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Panic

Page 4

by Sasha Dawn


  When I imagine the whole world, I imagine Times Square.

  I absolutely love New York, and nowhere else will give me a leg up in my chosen industry like NYU.

  “You know when you feel like you belong somewhere?”

  Nana nods.

  “I feel like it’s just out of reach. Like I’ll never get there.”

  “You will. If you want it bad enough, if you try hard enough—”

  “What do you do if the only avenue to your chosen life is too expensive?”

  “Honey.” She sighs. “A girl like you . . . with your father’s salary . . . the words too expensive don’t apply to you.”

  “It’s not Dad’s salary I’m worried about. It’s Mom’s. How can I ask her—”

  “Your mom is taking steps to fix all that.”

  “The court case.” “I see he mentioned it,” she mutters.

  “I wish she’d just get a better-paying job.”

  “Do you think she’s marketable? With a performing arts degree and a giant gap in her resume?” Nana crosses her arms. “She did a valiant thing, staying home to take care of a child who wasn’t hers. She could have worked in productions, even if she wasn’t performing, but she chose to take care of Hayley instead because your father was going to provide. That was their deal. And when you came along, she ran herself ragged. She did everything she was supposed to do, down to the letter, and your father split. She’s trying to make lemonade out of spoiled, rotten lemons, young lady.”

  I don’t want to look at her. I feel like a brat, like I’m demanding things I don’t deserve. I know Dad screwed up when he left, but so did Mom. “But he has a point. If Mom hadn’t let Ted move in, we wouldn’t be in this situation, and I have to agree—”

  “Stop right there.”

  I shut up when Nana raises her voice, which is an extremely rare occurrence.

  “Your mother was broken after your father left her for that Miss Karissa. She was entitled to make a mistake or two.”

  “And to leave me paying for it?”

  She chews on her words for a moment and then spits them out one by one. “Tell me: what kind of world do we live in where a woman can do the right thing, sacrifice her job for her children—and she didn’t have to do that for you, let alone Hayley—and our court system allows a man to financially control her? She put in her time. She earned every dime of that maintenance and more, like so many women who stay home with children, and the courts allow the men to control her decision to live with someone or not. What would happen to the American family if no one stayed home with the children?”

  “Oh, so it’s my fault she quit working and stayed home? I didn’t ask her to do that.”

  “The point I’m making: your mother made it all possible. Your dad wouldn’t have gone very far in his career if he were chasing around town, getting you and your sister everywhere you had to be or staying up all night when one of you had the flu. That’s why your father still has his money, but your mother’s the one who should inspire you.”

  I want to tell her that Mom does inspire me. By being an awesome mom, by staying home with Hayley and me and by teaching me to dance and to love myself and to love the good in other people, and by always, always, supporting me.

  What I can’t tell Nana is that deep down, I’m worried none of that is enough—for Mom or for me.

  And I’m still mad at Mom for letting Ted move in and ruining everything. Or maybe I’m pissed that she couldn’t keep him. He may be a coward for taking off instead of staying to support Mom through the cancer, but he was nice to me.

  “You shouldn’t have to make your own way,” Nana says. “But I want you to know you can. You have it in you to do marvelous things.”

  I wish I didn’t have to ask either of my parents for another single thing. But that doesn’t seem likely. “If I’m not called back for this audition—”

  “If you’re not, there’ll be others. Or you’ll write your own musical to star in. You’ll blaze your own trail.”

  I roll my eyes. “Not all of us are Lin-Manuel Miranda.” “Not all of us are Madelaine Emmah Joseph. But you are. And you can. The only thing stopping you is right here.” She taps me on the forehead. “Get out of your head and do it.”

  I shake my head.

  She doesn’t get it.

  Chapter 5

  Hayley: Another theory about the Vagabonds hiatus.

  Hayley: Go check it out!

  I guess Hayley’s not mad at me anymore.

  My fingers are instantly at work, rushing over my screen, tapping out directives to the Vagabonds website, then to blogs that discuss it.

  Since the band abruptly went on hiatus, the fandom has uncovered all sorts of cryptic clues as to what they might be up to.

  I scan through the latest evidence that a tour may be on the horizon. It’s an interesting theory, although fans are often on wild-goose chases. Some people are interested in the mystery aspect of it all. Some people are simply jonesing for more music.

  Me? All of the above.

  But the real reason I’m addicted to rumors of a return: I relate to the need to fade away every now and then. Just like Vagabonds.

  They’ve made it to where I want to be. Everyone knows their names, but that doesn’t mean they want the world to scrutinize every move they make.

  I’m the same way. I love music. I love the stage. I can’t imagine a day when I won’t love performing.

  But I know it comes with an intense, heated spotlight. There’s no way around it.

  The stage equals invasion of privacy. Society doesn’t generally respect that some of us don’t want notoriety; we just want to perform.

  I screenshot the new theory, file it in an album, and text Hayley.

  Me: I think you need a degree in astrophysics

  Me: To figure out all those clues!

  Me: But secretly, I totally want to do what they did.

  Me: Disappear on my own terms.

  Me: And if someone pays enough attention

  Me: They’ll know where to find me.

  Just as I hit send on my last message, another from Hayley shows up:

  Hayley: They’ll know where to find you.

  Hayley: HA!

  Me: HA!

  Me: You still finish my sentences.

  I wish I could find just one Hayley at Saint Mary’s.

  It’s fair to say I don’t exactly fit in at school. First, because at fifteen years, ten months, and three days old, I’m the youngest in the junior class. My parents started my education early because they say I was already reading—music and words—at age four. But really, I think they just wanted to be kid-free a whole year faster so they could travel the world together, attending operas and ballets and musical productions—all of which, they assumed, I’d eventually be starring in.

  When I first started performing, we celebrated every role together. We ate pastries at my favorite little café, and my parents held hands across the table. They cuddled and dreamed out loud together. Little did they know they’d end up hating each other’s guts just a few years later.

  They’ve been fighting over me ever since they separated when I was six. Sole custody versus joint. This percentage visitation against that. And now, I see Dad for mere hours at a time, and Mom’s very often out late.

  It’s nearly ten by the time my mother walks in the door tonight. The murmur of her conversation with Nana echoes down the hall.

  “Ella?” Nana asks. “How’d it go?”

  “Oh, you know. Just about as expected.” She sounds sad.

  Like I said, she’s not good at the dating game. She trusts too quickly and too broadly. She’s a terrible judge of character. She sees the good in everyone, which means she sets herself up almost daily for heartbreak. She once told me that if she were in a room with twenty straight men, she’d be a magnet for the one who was the worst for her.

  That’s what’s weird about Ted. He didn’t seem bad. He didn’t even seem bad for her. Until he
just split.

  I pop in my earbuds and let my own notes sift through my ears. I lounge on my bed, drifting between homework, the Vagabonds website, and Lyrically, where I’m making little progress on my score.

  I meander to my recent friend request from Dylan Thomas.

  A name like Dylan could belong to anyone—guy, girl . . . And not that it matters, I guess, how they identify, but I don’t want to this to turn into some kind of weird romantic entanglement. There’s enough drama on the stage, is how I see it, not to mention all the theatrics involving my parents, and I need to remain focused on my aspirations, not whether someone else thinks I’m worthy of a relationship. This person’s underlying motives for contacting me could get in the way of my focus. Besides . . .

  What if I inherit my mother’s bad judgment where men are concerned?

  Dylan Thomas lives in Englewood, just a few trains away. I wonder what they were doing at the Factory. Surely, they can get a cup of coffee in their own neck of the woods. But this person, like the artist for whom they’re obviously named, is a poet, and I’m in desperate need of words.

  What the hell.

  I accept the request and text Hayley, bringing her up to speed.

  Me: I just accepted the origami moon poet’s friend request on Lyrically. Someone going by the name Dylan Thomas.

  Hayley: HOLD ON

  Hayley: Some random guy is messaging my BFFLS?

  That’s short for Best Friend Forever Little Sister.

  Me: Not sure it’s a guy. And not totally random either.

  Me: I’m thinking we could maybe collab on a song.

  Hayley: Well, I’m all for that.

  Hayley: You could use a little push from your comfort zone.

  Hayley: For some of us it’s dating, for you I guess it’s this.

  Me: Ugh

  Me: You know I don’t like to get distracted with dating.

  Hayley: I don’t know how you do it.

  Hayley: Or DON’T do it

  Hayley: As the case may be.

  Me: I’m changing the subject!!!!

  Me: Wanna go meet Andy Randy with me?

  Hayley: The openly gay Broadway star you insist you’re going to marry one day?

  Me: That’s him!

  Hayley: When’s that happening?

  Me: Dad just set it up.

  Hayley: Seriously? You’re meeting your idol?

  Me: I don’t joke about my openly gay future husband.

  Hayley: Ha!

  Hayley: Your life is so different than mine.

  Me: Well?

  Hayley: Not sure.

  Hayley: When are you going?

  Me: Not sure yet.

  Hayley: In all honesty, I probably can’t.

  Hayley: Finals.

  Me: :(

  This is one thing that sucks about not having friends. Real friends, anyway, who want to hang out with me whether or not my dad’s paying their way into some amazing experience. If my sister can’t make it, who’s going to come with me to New York?

  “Lainey?” Mom’s voice. “Can I come in?”

  “Sure.”

  She doesn’t say anything about the basket of laundry I still haven’t folded. She doesn’t ask why I’m here when I should be at Dad’s. She doesn’t ask about my audition or ride me about the homework I’m obviously not doing.

  She wades through the clutter of my room and curls up at my side. She’s so small and thin. And for a minute, I feel so sad for her. I want her to be happy and comfortable. I want to see her dancing in the kitchen again.

  I want to tell her what she used to tell me when she’d tuck me in at night when I was little: Love you to the end of the universe and back a million times.

  The scent of cinnamon rolls filters through my memory, and I flash back to our kitchen in our Kenilworth house. The Thoroughly Modern Millie soundtrack is playing in the background, and we’re all dancing around the island—Mom, Hayley, and me—singing “Forget about the boy. Forget about the boy . . .”

  It was an idyllic existence.

  But it’s been supplanted by memories of screaming fights echoing down the hall from my parents’ room, an ugly five-year court battle, and insults disguised as compliments: Oh, your father sent a car . . . .how nice that he wants you to arrive in style . . . how nice to provide stuff for your teenaged daughter. Stuff goes a long way . . . almost as long as love.

  I’m just plain sick of it. All of it.

  I shrink away from her and pop in my earbuds to listen to the track I’ve been working on. Dylan Thomas’s words—the few that I’ve committed to memory—seem to flow with my notes.

  “Lainey?” She touches a curl at my temple.

  I flinch. Don’t want to be touched right now. But I pause my track and look at her.

  “I love your hair,” she says.

  I look at her. “Court again? Really?”

  She sits up straighter. “I’ve been compiling receipts and cataloging all I’ve done pro bono for your career since the divorce. Your father, as your manager, should have been paying me to scuttle you all over town the same way he pays Giorgio. What he owes me in back charges would more than cover your tuition at the academy next year. My lawyer says it’s a slam dunk. We just have to put up with his contesting, with his continuances. And if a judge awards me for the back charges, you’ll be at that school next term.”

  I sigh. “But Dad’s contesting it.”

  “Let him. He can’t intimidate me. Everything I do,” she says, “I do for you.”

  We stare at each other in silence for a few seconds.

  “What’s in Minnesota?” I ask. “New guy?”

  She shakes her head. Her hair—pin straight and golden—ruffles against the pillow. “You don’t have to worry about it.”

  “I do, actually. In the five years since you and Dad have been divorced, and even in the five years it took you to get divorced, I’ve watched these guys absolutely crush you, and I don’t like it.”

  “Oh, Lainey.”

  “It’s true. You’re awesome. They’re all idiots.”

  “Yes.” She laughs a little. “You’re right about that. It’s okay, though. I tried. I did my best. Just like an audition, baby girl. You do your best. Sometimes you win, sometimes you lose. How’d it go today?”

  “Don’t change the subject. You lose a lot these days.”

  “I’ve fallen for twenty idiots over the course of my life,” she says. “The twenty-first time I fell in love was forever. It doesn’t matter if I lose for the rest of my life.”

  “Who’s the twenty-first? Dad?”

  She sighs, and one corner of her mouth turns slightly upward. She shrugs a shoulder.

  It was Dad.

  I think about the day her diagnosis came in. The first thing she did was call Dad. Ted and I were in the next room, and we heard it all.

  Jesse, I have cancer. After all we’ve been through, you need to know I love you.

  “Is that what happened with Ted?” I ask. “Did he realize that you were never going to get over Dad? Is that why he left?”

  “He left”—she rolls out of my bed—“because he couldn’t handle the reality of the situation.”

  “But—”

  “Cancer’s no picnic. He couldn’t deal.”

  “Sure, but I just think that maybe if he hadn’t heard you tell Dad you loved him—”

  “He had to go. When you’re older, you’ll understand.”

  “But—”

  “All you have to do is focus on you. And that’s all I have to do, too. Focus on you. You make everything worthwhile.”

  I wish that were true.

  Chapter 6

  Sunday, April 30

  Waiting for this callback list is practically going to kill me. They said tomorrow. It’s tomorrow. WTF?

  Mom and Nana are heading off to some antique show in the burbs, where my grandmother sells her hand-painted furniture. While Mom’s in the bathroom, Nana slips me her credit card so I can buy a p
air of taps today.

  “Your father should be ashamed of himself,” she mutters. “Nickel-and-diming you while that Miss Karissa and her kids are sitting pretty in that shoreline house . . .”

  “They don’t live there.”

  “Oh no?”

  “No, Miss Karissa has a place in Evanston.”

  “Having a place and living there are two different things. Do you think any woman of his is going home to a cramped two-bedroom bungalow night after night? Don’t be naïve.”

  I honestly hadn’t considered that. Could Dad be playing family with Miss Karissa and Jennica and the boys? Is he casting me out to bring in a new crew? I feel like I’m going to be sick.

  ***

  My phone alerts. I pounce on it before the text tone gives away that it’s only my sister.

  Hayley: Taking a break.

  Hayley: Thought I’d see how you’re doing.

  Hayley: Did you get a callback?

  Me: Don’t know yet.

  Hayley: Fingers crossed!

  Me: Can I ask you something?

  Me: You were little when my mom and Dad got together.

  Me: Did you ever feel like u weren’t part of things?

  Hayley: Not really.

  Me: Because I do.

  Me: I haven’t seen Miss Karissa since I met her in passing like three years ago

  Me: And it was an accident.

  Me: He didn’t expect me to be there.

  Me: It’s like Dad’s hiding her from us.

  Hayley: He’s entitled to have a life without us, u know.

  Hayley: I haven’t even met her yet.

  Hayley: But I’m not complaining.

  Hayley: If they’re going to go long term, I’m sure I’ll meet her eventually.

  Me: It’s been years now.

  Me: It IS long term.

  Hayley: Doesn’t mean it’s serious.

  Hayley: If it were, I’m sure I’d meet her.

  Me: But you’re at school.

  Me: You’re busy.

  Me: When was the last time you saw Dad?

  Hayley: He swings by occasionally.

  Hayley: Takes me out for lunch etc.

  Me: But he doesn’t bring Miss K.

  Hayley: Fine with me.

  Me: She’s a big part of his life.

 

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