The Barbary Pirates eg-4

by William Dietrich

  “It’s human nature to see the flaws in what you have and perfection in what you don’t,” I said. “Besides, buying your submarine or steamboat means uncomfortable change, Robert. Sending us on a treasure hunt to conspire with a Greek patriot risks nothing.”

  “Except us,” Smith said. “It’s the man on the lip of the canal who wants it dug deeper, not the man at the bottom.”

  “The man at the lip will argue he can see farther, and better measure the necessary depth,” Cuvier said.

  “And the one at the bottom should reply that he’s the one who can weigh the rock and soil, and count the blisters.”

  At Venice we ferried across a limpid lagoon to that fabled, crumbling wedding cake of a city that was still buzzing from Bonaparte’s brief occupation in 1797. French troops had torn down the gates of the Jewish ghetto (many Jews had enlisted in Napoleon’s army as a result) and ended a thousand years of Venetian independence with a flurry of decrees declaring republican ideals. The revolution had been brief, since the Treaty of Campo Formio had given the city to Austria a few months later, but the ghetto hadn’t been reestablished and the population was still debating the merits of the frightening freedoms the French had promised. They discussed as well contrary warnings that French reform ultimately meant tyranny. Was Napoleon promise or peril? Was he liberator, or lord?

  I was tempted to linger in the city by the decadent beauty of Venice: the mysterious twisting of its fetid canals, the iceberg majesty of its sinking, leaning houses, the rhythmic song of its lyrical gondoliers, its arched, weather-stained marble bridges, its baroque balconies pouring out cascades of flowers, and its dark-haired beauties weaving through the pillars at the periphery of Piazza San Marco like duchesses at a dance, their silks shimmering like butterfly wings. The queen city of the Adriatic rang with bell, song, lush opera, and echoing church choir, and smelled of perfume, spice, charcoal, urine, and water. Sunlight burned on the wavelets, and candles beckoned when it was dark.

  But I’d reformed, I reminded myself, and thus resisted the temptation to peek at pleasure, indulgence, and wickedness. Instead, I begged my companions for just enough time to hunt down a fine Venetian rapier in an armory shop, given the reputation of Italian cutlery. A Venetian sword was renowned for its slim and supple balance and elegant curved guard, and yet it carried a shave more weight and sturdiness than its French counterpart.

  “All the best duelists have one,” I justified.

  A naval cutlass would be more practical for alley fighting, but the rapier was elegant to the feminine eye, giving me a certain swagger. I felt dashing when I buckled one on and studied myself in the store’s cracked antique mirror, deciding I looked quite the courtier. So I spent twice the money I should have, and learned when I tried to walk that the weapon banged so annoyingly on my thigh that I eventually took it off and tied it across my back like Magnus Bloodhammer’s old ax, lest I tangle my own legs. This was the new nineteenth century, I reasoned, and I assumed that in the unlikely event I actually needed a weapon as antique as a rapier, I’d have warning enough to unstrap, unsheathe, give it a whet and a polish, and get into some kind of proper stance. Besides, I still carried my habitual tomahawk and longrifle, the latter marred by an annoying crevice in the stock where Cecil Somerset had broken his sword in my last adventure. The gun was so banged about that it retained little of its original elegance when forged in Jerusalem. Still, it shot well, and I looked like a little arsenal with everything strapped on. Women eyed me with wary interest behind their splayed fans, wondering just what kind of rogue I might be, and men edged around me in narrow lanes as if I were balmy as a butcher. Venetians are used to all sorts of visitors, but whispers began about Ethan Gage, the frontier American. That secretly pleased me.

  Given that we were adventuring into Ottoman territory, my companions tolerated my weapon shopping by doing their own. We enjoyed the excuse to acquire manly accoutrements.

  Cuvier, after a period of perplexity, settled on a pair of brass-and-silver dueling pistols in a rosewood box. They’d be deadly enough within ten paces.

  Bluff and hearty Smith went for something entirely more formidable, a wicked blunderbuss—Dutch for “thunder gun”—which fired a spray of balls from a barrel just fifteen inches long. The piece was short enough to be concealed under a coat or cloak. When Smith tried it out from the quay at the harbor, its stunning report sent up clouds of pigeons at San Marco two hundred yards away. “It kicks like a mule but bites like a bear,” he reported. “Just the thing to make a boarding party think twice.”

  I expected Fulton to pick out a similar firearm, perhaps an even more complex and mechanical-minded one like a nine-barreled musketoon, designed for fighting from a foretop and rarely used because it had the alarming habit of kicking so powerfully that it could knock its user out of the rigging. That seemed the kind of design problem that would challenge the inventor, and I pictured him fixing braces and pulleys to hold his torso against the recoil. But no, Fulton became intrigued with the unlikeliest of instruments, a scuffed and dusty Scottish bagpipe he found in a market stall.

  “That will make our enemies run,” I said good-naturedly. “I’ve heard the pipes, and it sets dogs howling. Invaders stayed out of Scotland for a thousand years because they couldn’t stand the noise.”

  “That fire-eater in the Palais gave me an idea,” Fulton replied. “I can’t play this, but I can play with it. What if it could spit fire? Something to tinker with as we sail south.” He pressed the bag and got a wail. “Or entertain us.”

  I’m rather tolerant of lunatics, which is why I know so many of them.

  We paid for our purchases, the inventor blowing a wheeze or two on his Scottish pipes while we winced, and then the savants said we must press on.

  “We hurry so science can find more time,” Cuvier explained. “Thira is a depository of time. We need time to explain the mysteries of our planet because nothing makes sense without it. Time, time, time.”

  “Most people don’t sensibly fill the time they have already, Ben Franklin would say.”

  “I said science. The human mind is imprisoned by our brief concept of history, Ethan. The globe becomes ever more complicated and all our explanations have to be crammed into a few thousand years, like a sprouting boy with shoes three sizes too young. But if the earth is older than we think, then all kinds of new ideas become possible.”

  “What kind of ideas?”

  “That if the world wasn’t always as it is, then it mustn’t always remain this way, either,” Smith put in. “Perhaps we’re only a chapter in a longer tale. That we men are not the reason for existence, but just players in a bigger drama we don’t understand.”

  “People won’t like that, William. We like to think history begins and stops with us.”

  “Then why did God leave us clues that it didn’t?” the Englishman said.

  “Well, surely if the rocks are that old, we’ve time enough for supper on the piazza before getting to them, eh?”

  “Fouché and Napoleon told us to hurry. The Venetians are looking at us oddly. Looking at you oddly.”

  “Fouché and Napoleon don’t have blisters on their backsides from hurrying hundreds of miles to one of the loveliest spots on earth. The thing to do when people look at you, gentlemen, is to look back, particularly at the pretty girls!”

  It was also necessary to relax, I continued, because we hadn’t yet found a Venetian captain to take us where we needed to go. Venice had been at odds with the Turks for the better part of three hundred years, and Ottoman waters swarmed with pirates. The Greeks were under the thumb of Muslim masters who referred to their peasant subjects as rayah, or cattle. No Venetians were anxious to go to such an unpromising dot on the sea as Thira. The captains we’d talked to kept quoting fares more suitable for sailing to the moon. So we’d prowl the docks tomorrow, I promised, meanwhile finding a table in Campo di San Polo. My companions, as seduced by Venice as I was, finally assented. Stars came out, and piazza musi
cians, and jugs of wine. As we toasted our progress so far, my companions began to tipsily eye the parade of Italian lovelies in the same hungry way I was. Like Odysseus, we’d been sidetracked by sirens—and my own miscalculation that any enemies must be behind or ahead.

  We were well in our cups when who should sashay by but one particularly delectable and tawny beauty, hair high as a tower, dress cut to the outermost precipice of her bosom, and skin as flawless as a flower petal. I hoped for a wink or even a word of invitation, but instead she reached tantalizingly to the hem of her dress, gave us a glimpse of ankle, and impishly plucked something from her skirts. Was it an apple? She held the thing to our tavern torch for a moment and it sparkled like a pixie’s wand, and then she rolled it in our direction with the sweetest of smiles.

  “Is this Italian custom?” Smith said, belching from drink, as the object stopped between our chairs.

  “If so, she bowls with the grace of Aphrodite,” Cuvier slurred.

  “What is it, Ethan?” Fulton asked, looking in curiosity at smoke drifting up from the smoldering sphere. “A festival invitation?”

  I bent to look under the table. “That, my friends, is a grenade.”

  CHAPTER NINE

  I don’t know why beauty disappoints so regularly, but I daresay women usually don’t pitch bombs in my direction until we’ve been acquainted for an hour or two. This one was galloping away before I could even say hello, and her sole purpose seemed to be to shred our lowest and most vital extremities. With the instinct that comes from being misunderstood so frequently in love, I scooped up the smoking grenade, looked wildly about, and pitched it into the only depository I could spot—our tavern’s brick oven.

  The resulting explosion, which coughed out a spray of brick, bread dough, charcoal, and fragments of rotisserie duck, could still have lacerated our top halves if I hadn’t tackled my comrades into a heap, our table toppling over as a shield. We were enveloped in a cloud of brick dust, but fortunately the oven had absorbed the worst of the blast and the patrons we shared the place with escaped with just a fright.

  “It’s the Egyptian Rite!” I cried, my ears ringing and my brain addled by the explosion. “To the horses!”

  “Ethan, we’re on an island,” Cuvier said, coughing. “We have no horses.”

  “Aye.” I shook my head and blurrily saw caped men entering the other side of the Campo, dressed in black and brandishing things that glinted in the dark. One was waving his arm to direct the others. “To the gondolas, then!”

  “I don’t think they’re giving us bloody time,” Smith said.

  We picked ourselves up, grabbed our scattered weapons and bags, and bunched to run as the strangers charged toward us. People were screaming, I realized as my hearing returned.

  Then there was a roar that made everyone in the piazza jump and Smith slammed backward against the half-ruined oven. He’d fired his blunderbuss, packed with eight balls, and three of the attackers went sprawling. Bullets ricocheted like fleas in a bottle. The other scoundrels yelped, ducked, and broke toward cover.

  “By thunder, Englishman, there’s a naval broadside!” Cuvier cried.

  Agreeing that our rock hound had set a good example, I took up my longrifle and aimed for the man who seemed to be the leader. I stilled my breath, aimed to lead him as he sprinted for the shadows, squeezed, and fired. He went down, too, skidding on the cobbles, and I was rewarded with cries of dismay.

  “Always load before dinner,” I said.

  “And with a blunderbuss, it doesn’t matter much how much you drink during it,” Smith said, and burped.

  We retreated, me halfheartedly clawing at the rapier strapped to my back and cursing that I hadn’t bothered to carry it on my hip after all. The good thing about swords is you don’t have to load them with powder and ball. The bad is you have to get damnably close to people trying to kill you. Now bullets came our way, making a smacking sound as they chewed into wood and stucco. We ran faster.

  At the Giuffa Canal we didn’t hesitate. A gondola was sweeping by with a paying client, its gondolier warbling a song, and so we sprang like pirates, crashed aboard, and pitched the poor passenger overboard.

  “For your own safety!” I called as he splashed into the dirty water, his hat drifting away like a little raft.

  Then I finally got my rapier clear and pointed at the gondolier’s throat. “The Grand Canal! Don’t worry, there’s a tip in it for you!”

  Our helmsman looked goggle-eyed at my blade. “Should I sing, signor?”

  “Save your breath for the stroke. We’re rather in a hurry.” As he began powering us down the canal, I turned to the others. Smith was already swabbing out his blunderbuss and pouring in fresh powder. “Cuvier, get out those pretty pistols of yours and shoot the rascals when they reach the canal. Fulton, please don’t play a song.”

  “They put a hole in my bagpipes, damn it.”

  “Then invent something else.” I tried to remember the city’s confusing spaghetti of canals. “We’ll go to San Marco harbor and see if we can buy our way onto a ship out of here.”

  “My God, who was that woman?” Smith asked, his hand trembling slightly as he tamped down a fresh fusillade of shot. Killing is a jolt, especially the first time.

  “Not one to flirt, I guess. It’s a bet she’s working for our enemies. I think we’re in a race to the secret of Thira, which means that I’m afraid we shouldn’t have tarried after all. I expected better of Venice. Especially after the price of our inn.”

  “I see something following us,” Cuvier said, peering back into the dark. There was a flash as his pistols went off, blinding us to whatever he had aimed at. I couldn’t believe he’d hit a thing with his popguns, but we heard a wang of ricocheting lead, and a yell.

  “By mastodon tusks, they work!” he cried. “We’re quite the dangerous men!”

  We swept past a curve and back into darkness, then squirted out of the small canal into the broad one that makes a sweeping “S” through the city. It’s a canyon of grand mansions four and five stories high, candles and lanterns gleaming behind tall windows to reveal aged munificence within, the leftovers of glittering empire. I saw centuries-old tapestries, crystal chandeliers, brocaded curtains, and white, moonlike faces peering out in curiosity at our noise. We sculled under the Rialto Bridge, lovers strolling its arched promenade, and headed toward the city’s main harbor and the anchored ships off the Piazza San Marco. Domes and towers loomed up against the stars, and the sound of opera floated across dark water.

  “I think we discouraged them,” Smith ventured, looking back.

  “I’m afraid I must disagree, Monsieur Smith,” Cuvier replied, pointing ahead with one of his pistols, the ramrod jutting from its barrel because he was reloading. “Our pursuers seem to have a lot of company.”

  A line of gondolas was sweeping down to intercept us from the canal ahead, blocking our intended escape. We spied enough gleaming metal to fill an armory. There was a ripple of flashes and spouts of water kicked up around us as the reports of the shots echoed off the buildings. Chips of wood flew off our gondola, and our helmsman froze.

  “I’ll skewer you if you try to jump!” I warned him, my rapier aimed again at this throat. “Steer into that side canal there, before they get off another volley!”

  We turned into a small channel that cut across the island by a different path. Maybe we could lose our pursuers in the liquid labyrinth that was Venice. This narrow tributary was dark, the houses seeming to lean in. Only the water gleamed.

  A lantern appeared behind as the gondolas in pursuit followed us. We could hear the furious thrashing of their oars. I fired my rifle again at the lead boat and its light danced, but didn’t go out. Someone fell into the water, and more guns fired back. Bullets pinged off the stonework and we involuntarily flinched. “Wish I could see to aim for their gondolier,” I muttered as I reloaded.

  “Please leave us out of this, signor,” our own said with quavering voice. Realizing he wa
s a logical target, our gondolier was driving us with more ambition than customary. Dark buildings zipped by as if he were powered by Fulton’s steam. Shutters were banging open as occupants leaned out to see what was going on, but everything was in shadow. What they observed was a parade of racing phantoms, our nearest pursuer less than fifty yards behind. The occasional twist or low bridge prevented either of us from getting a clear shot.

  Bells began ringing, but no authorities came to our aid.

  “I’ve got an idea,” said Fulton. He was eyeing a gondola unwittingly coming the other way, beginning to drift as its gondolier paused in confusion at the echo of shots and our own maddened pace. As we passed them the inventor reached out and neatly snatched the scull from the confused boatman, leaving him to drift into the path of our pursuers. Fulton clambered to the bow of our boat.

  “What’s your plan?”

  “Wait for me on the far side of this bridge.”

  The bridge was a low arched stone one, typical for the city. As we came to it, the American suddenly thrust the oar down, planted it on the bottom of the shallow canal, and vaulted himself onto the roadbed above. We slid under him, and I ordered the gondolier to halt on the bridge’s far side. The boat skewed as we stopped and then slowly backed toward Fulton. Meanwhile the inventor had jammed the pole of his captured oar into the stone railing he had just jumped over, and was prying. “I wish I had a fulcrum.” Then there was a grunt and a crack.

  We heard curses in three languages as the lead gondola of our pursuers collided with the one we’d left drifting. There was a cry and another splash. Then our assailants came toward us again, and Smith, Cuvier, and I readied to give a volley.

  “Wait for my command!” whispered Fulton, who had hidden behind the balustrade.

  The enemy boat was speeding for the bridge, pistols and swords pointed at us in a bristling hedge that just caught the starlight.