Redemption of the Dead

by Luke Delaney

  ‘Gay?’ Sean asked.

  ‘Looks that way. It’s early days, but there’s definitely some decent hi-fi and TV stuff around the place, and I notice several of the photies have our boy in far-flung corners of the world. Must have cost a few pennies. We’re not dealing with a complete loser here. He had a decent enough job, or he was a decent enough villain, although I don’t get the feel this is a villain’s home.’ Both men craned their heads around the hallway area, as if to confirm Donnelly’s assessment so far. He continued: ‘And I’ve found a few letters all addressed to a Daniel Graydon. Nothing for anyone else.’

  ‘Well, Daniel Graydon,’ Sean asked, ‘what the hell happened to you? And why?’

  ‘Shall we?’ With an outstretched hand pointing along the corridor, Donnelly invited Sean to continue.

  They moved from room to room, leaving the living room to the end. They trod carefully, moving around the edges so as not to disturb any invisible footprint indentations left in the carpets or minute but vital evidence: a strand of hair, a tiny drop of blood. Occasionally Sean would take a photograph with his small digital camera. He would keep the photographs for his personal use only, to remind him of details he had seen, but also to put himself back at the scene any time he needed to sense it again, to smell the odour of blood, to taste the sickly sweet flavour of death. To feel the killer’s presence. He wished he could be alone in the flat, without the distraction of having to talk to anyone – to explain what he was seeing and feeling. It had been the same ever since he was a young cop, his ability to step into the shoes of the offender, be it a residential burglary or murder. But only the more alarming scenes seemed to trigger this reaction. Walking around scenes of domestic murders or gangland stabbings he saw more than most other detectives, but felt no more than they did. This scene already seemed different. He wished he was alone.

  Sean felt uncomfortable in the flat. Like an intruder. As if he should be constantly apologizing for being there. He shook off the feeling and mentally absorbed everything. The cleanliness of the furniture and the floors. Were the dishes washed and put away? Had any food been left out? Did anything, no matter how small, seem somehow out of place? If the victim kept his clothing neatly folded away, then a shirt on the floor would alert Sean’s curiosity. If the victim had lived in squalor, a freshly cleaned glass next to a sink full of dirty dishes would attract his eye. Indeed, Sean had already noted something amiss.

  Sean and Donnelly came to the living room. The door was ajar, exactly how it had been found by the young constable. Donnelly moved inside. Sean followed.

  There was a strong smell of blood – a lot of blood. It was a metallic smell. Like hot copper. Sean recalled the times he’d tasted his own blood. It always made him think that it tasted exactly like it smelled. At least this man had been killed recently. It was summer now – if the victim had been there for a few days the flat would have reeked. Flies would have filled the room, maggots infesting the body. He felt a jolt of guilt for being glad the man had just been killed.

  Sean crouched next to the body, careful to avoid stepping in the pool of thick burgundy blood that had formed around the victim’s head. He’d seen many murder victims. Some had almost no wounds to speak of, others had terrible injuries. This was a bad one. As bad as he’d seen.

  ‘Jesus Christ. What the hell happened in this room?’ Sean asked.

  Donnelly looked around. The dining-room table was overturned. Two of the chairs with it had been destroyed. The TV had been knocked from its stand. Pictures lay smashed on the floor. CDs were strewn around the room. The lights from the CD player blinked in green.

  ‘Must have been a hell of a fight,’ Donnelly said.

  Sean stood up, unable to look away from the victim: a white male, about twenty years old, naked from the waist up, wearing hipster jeans that were heavily soaked in blood. One sock remained on his right foot, the other was nowhere to be seen. He was lying on his back, the left leg bent under the right, with both arms stretched out in a crucifix position. There were no restraints of any kind in evidence. The left side of his face and head had been caved in. The victim’s light hair allowed Sean to see two serious head wounds indicating horrific fractures to the skull. Both eyes were swollen almost completely shut and his nose was smashed, with congealed blood clustered around it. The mouth hadn’t escaped punishment, the lips showing several deep cuts, with the jaw hanging dislocated. Sean wondered how many teeth would be missing. The right ear was nowhere to be seen. He hoped to God the man had died from the first blow to his head, but he doubted it.

  The pool of blood by the victim’s head was the only heavy saturation area other than his clothing. Elsewhere there were dozens of splash marks: on the walls, furniture and carpet. Sean imagined the victim’s head being whipped around by the ferocity of the blows, the blood from his wounds travelling in a fine spray through the air until it landed where it now remained. Once examined properly, these splash marks should provide a useful map of how the attack had developed.

  The victim’s body had not been spared. Sean wasn’t about to start counting, but there must have been at least fifty to a hundred stab wounds. The legs, abdomen, chest and arms had all been brutally attacked. Sean looked around for weapons, but could see none. He returned his gaze to the shattered body, trying to free his mind, to see what had happened to the young man now lying dead on his own floor. For the most fleeting of moments he saw a figure hunched over the dying man, something that resembled a screwdriver rather than a knife gripped in his hand, but the image was gone as quickly as it arrived. Finally he managed to look away and speak.

  ‘Who found the body?’

  ‘That would be us,’ Donnelly replied.

  ‘How so?’

  ‘Well, us via a concerned neighbour.’

  ‘Is the neighbour a suspect?’

  ‘No, no,’ Donnelly dismissed the idea. ‘Some young bird from a few doors down, on her way home with her kebab and chips after a night of shagging and drinking.’

  ‘Did she enter the flat?’

  ‘No. She’s not the hero type, by all accounts. She saw the door slightly open and decided we ought to know about it. If she’d been sober, she probably wouldn’t have bothered.’

  Sean nodded his agreement. Alcohol made some people conscientious citizens in the same way it made others violent temporary psychopaths.

  ‘Uniform sent a unit around to check it out and found our victim here,’ Donnelly added.

  ‘Did he trample the scene?’

  ‘No, he’s a probationer straight out of Hendon and still scared enough to remember what he’s supposed to do. He kept to the edges, touched nothing.’

  ‘Good,’ Sean said automatically, his mind having already moved on, already growing heavy with possibilities. ‘Well, whoever did this is either very angry or very ill.’

  ‘No doubt about that,’ Donnelly agreed.

  There was a pause, both men taking the chance to breathe deeply and steady themselves, clearing their minds, a necessary prelude before trying to think coldly and logically. Seeing this brutality would never be easy, would never be matter-of-fact.

  ‘Okay. First guess is we’re looking at a domestic murder.’

  ‘A lover’s tiff?’ Donnelly asked.

  Sean nodded. ‘Whoever did this probably took a fair old beating themselves,’ he added. ‘A man fighting for his life can do a lot of damage.’

  ‘I’ll check the local hospitals,’ Donnelly volunteered. ‘See if anyone who looks like they’ve been in a real ding-dong has been admitted.’

  ‘Check with the local police stations for the same and wake the rest of the team up. Let’s get everyone together at the station for an eight a.m. briefing. And we might as well see if we can get a pathologist to examine the body while it’s still in place.’

  ‘That won’t be easy, guv.’

  ‘I know, but try. See if Dr Canning is available. He sometimes comes out if it’s a good one, and he’s the best.’

 
; ‘I’ll do what I can, but no promises.’

  Sean surveyed the scene. Most murders didn’t take long to solve. The most obvious suspect was usually the right suspect. The panicked nature of the crime provided an Aladdin’s cave of forensic evidence. Enough to get a conviction. In cases like this, detectives often had to do little more than wait for the laboratory to examine the exhibits from the scene and provide all the answers. But as Sean looked around something was already niggling away at his instincts.

  Donnelly spoke again. ‘Seems straightforward?’

  ‘Yeah, I’m pretty happy.’ He let the statement linger.

  ‘But …?’

  ‘The victim almost certainly knew his killer. No forced entry, so he’s let him in. A boyfriend is a fair bet. This smells like a domestic murder. A few too many drinks. A heated argument. A fight kicks off and gets nastier and nastier, both end up beaten to a pulp and one dies. A crime of passion which the killer had no time to prepare. He’s lost it for a while, killed a friend. A lover. Now all he wants to do is run. Get away from this flat and be somewhere safe to think out his next move. But there’s a couple of things missing for me.’

  ‘Such as?’

  ‘They’ve probably been having a drink, but there are no glasses anywhere. Can you remember dealing with a domestic murder where alcohol wasn’t involved?’

  ‘Maybe he cleaned the place up a bit?’ Donnelly offered. ‘Washed the glasses and put them away.’

  ‘Why would he bother cleaning a glass when his blood and fingerprints must be all over the place after a struggle like this?’

  ‘Panic?’ Donnelly suggested. ‘Wasn’t thinking straight. He cleaned up his glass, maybe started to clean up other stuff too before he realized he was wasting his time.’

  ‘Maybe.’

  Sean was thinking hard. The lack of signs of alcohol was a small point, but any experienced detective would have expected to find evidence of its use at a scene like this. An empty bottle of cider. A half-empty bottle of Scotch, or a champagne bottle to fuel the rage of the rich. But it was the image he was beginning to visualize that was plaguing him with doubt – the image his mind was piecing together using evidence that was missing as much as evidence that was present. The image of a figure crouching very deliberately over the victim. No frenzy, no rage, but evil in a human form.

  ‘There’s something else,’ he told Donnelly. ‘The killing obviously took place in the living room. We know he must have gone out the front door because everything else is locked up nice and tight. But the hallway is clean. Nothing. The carpet is light beige, yet there’s no sign of a bloody footprint. And the door handle? Nothing. No blood. Nothing.

  ‘So our killer beats and stabs the victim to death in a frenzied moment of rage and yet stops to clean his hands before opening any doors. After killing a man who may have been his lover, he’s suddenly calm enough to take his shoes off and tiptoe out the place. That doesn’t make a lot of sense.’

  Donnelly joined in. ‘And if our boy did stop to clean himself up before leaving, then where did he get clean? He had two choices. The sink in the bathroom or the sink in the kitchen.’

  Sean continued for him. ‘We’ve seen both of them. Clean as a whistle. No signs of recent use. Not even a splash of water.’

  ‘Aye,’ Donnelly said. ‘But it’s probably nothing. We’re assuming too much. Maybe forensics will prove us wrong and find some blood in the hallway we can’t see.’

  Sean wasn’t convinced, but before he could reply the uniformed constable at the front door called into the flat. ‘Excuse me, sir, your lab team is here.’

  Sean shouted a reply. ‘Coming out.’

  He and Donnelly walked from the flat carefully, keeping to the route they’d used on entering. They walked to the edge of the taped-off cordon where they knew Detective Sergeant Andy Roddis would be waiting with his team of specially trained detectives and scene examiners.

  DS Roddis saw Sean and Donnelly approach. He observed their forensics suits but was not impressed. ‘I take it you two have already been trampling all over my scene.’ He was right to be annoyed. The book said no one into the house except the scene examination team. ‘Next time I’m going to seize your clothing as exhibits.’

  Sean needed Roddis on his side.

  ‘Sorry, Andy,’ he said. ‘We haven’t touched a thing. Promise.’

  ‘I hear you have a dead male for me in flat number sixteen. Yes?’ Roddis still sounded irritated.

  ‘I’m afraid so,’ said Donnelly.

  Roddis turned to Sean. ‘Anything special you want from us?’

  ‘No. Our money’s on a domestic, so stick to the basics. You can keep the expensive toys locked away.’

  ‘Very well,’ Roddis replied. ‘Blood, fibres, prints, hair and semen it is.’

  Donnelly and Sean were already walking away. Sean called over his shoulder. ‘I’m briefing my team at eight a.m. Try and get me a preliminary report before then.’

  ‘I might be able to phone something through to you. Will that do?’

  ‘Fine,’ said Sean. Right now he would take anything on offer.

  About the Author

  Luke Delaney joined the Metropolitan Police Service in the late 1980s and his first posting was to an inner city area of South East London notorious for high levels of crime and extreme violence. He later joined CID where he investigated murders ranging from those committed by fledgling serial killers to gangland assassinations.

  Also By Luke Delaney

  Cold Killing

  Copyright

  Harper

  An imprint of HarperCollinsPublishers

  77–85 Fulham Palace Road

  Hammersmith

  London W6 8JB

  www.harpercollins.co.uk

  First published by HarperCollinsPublishers 2013

  Copyright © Luke Delaney 2013

  Cover photography © Henry Steadman

  Cover layout design © HarperCollinsPublishers Ltd 2013

  Luke Delaney asserts the moral right to be identified as the author of this work

  Extract from Cold Killing © Luke Delaney 2013

  A catalogue record for this book is available from the British Library

  This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  Ebook Edition © AUGUST 2013 ISBN: 9780007486151

  Version 1

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  About the Publisher

  Australia

  HarperCollins Publishers (Australia) Pty. Ltd.

  Level 13, 201 Elizabeth Street

  Sydney, NSW 2000, Australia

  http://www.harpercollins.com.au/ebooks

  Canada

  HarperCollins Canada

  2 Bloor Street East - 20th Floor

  Toronto, ON, M4W, 1A8, Canada

  http://www.harpercollins.ca

  New Zealand

  HarperCollins Publishers (New Zealand) Limited

  P.O. Box 1

  Auckland, New Zealand

  http://www.harpercollins.co.nz

  United Kingdom

  HarperCollins Publishers Ltd.

  77-85 Fulham Palace Road

  London, W6 8JB, UK

  http://www.harpercollins.co.uk

  United States

  HarperCollins Publishers Inc.

  10 East 53rd Street

  New York, NY 10022


  http://www.harpercollins.com