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Poems New and Collected

Page 11

by Wislawa Szymborska


  Frozen Motion

  This isn’t Miss Duncan, the noted danseuse?

  Not the drifting cloud, the wafting zephyr, the Bacchante,

  moonlit waters, waves swaying, breezes sighing?

  Standing this way, in the photographer’s atelier,

  heftily, fleshily wrested from music and motion,

  she’s cast to the mercies of a pose,

  forced to bear false witness.

  Thick arms raised above her head,

  a knotted knee protrudes from her short tunic,

  left leg forward, naked foot and toes,

  with 5 (count them) toenails.

  One short step from eternal art into artificial eternity—

  I reluctantly admit that it’s better than nothing

  and more fitting than otherwise.

  Behind the screen, a pink corset, a handbag,

  in it a ticket for a steamship

  leaving tomorrow, that is, sixty years ago;

  never again, but still at nine a.m. sharp.

  Certainty

  “Thou art certain,* then, our ship hath touch’d upon

  the deserts of Bohemia?” “Aye, my lord.” The quote’s

  from Shakespeare, who, I’m certain, wasn’t someone else.

  Some facts and dates, a portrait nearly done before

  his death . . . Who needs more? Why expect to see

  the proof, snatched up once by the Greater Sea,

  then cast upon this world’s Bohemian shore?

  The Classic

  A few clods of dirt, and his life will be forgotten.

  The music will break free from circumstance.

  No more coughing of the maestro over minuets.

  Poultices will be torn off.

  Fire will consume the dusty, lice-ridden wig.

  Ink spots will vanish from the lace cuff.

  The shoes, inconvenient witnesses, will be tossed on the trash heap.

  The least gifted of his pupils will get the violin.

  Butchers’ bills will be removed from between the music sheets.

  His poor mother’s letters will line the stomachs of mice.

  The ill-fated love will fade away.

  Eyes will stop shedding tears.

  The neighbors’ daughter will find a use for the pink ribbon.

  The age, thank God, isn’t Romantic yet.

  Everything that’s not a quartet

  will become a forgettable fifth.

  Everything that’s not a quintet

  will become a superfluous sixth.

  Everything that’s not a choir made of forty angels

  will fall silent, reduced to barking dogs, a gendarme’s belch.

  The aloe plant will be taken from the window

  along with a dish of fly poison and the pomade pot,

  and the view of the garden (oh yes!) will be revealed—

  the garden that was never here.

  Now hark! ye mortals, listen, listen now,

  take heed, in rapt amazement,

  o rapt, o stunned, o heedful mortals, listen,

  o listeners—now listen—be all ears—

  In Praise of Dreams

  In my dreams

  I paint like Vermeer van Delft.

  I speak fluent Greek

  and not just with the living.

  I drive a car

  that does what I want it to.

  I am gifted

  and write mighty epics.

  I hear voices

  as clearly as any venerable saint.

  My brilliance as a pianist

  would stun you.

  I fly the way we ought to,

  i.e., on my own.

  Falling from the roof,

  I tumble gently to the grass.

  I’ve got no problem

  breathing under water.

  I can’t complain:

  I’ve been able to locate Atlantis.

  It’s gratifying that I can always

  wake up before dying.

  As soon as war breaks out,

  I roll over on my other side.

  I’m a child of my age,

  but I don’t have to be.

  A few years ago

  I saw two suns.

  And the night before last a penguin,

  clear as day.

  True Love

  True love. Is it normal,

  is it serious, is it practical?

  What does the world get from two people

  who exist in a world of their own?

  Placed on the same pedestal for no good reason,

  drawn randomly from millions, but convinced

  it had to happen this way—in reward for what? For nothing.

  The light descends from nowhere.

  Why on these two and not on others?

  Doesn’t this outrage justice? Yes it does.

  Doesn’t it disrupt our painstakingly erected principles,

  and cast the moral from the peak? Yes on both accounts.

  Look at the happy couple.

  Couldn’t they at least try to hide it,

  fake a little depression for their friends’ sake!

  Listen to them laughing—it’s an insult.

  The language they use—deceptively clear.

  And their little celebrations, rituals,

  the elaborate mutual routines—

  it’s obviously a plot behind the human race’s back!

  It’s hard even to guess how far things might go

  if people start to follow their example.

  What could religion and poetry count on?

  What would be remembered? what renounced?

  Who’d want to stay within bounds?

  True love. Is it really necessary?

  Tact and common sense tell us to pass over it in silence,

  like a scandal in Life’s highest circles.

  Perfectly good children are born without its help.

  It couldn’t populate the planet in a million years,

  it comes along so rarely.

  Let the people who never find true love

  keep saying that there’s no such thing.

  Their faith will make it easier for them to live and die.

  Under One Small Star

  My apologies to chance for calling it necessity.

  My apologies to necessity if I’m mistaken, after all.

  Please, don’t be angry, happiness, that I take you as my due.

  May my dead be patient with the way my memories fade.

  My apologies to time for all the world I overlook each second.

  My apologies to past loves for thinking that the latest is the first.

  Forgive me, distant wars, for bringing flowers home.

  Forgive me, open wounds, for pricking my finger.

  I apologize for my record of minuets to those who cry from

  the depths.

  I apologize to those who wait in railway stations for being asleep

  today at five a.m.

  Pardon me, hounded hope, for laughing from time to time.

  Pardon me, deserts, that I don’t rush to you bearing a spoonful

  of water.

  And you, falcon, unchanging year after year, always in the

  same cage,

  your gaze always fixed on the same point in space,

  forgive me, even if it turns out you were stuffed.

  My apologies to the felled tree for the table’s four legs.

  My apologies to great questions for small answers.

  Truth, please don’t pay me much attention.

  Dignity, please be magnanimous.

  Bear with me, O mystery of existence, as I pluck the occasional

  thread from your train.

  Soul, don’t take offense that I’ve only got you now and then.

  My apologies to everything that I can’t be everywhere at once.

  My apologies to everyone that I can’t be each woman and

  each man.

&nb
sp; I know I won’t be justified as long as I live,

  since I myself stand in my own way.

  Don’t bear me ill will, speech, that I borrow weighty words,

  then labor heavily so that they may seem light.

  from

  A LARGE NUMBER

  1976

  A Large Number

  Four billion people on this earth,

  but my imagination is still the same.

  It’s bad with large numbers.

  It’s still taken by particularity.

  It flits in the dark like a flashlight,

  illuminating only random faces

  while all the rest go blindly by,

  never coming to mind and never really missed.

  But even a Dante couldn’t get it right.

  Let alone someone who is not.

  Even with all the muses behind me.

  Nonn omnis moriar—a premature worry.

  But am I entirely alive and is that enough.

  It never was, and now less than ever.

  My choices are rejections, since there is no other way,

  but what I reject is more numerous,

  denser, more demanding than before.

  A little poem, a sigh, at the cost of indescribable losses.

  I whisper my reply to my stentorian calling.

  I can’t tell you how much I pass over in silence.

  A mouse at the foot of the maternal mountain.

  Life lasts as long as a few signs scratched by a claw in the sand.

  My dreams—even they’re not as populous as they should be.

  They hold more solitude than noisy crowds.

  Sometimes a long-dead friend stops by awhile.

  A single hand turns the knob.

  An echo’s annexes overgrow the empty house.

  I run from the doorstep into a valley

  that is quiet, as if no one owned it, already an anachronism.

  Why there’s still all this space inside me

  I don’t know.

  Thank-You Note

  I owe so much

  to those I don’t love.

  The relief as I agree

  that someone else needs them more.

  The happiness that I’m not

  the wolf to their sheep.

  The peace I feel with them,

  the freedom—

  love can neither give

  nor take that.

  I don’t wait for them,

  as in window-to-door-and-back.

  Almost as patient

  as a sundial,

  I understand

  what love can’t,

  and forgive

  as love never would.

  From a rendezvous to a letter

  is just a few days or weeks,

  not an eternity.

  Trips with them always go smoothly,

  concerts are heard,

  cathedrals visited,

  scenery is seen.

  And when seven hills and rivers

  come between us,

  the hills and rivers

  can be found on any map.

  They deserve the credit

  if I live in three dimensions,

  in nonlyrical and nonrhetorical space

  with a genuine, shifting horizon.

  They themselves don’t realize

  how much they hold in their empty hands.

  “I don’t owe them a thing,”

  would be love’s answer

  to this open question.

  Psalm

  Oh, the leaky boundaries of man-made states!

  How many clouds float past them with impunity;

  how much desert sand shifts from one land to another;

  how many mountain pebbles tumble onto foreign soil

  in provocative hops!

  Need I mention every single bird that flies in the face of frontiers

  or alights on the roadblock at the border?

  A humble robin—still, its tail resides abroad

  while its beak stays home. If that weren’t enough, it won’t stop

  bobbing!

  Among innumerable insects, I’ll single out only the ant

  between the border guard’s left and right boots

  blithely ignoring the questions “Where from?” and “Where to?”

  Oh, to register in detail, at a glance, the chaos

  prevailing on every continent!

  Isn’t that a privet on the far bank

  smuggling its hundred-thousandth leaf across the river?

  And who but the octopus, with impudent long arms,

  would disrupt the sacred bounds of territorial waters?

  And how can we talk of order overall

  when the very placement of the stars

  leaves us doubting just what shines for whom?

  Not to speak of the fog’s reprehensible drifting!

  And dust blowing all over the steppes

  as if they hadn’t been partitioned!

  And the voices coasting on obliging airwaves,

  that conspiratorial squeaking, those indecipherable mutters!

  Only what is human can truly be foreign.

  The rest is mixed vegetation, subversive moles, and wind.

  Lot’s Wife

  They say I looked back out of curiosity.

  But I could have had other reasons.

  I looked back mourning my silver bowl.

  Carelessly, while tying my sandal strap.

  So I wouldn’t have to keep staring at the righteous nape

  of my husband Lot’s neck.

  From the sudden conviction that if I dropped dead

  he wouldn’t so much as hesitate.

  From the disobedience of the meek.

  Checking for pursuers.

  Struck by the silence, hoping God had changed his mind.

  Our two daughters were already vanishing over the hilltop.

  I felt age within me. Distance.

  The futility of wandering. Torpor.

  I looked back setting my bundle down.

  I looked back not knowing where to set my foot.

 

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