Blood On The Sun

by Stuart Melvin Kaminsky

Kyle shook his head "no."

  "Then we go on," said Mac. "We got some of your clothes and did a spectrographic collection of your scent and Jacob's. I got a department dog that specializes in human scent, and let him take his time. Your scent was all over the clearing in the woods. There wasn't the slightest trace of Jacob's scent except on the clothing you left. Then I took the dog to check the Vorhees house. Your scent showed up in the upstairs hallway, on the stairway, in the kitchen, in Becky Vorhees' room and in Jacob's room, but not all over the room, just on a straight line to the closet. You want to tell me why you were in Jacob's room?"

  "No," said Kyle, glancing at Jacob and touching the boy's shoulder.

  "Okay," said Mac. "I will. Rufus confirmed what I thought. You helped Jacob hide. Why?"

  "I was afraid," said Jacob, shaking.

  "Jacob," Tabler warned.

  "That the police would say I murdered my family," said the boy.

  "No," said Mac. "I think Kyle had a plan, not a very good one, too complicated, too many places to find holes full of evidence, too little time to take care of all the holes."

  "Detective," Tabler said, looking at Jacob. "My client is through answering questions."

  "We checked your father's background," said Mac. "Found out why you've moved so much."

  "No more questions," said Tabler.

  "I didn't ask a question," said Mac. "I made a statement of fact. The next one is even more important." Mac pulled a photograph of the vase from the box and held it up. Jacob began to cry. Shelton put an arm around him.

  "There was a bruise on your father's arm," said Mac. "His right arm. It was sufficient to make him drop whatever he was holding and shatter the vase that he was hit with. Your father was the one with the knife. When you came into your sister's bedroom, she and your mother had already been killed by your father. You grabbed the vase, hit him, took the knife when he dropped it and stabbed him."

  Tabler rose and said, "We're leaving."

  "No," said Jacob. "We told you what happened."

  "The knife wounds on your mother and sister were all approximately the same depth, made by someone considerably stronger than you. The ones on your mother and sister were straight in. The wounds on your father weren't deep and were at an upward angle. They were made by someone much smaller than he was."

  "It was me," said Kyle.

  "You didn't kill anyone," said Mac.

  "I killed many," Kyle said.

  "In Iraq," Mac said.

  "He's had enough," said Kyle, looking at Jacob, who had taken off his glasses, placed them on the table and leaned against him, his eyes closed and sobbing.

  Mac nodded and said to the lawyer, "You should take him in the other room now. A detective will show you where you can have some privacy with your client."

  "My client…" Tabler began, suddenly sorry that he was involved in this whole mess.

  "… didn't commit any crime except not coming forward as a witness to murder," said Mac. "He killed his father in self-defense. I doubt if a family court judge will do anything but order that he get therapy. I'll recommend it."

  "Come with me," Tabler said to Jacob.

  The boy continued to cling to Shelton, who handed the boy his glasses and gently urged him out of his chair and toward the lawyer. Jacob put on his glasses and let Tabler guide him out of the room.

  "Howard Vorhees came to his daughter's room with a kitchen knife," said Mac. "He came for a sexual attack, threatened her with death. She fought, screamed. He killed her. Jacob heard the noise, ran in just behind his mother. Howard Vorhees killed his wife. That's when Jacob picked up the vase, hit his father's arm, dropped the vase, picked up the knife and stabbed his father."

  "How…?"

  "Reconstruction from the evidence," said Mac. "That's about when you came through the door, right?"

  "Right," he said.

  "Wrong," said Mac. "What were you doing there at the exact time of a triple murder in the middle of the night?"

  "I was going to be with Becky," he said. "She was expecting me. She left the front door open."

  Mac shook his head "no."

  "There was a call from Becky's cell phone to yours after two-fifteen."

  "She called to ask if I was on the way," he said.

  "She was dead, Kyle. Jacob called you and you came to the house and moved the bodies. It took you about half an hour to get there. The trail of blood from the floor to the bed would have shown more blood if Becky and her mother were moved shortly after they were killed."

  "Jacob called me," admitted Shelton. "When I got there, he was covered with blood. So was the knife in his hand. He was just standing there looking down at his dead mother. He wasn't concerned with being accused of murdering his family. He was afraid of the world finding out the horror in that house. Better an intruder than the truth. I knew the intruder story wouldn't work. Too much evidence. I sent Jacob to his room and put the bodies on the bed."

  "Why?" asked Mac, though he thought he knew the answer.

  "It was the right thing to do," Shelton finally said. "Lay out the respected and loved dead and leave a dead dog at their feet."

  "Then?" Mac prompted.

  "Then I helped Jacob hide, put his bike and clothes in my car, found that wooded area and scattered it all in the clearing."

  "You knew we'd find them," said Mac.

  "I wanted them found. They were. Without Becky I was going back to a life of grief and despair, a life I had brought home inside me from Iraq. I could live in grief, growing old in low-pay jobs, or I could do it in prison for life and possibly save Jacob. It was worth a try."

  "Did you know the leaf was on your shoe?"

  Kyle didn't answer.

  "You wanted us to find him in the house," said Mac. "But you didn't want to tell us directly and have Jacob think you'd betrayed him. So, you called me, left clues that got more and more simple. The quote you attributed to Anne Frank was obviously not by Anne Frank. You were telling me to look for a child hiding in the house.

  "You're guilty of helping to conceal a crime," said Mac. "Considering the crime and why you did it and the fact that you have no record, my guess would be suspended sentence. That's what we'll ask the court for."

  "You think they'd let me take care of Jacob?" Kyle asked.

  "Stranger things have happened," said Mac, but he didn't believe Kyle getting custody of Jacob would be one of them.

  " 'Nobody should pin their hopes on a miracle,' " said Kyle.

  "Who said that? Voltaire?" asked Mac.

  "Vladimir Putin," answered Kyle.

  13

  "WE'RE ALMOST BECOMING FAMILY," said Bloom, opening the door to his shop with a look of resignation. "You have a warrant, I assume?"

  Stella, Flack and a backup uniformed officer, who looked as if he could be a National Football League lineman, stood in the doorway.

  "We're not here to search," said Flack.

  Bloom said nothing and waited for them to make their move. Bloom was wearing a pair of neatly pressed navy trousers and a white shirt, also neatly pressed. The clothes did nothing to hide his paunch. He continued to look at them over the rimless lenses of his glasses. Stella thought he looked like anyone's second-favorite uncle.

  There was a smell of fresh coffee mingling with the pleasant smell of wood.

  "We'd like to talk," said Flack. "Will you please come with us?"

  "Can we talk here?" asked Bloom. "I've got coffee brewing."

  "We'd like you to come with us," Flack said.

  The big uniformed cop shifted his weight, ready to move.

  "My attorney has said I should cooperate with you no more," said Bloom. "You'll have to arrest me."

  "Sure," said Stella. "You're under arrest for the murders of Asher Glick and Joel Besser."

  Bloom shrugged and started forward toward the door.

  "Stop," said Stella.

  Bloom stopped. Flack's gun was out now. He motioned for the big cop to move forward and pat down Bloo
m as Flack began to issue the Miranda warning. The cop, whose name was Rossi, was taller than Bloom, easily six foot four. He had been a college wrestler at Rutgers and had tried out for the Steelers, who decided Rossi was just too slow.

  "Clean," said Rossi, standing up and taking out his cuffs.

  Slump-shouldered Bloom put his hands behind his back. He heard the metal jangle of the handcuffs and made his move. He turned and leveled a sudden sharp chop to Rossi's throat. The big cop went down on his knees, gasping for air, still grasping the handcuffs in his right hand.

  Flack stood ready to shoot if the suspect attacked him. The problem was that Bloom had no weapon and Bloom, when he wanted to, could look like a harmless middle-aged man with a paunch and poor eyesight. Shooting unarmed suspects or perpetrators was forbidden except under unusual circumstances. This certainly appeared to be an unusual circumstance.

  Flack's hesitation of less than a second would have meant nothing with most people he arrested. Bloom moved with surprising speed, throwing his full weight into Flack, who staggered backward and dropped his gun.

  The only one between Bloom and escape was Stella, who stood in the doorway with no expression. She was unarmed.

  Bloom had packed a single medium-sized duffle bag, which lay on his bed upstairs. He had taken little time to pack. The delay had been caused by the bureaucracy of the bank. He had called to tell them that he wished to withdraw all of his money, that he would be there within an hour. When he arrived at the bank, the clerk directed him to an assistant bank manager who looked more like a well-dressed young movie star. The assistant manager had assured Bloom that they were almost finished putting together the cash. Over an hour later, Bloom had left the bank with a thickly packed zippered tote bag. The bag was in the trunk of an Al-tima he had stolen no more than twenty minutes before Stella, Flack and Rossi had appeared at his door. The car was parked in a three-story lot within sight of Bloom's shop.

  Now he had to improvise. He had been taught to improvise and over the years had added many improvements on what he had been taught decades ago.

  Bloom moved quickly toward Stella. Behind him Rossi's gasps for air sounded like the wheezing of a person in the final throes of emphysema. Flack got to his knees, looked around for his gun and saw it in the left hand of Arvin Bloom.

  Kills with his left, writes and eats with his right, thought Stella.

  Flack started to stand on shaking legs. Bloom heard the detective over the gasps of the officer on the floor. Bloom turned the gun toward Flack, who started to reach for the backup gun taped to his ankle. Bloom knew just what Flack was doing.

  Before the detective could reach his gun, Bloom would shoot him and the woman in the doorway. It would make noise. The shots would probably be called in to 911. He would have to move slowly when he got outside. He couldn't run.

  Pain. A terrible pain that sent him into spasms and made him drop to the floor and drop Flack's gun. Bloom, eyes twitching rapidly, looked at Stella and the small black stun gun in her hand. How many volts had she used? He began to writhe on the floor. Flack picked up his gun from the floor where Bloom had dropped it, holstered the gun and cuffed Bloom.

  Both Stella and Flack moved to Rossi, whose face was white and bloated. Rossi's mouth was open wide, trying to suck in air. His pleading eyes moved from Flack to Stella.

  Flack got on his phone and called for an ambulance, saying, "Officer down."

  When he clapped the phone shut, Stella, who was holding Rossi's hand, said, "He needs a tracheotomy, now. Lay him on his back."

  Bloom was still writhing, but the spasms had subsided.

  Stella had not brought her kit. There had been no thought of crime scene work, only the arrest of a murderer. A mistake. It had been a week of mistakes. Aiden had made a mistake. So had Danny. Now she had made one, too.

  The heat, she thought.

  "We need a knife or a razor blade," she said. "Something really sharp."

  Flack reached into his pocket quickly and glanced at Rossi, whose face was almost a watermelon red. Flack's hand came out with a multi-bladed Swiss Army knife. He opened one of the blades and handed the knife to Stella. She knew how to test the sharpness of a blade without cutting herself. She swiftly ran a finger up the blade toward the edge and past it. Then she looked at the edge of the blade and nodded her head toward Flack.

  "We need a straw, a plastic tube, something…" she said, but she could see in Flack's eyes that he had seen this before. He could probably even do the tracheotomy, but it was her job.

  She looked at Rossi. She was thinking that the young cop's life could now be measured in seconds. Bloom was sitting on the floor, dazed.

  "Thin cardboard," she said. "Roll it in a tight tube."

  Flack understood. He remembered a tissue box on the counter from the last time he was there. Flack moved behind the counter, found the box and took out the tissues. Then he tore off one side of the box and rolled the cardboard.

  "Stella," he called, holding up the tube.

  "It'll do," she said.

  He gave the rolled-up tube to Stella, who knelt next to Rossi. Rossi's eyes were closing.

  "Need me?" Flack asked.

  "I'll call if I do," she said.

  "Ever done this before?"

  "No," she said, lowering the knife toward Rossi's throat.

  "Good luck," said Flack, getting up and moving toward Bloom.

  A little luck would be great, but Stella believed less in luck than skill. She knew how to do this. She had watched paramedics do it three times. When they were done, she had asked them questions and then later asked Sheldon Hawkes to tell her how it was done.

  Stella found the indentation between Rossi's Adam's apple and the cricoid cartilage. Then she made a half-inch horizontal incision about half an inch deep. Rossi didn't react. He didn't seem to be breathing.

  Next Stella stuck a finger into the incision. The whole procedure was not only unsterile, but probably profoundly dirty. Couldn't be helped. Blood circled her inserted finger and flowed out of the incision site. Then Stella felt her finger enter the windpipe. With her free hand, she picked up the makeshift cardboard tube and tightened it. It should fit. If not, she would have to make a larger hole if she had enough time.

  She carefully removed her finger from the incision and slowly inserted the cardboard tube into the windpipe. She leaned over and blew into the tube to clear it of blood that might have rushed in. Then she waited five seconds and blew into the tube again. She was unaware of where she was and even who she was. She concentrated only on the big police officer. She blew into the tube every five seconds.

  "How's it going?" asked Flack.

  She didn't answer. She was counting seconds.

  Then she heard the warning sound of the paramedic van in the distance. She turned her head toward the street for an instant and then back at the fallen police officer, whose chest was now rising. Less than thirty seconds later, Rossi's eyes opened. He was breathing on his own with pain in his chest and the invasive tube of cardboard in his throat. Rossi mouthed, "Thank you." Stella nodded.

  Two paramedics rushed in, kits in hand.

  "Where does it hurt?" one of them asked. "Were you shot?"

  Stella looked down at her blouse, which was covered with blood, as were both of her hands and her face.

  "Not me," she said. "Take care of him. This is his blood."

  Both paramedics nodded and moved to Rossi, who, with pain, said, "I can walk."

  "Not a good idea," one paramedic said.

  "I'm walking," he whispered softly so Flack and Bloom couldn't hear him. "I'm not letting that son of a bitch see me carried out."

  They helped him to his feet. He seemed to be breathing normally.

  "Nice tracheotomy," said one of the two paramedics. He looked at Stella and added, "You do it?"

  Stella nodded.

  "You guys are CSI, right? We've seen you before?"

  "We're CSI," Stella confirmed.

  "All of you
?"

  "Not the one in cuffs," she said. "He's a murderer."

  Rossi gently shook off the hands of the paramedics and managed to walk normally to the door, glancing once at Bloom, who didn't look back at him. The policeman he had hit was unimportant, not worth looking at. It didn't matter that he had lived instead of dying. There had been a few before him, in at least six countries. They were living dots that he could easily erase, witnesses, people who had gotten in the way. They hadn't mattered, since the killing that had been assigned to him had been carried out. Now, for the man who called himself Bloom, the primary thing was staying alive.

  He would make a call and they would save him. There was no doubt in his mind. He was too valuable. He knew too much and had hidden documents where even they couldn't find them. They knew that if anything happened to him, he would make a call and someone would bring the documents to The New York Times. He would insist that a federal government agency be notified that he had been arrested for murder.

  Flack, trying to tame a limp, pushed the big man toward the door. He stopped to pick up Bloom's glasses and was about to put them on the prisoner when he noticed something. He held the glasses up to the light and then handed them to Stella.

  She too held them to the light and said, "Plain glass."

  Bloom looked over his shoulder at them and smiled.

  "Where's your wife?" asked Stella.

  Bloom continued to smile.

  "Bring him in," she said. "I'll look around here and meet you in about an hour."

  She was wrong. It took her two hours in the shop, and that was after she called Aiden, told her what she had found and asked her to bring her kit.

  * * *

  They were in an office in the Manhattan building of family court at Lafayette and Franklin.

  Jacob and Tabler sat across from a judge who didn't look much like a judge. She was black, very pretty, with soft-looking ebony hair brushed down to her neck. She couldn't have been more than thirty.

  Judge Sandra Whitherspoon had read the reports. Because Jacob was between the ages of seven and twelve, there would be no record of this preliminary hearing or of the case if it went beyond her jurisdiction. In addition, Jacob could not be tried for murder.