Not on the Passenger List

by Unknown

  Yet it was not till the end of the first act that he asked who she was and was told that she was nobody, but was apparently with the Martins, who were very, very dear friends, and would Mr Morris take her round? That was the beginning of it, and the end of it was his engagement to Adela Constantia Graham, who was nobody. Everybody who knew Adela Constantia knew that it was an excellent thing for her—a much wealthier man than she had any reason to expect. Everyone who knew Edward Morris knew that it was the best thing for him. “Ballast,” said Lady Marchsea, emphatically, “that is what marriage means to a man like Edward Morris. He needs ballast; something to make him concentrate himself and trust himself; something to encourage him and urge him on.”

  Her notions of the general uses of ballast were vague, but her conviction was sincere that Edward Morris, happily re-married, would achieve something in one, or possibly in all, of the arts. Her eminent husband said: “Nice sort of man, but no good really.” But still he paid for the dinner-service with the sanctifying mark on the bottom of all the plates, which they forwarded to Edward Morris a short time before the wedding—the wedding which never took place.

  About a week before the date fixed for that wedding it occurred to Edward Morris in a moment of leisure—he was naturally very busy at the time—that his first wife had been a jealous woman, and he wondered what she would have thought and said if she had been alive. He could laugh at the illogicality. If she had been alive there would have been nothing to think or to say. The haunting face with the chin pressed on the white gloves against the darkness at the back of the box would have been merely a face and nothing more, and would not have haunted. He collected his old love-letters and burned them. Other little relics of his first wife he gathered together, had them placed in a box and deposited at his bankers. The old life was done; the new life was beginning. Yet one night as he stood in a darkened room with Adela Constantia in his arms the door opened with a little quick click some few inches. She stepped back from him, thinking it was a servant, and he turned white, thinking, in a moment of madness, that it was someone else; then he went to the door and opened it wider. No one was there.

  * * *

  The position of the widower who marries again is irritating to him if he be, as Edward Morris was, a man of nice feeling. He has to say, and to believe, that he loves as he never loved in his life before. Scraps of used romance must be whipped up out of his respectable past to set against the virginal fervour of the young woman who has just begun to love him. Yet he feels that all this is an insult to the dead—to the woman who loved him before. A man of the world has a happy habit of forgetting and of ignoring. He may marry for the second or third time quite easily. He takes nothing too seriously. He may order a new overcoat, but he does not feel that the coat will be worthless unless he swears and tries to believe that he never wore a coat like that before. Morris, however, was a sentimentalist, and so he became irritated with himself. The next step inevitably followed. He became irritated with his dead wife. She had got her cold arms round his neck and was dragging him down and holding him back from the joyful development of his life.

  When in London it was his custom to visit her grave in Brompton cemetery at regular intervals, once every month. During his engagement to Adela Constantia he made up his mind that this regular visit must be dropped. Some arrangement could be made to have the grave kept in decent order, but he could not go near it again. He remembered having been told a story of a widower who married again and went hand-in-hand with his second wife to stand by the grave of the first. It had been told him as something pathetic. He had never been able to see in it anything but a subject for a humorous paper; Guy de Maupassant would have done wonders with it. He settled the day when the last visit should be made. He selected an appropriate wreath, in which everlastings and dead leaves were symbolically interwoven. But that afternoon more than ever before his hatred to his dead wife grew within him. He recollected her strange belief with regard to cremation. Fire destroyed everything, even the immortal soul, and it seemed as if fire destroyed love too. He remembered that he had burnt her letters. As he drove down Regent Street an old friend, a man whom he had not seen for some time, recognised him. He stopped the cab and his friend came up.

  “Why do I never see you now?” said the friend. “But of course I know. Very much engaged aren’t you? (That’s not bad for an impromptu, by the way.) I suppose you are going there now?”

  “No,” said Morris, “as a matter of fact I am not.”

  “Well, you are evidently going somewhere, and you carry a big box with you with a florist’s label on it, so all I can say is that if you are not going there you ought to be.”

  Edward Morris laughed, and to laugh was the last touch of horror.

  “Well,” the friend said, “if you are really not going to see Miss Graham I have no scruples in annexing you. Come round to the club for a game of billiards.”

  “Thanks,” said Morris, “I am afraid I am very busy this afternoon.”

  However, he let himself be persuaded. The box containing the wreath was left in the charge of the hall-porter at the club. On the following day Morris despatched the wreath to Brompton cemetery by a messenger-boy, where the symbolical offering was deposited on the grave of Charles Ernest Jessop, who died at the age of two and a half, and of whose death or previous existence Morris was unaware. Messenger-boys are so careless. Morris never even attempted to visit the cemetery again. It was not only anger, it was not only hatred; it was also fear that kept him away. He was assured in his own mind that the dead woman was awake again and was watching him jealously.

  The moment when he had just awoken from sleep was always a horrible one for him. The fear of the dead woman was in his mind then and nothing else was very clear. He left the electric light on all night and, as a rule, slept fairly well and without any haunting or painful dreams. But the moment of waking was always a trial. He kept on expecting to see something that he never did see. He would not have wondered if, as he awoke, someone had touched his hand, or the electric light had been suddenly switched off.

  Of course everybody noticed that he looked wretchedly ill. Adela Constantia was in despair about his health. There were things about him which were very queer; that he did not like dark rooms. That when he was talking to her he would suddenly look over his shoulder—at nothing. The comforting doctor told her that Morris had been very busy indeed with the preparation for his married life and, the doctor added, a lot of worry upsets the nerves. This is quite true.

  * * *

  On his wedding morning he certainly looked much fitter to be buried than to be married. His best man gave him champagne and told him to hold his head up more. The bride made an adorable and pathetic figure; a beautiful young girl is always a pathetic figure on her wedding-morning. Her sisters fluttered around her, ready to cry at the right moments. Her father looked a little nervous and elated. He had had quite a long talk with Lady Marchsea, whose husband was kept away by the toothache. The ceremony went with its customary brilliance until that point when the bridegroom was required to say: “I, Edward, take thee, Adela Constantia.” He said this in a loud voice, but he did not say “Adela Constantia”; he gave another name. There was a moment’s pause, and while everybody was looking at everybody he fainted and fell.

  At the inquest it was found that the blow on the head from the sharp edge of the stone step satisfactorily accounted for the death. All the evening papers had readable paragraphs headed “Tragic End to a Fashionable Wedding Ceremony.”

  And Adela Constantia married somebody else.

  And the dead woman went to sleep again.

  The Unseen Power

  WINTER walked restlessly about the room as he told his story. He was a slender young man, with very smooth hair worn rather too long, a gold-mounted pince-nez, and an expression
which showed that vanity was not wholly absent from his composition. It was the story of a haunted house. The man who owned it, and was now unable to let it, had asked Winter to investigate.

  “And the whole point of it is that you’ve got to come along and help me,” he concluded.

  “Thank you,” said Mr Arden, “but I will not go.”

  Arden was a man of fifty, white-haired, thin, heavily lined.

  “Well, why not?” said Winter, peevishly. “I want to know why not. It seems to me it would be rather interesting. You can choose any night you like, and——”

  Arden waved the subject away with one hand. “It’s useless to talk about it,” he said, “I’m not going.”

  “But what do you mean?” said Winter. “You are not going to tell me that you’re superstitious or afraid?”

  “I should say,” said Arden, “that I am what you would call superstitious. You, I presume, are not.”

  “Emphatically not,” said Winter.

  “Nor afraid?”

  “Nor afraid,” Winter echoed.

  “Then why don’t you go alone?” said Arden.

  Winter murmured of sociability; it was no great fun to sit up all night by one’s self. Besides, in the detection of a practical joke, which was probably all that it was, two would be better than one. Arden must see for himself that——

  Arden broke in impetuously. “Look here,” he said. “Stop wandering about the room and sit down. I’ll tell you why I won’t come. Did you ever hear of Minnerton Priory?”

  “Of course I’ve heard about it. I don’t know the whole story, and I don’t suppose anybody does. A man lost his life over it, didn’t he?”

  “Two men lost their lives. I was the third man. Now, you know why I won’t play with these things any more.”

  “Tell me about it,” said Winter. “I’ve only heard scraps here and there, and reports are always inaccurate. So you were actually one of them. I should never have guessed it.”

  “I will tell you the story if you wish. Will you have it now, or will you wait till you have finished your investigation of the house at Falmouth?”

  “I will hear it now,” said Winter.

  This is the story that Arden told.

  * * *

  “In 1871 my aunt, Lady Wytham, bought Minnerton Priory. The place had been uninhabited for the best part of half a century, and was in very bad repair. It was cheap and it was picturesque, and both cheapness and picturesqueness appealed to Lady Wytham. Of the original Priory there was very little left standing. Frequent additions had been made to it at different periods, and the general effect of the place when I first saw it was rather grim and queer. Lady Wytham was very energetic, had the place surveyed, and in a few months had got her workmen down there. In one wing of the house a secret chamber had been found. It was on the ground floor, and it was a small room of perhaps twelve feet square. There was one window to it, placed very high up, and this window had been built up on the outside. Opposite to the window was a small fireplace, and the only entrance to the room was from the big dining-hall. The hall was panelled, and one of the panels formed the door into the secret chamber. I believe this kind of thing is fairly common in old houses dating back to the times of religious and political trouble, when hiding-places were constantly wanted.

  “The builders had not been at work many months at the Priory before there was trouble. I cannot say exactly what it was. It began with the unbricking of the little window in the secret chamber. I know that the men refused point-blank to do any work whatever in the great dining-hall. Many were dismissed and new hands were taken on, but the trouble still persisted, till finally Lady Wytham herself went down to interview the clerk of works and a foreman or two. On the following day she wrote to me. She said that an idiotic story was being told with reference to the newly-discovered chamber of Minnerton Priory, and she was anxious to have it satisfactorily knocked on the head. Would I, and any friends that I might care to bring down, spend a few nights in the secret chamber? It would probably be very uncomfortable, but she would send over furniture and a servant to wait on us. The postscript explained that the servant would not sleep in the house.

  “The idea rather appealed to me, but being, unlike yourself, a little nervous over the business, I determined to take a couple of men down with me. One of them was an intimate friend of mine, Charles Stavold, a good-natured giant, but a useful man in a row. He and I talked it over together, and finally selected as the third man a young doctor, Bernard Ash. Ash was a remarkably brilliant young man, and we looked to him to supply the brains of the trio. If any practical joke were attempted he would be quite certain to find it out, and both Stavold and myself were quite sure that some practical joke would be attempted. Minnerton Priory lies in a very conservative county. The rustics of the village were quite capable of resenting Lady Wytham’s intrusion into the Priory. It had always been uninhabited in their father’s time, and that would be quite reason enough to determine them that it should not be inhabited now. There were some objections to our choice. Ash led an extremely dissipated life, and Stavold and myself were a little inclined to doubt his nerves. This doubt, by the way, was not justified by results.

  “We reached Minnerton in the afternoon. A large staff of men was busy at work at the place, but the only person in or anywhere near the great dining-hall was Lady Wytham’s servant, Rudd. She could not have sent us a better man. He could turn his hand to anything. He had already unpacked the beds and other furniture that had been sent and put them in place, and was at present engaged on getting dinner for us. We went through the dining-hall and into the secret chamber.

  “‘This won’t do,’ said Ash at once.

  “‘What don’t do?’ asked Stavold.

  “‘Why, there’s no furniture in here of any kind. One can’t sleep on these stone flags.’

  “‘Are we going to sleep in here?’ I asked.

  “‘One of us is,’ he said.

  “I called up Rudd and gave my directions. He brought mattresses and made up a bed on the floor. Then we went round and examined the walls carefully, for, as Ash observed, where there is one trick panel there may be another. But we could find nothing that seemed in any way suspicious.

  “We came back into the great hall, and sat down there and talked the thing over. It was now growing dusk. Already the tapping and hammering of the workmen had ceased, and we had heard them laughing as they passed the window on their way home. Right away at the other end of the hall came the chink of plates and the hiss of a frying-pan where Rudd was busy with his preparations. He had brought four big lamps with him, and these he now lit, but there seemed to be something impenetrable about the darkness of this vast room. The light was still dim, with masses of dark shadow waving in the far corners and in the vaulted roof above us.

  “‘Who’s going to sleep in the haunted chamber?’ Stavold asked.

  “‘I am,’ said Ash.

  “We squabbled about it, and finally decided to toss for it. Ash had his own way. He was to sleep there that night, Stavold was to sleep there the second night, and I myself was left the third night. By this time we had little doubt that we should be at the bottom of the mystery.

  “Rudd gave us an excellent dinner, and had shown wisdom in his choice of the wine which he had brought with him. The wine made glad the heart of man, and before dinner was over we were treating the whole thing more as an amusing kind of spree than as a serious investigation. At ten o’clock Rudd inquired at what hour we should like breakfast in the morning, and asked if there was anything further he could do for us that night.

  “‘Aren’t you going to stop and see the ghost, Rudd?’ I asked.

  “‘I think not, sir,’ he said quietly. ‘Her ladyship had arranged, sir, that I should sleep at the inn.�
��

  “So we let him go, and I had a curious feeling that with him went the most competent man of the four. Perhaps the same idea had occurred to Ash.

  “‘He’s a perfect wonder,’ said Ash. ‘Fancy being able to turn out a dinner like that here, with no proper appliances of any kind. I don’t call it cooking; I call it conjuring tricks.’

  “‘Perhaps you’ll see some more conjuring tricks a little later,’ said Stavold, grimly.

  “After dinner we played poker for an hour or so and then turned in. One of the lamps was left burning in the big hall, and Ash took a candle with him into the secret chamber. But he did not propose to leave it lighted. It wouldn’t be playing the game, he said.

  “Some time after I had got into bed I could hear Ash tapping on the panels and trying them again, and I could see the light under the door. Stavold was already heavily sleeping. I knew nothing more till I was awakened by him early on the following morning. Rudd had already returned, and was preparing breakfast. Naturally our first move was to the secret chamber. We opened the panel door and went in. Ash’s clothes were lying on the only chair in the room. The bed had been slept in, but there was no one there now. I noticed that the two candlesticks had also vanished. For a moment or two neither of us spoke, and then I asked my companion what he made of it.

  “‘That’s all right,’ he said, ‘Ash woke early, and has slipped down to the river in his pyjamas to get a swim. It’s ten to one we find him there.’

  “It was not impossible, but I was surprised that he had not awakened either of us in passing through the hall. We picked up our towels and went down to the river. We called and got no answer, but we had not at this time begun to be anxious. Possibly after his bath he had gone off for a stroll through the plantations. We took a long swim, lit our pipes, and walked up to the house. The workmen were busy now on the new part far away from the big hall. In the hall itself we found breakfast laid for three.