Avatars of the Phoenix Lights UFO: Ishuwa and the Yahyel

by Swanson, Shaun; Viscardi, Jefferson

  Jefferson: Yes, I passed by!

  Ishuwa: And have you stopped in for a little visit at any time?

  Jefferson: Whenever I go to places like that, I have some memories of being sort of a...someone that works close to an emperor...as an advisor. It makes me remember these things for some reason. I have no idea why, but it is exciting. The Chinese culture for me...it's some-thing that excites me. I don’t know why.

  Ishuwa: May we suggest an idea?

  Jefferson: Yes!

  Ishuwa: There are some awakenings available related to this idea, and they will have a greater opportunity to be unlocked and thus then enter your awareness in a way that we feel you will enjoy and find useful.

  Jefferson: Oh yeah?

  Ishuwa: If you will, have a few visitations to that Chinatown region. Visit one afternoon when you feel it might be rather busy with a lot of people and visit another time on an afternoon when you feel it might be not so busy. Perhaps the weekend might be more busy and during the week not so busy.

  Jefferson: Okay.

  Ishuwa: One visitation at each timing. Allow yourself to simply walk around for 15 to 25 minutes. If you feel drawn to something, explore it, perhaps to have a snack, to have a drink, to see some kind of clothing that is very connected to this culture and has a very strong deep connection. It could be some form of clothing. There is also the idea of food that is very strongly connected to this culture. Just a snack or a bite. It doesn’t have to be a whole meal or anything of that sort. Perhaps a drink, a tea, a cup of tea. Something very light and easy.

  Visit once in the afternoon, or it could be in the morning, or it could be in the evening. But the idea is to visit sometime when it is a little bit more light out, not so much late at night. More when there is light, daytime. Visit once when it is not so busy and once when it is perhaps quite busy. You can decide which you will take first, if you choose either.

  Jefferson: Okay.

  Ishuwa: The choice is yours to explore as you choose in your own timing. We may ask you at the next channeling or the next if you have had time or the interest to schedule such an outing of adventure.

  Jefferson: Are you going to be there disguised as a Chinese person?

  Ishuwa: We don’t have that on our calendar, no. Our suggestion relates more to, as you were saying, a past life and the sensing of working with someone in some capacity. That is where it will be more of use for you.

  Jefferson: Very good. So, Ishuwa, you said that the idea of the Chinese dragon could unlock something as it relates to my sighting, what are your thoughts about that particular symbol?

  Ishuwa: It has many meanings. It has many origins. There are some species of extraterrestrials that resonate strongly with it from the place of their heart center, and they work to nourish your Earth. They have had some interaction with those people on your planet that would call themselves of Chinese origin. Thus then, this is one of the ways that symbol came into the Chinese culture and became, in a sense, a representation or a symbol for them. Not that it still carries the same understanding with people who acknowledge this symbol’s presence in that culture today. It has changed a little bit over the generations. That was several thousands of years ago when the extra-terrestrials had an opportunity to interact with those humans in that region. There are still a small number people today who carry with them this understanding, but for you to uncover that isn't what we are suggesting you try and do.

  If you choose to explore the culture a little more and this symbol that has come into your awareness as a result of visualizing the "comet," it can help open up and pave the way a little bit for the next step of this adventure, however unusual it may seem to be for you. It will allow you to become more connected, to shine a light, to become more enlightened around the idea of that life and the energies of your Chinese heritage. We aren’t suggesting you try and understand the origin of the symbol itself. It is a symbol that conveys a particular understanding and thus then with that frequency of understanding it can begin to open up within you some new doors, some new rooms of understanding and, if you will, libraries of experiencing in lifetimes you have had with a similar culture that can be useful for you in your present world and lifetime.

  Jefferson: Very well. Thank you very much! I will take that to heart. There is no doubt within my being that I have had those interactions you mentioned in past lives, although, I have up to this point chosen not to be consciously aware of further details. I am focused on sharing knowledge in ways that inspire our collective and help our human race step up in consciousness. Whatever openings can help me bring back ideas that I have shared in the past is exciting for me. Thank you for the insights! Now Ishuwa, let me ask you this, what are the mechanisms or the intricacies that need to take place before this kind of comet or shooting star sighting can actually occur?

  Ishuwa: There are atmospheric conditions of the planet you have your opportunity to live on. There is a particular region of the space, a spatial conscious region that your Earth was moving through that allows for a particular type of these light streaking beings to be more willing to, in a sense, dive into the atmosphere and to show off their existence in a streak of light. In a sense, it's kind of like the public events you have that are televised wherein someone unexpectedly takes their clothes off and goes streaking in front of the camera real quick and gets everybody’s attention. It is, in a sense, a little bit like that. These beings or life forms suddenly go streaking into your atmosphere. They are like a light streaking presence. On the night you were watching, your Earth was in that region of spatial consciousness that made it more inviting for them and more probable that they could do it successfully because, in a sense, there wasn’t anybody waiting for them at the end of the grandstands to take them off to security and start questioning them or give them a ticket or a fine for their behavior. They were able to more effortlessly enter and show off their streak of light and then exit and all was well in that sense.

  So these are a couple of ideas that make it more inviting for it to take place. To understand how it can happen, it isn’t that different from how you can open a door and enter a room where other people are talking and then if you choose to you can walk back out and close the door behind you. From those people’s perception, you opened the door, looked in, they saw you, you exited and closed the door and they no longer see you. It is similar to that idea. It is just a different life form doing it in a different physical expressive way. Instead of a door in a room, it is coming out of the atmosphere of the night darkness into your light visible spectrum for your eyes to see it and then exiting as though they were, in a sense, closing the door and no longer visible to you.

  Jefferson: Is there any danger for a race that would do that to be shot down or be intercepted or anything?

  Ishuwa: This will not occur. Your world’s physical mechanisms would not take that as a target, would not be able to target it. The technology isn’t sufficient to be able to make that connection. It happens too quick, and the light beings aren’t considered a threat from those who have weapons on your planet. People don’t really understand the mechanisms of what is taking place to begin with, and they don’t consider it to be a threat of any kind at this timing in your world’s collective consciousness.

  Jefferson: If I were to ask you to give us or give me the opportunity to see the metallic crafts that you have, what would have to happen on your end for that to take place?

  Ishuwa: We would simply have to sell you a ticket through PayPal or something like that.

  Jefferson: Okay, and then just schedule the time and take a seat, have some popcorn, relax, and enjoy the show?

  Ishuwa: Yes. We'll just land on your 405-freeway, or the 101, or any other interstates and you can hop on and we'll go for a ride. It will be business as usual.

  Jefferson: (Laughter).

  Ishuwa: We understand you have expressed a desire to interact and contact us physically. What we would like you to consider doing is to take time, perhaps we have s
uggested this before, and really imagine having contact like that. Really go through it with as much detail as you possibly can come up with in your imagination. Make it very real as though it is really taking place, as though you do have a time appointment to meet us in a craft, landing, to come along and come aboard, you are meeting us, talking to us, interfacing with us face to face, body to body. Really imagine that.

  See as many specific details as you possibly can. See our body moving with heart beating and our lungs in the chest breathing. See the veins that we have here and there protruding from our skin and pulsing from our heart's beating. See yourself in some way, see your own hands, see your own feet, see your own clothes that you would have on. Take note of how your breath rate is, how your heartbeat is. Is it normal? Are you breathing more quickly? Are your thoughts going in this direction or that direction? Are you calm? Are you a bit scattered or a bit unsure of what is taking place? What will happen next? Are you really going to ever come back? Are we going to return you? Do we really want to take you off into some experimental laboratory where you will never see your family again? What is going through your mind in those moments of actual contact?

  Imagine as best as you can all of the details and the entire voyage whether it takes half-an-hour or five minutes. Try to imagine every detail as though it was really occurring. When we bring you back, imagine that too. When you exit, imagine as clearly as you can all the details as though it actually is happening to you. Then imagine going home. Look around your house and let the experience of what just happened blend in with the new reality you are thus beholden of. See your refrigerator, see your computer, see your couch. See out your window with this new understanding of the world that you have taken into your consciousness, taken into your bodily being, taken into your belief systems, taken into your biology and begin allowing it all to digest.

  This encounter is a meal unlike any other you have had at this point in this lifetime. As you know, every meal you have takes some time to digest, to move through your digestive track and through your body's digestive systems to take down, to work through that meal, to take it in, to take into smaller quantities, to share it with other components of the biology, to bring about that food consciousness, to share it with the heart, to share it with the blood cells, to share it with the caloric cellular mechanisms of your body. Really allow for the experience of your encounter with us to be digested. Take it in. Drink it in. Allow it to be real for you. In this way, have the experience be real in your imagination. This will go a long way, if you do it, if you really go through it in great detail, it will go a long way in bringing forth your ability to have the meal for real, so to speak.

  Jefferson: (Laughter).

  Ishuwa: It will go a long way towards manifesting an experience of that nature with us for real. In the way you define real, for if you do it in your imagination, it really is just as real as if it was occurring in what you define as physical reality. The only distinction between the two is the distinction you have been taught and continue to create. The experiences you have in your imagination, in your mind, are every bit as real as what you experience in your physical day to day reality. You only have been taught to create the idea that there is a difference between the two and thus then you continue to experience there being a difference.

  Often, if something is experienced only in the world you think is your imagination, you've been taught to create the idea that it isn’t as important or as meaningful as the experiences you have in physical worlds. We understand this distinction that you have chosen to create as a collective. It is a very wonderful way to create two separate worlds, but the more you begin to allow yourself to recognize there really is no difference, you will more readily begin giving equal value to what you can more easily imagine at any given moment in your mind’s eye, in your heart’s world of playfulness, and then you won’t be left out, you won’t feel as though there is something missing that you haven’t lived yet because you can more easily manifest it in the imagination of your heart and mind’s eyes and really relish and enjoy those kinds of experiences and have a sense of them as being of equal importance to those you have in your physical world.

  Your physical world is the result of your world's imaginations and "make believe." You have all chosen to imagine certain beliefs and to "put them out" together with such great strength and magnitude that they have "come back" as your physical world. Your make-believe system of belief systems has made those shared imaginations into a physical reality that seems real to you, but it is all the result of "make believe," your pretend and imagination.

  So to expedite your physical contact with us, we suggest you explore with your imagination the idea that it has actually occurred and make it seem very real. Flesh it out, mock it up, give it lots of detail.

  Jefferson: I think I understand that by doing this it will put down my part of going half way, in other words, it will bring my vibrational frequency or my energy signature closer to a point of resonating to yours so that then the particular experience of meeting in person can take place, right?

  Ishuwa: Yes.

  Jefferson: So, that would be my side, my going half way. Now, as a part of my curiosity here, what happens on your side then once I am done with this project of imagining meeting you? When I go through this, as I imagine, as I make it really real, as I resonate, and as I sort of lock into that frequency, what happens from your side, from your point of view?

  Ishuwa: We are then able to begin coming closer to you in your physical world, in the physical contact sense.

  Jefferson: When you say, "closer to me," does that mean in a way that other people would not necessarily be involved in the contact if they were not wanting to?

  Ishuwa: Correct.

  Jefferson: Creating a sort of vortex or a sort of reality in which something can take place without actually intruding on other people's free will?

  Ishuwa: Yes!

  Jefferson: I see. Very good! So give me something that can help me with my imagination. What does your craft look like or at least a craft that you would use for that end?

  Ishuwa: Imagine a large triangle.

  Jefferson: A triangle.

  Ishuwa: A little bit of a deep purple.

  Jefferson: Deep purple. Okay...triangle...deep purple...and do you have a beam of light that will make me float that nullifies gravity or do you have to land and open a door? How does it work on this particular craft?

  Ishuwa: We would, in your case, allow you to have your imagination work with either idea that is most attractive to you, most pleasurable for you to imagine, to play with. You can explore both ideas and see which one feels most exciting to you. We will take note of whichever is most exciting to you from our perspective to the best of our ability to do so.

  Jefferson: How big is this particular craft?

  Ishuwa: It is approximately, in terms of this encounter, in terms of the idea in which you are asking about for there are different crafts we have, we would be suggesting you think of one that is approximately 55 feet by 55 feet from one point to a second point and then from that second point down to a third point. The shape we are referring to is an equilateral triangle.

  Jefferson: Okay!

  Ishuwa: Approximately 55 feet in length along each of the three sides. It has a very deep iridescent purple quality of color to it, and there will be a slight bit of white and an iridescent blue around the exterior of the sides emanating anywhere from one to three feet in a non-linear form. The light will not have a sharp edge, in that sense, it will have soft edges that will change quickly, fluctuate. Seen from a distance, this can create the appearance of a light blinking off and on, but it is just the flickering flare of the light against the craft's sharp lines creating the perspective of turning on and off. When you are in a close approximation visually, you can see what is actually taking place. There are no lights turning on and turning off. The lights are simply fluctuating in the output and the length of the flarings they send out, which can be from
one to three feet.

  This is similar to how the Sun has flares of light that adjust their lengths at any given moment. A short flare can suddenly change to a long flare, then to a medium flare, and back to a long flare, and again to a short flare and so on and so forth. The white and iridescent blue light shifts in this way too. If you see them, it can look like they are emanating from behind the craft. This type of craft that I am describing is what we generally will use for this particular function, for contact with one or two individuals.