us anything, either," Chee said.
Janet Pete had taken a sip from her glass. Now she held it a few inches from her lips. "I told him I was his lawyer-there to help him. What he told me would be kept secret from anyone else. I told him shooting at somebody, even if you missed them, could get him in serious trouble with the white man and if he had a good reason for doing it, he would be smart to let me know about it. To see if we could use it in some way to help keep him out of jail."
She put down the glass and looked directly at Chee. "That's when he told me about being sick. It was easy enough to see anyway, with the way he looked. But anyway, he said the white man couldn't give him any more trouble than he already had, because he had cancer in his liver." She used the Navajo phrase for it-"the sore that never heals."
"That's what his daughter told me," Chee said. "Cancer of the liver."
Janet Pete was studying Chee's face. It was a habit that Chee had learned slowly, and come to tolerate slowly, and that still sometimes made him uneasy. Another of those cultural differences that Mary found odd and exotic.
("That first month or two in class I was always saying: 'Look at me when I talk to you,' and the kids simply wouldn't do it. They would always look at their hands, or the blackboard, or anywhere except looking me in the face. And finally one of the other teachers told me it was a cultural thing. They should warn us about things like that. Odd things. It makes the children seem evasive, deceptive."
And Chee had said something about it not seeming odd or evasive to him. It seemed merely polite. Only the rude peered into one's face during a conversation. And Mary Landon had asked him how this worked for a policeman. Surely, she'd said, they must be trained to look for all those signals facial expressions reveal while the speaker is lying, or evading, or telling less than the truth. And he had said. )
"You needed to know who called me," Janet Pete was saying, "because you suspect that whoever called is the one who killed Roosevelt Bistie. Isn't that it?"
Like police academy, Chee thought, law schools teach interrogators a different conversational technique than Navajo mothers. The white way. The way of looking for what the handbook on interrogation called "nonverbal signals." Chee found himself trying to keep his face blank, to send no such signals. "That's possible," he said. "It may have happened that way."
"In fact," Janet Pete said, slowly and thoughtfully, "you think this man used me. Used me to get Mr. Bistie out of jail and home." Her voice trailed off.
Chee had been looking out past the window's painted lettering. The wind had changed direction just a little-enough to pull loose the leaves and twigs and bits of paper it had pinned against the sheep fence across the highway. Now the gusts were pulling these away, sending them skittering along the pavement. Changing winds meant changing weather. Maybe, finally, it would rain. But the new tone in Janet Pete's voice drew his attention back to her.
"Used me to get him out where he could be killed."
She looked at Chee for confirmation.
"He would have gotten out, anyway," Chee said. "The FBI had him, and the FBI didn't charge him with anything. We couldn't have-"
"But I think that man wanted Mr. Bistie out before he would talk to anyone. Doesn't that make sense?"
It was exactly the thought that had brought him looking for Janet Pete.
"Doubtful," Chee said. "Probably no connection at all."
Janet Pete was reading his nonverbal signals. Rude, Chee thought. No wonder Navajos rated it as bad manners. It invaded the individual's privacy.
"It's not doubtful at all," she said. "You are lying to me now." But she smiled. "That's kind of you. But I can't help
but feel responsible." She looked very glum. "I am responsible. Somebody wants to kill my client, so they call me and have me get him out where they can shoot him." She picked up her glass, noticed it was empty, put it down again. "He didn't even particularly want to be my client. The guy who wanted to shut him up just put me on the job."
"It probably wasn't that way," Chee said. "Different people, probably. Some friend called you, not knowing that this madman was coming along."
"I'm getting to be a jinx," Janet Pete said. "Typhoid Mary. A sort of curse."
Chee waited for the explanation. Janet Pete offered none. She sat, her square shoulders slumped a little, and looked sadly at her hands.
"Why jinx?" Chee said.
"This is the second time this happened," Janet Pete said, without looking at Chee. "Last time it was Irma. Irma Onesalt."
"The woman who got killed over by. You knew her?"
"Not very well," Janet said. She produced a humorless laugh. "A client."
"I want to hear about it," Chee said. Leaphorn seemed to think there might be some connection between the Onesalt killing and the Sam and Endocheeney cases. The lieutenant had been very interested when Chee had told him about the letter Endocheeney received from Onesalt's office. It didn't seem likely, but maybe there was some sort of link.
"That's how I heard about Officer Jim Chee," Janet Pete said, studying him. "Irma Onesalt said you did her a favor, but she didn't like you."
"I don't understand," Chee said. And he didn't. He felt foolish. The only time he'd met Onesalt, the only time he could remember, had been that business about picking up the patient at the clinic-the wrong Begay business.
"She told me you were supposed to deliver a witness to a chapter meeting and you showed up with the wrong man and screwed everything all up. But she said she owed you something. That you'd done her a favor."
"What?"
"She didn't say. I think it must have been some sort of accident. I remember she said you helped her out and you didn't even know it."
"I sure didn't," Chee said. "And don't." He waved at the man behind the counter, signaling a need for refills. "How was she your client?"
"That's pretty vague too," Janet Pete said. "She called one day and made an appointment. And when she came by, she mostly just asked a lot of questions." She paused while her glass was refilled and then stirred sugar into her tea-two teaspoons.
How did she keep so slim? Chee wondered. Nervous, he guessed. Runs it off. Mary was like that. Always moving.
"I don't think she trusted me. Asked a lot of questions about our relationship at DNA with the tribal bureaucracy and the BIA and all that. When we got that out of the way, she had a lot of questions about what I could find out for her. Financial records, things like that. What was public. What wasn't. How to get documents. I asked her what she was working on, and she said she would tell me later. That maybe it wasn't much of anything and then she wouldn't bother me. Otherwise, she would call me back."
"Did she?"
"Somebody shot her," Janet Pete said. "About ten days later."
"Did you report talking to her?"
"Probably no connection, but finally I did. I checked to find out who was handling the case and then called him and told him-Streib I think it was." She shrugged. "The fed at Gallup."
"Dilly Streib," Chee said. "What did he say?"
She made a wry face. "You know the FBI," she said. "Nothing."
"How about you? Any idea what she was after?"
"Not really." She sipped the tea, slim fingers around the tall glass.
A Navajo complexion, Chee thought. Perfect skin. Smooth, glossy. Janet Pete would never have a freckle. Janet Pete wouldn't have a wrinkle until she was old.
"But she said something that I remembered. It made me curious. Let's see if I can remember just how she put it." She raised a slim hand to her cheek, thinking. "I asked what she would want to look for and she said maybe some answers to some questions, and I said what questions and she said. she said how people can look so healthy after they're dead. And then I asked her what that meant. Didn't really ask her exactly, you know. Just looked puzzled, raised my eyebrows or something like that. And she just laughed."
"How people can look healthy after they're dead?"
"That's it," she said. "Maybe not the exact words, but that was the sense of it. Mean anything to you?"
"Absolutely nothing," Chee said, thinking about it so hard that he forgot the refill, and gulped scalding coffee, and spilled it on his uniform shirt-which was not at all what Jim Chee wanted to do in front of Janet Pete.
Chapter 17
the first thing Joe Leaphorn noticed when he rolled Emma's old Chevy sedan to a halt in the yard of the Short Mountain Trading Post was that McGinnis had repainted his Sale sign. The sign had been there the first time Leaphorn had seen the place, coming on some long-forgotten assignment when he was a green new patrolman working in the Tuba City subagency. He sat assessing the pain in his forearm. And remembering. Even then the sign had been weather-beaten. Then, as now, it proclaimed in large block letters:
THIS ESTABLISHMENT
FOR SALE
INQUIRE WITHIN
Around Short Mountain, they said that the store on the rim of Short Mountain Wash had been established sometime before the First World War by a Mormon who, it was said, noticed the lack of competition without noticing the lack of customers. It was also said that he had been convinced that the oil prosperity he saw far to the north around Aneth and Montezuma Creek would spread inexorably and inevitably south and west-that the Just Creator must have blessed this area somehow with something. And since the surface itself offered nothing but scanty grass, scarce wood, and a wilderness of erosion, there surely must be a bountiful treasure of oil below those sterile rocks. But his optimism had finally faltered with the Aneth field, and when his church ruled against multiple wives, he'd opted to join the polygamist faction in its trek to tolerant Mexico. Everyone around Short Mountain Wash seemed to remember the legend. No one remembered the man himself, but those who knew McGinnis marveled at the Mormon's salesmanship.
McGinnis now appeared in his doorway, talking to a departing customer, a tall Navajo woman with a sack of cornmeal draped over her shoulder. While he talked he stared at Emma's Chevy. A strange car out here usually meant a stranger was driving it. Among the scattered people who occupied the emptiness of Short Mountain country, strangers provoked intense curiosity. In Old Man McGinnis, almost anything provoked intense curiosity. Which was one reason Leaphorn wanted to talk to Old Man McGinnis, and had been talking to him for more than twenty years, and had become in some odd way his friend. The other reason was more complicated. It had something to do with the fact that McGinnis, alone, without wife, friend, or family, endured. Leaphorn appreciated those who endured.
But Leaphorn was in no hurry. First he would give his arm a chance to quit throbbing. "Don't move it," the doctor had told him. "If you move it, it's going to hurt." Which made sense, and was why Leaphorn had decided to drive Emma's sedan-which had automatic transmission. Emma had been delighted to see him when he'd come home from the hospital. She had fussed over him and scolded and seemed the genuine Emma. But then her face had frozen into that baffled look Leaphorn had come to dread. She said something meaningless, something that had nothing at all to do with the conversation, and turned her head in that odd way she'd developed-looking down and to her right. When she'd looked back, Leaphorn was sure she no longer recognized him. The next few moments formed another of those all too familiar, agonizing episodes of confusion. He and Agnes had taken her into the bedroom, Emma talking in a muddled attempt to communicate something, and then lying on the coverlet, looking lost and helpless. "I can't remember," she'd said suddenly and clearly, and then she'd fallen instantly asleep. Tomorrow they would keep their appointment with the specialist at the Gallup hospital. Then they would know. "Alzheimer's," the doctor would say, and then the doctor would explain Alzheimer's, all that information Leap
horn had already read and reread in "The Facts About Alzheimer's Disease" sent him by the Alzheimer's Association. Cure unknown. Cause unknown. Possibly a virus. Possibly an imbalance in blood metals. Whatever the cause, the effect was disruption of the cells on the outer surface of the brain, destroying the reasoning process, eroding the memory until only the moment of existence remains, until-in merciful finality-there is no longer a signal to keep the lungs breathing, no longer the impulse to keep the heart beating. Cure unknown. For Emma, he had watched this process of unlearning begin. Where had she left her keys? Walking home from the grocery with the car left parked in the grocery lot. Being brought home by a neighbor after she'd forgotten how to find the house they'd lived in for years. Forgetting how to finish a sentence. Who you are. Who your husband is. The literature had warned him what would be coming next. Fairly early, all speech would go. How to talk. How to walk. How to dress. Who is this man who says he is my husband? Alzheimer's, the doctor would say. And then Leaphorn would put aside pretense and prepare Emma, and himself, for whatever would be left of life.