Shadow of the Lion hoa-1

by Mercedes Lackey

  Later that day, after hearing Lord Dorma's report, the Metropolitan of Venice summoned the special envoy from the Grand Metropolitan of Rome to a private audience, in a secluded room in the cathedral.

  Metropolitan Michael was becoming more than a little impatient with the envoy, so he did not preface his first words with the usual phrases of polite greeting.

  "How much longer?" he demanded. "By the Saints, man, you should at least meet with Petro Dorma. He could be of great assistance to you."

  The envoy shook his head firmly. Metropolitan Michael almost hissed with displeasure. The Grand Metropolitan's envoy did everything firmly, it seemed. He even managed to limp firmly, somehow.

  "And why not?"

  The envoy frowned. Firmly, of course. "I still do not know the identity of the evil, Your Eminence. The source of it, yes. It comes from Lithuania, like most of the world's demonry. But I still haven't determined the channels, or the conduits--not all of them, at least--nor, most important of all, its ultimate purpose. For all I know, Petro Dorma himself is entwined in these plots."

  The Metropolitan threw up his hands with exasperation. "That's absurd! You might as well consider me a suspect!"

  The Grand Metropolitan's envoy studied the Metropolitan calmly, saying nothing in response. As if he were examining him. After a moment, realizing the man was immovable, Michael sighed.

  Even the man's eyebrows annoyed him. They, too, were firm. It, rather. Like a solid bar of rusty iron above implacable eyes.

  Chapter 29 ==========

  Eventually, the punishment ceased. The monster lay on its side, its flanks heaving, still trying to beg for mercy. The effort was pointless, since Chernobog had crushed its throat. But the monster knew from experience that so long as it was in the strange, gray-mist casket-world, its wounds would heal quickly. Any wounds, even mortal ones--and it wanted to be pleading for forgiveness as soon as any word at all could issue from its throat. Else Chernobog might renew the chastisement.

  In the end, the monster's fears proved groundless. By the time the first croaking words issued from its healing throat--quavering with pain, those words, since healing was almost as painful as punishment--the master's rage had subsided. Chernobog was deep into cold contemplation. The monster could sense his dark form in the surrounding mist, hunched with thought.

  Be silent, beast. Lest I return you to the place from which you came.

  The thought brought a fierce yearning to the monster. To roam free again--!

  But the urge was fleeting. Chernobog possessed the monster's soul, still. The monster had no illusions that the master would return it--nor that it would be cast back into its homeland uninjured. Chernobog would surely rend the monster before he set it free. And, outside of the casket-world, mortal wounds were genuinely mortal. The monster would simply bleed to death, disemboweled in a forest, leaving its soul to be chewed by Chernobog for eternity.

  Besides . . .

  The pain was receding now, as it always did. And the monster was able to remember the pleasures as well as the agonies of serving Chernobog. It would feed again, soon enough. That knowledge brought relief--relief from frustration, this time, not pain. The monster had not been able to devour the prey's soul because of that cursed priest. It was hungry.

  Eventually, Chernobog ceased his ruminations. The monster could sense the dark form shifting somewhere in the surrounding grayness. As if some huge beast, roused from torpor, were stirring again.

  It will have to be the burning again. At least for a time. I cannot risk another premature encounter. Especially not now, with the Shadow stirring in slumber.

  The monster had to struggle not to cry out a protest. It was, in the end, a creature of the forest and the lakes and the mountains, who much preferred the corporeal rending of flesh in its beast-form to less fleshly methods. But the struggle was brief, very brief. There was a certain pleasure in burning also. More ethereal perhaps, but not without its own rewards.

  Yes. The burning again. And soon. The monster sensed Chernobog's form seething with anger, but knew the anger was directed elsewhere.

  Lest my enemies think a mere priest, with a common holy symbol, can bring them surcease. Their growing terror must be fanned, like flames in a forest, until all of the city burns.

  Yes. The burning, again.

  The monster's wounds were almost completely healed by now. Enough, certainly, to enable it to utter words of obeisance and submission. And if the tone of those words contained a trace of regret, there was not enough to reawaken the master's displeasure.

  Again, the monster sensed the great form swirling, a darkness in the mist, as if an enormous arm was moving in a gesture of command. In an instant, its body began to shrivel and shrink. Soon enough, the beast-body with its talons and teeth and clawing suckers had vanished, replaced by something which bore a vague resemblance to a salamander.

  As always, the monster's regrets vanished with the change of form. There was no room in that salamanderlike body for anything but salamander thoughts.

  Burning soon. Hungry!

  PART III December, 1537 A.D. ======================================

  Chapter 30 ==========

  The Old Fox smiled. "Angelina Dorma. Well, well, well! How serious do you think it is, Antimo?"

  The Duke of Ferrara's agent considered this silently. Finally he said, "Angelina Dorma is a young woman of some beauty and absolutely no common sense. Your grandson Marco is besotted with her--to the point of foolishness. Angelina has bragged about her 'secret admirer' to several confidantes both inside and outside the Casa. It was easy enough for my spies in the household to get wind of it, to see young Marco and to track him. This was done as part of our ongoing research into Casa Dorma, milord, not with our agent being aware of whom he was tracking."

  The Old Fox raised an eyebrow. "We were all young and foolish about women once, weren't we?"

  Antimo Bartelozzi didn't respond with a smile. "Foolishness gets people killed, milord. And Dorma is very protective about his family."

  The duke pulled a wry face. "His weakness is his family, Antimo. His mother and sister can be used against him. It's been a factor which has held me back in my approaches to him, despite his many impressive qualities. And as for the foolishness, those it doesn't kill--learn. So, I want Dorma watched closely. I see possible alliances here as well as possible dangers. And it is conceivable my foolish grandson may have found a way to remove one loose cannon from the Casa Dorma, and tie it down."

  Antimo nodded.

  The duke put a hand to his chin and looked speculative. "Given the current positions of the major factions in Venice--how do you assess Petro Dorma's strength?" He waited patiently for the reply he knew Antimo would eventually formulate. Privately he regarded Antimo Bartelozzi as his personal version of the mills of God. The agent ground slowly--but he ground very, very fine.

  "Well--superficially his faction is the smallest, the weakest, and the most diverse and divided. Petro is very able, but he is not charismatic. He lacks the flamboyance and panache of Ricardo Brunelli, for instance."

  The Old Fox looked at him through half-lidded eyes. The languor might have fooled a lesser man. "Ah. But you think there are other factors to be considered?"

  "Yes." The agent smiled wryly. "Should circumstances prompt either the Metropolitan or Montagnard factions to lose support in Venice . . . that support may easily go to Dorma. He has long been seen as the firmest advocate of a centrist, neutral stance. His party's weakness is its diversity. But, as a broad church, it offers space to former adherents of both the other parties--the softer ones, if not the fanatics. And Venice's people--though they might lean Montagnard or Metropolitan with the blowing of the factional winds--have a strong tradition of independence. Like a heavy keel to a ship. That is Dorma's central creed. If either Rome or the Empire truly threaten Venice, I think its populace--and most of its senators--will remember that heritage. While Dorma has the smallest support base, and is not flamboyant l
ike Brunelli, he is respected. You can find very few people who dislike him. And he has a reputation for hard, meticulous, scrupulously fair work--as you know."

  The Old Fox gave a smile that, had he really been his four-footed namesake, would have sent every peasant farmer who saw it off to sleep--uneasily, with their boarspear and their dog--inside their henhouse.

  "That's all shaping up nicely, then. And now that Baron Trolliger has arrived . . ."

  Antimo's smile almost matched that of his master. "It's such a pleasure to have a capable Emperor sitting on the throne in Mainz."

  "Is it not?" agreed the duke cheerfully. "Hohenstauffens of the past, more often than not, would have already been planting their great clumsy boots on the Brenner Pass. But Charles Fredrik is almost an Italian, the way he thinks. I assume he's offering us money, not soldiers?"

  "Baron Trolliger hasn't been specific yet. He only arrived yesterday, after all. I doubt he will be, milord, until you meet with him personally. But those are the signs, yes. The Emperor, clearly enough, wants a proxy army here in northern Italy--just in case the situation in Venice proves to be as dangerous as he and we both think it is. And he's more than smart enough to see that Ferrara--little, innocuous Ferrara--is the logical choice."

  Antimo's smile grew very wry. "Baron Trolliger's praise for the honor of Dell'este--as well as the cunning of the 'Old Fox'--has been most, ah, fulsome."

  "As it should be!" chuckled the duke. "I've spent a lifetime developing that reputation, after all. Send the man in for a private audience, then, as soon as he's ready. Is he still cleaning his boots?"

  "Probably," replied Antimo. "There's a man who genuinely hates to travel. His curses on that subject were almost as fulsome as his praise for Dell'este. And, I'm sure, quite a bit more heartfelt."

  "There's no rush. Negotiations will be lengthy, in any event. I intend to squeeze as much money as I possibly can from the Empire. Charles Fredrik can certainly afford it."

  Antimo nodded. "And what about Marco? Do you wish me to take any steps?"

  The Old Fox raised an eyebrow. "No. Let him alone. Perhaps practice will improve his poetry."

  Chapter 31 ==========

  Lies.

  That was what his whole life had become, over the last few weeks. Lies and evasions and dirty little twistings of what scraps of truth he had told--

  Marco's gut ached like someone had punched it, hard. It had ached like that for days. His throat was so choked most of the time he could hardly swallow. And his heart--if it wasn't broken, it was doing a damn good imitation of being broken.

  Marco Valdosta, he who called himself Marco "Felluci" these days, had good reason not to own to the Case Vecchie family he'd been born into. His Ferrarese mother had made sure of that with her fanatical Montagnard beliefs, and the long-buried secrets that went with what she had done to further the cause.

  Still . . . this wasn't why he felt as if he must be one of the most pitiable sixteen-year-olds in all of Venice. He was looking miserable enough for Benito's friend Claudia to comment on it. Claudia had told him to his face that he was drooping like a four-day-old leftover bunch of finocchio leaves, and had wanted to know the reason. He hadn't dared tell her. He hadn't dared tell anyone.

  Although he really didn't intend to be that way, his disposition wavered between sullen and terrified. He spent most of his time moping around like a moon-sick idiot. His brother had given up on him in disgust; Maria Garavelli and Caesare Aldanto only knew he was pining over a girl and being unusually peculiar about it.

  Caesare was being more than patient, he was being condescending--which Marco was overly sensitive to just now. Maria, having failed to jolly him out of it, had taken to snapping at him frequently. They repeated the same scene at least twice a day. It usually started with him glooming about in her path, and Maria stumbling around him, until she finally lost her temper--

  Then she'd explode, canaler's cap shoved back on her dark hair, strong hands on hips, dark eyes narrowed with annoyed frustration--

  "Dammit Marco, can't you get the hell out of my way?"

  Even the memory made him wince.

  She snapped, he sulked, they both got resentful, and Caesare sighed.

  The problem was they didn't know the half of what he'd gotten into.

  Marco, who was just home from work at Ventuccio's booth on the Piazza San Marco, huddled in a soft plush-covered chair in Aldanto's living room. He had lit one lamp, on the right side of the window tonight--that was to tell Maria that all was well--but had left the rest of the room in gray gloom. He was curled around the knot of anguish that seemed to have settled into his gut for good. Every time he looked up, the very room seemed to breathe reproach at him.

  There was frost on the window--bitter cold it was out there. Here he was, warm and dry and eating good--he could have been out in the Jesolo marshes, freezing his butt off, but he wasn't, thanks to Caesare Aldanto. He could have been shivering in Benito's attic, or in their little barren apartment in Cannaregio--hell he could have been dead, but he wasn't, again thanks to Aldanto.

  Caesare had taken him and Benito under his protection. He had protected them and then taken them into his own home. He'd been feeding them and housing them and keeping them safe because the town was in a turmoil and that was the only way he could be certain they were safe. And now Marco had gone and compromised the whole damned setup and compromised Caesare himself.

  Maria was right. He was an ingrate.

  He was more miserable than he'd ever been in his life; more miserable than the time he'd hidden out in the marshes, because that had only been physical misery--more miserable than when his mother had been killed, because that was a clean-cut loss. This--this tangle of lies and half-truths he'd woven into a trap binding him and Aldanto--this mess had him so turned inside-out--that it was a wonder he even remembered what day it was.

  Oh, Angelina, he thought mournfully, if only I'd never seen you.

  It had seemed so innocent, sending that love poem to Angelina Dorma. She wouldn't know who had sent it, so what harm could possibly come of it? But Angelina had assumed it had come from Aldanto, because she was in love with Caesare. Not surprising, that. Caesare Aldanto was a man, not a lovesick boy. Caesare Aldanto was urbane and sophisticated and, to top it off, tall, golden-haired--in a city full of short, dark folk--and as handsome as a sculpture of Apollo. No girl would think twice about Marco with Caesare Aldanto in the same city. Marco didn't blame Angela--and truth to tell, he hadn't really expected her to respond to the poems so strongly.

  But she had; and she had come to her own conclusions about them. She'd caught Marco delivering a third love-poem. She'd got him so twisted around with the way she'd acted towards him that all he could think about was that she'd guessed about his own passion and she was being Case Vecchie and coy. He'd been so bemused he hadn't left her until long after dark . . .

  Caesare--still recovering from the fever--Maria and Benito had all been in a fine case over him by then, worrying that he'd been caught by Montagnards, caught and maybe been tortured or killed.

  But he was so full of Angelina and how she'd guessed at the identity of the author of the poems, and sought him out, that all he could feel was resentment that they were hovering over him so much.

  It was only after he'd read her note--then reread it and reread it--that he realized that she'd guessed wrong. She'd figured that the author was Caesare, and he was the errand-boy. And she'd set him such a tempting little trap, too--offered to have Dorma sponsor and fund him into the Accademia, and make his dream of becoming a doctor come true, so that he could be conveniently close to deliver more such messages. So tempting; he could at least see and talk to her, any time he wanted. He could also have his other dream--all he needed to do was to keep up the lie, to keep writing those poems and pretending Caesare was sending them. That was all. Just as simple as Original Sin and just as seductive.

  And now he was afraid to tell Caesare, because he'd been such a fool, and wors
e, got them tangled up with a romantic Case Vecchie girl, one with power and connections. He was afraid to tell Maria because--because she was Maria. She was capable and clever and she'd laugh him into a little puddle of mortification and then she'd kill him, if Caesare didn't beat her to it. And he couldn't tell Benito. Benito was put out enough over the notion of his brother taking a sudden interest in girls--"going stupid on him" was what Benito had said.

  Hell, he'd gone stupid all right. So stupid he couldn't see his way straight anymore. And that was dangerous for him, and for all of them, with the town in a dither over the magical killings.

  Marco himself was sure that the killings were Montagnard work, not "magical" in the least. Sure as death and taxes; and Caesare was ex-Montagnard and knew too damned many Montagnard secrets. For that matter so did Marco.

  And the city was simmering with suspicions. He, Marco, might be sure the wicked Viscontis were moving again. But if you got three people together you got eight opinions. Strega or Jews were the most common suspects, of course, but the Council of Ten and the agents of Rome were accused too. Of course there was no certainty who might or might not be in one of the factions, so opinions were voiced very carefully.