ADAMS, Douglas - Life, the Universe, and Everything
Page 4
Dent and Ford Prefect forcing their way through the frightened crowd which was
for the moment busy stampeding in the opposite direction. The crowd was
clearly thinking to itself about what an unusual day this was turning out to
be, and not really knowing which way, if any, to turn.
Slartibartfast was gesturing urgently at Ford and Arthur and shouting at
them, as the three of them gradually converged on his ship, still parked
behind the sight-screens and still apparently unnoticed by the crowd
stampeding past it who presumably had enough of their own problems to cope
with at that time.
"They've garble warble farble!" shouted Slartibartfast in his thin
tremulous voice.
"What did he say?" panted Ford as he elbowed his way onwards.
Arthur shook his head.
"`They've ...' something or other," he said.
"They've table warble farble!" shouted Slartibartfast again.
Ford and Arthur shook their heads at each other.
"It sounds urgent," said Arthur. He stopped and shouted.
"What?"
"They've garble warble fashes!" cried Slartibartfast, still waving at
them.
"He says," said Arthur, "that they've taken the Ashes. That is what I
think he says." They ran on.
"The ...?" said Ford.
"Ashes," said Arthur tersely. "The burnt remains of a cricket stump. It's
a trophy. That ..." he was panting, "is ... apparently ... what they ... have
come and taken." He shook his head very slightly as if he was trying to get
his brain to settle down lower in his skull.
"Strange thing to want to tell us," snapped Ford.
"Strange thing to take."
"Strange ship."
They had arrived at it. The second strangest thing about the ship was
watching the Somebody Else's Problem field at work. They could now clearly see
the ship for what it was simply because they knew it was there. It was quite
apparent, however, that nobody else could. This wasn't because it was actually
invisible or anything hyper-impossible like that. The technology involved in
making anything invisible is so infinitely complex that nine hundred and
ninety-nine thousand million, nine hundred and ninety-nine million, nine
hundred and ninety-nine thousand, nine hundred and ninety-nine times out of a
billion it is much simpler and more effective just to take the thing away and
do without it. The ultra-famous sciento-magician Effrafax of Wug once bet his
life that, given a year, he could render the great megamountain Magramal
entirely invisible.
Having spent most of the year jiggling around with immense LuxO-Valves and
Refracto-Nullifiers and Spectrum-Bypass-O-Matics, he realized, with nine hours
to go, that he wasn't going to make it.
So, he and his friends, and his friends' friends, and his friends'
friends' friends, and his friends' friends' friends' friends, and some rather
less good friends of theirs who happened to own a major stellar trucking
company, put in what now is widely recognized as being the hardest night's
work in history, and, sure enough, on the following day, Magramal was no
longer visible. Effrafax lost his bet - and therefore his life - simply
because some pedantic adjudicating official noticed (a) that when walking
around the area that Magramal ought to be he didn't trip over or break his
nose on anything, and (b) a suspicious-looking extra moon.
The Somebody Else's Problem field is much simpler and more effective, and
what's more can be run for over a hundred years on a single torch battery.
This is because it relies on people's natural disposition not to see anything
they don't want to, weren't expecting, or can't explain. If Effrafax had
painted the mountain pink and erected a cheap and simple Somebody Else's
Problem field on it, then people would have walked past the mountain, round
it, even over it, and simply never have noticed that the thing was there.
And this is precisely what was happening with Slartibartfast's ship. It
wasn't pink, but if it had been, that would have been the least of its visual
problems and people were simply ignoring it like anything.
The most extraordinary thing about it was that it looked only partly like
a spaceship with guidance fins, rocket engines and escape hatches and so on,
and a great deal like a small upended Italian bistro.
Ford and Arthur gazed up at it with wonderment and deeply offended
sensibilities.
"Yes, I know," said Slartibartfast, hurrying up to them at that point,
breathless and agitated, "but there is a reason. Come, we must go. The ancient
nightmare is come again. Doom confronts us all. We must leave at once."
"I fancy somewhere sunny," said Ford.
Ford and Arthur followed Slartibartfast into the ship and were so
perplexed by what they saw inside it that they were totally unaware of what
happened next outside.
A spaceship, yet another one, but this one sleek and silver, descended
from the sky on to the pitch, quietly, without fuss, its long legs unlocking
in a smooth ballet of technology.
It landed gently. It extended a short ramp. A tall grey-green figure
marched briskly out and approached the small knot of people who were gathered
in the centre of the pitch tending to the casualties of the recent bizarre
massacre. It moved people aside with quiet, understated authority, and came at
last to a man lying in a desperate pool of blood, clearly now beyond the reach
of any Earthly medicine, breathing, coughing his last. The figure knelt down
quietly beside him.
"Arthur Philip Deodat?" asked the figure.
The man, with horrified confusion in eyes, nodded feebly.
"You're a no-good dumbo nothing," whispered the creature. "I thought you
should know that before you went."
Chapter 5
Important facts from Galactic history, number two:
(Reproduced from the Siderial Daily Mentioner's Book of popular Galactic
History.)
Since this Galaxy began, vast civilizations have risen and fallen, risen
and fallen, risen and fallen so often that it's quite tempting to think that
life in the Galaxy must be
(a) something akin to seasick - space-sick, time sick, history sick or
some such thing, and
(b) stupid.
Chapter 6
It seemed to Arthur as if the whole sky suddenly just stood aside and let
them through.
It seemed to him that the atoms of his brain and the atoms of the cosmos
were streaming through each other.
It seemed to him that he was blown on the wind of the Universe, and that
the wind was him.
It seemed to him that he was one of the thoughts of the Universe and that
the Universe was a thought of his.
It seemed to the people at Lord's Cricket Ground that another North London
restaurant had just come and gone as they so often do, and that this was
Somebody Else's Problem.
"What happened?" whispered Arthur in considerable awe.
"We took off," said Slartibartfast.
Arthur lay in startled stillness on the acceleration couch. He wasn't
certain whether he had just got space-sickness or religion.
"Ni
ce mover," said Ford in an unsuccessful attempt to disguise the degree
to which he had been impressed by what Slartibartfast's ship had just done,
"shame about the decor."
For a moment or two the old man didn't reply. He was staring at the
instruments with the air of one who is trying to convert fahrenheit to
centigrade in his head whilst his house is burning down. Then his brow cleared
and he stared for a moment at the wide panoramic screen in front of him, which
displayed a bewildering complexity of stars streaming like silver threads
around them.
His lips moved as if he was trying to spell something. Suddenly his eyes
darted in alarm back to his instruments, but then his expression merely
subsided into a steady frown. He looked back up at the screen. He felt his own
pulse. His frown deepened for a moment, then he relaxed.
"It's a mistake to try and understand mathematics," he said, "they only
worry me. What did you say?"
"Decor," said Ford. "Pity about it."
"Deep in the fundamental heart of mind and Universe," said Slartibartfast,
"there is a reason."
Ford glanced sharply around. He clearly thought this was taking an
optimistic view of things.
The interior of the flight deck was dark green, dark red, dark brown,
cramped and moodily lit. Inexplicably, the resemblance to a small Italian
bistro had failed to end at the hatchway. Small pools of light picked out pot
plants, glazed tiles and all sorts of little unidentifiable brass things.
Rafia-wrapped bottles lurked hideously in the shadows.
The instruments which had occupied Slartibartfast's attention seemed to be
mounted in the bottom of bottles which were set in concrete.
Ford reached out and touched it.
Fake concrete. Plastic. Fake bottles set in fake concrete.
The fundamental heart of mind and Universe can take a running jump, he
thought to himself, this is rubbish. On the other hand, it could not be denied
that the way the ship had moved made the Heart of Gold seem like an electric
pram.
He swung himself off the couch. He brushed himself down. He looked at
Arthur who was singing quietly to himself. He looked at the screen and
recognized nothing. He looked at Slartibartfast.
"How far did we just travel?" he said.
"About ..." said Slartibartfast, "about two thirds of the way across the
Galactic disc, I would say, roughly. Yes, roughly two thirds, I think."
"It's a strange thing," said Arthur quietly, "that the further and faster
one travels across the Universe, the more one's position in it seems to be
largely immaterial, and one is filled with a profound, or rather emptied of a
..."
"Yes, very strange," said Ford. "Where are we going?"
"We are going," said Slartibartfast, "to confront an ancient nightmare of
the Universe."
"And where are you going to drop us off?"
"I will need your help."
"Tough. Look, there's somewhere you can take us where we can have fun, I'm
trying to think of it, we can get drunk and maybe listen to some extremely
evil music. Hold on, I'll look it up." He dug out his copy of The Hitch
Hiker's Guide to the Galaxy and tipped through those parts of the index
primarily concerned with sex and drugs and rock and roll.
"A curse has arisen from the mists of time," said Slartibartfast.
"Yes, I expect so," said Ford. "Hey," he said, lighting accidentally on
one particular reference entry, "Eccentrica Gallumbits, did you ever meet her?
The triple-breasted whore of Eroticon Six. Some people say her erogenous zones
start some four miles from her actual body. Me, I disagree, I say five."
"A curse," said Slartibartfast, "which will engulf the Galaxy in fire and
destruction, and possibly bring the Universe to a premature doom. I mean it,"
he added.
"Sounds like a bad time," said Ford, "with look I'll be drunk enough not
to notice. Here," he said, stabbing his finger at the screen of the Guide,
"would be a really wicked place to go, and I think we should. What do you say,
Arthur? Stop mumbling mantras and pay attention. There's important stuff
you're missing here."
Arthur pushed himself up from his couch and shook his head.
"Where are we going?" he said.
"To confront an ancient night-"
"Can it," said Ford. "Arthur, we are going out into the Galaxy to have
some fun. Is that an idea you can cope with?"
"What's Slartibartfast looking so anxious about?" said Arthur.
"Nothing," said Ford.
"Doom," said Slartibartfast. "Come," he added, with sudden authority,
"there is much I must show and tell you."
He walked towards a green wrought-iron spiral staircase set
incomprehensibly in the middle of the flight deck and started to ascend.
Arthur, with a frown, followed.
Ford slung the Guide sullenly back into his satchel.
"My doctor says that I have a malformed public-duty gland and a natural
deficiency in moral fibre," he muttered to himself, "and that I am therefore
excused from saving Universes."
Nevertheless, he stomped up the stairs behind them.
What they found upstairs was just stupid, or so it seemed, and Ford shook
his head, buried his face in his hands and slumped against a pot plant,
crushing it against the wall.
"The central computational area," said Slartibartfast unperturbed, "this
is where every calculation affecting the ship in any way is performed. Yes I
know what it looks like, but it is in fact a complex four-dimensional
topographical map of a series of highly complex mathematical functions."
"It looks like a joke," said Arthur.
"I know what it looks like," said Slartibartfast, and went into it. As he
did so, Arthur had a sudden vague flash of what it might mean, but he refused
to believe it. The Universe could not possibly work like that, he thought,
cannot possibly. That, he thought to himself, would be as absurd as ... he
terminated that line of thinking. Most of the really absurd things he could
think of had already happened.
And this was one of them.
It was a large glass cage, or box - in fact a room.
In it was a table, a long one. Around it were gathered about a dozen
chairs, of the bentwood style. On it was a tablecloth - a grubby, red and
white check tablecloth, scarred with the occasional cigarette burn, each,
presumably, at a precise calculated mathematical position.
And on the tablecloth sat some half-eaten Italian meals, hedged about with
half-eaten breadsticks and half-drunk glasses of wine, and toyed with
listlessly by robots.
It was all completely artificial. The robot customers were attended by a
robot waiter, a robot wine waiter and a robot maetre d'. The furniture was
artificial, the tablecloth artificial, and each particular piece of food was
clearly capable of exhibiting all the mechanical characteristics of, say, a
pollo sorpreso, without actually being one.
And all participated in a little dance together - a complex routine
involving the manipulation of menus, bill pads, wallets, cheque books, credit
cards, watches, pencils and paper napkin
s, which seemed to be hovering
constantly on the edge of violence, but never actually getting anywhere.
Slartibartfast hurried in, and then appeared to pass the time of day quite
idly with the maetre d', whilst one of the customer robots, an autorory, slid
slowly under the table, mentioning what he intended to do to some guy over
some girl.
Slartibartfast took over the seat which had been thus vacated and passed a
shrewd eye over the menu. The tempo of the routine round the table seemed
somehow imperceptibly to quicken. Arguments broke out, people attempted to
prove things on napkins. They waved fiercely at each other, and attempted to
examine each other's pieces of chicken. The waiter's hand began to move on the
bill pad more quickly than a human hand could manage, and then more quickly
than a human eye could follow. The pace accelerated. Soon, an extraordinary
and insistent politeness overwhelmed the group, and seconds later it seemed
that a moment of consensus was suddenly achieved. A new vibration thrilled
through the ship.
Slartibartfast emerged from the glass room.
"Bistromathics," he said. "The most powerful computational force known to
parascience. Come to the Room of Informational Illusions."
He swept past and carried them bewildered in his wake.
Chapter 7
The Bistromatic Drive is a wonderful new method of crossing vast
interstellar distances without all that dangerous mucking about with
Improbability Factors.
Bistromathics itself is simply a revolutionary new way of understanding
the behaviour of numbers. Just as Einstein observed that time was not an
absolute but depended on the observer's movement in space, and that space was
not an absolute, but depended on the observer's movement in time, so it is now
realized that numbers are not absolute, but depend on the observer's movement
in restaurants.
The first non-absolute number is the number of people for whom the table
is reserved. This will vary during the course of the first three telephone
calls to the restaurant, and then bear no apparent relation to the number of
people who actually turn up, or to the number of people who subsequently join
them after the show/match/party/gig, or to the number of people who leave when
they see who else has turned up.
The second non-absolute number is the given time of arrival, which is now