The Odd Thomas Series 7-Book Bundle

by Dean Koontz

  When I returned to the fourth-floor nurses’ station with my bag, they were expecting me. Although tending to the sick and dying would seem to be grim work, all four nurses on the graveyard shift were smiling and clearly amused about something.

  In addition to the usual range of private and semiprivate rooms, the fourth floor offered a few fancier co-payment accommodations that could pass for hotel rooms. Carpeted and decorated in warm colors, they featured comfortable furniture, nicely framed bad art, and full bathrooms with under-the-counter refrigerators.

  Ambulatory patients able to afford to augment their insurance benefits can book such swank, escaping the dreary hospital ambience. This is said to speed recuperation, which I’m sure that it does, in spite of the paint-by-the-number sailing ships and the kittens in fields of daisies.

  Provided with a set of towels, I was given the use of a bathroom in an unoccupied luxury unit. The paintings followed a circus theme: clowns with balloons, sad-eyed lions, a pretty high-wire walker with a pink parasol. I chewed two tablets of antacid.

  After shaving, showering, shampooing, and changing into fresh clothes, I still felt as if I’d crawled out from under a steamroller, fully flattened.

  I sat in an armchair and went through the contents of the wallet that I’d taken off Robertson’s body. Credit cards, driver’s license, a library card …

  The only unusual item was a plain black plastic card featuring nothing but a line of blind-embossed dots that I could feel with my fingertips and see clearly in angled light. They looked like this:

  The dots were raised on one side of the card, depressed on the other. Although it might have been coded data that could be read by some kind of machine, I assumed that it was a line of tangible type, otherwise known as Braille.

  Considering that he had not been blind, I couldn’t imagine why Robertson would have carried a card bearing a statement in Braille.

  Neither could I imagine why any blind person would have kept such an item in his wallet.

  I sat in the armchair, slowly sliding a thumb across the dots, then the tip of a forefinger. They were only bumps in the plastic, unreadable to me, but the more that I traced their patterns, the more disquieted I became.

  Tracing, tracing, I closed my eyes, playing at being blind and hoping that my sixth sense might suggest the purpose of the card if not the meaning of the words spelled by the dots.

  The hour was late, the moon sinking beyond the windows, the darkness intensifying and marshaling itself for a futile resistance against the bloody dawn.

  I must not sleep. I dared not sleep. I slept.

  In my dreams, guns cracked, slow-motion bullets bored visible tunnels in the air, coyotes bared fierce black plastic teeth marked by cryptic patterns of dots that I could almost read with my nervous fingers. In Robertson’s livid chest, the oozing wound opened before me as if it were a black hole and I were an astronaut in deep space, drawing me with irresistible gravity into its depths, to oblivion.

  CHAPTER 42

  I slept only an hour until a nurse woke me. Chief Porter was being moved from surgery to the intensive-care unit.

  The window presented a view of black hills rising to a black sky full of Braille dots leafed with silver. The sun still lay an hour below the eastern horizon.

  Carrying my shopping bag of dirty clothes, I returned to the hallway outside the ICU.

  Jake Hulquist and the chief’s sister were waiting there. Neither had seen anything like the black plastic card.

  Within a minute, a nurse and an orderly entered the long hallway from the elevator alcove, one at the head and one at the foot of a gurney bearing the chief. Karla Porter walked at her husband’s side, one hand on his arm.

  When the gurney passed us, I saw that the chief was unconscious, with the prongs of an inhalator in his nose.

  His tan had turned to tin; his lips were more gray than pink.

  The nurse pulled and the orderly pushed the gurney through the double doors of the ICU, and Karla followed them after telling us that her husband wasn’t expected to regain consciousness for hours.

  Whoever murdered Robertson had wounded the chief. I couldn’t prove it; however, when you don’t believe in coincidences, then two shootings with the intent to kill, hours apart, in a sleepy town as small as Pico Mundo, must be as indisputably connected as Siamese twins.

  I wondered if the caller on the chief’s private night line had attempted to imitate my voice, if he had identified himself as me, seeking counsel, asking to be met downstairs at the front door of the house. He might have hoped that the chief would not only be fooled by the deception but would mention my name to his wife before he left the bedroom.

  If an effort had been made to frame me for one killing, why not for two?

  Though I prayed that the chief would recover quickly, I worried about what he might say when he regained consciousness.

  My alibi for the time of his shooting amounted to this: I had been hiding a corpse in a Quonset hut at the Church of the Whispering Comet. This explanation, complete with verifying cadaver, would not give heart to any defense attorney.

  At the fourth-floor nurses’ station, none of the women on duty recognized the item that I’d found in Robertson’s wallet.

  I had better luck on the third floor, where a pale and freckled nurse with a fey quality stood at the station counter, checking the contents of pill cups against a list of patients’ names. She accepted the mysterious plastic rectangle, examined both sides of it, and said, “It’s a meditation card.”

  “What’s that?”

  “Usually they come without the bumps. Instead they have little symbols printed on them. Like a series of crosses or images of the Holy Virgin.”

  “Not this one.”

  “You’re supposed to say a repetitive prayer, like an Our Father or a Hail Mary, as you move your finger from symbol to symbol.”

  “So it’s like a convenient form of a rosary you can carry in your wallet?”

  “Yeah. Worry beads.” Sliding her fingertips back and forth over the raised dots, she said, “But they’re not only used by Christians. In fact, they began as a New Age thing.”

  “What’re those like?”

  “I’ve seen them with rows of bells, Buddhas, peace signs, dogs or cats if you want to direct your meditative energy toward the achievement of rights for animals, or rows of planet Earths so you can meditate for a better environment.”

  “Is this one for blind people?” I wondered.

  “No. Not at all.”

  She held the card against her forehead for a moment, like a mentalist reading the contents of a note through a sealed envelope.

  I don’t know why she did this, and I decided not to ask.

  Tracing the dots again, she said, “About a quarter of the cards are Braille like this. What you’re supposed to do is press a finger to the dots and meditate on each letter.”

  “But what does it say?”

  As she continued to finger the card, a frown took possession of her face as gradually as an image rising out of the murk on Polaroid film. “I don’t read Braille. But they say different things, this and that, a few inspirational words. A mantra to focus your energy. It’s printed on the package the card comes in.”

  “I don’t have the package.”

  “Or you can also order a custom imprint, your personal mantra, anything you want. This is the first black one I’ve ever seen.”

  “What color are they usually?” I asked.

  “White, gold, silver, the blue of the sky, lots of times green for the environmentalist mantras.”

  Her frown had fully developed.

  She returned the card to me.

  With evident distaste, she stared at the fingers with which she had traced the dots.

  “Where’d you say you found this?” she asked.

  “Downstairs in the lobby, on the floor,” I lied.

  From behind the counter, she picked up a bottle of Purell. She squirted a gob of the clear gel
onto her left palm, put the bottle down, and vigorously rubbed her hands together, sanitizing them.

  “If I were you, I’d get rid of that,” she said as she rubbed. “And the sooner the better.”

  She had used so much Purell that I could smell the ethyl alcohol evaporating.

  “Get rid of it—why?” I asked.

  “It’s got negative energy. Bad mojo. It’ll bring wickedness down on you.”

  I wondered which school of nursing she had attended.

  “I’ll throw it in the trash,” I promised.

  The freckles on her face seemed to have grown brighter, burning like sprinkles of cayenne pepper. “Don’t throw it away here.”

  “All right,” I said, “I won’t.”

  “Not anywhere in the hospital,” she said. “Take a drive out in the desert, where there’s nobody around, drive fast, throw it out the window, let the wind take it.”

  “That sounds like a good plan.”

  Her hands were dry and sanitized. Her frown had evaporated along with the alcohol gel. She smiled. “I hope I’ve been of some help.”

  “You’ve been great.”

  I took the meditation card out of the hospital, into the waning night, but not for a drive in the desert.

  CHAPTER 43

  The studios of KPMC Radio, voice of the Maravilla Valley, are on Main Street, in the heart of Pico Mundo, in a three-story brick Georgian townhouse, between two Victorian edifices housing the law offices of Knacker Hisscus and the Good Day Bakery.

  In this last hour of darkness, lights were on in the kitchen of the bakery. When I got out of the car, the street smelled of bread fresh from the oven, cinnamon buns, and lemon strudel.

  No bodachs were in sight.

  The lower floors of KPMC house the business offices. Broadcast studios are on the third level.

  Stan “Spanky” Lufmunder was the engineer on duty. Harry Beamis, who managed to survive in the radio business without a nickname, was the producer of “All Night with Shamus Cocobolo.”

  I made faces at them through the triple-insulated view window between the third-floor hall and their electronic aerie.

  After conveying by hand gestures that I should copulate with myself, they gave me the okay sign, and I continued along the hall to the door to the broadcast booth.

  From the speaker in the hallway, at low volume, issued “String of Pearls,” by the immortal Glenn Miller, the platter that Shamus was currently spinning on the air.

  The music actually originated from a CD, but on his show, Shamus uses the slang of the 1930s and ’40s.

  Harry Beamis alerted him, so when I entered the booth, Shamus took off his headphones, tuned up the on-air feed just enough to stay on track with it, and said, “Hey, Wizard, welcome to my Pico Mundo.”

  To Shamus, I am the Wizard of Odd, or Wizard for short.

  He said, “Why don’t you smell like peach shampoo?”

  “The only soap I had was unscented Neutrogena.”

  He frowned. “It’s not over between you and the goddess, is it?”

  “It’s only just begun,” I assured him.

  “Glad to hear it.”

  The foam-cone walls mellowed our voices, smoothed rough edges.

  The lenses of his dark glasses were the blue of old Milk of Magnesia bottles. His skin was so black that it, too, seemed to have a blue tint.

  I reached in front of him and put down the meditation card, snapping it sharply against the countertop to intrigue him.

  He played cool, didn’t pick it up right away. “I plan to come by the Grille after the show, chow down on a heart-stopping pile of fried shaved ham, shoestring onions, and biscuits in gravy.”

  As I circled the microphone island, sat on a stool opposite him, and pushed the other mike aside on its flexible arm, I said, “I won’t be cooking this morning. Got the day off.”

  “What do you do on a day off—go out there and moon around at the tire store?”

  “I thought I might go bowling.”

  “You’re one wild party animal, Wizard. I don’t know how your lady keeps up with you.”

  The Miller tune wrapped. Shamus leaned into the mike and let ad-libbed patter dance off his tongue, cuing back-to-back cuts of Benny Goodman’s “One O’clock Jump” and Duke Ellington’s “Take the A Train.”

  I like to listen to Shamus on the air and off. He has a voice that makes Barry White and James Earl Jones sound like carnival barkers with strep throat. To radio people, he’s the Velvet Tongue.

  From 1:00 A.M. to 6:00, every day but Sunday, Shamus spins what he calls “the music that won the big war,” and recounts tales of the night life of that long-ago age.

  The other nineteen hours of the day, KPMC eschews music in favor of talk radio. Management would prefer to shut down during those five least-listened hours, but their broadcast license requires them to serve the community 24/7.

  This situation gives Shamus the freedom to do anything he wants, and what he wants is to immerse himself and his insomniac listeners in the glories of the Big Band era. In those days, he says, the music was real, and life was more grounded in truth, reason, and good will.

  The first time I heard this rap, I expressed surprise that he would feel such affinity for an age of active segregation. His answer was, “I’m black, blind, seriously smart, and sensitive. No age would be easy for me. At least the culture had culture then, it had style.”

  Now he told his audience, “Close your eyes, picture the Duke in his trademark white tux, and join me, Shamus Cocobolo, as I ride that A Train to Harlem.”

  His mother named him Shamus because she wanted her son to be a police detective. When he went blind at three, a law-enforcement career ceased to be an option. The “Cocobolo” came with his father, straight out of Jamaica.

  Picking up the black plastic card, holding it by the top and bottom edges between the thumb and forefinger of his right hand, he said, “Some stupefyingly stupid bank give you a credit card?”

  “I was hoping you could tell me what it says.”

  He slid one finger across the card, not really reading it, just determining its nature. “Oh, Wizard, surely you don’t think I need meditation when I’ve got Count Basie and Satchmo and Artie Shaw.”

  “So you know what it is.”

  “The last couple years, people have given me maybe a dozen of these things, all different inspirational thoughts, as though blind people can’t dance, so they meditate. No offense, Wizard, but you’re entirely too cool to give me a plastic fantastic spiritual whizbang like this, and I’m a little embarrassed for you.”

  “You’re welcome. But I’m not giving it to you. I’m just curious what it says in Braille.”

  “I’m relieved to hear that. But why curious?”

  “I was born that way.”

  “I get the point. None of my business.” He read the card with his fingertips and said, “ ‘Father of lies.’ ”

  “ ‘Father of flies’?”

  “Lies. Untruths.”

  The phrase was familiar to me, but for some reason I couldn’t make sense of it, perhaps because I didn’t want to.

  “The devil,” Shamus said. “The Father of Lies, Father of Evil, His Satanic Majesty. What’s the story, Wizard? Is St. Bart’s old-time religion just too boring these days, you need a whiff of sulfur to give your soul a thrill?”

  “It’s not my card.”

  “So whose card is it?”

  “A nurse at County General told me to drive pedal-to-the-metal, into the desert, toss it out a window, let the wind take it.”

  “For a nice boy who makes an honest living with a fast spatula, you sure hang around with some seriously whacked people.”

  He slid the card toward me, across the microphone island.

  I got up from my stool.

  “Don’t you leave that brimstone Braille here,” he said.

  “It’s just a plastic fantastic spiritual whizbang, remember?”

  My twin reflections watched me fr
om the dark-blue lenses of his glasses.

  Shamus said, “I knew a practicing Satanist once. The guy claimed he hated his mother, but he must’ve loved her. Cops found her severed head in his freezer, in a sealed plastic bag with rose petals to keep it fresh.”

  I picked up the meditation card. It felt cold.

  “Thanks for your help, Shamus.”

  “You be careful, Wizard. Interestingly eccentric friends aren’t easy to find. You were suddenly dead, I’d miss you.”

  CHAPTER 44

  The red dawn came, the sun like an executioner’s blade slicing up from the dark horizon.

  Elsewhere in Pico Mundo, a would-be mass murderer might have been looking at this sunrise while inserting cartridges in spare magazines for his assault rifle.

  I parked in the driveway and turned off the engine. I could wait no longer to learn if the shooter who popped Bob Robertson had also murdered Rosalia Sanchez. Yet two or three minutes passed before I found sufficient courage to get out of the car.

  The night birds had fallen silent. Usually active at first light, the morning crows had not yet appeared.

  Climbing the back-porch steps, I saw that the screen door was closed but that the door stood open. The kitchen lights were off.

  I peered through the screen. Rosalia sat at the table, her hands folded around a coffee mug. She appeared to be alive.

  Appearances can be deceiving. Her dead body might be awaiting discovery in another room, and this might be her earthbound spirit with its hands around the mug that she had left when she’d gone to answer the killer’s knock on her door the previous evening.

  I could not smell freshly brewed coffee.

  Always before, when she waited for me to arrive to tell her that she was visible, the lights had been on. I had never seen her sitting in the dark like this.

  Rosalia looked up and smiled as I entered the kitchen.

  I stared at her, afraid to speak, for fear that she was a lingering spirit and could not answer.

  “Good morning, Odd Thomas.”

  Dread blew out of me with my pent-up breath. “You’re alive.”

  “Of course I’m alive. I know I’m a long way down the road from the young girl I used to be, but I don’t look dead, I hope.”