The World Inside

by Robert Silverberg

  “God bless, Siegmund, that's enough."

  “Sir?"

  “You've made your point. Over and over. I wasn't asking for a dissertation, just an opinion."

  Siegmund feels mashed. He steps back, unable to face Shawke's stony, contemptuous eyes at such close range. “Yes, sir,” he murmurs. “What shall I do about this cube, then?"

  “Prepare a reply to go out in my name. Covering basically what you've told me, only embellishing it a little, dragging in some scholarly authority. Talk to a sociocomputator and get him to give you a dozen impressive-sounding reasons why free choice of sex would probably lead to an imbalance. Get hold of some historian and ask for figures on what actually happened to society the last time sex-ratio freedom was allowed. Wrap it all up with an appeal to their loyalty to the larger community. Clear?"

  “Yes, sir."

  “And tell them, without quite putting it in those words, that the request is refused."

  “I'll say we're referring it to the high council for further study."

  “Exactly,” Shawke says. “How much time will you need for all this?"

  “I could have it done by tomorrow afternoon."

  “Take three days. Don't hurry it.” Shawke makes a gesture of dismissal. As Siegmund leaves, Shawke winks cruelly and says, “Rhea sends her love."

  “I don't understand why he has to treat me that way,” Siegmund says, fighting to keep the whine out of his voice. “Is he like that with everyone?"

  He lies beside Rhea Freehouse. Both of them naked; they have not yet made love tonight. Above them a pattern of lights twines and shifts. Rhea's new sculpture, purchased during the day from one of the San Francisco artists. Siegmund's hand on her left breast. Hard little lump of flesh, all pectoral muscle and mammary tissue, practically no fat in it. His thumb to her nipple.

  She says, “Father has a very high regard for you."

  “He shows it in a strange way. Toying with me, almost sneering at me. He finds me very funny."

  “You're imagining it, Siegmund."

  “No. Not really. Well, I suppose I can't blame him. I must seem ridiculous to him. Taking the problems of Urbmon life so seriously. Spouting long theoretical lectures. Those things don't matter to him any more, and I can't expect a man to remain as committed to his career at the age of sixty as he was at thirty, but he makes me feel like such an idiot for being committed myself. As if there's something inherently stupid about anyone who's involved with administrative challenges."

  “I never realized you thought so little of him,” Rhea says.

  “Only because he fails so far short of realizing his abilities. He could be such a great leader. And instead he sits up there and laughs at everything."

  Rhea turns toward him. Her expression is grave. “You're misjudging him, Siegmund. He's as committed to the community welfare as you are. You're so put off by his manner that you don't see what a dedicated administrator he is."

  “Can you give me one example of—"

  “Very often,” she continues, “we project onto other people our own secret, repressed attitudes. If we think, down deep, that something is trivial or worthless, we indignantly accuse other people of thinking so. If we wonder privately if we're as conscientious and devoted to duty as we say we are, we complain that others are slackers. It might just happen that your passionate involvement with administrative affairs, Siegmund, represents more of a desire for mere rung-grabbing than it does a strong humanitarian concern, and you feel so guilty about your intense ambitions that you believe others are thinking about you in the same terms that yourself—"

  “Wait! I absolutely deny—"

  “Stop it, Siegmund. I'm not trying to pull you down. I'm just offering some possible explanations of your troubles in Louisville. If you'd rather I kept quiet—"

  “Go on."

  “I'll say just one more thing, and you can hate me afterward, if you like. You're terribly young, Siegmund, to be where you are. Everybody knows you have tremendous ability, that you deserve to be on the brink of going to Louisville, but you're uneasy yourself over how fast you've risen. You try to hide it, but you can't hide it from me. You're afraid that people resent your climb—even some people who are still above you may resent you, you sometimes think. So you're self-conscious. You're extra-sensitive. You read all sorts of terrible things into people's innocent expressions. If I were you, Siegmund, I'd relax and try to enjoy myself more. Don't worry about what people think, or seem to think, about you. Don't fret about grabbing rungs—you're headed for the top, you can't miss, you can afford to slack off and not always worry about the theory of urban administration. Try to be cooler. Less businesslike, less obviously dedicated to your career. Cultivate friendships among people your own age—value people for their own sake, not for where they can help you get. Soak up human nature, work at being more human yourself. Go around the building; do some nightwalking in Warsaw or Prague, maybe. It's irregular, but not illegal, and it'll knock some of the tightness out of you. See how simpler people live. Does any of this make sense to you?"

  Siegmund is silent.

  “Some,” he says finally. ‘'More than some,"

  “Good."

  “It's sinking in. Nobody's ever spoken to me like that before."

  “Are you angry with me?"

  “No. Of course not."

  Rhea runs her fingertips lightly along the line of his jaw. “Do you mind topping me now, then? I'd rather not have to be a moral engineer when I have company on my platform."

  His mind is full of her words. He is humiliated but not offended, for much of what she has said rings true. Lost in self-analysis, he turns mechanically to her, caressing her breasts, taking his place between her thighs. His belly against hers. Trying to do combat with a limp sword; he is so preoccupied with the intricacies of her entry into his character that he scarcely notices that he is unable to enter her. She finally makes him aware of the failure of his virility. Playfully dangling him. “Not interested tonight?” she asks.

  “Tired,” he lies. “All slot and no sleep makes Siegmund a feeble topper."

  Rhea laughs. She puts her lips to him and he rises; it was lack of attention, not fatigue, that held him down, and the stimulus of her warm wet mouth returns him to the proper business of the moment. He is ready. Her lithe legs encircle him. With a quick eager thrust he plugs her slot. The only coin with which he can repay her for her wisdom. Now she ceases to be the perceptive, mature arbiter of personality; she is just another writhing woman. She snorts. She bucks. She quivers. Siegmund gives value for value, pumping her full of ecstasy. While he waits for her he thinks about how he must reshape his public image. Not to look ridiculous before the men of Louisville. Much he must do. She trembles now at the abyss of completion, and he pushes her over and follows her, and subsides, sweaty, depressed, when the climax has swept by.

  Home again, not long after midnight. Two heads on his sleeping platform. Mamelon is entertaining a nightwalker. Nothing unusual about that; Siegmund knows that his wife is one of the most desired women in the Urbmon. For good reason. Standing by the door, he idly watches the humping bodies under the sheet. Mamelon is making sounds of passion, but to Siegmund they sound false and forced, as though she is courteously flattering an incompetent partner. The man grunts hoarsely in his final frenzies. Siegmund feels vague resentment. If you're going to have my wife, man, at least give her a decent time. He strips and cleanses himself, and when he steps out from under the ultrasonic field the pair on the platform lie still, finished. The man gasping. Mamelon barely breathing hard, confirming Siegmund's suspicion that she was pretending. Politely Siegmund coughs. Mamelon's visitor looks up, blinking, red-faced, alarmed. He's Jason Quevedo, the innocuous little historian, Micaela's man. Mamelon is rather fond of him, though Siegmund can't see why. Nor does Siegmund understand how Quevedo manages to cope with that tempestuous woman Micaela. Mine not to reason why. The sight of Quevedo reminds him that he must visit Micaela again soon. Also that he h
as work for Jason. “Hello, Siegmund,” Jason says, not meeting his eyes. Getting off the platform, looking for his scattered clothes. Mamelon winks at her husband. Siegmund blows her a kiss.

  He says, “Before you go, Jason. I was going to call you tomorrow, but this'll do. A project. Historical research."

  Quevedo looks eager to get out of the Kluver apartment. Siegmund continues, “Nissim Shawke is preparing a response to a petition from Chicago concerning possible abandonment of sex-ratio regulations. He wants me to get together some background on how it was in the early days of ratio determination, when people were picking their children's sexes without regard to what anyone else was doing. Since your specialty is the twentieth century, I wondered if you could—"

  “Yes, certainly. Tomorrow, first thing. Call me.” Quevedo edging doorwards. Eager to flee.

  Siegmund says, “What I need is some fairly detailed documentation covering first the medieval period of random births, what the sex distribution was, you see, and then going into the early period of control. While you're getting that, I'll talk to Mattern, I guess, get some sociocomputation on the political implications of—"

  “It's so late, Siegmund!” Mamelon complains. “Jason said you can talk to him about it in the morning.” Quevedo nods. Afraid to walk out while Siegmund is speaking, yet obviously unwilling to stay. Siegmund realizes he is being too diligent again. Change the image, change the image; business can wait. “All right,” he says, “God bless, Jason, I'll call you tomorrow.” Grateful, Quevedo escapes, and Siegmund lies down beside his wife. She says, “Couldn't you see he wanted to run? He's so hideously shy."

  “Poor Jason,” Siegmund says. Stroking Mamelon's sleek flank.

  “Where did you go tonight?"

  “Rhea."

  “Interesting?"

  “Very. In unexpected ways. She was telling me that I'm too earnest, that I have to try to be more relaxed."

  “She's wise,” Mamelon says. “Do you agree with her?"

  “I suppose so.” He dims the lights. “Meet frivolity with frivolity, that's the secret. Take my work casually. I'll try. I'll try. But I can't help getting involved in what I do. This petition from Chicago, for example. Of course we can't allow free choice of children's sexes! The consequences would be—"

  “Siegmund.” She takes his hand and slides it to the base of her belly. “I'd rather not hear all that now. I need you. Rhea didn't use you all up, did she? Because Jason certainly wasn't much good tonight."

  “The vigor of youth remains. I hope.” Yes. He can manage it. He kisses Mamelon and slips into her. “I love you,” he whispers. My wife. My only true. I must remember to talk to Mattern in the morning. And Quevedo. Get the report on Shawke's desk by the afternoon, anyway. If only Shawke had a desk. Statistics, quotations, footnotes. Siegmund visualizes every detail of it. Simultaneously he moves atop Mamelon, carrying her to her quick explosive coming.

  Siegmund ascends to the 975th floor. Most of the key administrators have their offices here—Shawke, Freehouse, Holston, Donnelly, Stevis. Siegmund carries the Chicago cube and his draft of Shawke's reply, loaded with quotes and data supplied by Charles Mattern and Jason Quevedo. He pauses in the hallway. So peaceful here, so opulent; no littles barging past you, no crowds of working folk. Someday mine. He sees a vision of a sumptuous suite on one of Louisville's residential levels, three or even four rooms, Mamelon reigning like a queen over it all; Kipling Freehouse and Monroe Stevis dropping by with their wives for dinner; an occasional awed visitor coming up from Chicago or Shanghai, an old friend; power and comfort, responsibility and luxury. Yes.

  “Siegmund?” A voice from an overhead speaker. “In here. We're in Kipling's place.” Shawke's voice. They have picked him up on the scanners. Instantly he rearranges his face, knowing that it must have worn a vacuous, dreaming look. All business now. Angry with himself for forgetting that they might have been watching. He turns left and presents himself outside the office of Kipling Freehouse. The door slides back.

  A grand, curving room lined with windows. The glittering face of Urbmon 117 revealed outside, tapering stunningly to its landing-stage summit. Siegmund is startled by the number of top-rank people gathered here. Their potent faces dazzle him. Kipling Freehouse, the head of the data-projection secretariat, a big plump-cheeked man with shaggy eyebrows. Nissim Shawke. The suave, frosty Lewis Holston, dressed as always in incandescently elegant costume. Wry little Monroe Stevis. Donnelly. Kinsella. Vaughan. A sea of greatness. Everyone who counts is here, except only a few; a flippo with a psych-bomb, loose in this room, could cripple the Urbmon's government. What terrible crisis has brought them together like this? Frozen in awe, Siegmund can barely manage to step forward. A cherub among the archangels. Stumbling into the making of history. Perhaps they want him here, as if unwilling to take whatever step it is that they're considering without a representative of the coming generation of leaders to give his approval. Siegmund is dizzingly flattered by his own interpretation. I will be part of it. Whatever it is. His self-importance expands and the glare of their aura diminishes, and he moves in something close to a swagger as he approaches them. Then he realizes that there are some others present who might not be thought to belong at any high-powered policy session. Rhea Freehouse? Paolo, her indolent husband? And these girls, no more than fifteen or sixteen, in gossamerwebs or even less: mistresses of the great ones, handmaidens. Everyone knows that Louisville administrators keep extra girls.

  But here? Now? Giggling on the brink of history? Nissim Shawke salutes Siegmund without rising and says, “Join the party. You name the groover, we've probably got some. Tingle, mindblot, millispans, multiplexers, anything."

  Party? Party?

  “I've got the sex-ratio report here. Historical data—the sociocomputator—''

  “Crot that, Siegmund. Don't spoil the fun."

  Fun?

  Rhea comes toward him. Lurching, blurred, obviously grooving. Yet her keen intelligence showing through the haze of druggedness. “You forgot what I told you. Loosen up, Siegmund.” Whispering. Kisses the tip of his nose. Takes his report from him, puts it on Freehouse's desk. Draws her hands across his cheeks; fingers wet. Wouldn't be surprised if she's leaving stains on me. Wine. Blood. Anything. Rhea says, “Happy Somatic Fulfillment Day. We're celebrating. You can have me, if you like, or one of the girls, or Paolo, or anybody else you want.” She giggles. “My father, too. Have you ever dreamed of topping Nissim Shawke? Just don't be a spoiler."

  “I came up here because I had to give an important document to your father and—"

  “Oh, shove it up the access nexus,” Rhea says, and turns away from him, her disgust unhidden.

  Somatic Fulfillment Day. He had forgotten. The festival will start in a few hours; he should be with Mamelon. But he is here. Shall he leave? They are looking at him. A place to hide. Sink into the undulating psychosensitive carpet. Don't spoil the fun. His mind is still full of the business of the morning. Whereas the random, or purely biological, determination of the sex of unborn infants normally results by expectable statistical distribution in a relatively symmetrical division of. Removal of the element of chance introduces the danger that. It was the experience of the former city of Tokyo, between 1987 and 1996, that the incidence of birth of female offspring declined by a factor of almost. Risks are not counterbalanced by. Therefore it is recommended that. The party, he sees, looking more closely, is essentially an orgy. He has been to orgies before, but not with people of this level. Fumes rising. The nakedness of Monroe Stevis. A huddled heap of fleshy girls. “Come on,” Kipling Freehouse bellows, “enjoy yourself, Siegmund! Pick a girl, any girl!” Laughter. A wanton child pushes a capsule into his hand. He is trembling, and it drops. Seized and gobbled by one of the other girls. People are still coming in. Dignified, elegant Lewis Holston has a girl on each knee. And one kneeling before him. “Nothing, Siegmund?” Nissim Shawke asks. “You won't have a thing? Poor Siegmund. If you're going to live in Louisville, you've got to
know how to play as well as work."

  Judging him. Testing his compatibility: will he fit in with the elite, or must he be relegated to the ranks of the drudges, the middle-level bureaucracy? Siegmund sees himself demoted to Rome. His ambitions take over. If knowing how to play is the criterion for admission, he'll play. Grins. “I'd like some tingle,” he says. Stick to what you know you can handle.

  “Tingle, coming up!"

  He makes the effort. A golden-hair nymph offers him the tingle bowl; he gulps, pinches her, gulps again. The sparkling fluid popping in his throat. A third gulp. Swill it down; you aren't paying! They cheer him. Rhea nods approval. Clothes are coming off around the room. The amusements of the masters. There must be fifty people in here now. A clap on the back. Kipling Freehouse. Shouting, deafeningly hearty: “You're all right, boy! Worried about you, you know! So serious, so dedicated! Not bad virtues to have, eh, but there's got to be more, you follow? A playful spirit. Eh? Eh?"

  “Yes, sir. I know what you mean, sir."