Philippa Gregory 3-Book Tudor Collection 1

by Philippa Gregory

  He makes a grimace. ‘The reform of the church is not as we understood it,’ he says, and from the closed line of his mouth I take it that he wants to say no more.

  ‘Certainly, it seems to have been a profitable process,’ I remark tentatively, thinking of the great houses that we stayed in on the way from Deal which were clearly former monasteries, or abbeys, and the medicine gardens around them being dug over for flowers, and the farms which fed the poor but are now being converted into parkland for hunting.

  ‘When we were at home we thought it was a godly process,’ he says shortly. ‘We did not realise it was drenched in blood.’

  ‘I cannot believe that to tear down the shrines where simple people liked to say their prayers can lead them closer to God,’ I say. ‘And what is the profit in forbidding them from lighting candles to remember their loved ones?’

  ‘Earthly profit as well as spiritual,’ he says. ‘The church’s tithes are not lifted, they are just paid to the king. But it is not for us to remark on how the country of England chooses to say its prayers.’

  ‘My brother …’

  ‘Your brother would have done better to look to his own record keeping,’ he says, in sudden irritation.

  ‘What?’

  ‘He should have sent the letter which released you from your promise to marry the Duke of Lorraine’s son.’

  ‘It didn’t matter that much, did it?’ I ask. ‘The king has said nothing of it to me.’

  ‘We had to swear that we knew of its existence, and then we had to swear that it would be sent within three months, and then we had to swear that we ourselves would be hostage for it. If your brother does not find it and send it, God knows what will happen to us.’

  I am aghast. ‘They cannot hold you to ransom for my brother’s record keeping? They cannot really think that there was an impediment?’

  He shakes his head. ‘They know full well that you are free to marry and that the marriage is valid. But for some reason known only to themselves, they choose to throw a doubt over it all, and your brother’s error in letting us come without it has allowed that doubt. And we have been most cruelly embarrassed.’

  I turn my eyes down. My brother’s resentment of me goes against his own interests, goes against the interests of his own country, even against the interests of his own religion. I can feel my temper rise at the thought of him jeopardising my very marriage from his jealousy and spite. He is such a fool, he is such a wicked fool. ‘He is careless,’ is all that I say; but I hear my voice shake.

  ‘This is not a king to be careless with,’ the count warns.

  I nod, I am very conscious of the king sitting in silence on my left. He cannot understand German but I do not want him to look at me and see me anything other than happy.

  ‘I am sure I shall be very content,’ I say, smiling, and the count bows and goes back to his place.

  The entertainment is finished and the archbishop rises from his place at the table. My councillors have prepared me for this moment and when the king rises to his feet, I know that I have to get up too. The two of us follow my lord Cranmer to the king’s great chamber and stand in the doorway while the archbishop walks around the room, swinging the censer and sprinkling the bed with holy water. This really is most superstitious and outlandish. I don’t know what my mother would say; but I know she would not like it.

  Then the archbishop closes his eyes and starts to pray. Beside me, Count Overstein whispers a rapid translation. ‘He prays for the two of you to sleep well and not be troubled with demonic dreams.’ I make sure that my expression is one of interest and devotion. But I can hardly keep my face straight. Are these the people who have closed down shrines to stop people praying for miracles and yet here in a palace they have to pray for protection against dreams of demons? What sense can one make of them?

  ‘He prays that you will not suffer from infertility, nor the king from impotence, he prays that the power of Satan will not unman the king nor unwoman you.’

  ‘Amen,’ I say promptly, as if anyone could believe this nonsense. Then I turn to my ladies and they escort me from the room to my own chamber where I will change into my nightgown.

  When I come back the king is standing with his court beside the great bed, and the archbishop is still praying. The king is in his nightshirt with a great handsome cloak lined with fur thrown over his shoulders. He has laid aside his hose and I can see the bulky bandage on his leg where he has an open wound. The bandage is clean and fresh, thank God, but even so the smell of the wound seeps into the bedchamber to mingle, sickeningly, with the smell of incense. The prayers seem to have been going on while we both changed our clothes. Really, you would have thought that we were safe from demonic dreams and impotence by now. My ladies step forwards and slip my cloak from my shoulders. I am dressed only in my nightshift before the whole court and I am so mortified and embarrassed that I could almost wish myself back at Cleves.

  Lady Rochford quickly lifts the covers from the bed to shield me from their inquisitive stares and I slip between them and sit up with my back against the pillows. On the other side of the bed a young man, Thomas Culpepper, kneels for Henry to lean on his shoulder and another man takes the king’s elbow to push him upwards. King Henry grunts like a weary carthorse as he hauls himself into bed. The bed dips at his great weight and I have to make an ungainly little wriggle and grab the side to stop myself rolling over towards him.

  The archbishop raises his hands above his head for a final blessing and I look straight ahead. Katherine Howard’s bright face catches my eye, she has her hands pressed together, held against her lips as if devoutly praying, but she is clearly struggling not to giggle. I pretend I have not seen her, for fear that she should set me laughing too, and when the archbishop completes his prayers I say: ‘Amen.’

  They all go then, thank God. There is no suggestion that they should watch the marriage being consummated, but I know that they will need to see the sheets in the morning and know that it has been done. This is the nature of the royal marriage. That, and marrying a man old enough to be your father, who you hardly know.

  Jane Boleyn, Greenwich Palace, 6 January 1540

  I am one of the last to leave and I close the door quietly on yet another marriage of the king’s which I have seen progress through courtship to the marriage bed. Some, like that young fool Katherine Howard, would think that this is where the story ends, that this is the conclusion of everything. I know better. This is where the story of a queen begins.

  Before this night there are contracts and promises, and sometimes hopes and dreams; rarely there is love. After this night there is the reality of two people working out their lives together. For some, it is a negotiation that cannot be done; my own uncle is married to a wife he cannot tolerate, they live apart now. Henry Percy married an heiress but could never free himself from his love for Anne Boleyn. Thomas Wyatt hates his wife with a vengeance, since he fell in love with Anne when she was a girl and he has never recovered. My own husband … but I will not think about my own husband now. Let me remember that I loved him, that I would have died for love of him – whatever he thought of me when we were put to bed together for the first time. Whoever he thought of when he had to do the deed with me. God forgive him for holding me in his arms and thinking of her. God forgive me for knowing that, and letting it haunt me. In the end, God forgive me for having my head turned and my heart turned so I liked nothing more than to lie in his arms and think of him with another woman – jealousy and lust brought me so low that it was my pleasure, a wicked sinful pleasure, to feel his touch on me and think of him touching her.

  It is not a matter of four bare legs in a bed and the business done. She will have to learn to obey him. Not in the grand things, any woman can put on a bit of a show. But in the thousand petty compromises that come to a wife every day. The thousand times a day when one has to bite the lip and bow the head and not argue in public, nor in private, nor even in the quiet recesses of one’s own mind. I
f your husband is a king, this is even more important. If your husband is King Henry, it is a life or death decision.

  Everyone tries to forget that Henry is a ruthless man. Henry himself tries to make us forget. When he is being charming, or setting himself out to please, we like to forget that we are playing with a savage bear. This is not a man whose temperament is tamed. This is not a man whose mood is constantly sweet. This is not a man who can manage his feelings, he cannot keep constant from one day to another. I have seen this man love three women with an absolute passion. I have seen him swear to each of them an eternal, unchangeable fidelity. I have seen him joust under the motto ‘Sir Loyal Heart’. And I have seen him send two to their deaths, and learn of the death of the third with quiet composure.

  That girl had better please him tonight, and she had better obey him tomorrow, and she had better give him a son within a year, or I, personally, would not give a snap of my fingers for her chances.

  Anne, Greenwich Palace, 6 January 1540

  One by one they leave the room, and we are left in candlelight and an awkward silence. I say nothing. It is not for me to speak. I remember my mother’s warning that whatever happens in England I must never, never give the king reason to think that I am wanton. He has chosen me because he has faith in the character of the women of Cleves. He has bought himself a well-mannered, self-controlled, highly disciplined Erasmian virgin and this is what I must be. My mother does not say outright that to disappoint the king could cost me my life, because the fate of Anne Boleyn has never been mentioned in Cleves since the day when the contract was signed to marry me to a wife-killer. Since my betrothal it is as if Queen Anne was snatched up to heaven in complete silence. I am warned, constantly warned, that the King of England will not tolerate lightness of behaviour in his wife; but no-one ever tells me that he might do to me what he did to Anne Boleyn. No-one ever warns me that I too might be forced to put my head down on the block to be beheaded for imaginary faults.

  The king, my husband, in bed beside me, sighs heavily, as if he is weary, and for a moment I think that perhaps he will just fall asleep and this exhausting, frightening day will be over and I can wake tomorrow a married woman and start my new life as Queen of England. For a moment, I dare to hope that my duties for today will be done.

  I lie, as my brother would want me to lie, like a frozen moppet. My brother had a horror of my body: a horror and a fascination. He commanded me to wear high necks, thick clothes, heavy hoods, big boots, so that all he could see of me, all anyone could see of me, was my overshadowed face and my hands from my wrists to my fingers. If he could have put me into seclusion like the Ottoman emperor with his imprisoned wives I think he would have done so. Even my gaze was too forward for him, he preferred me not to look directly at him; if he could, he would have had me veiled.

  And yet, he constantly spied on me. Whether I was in my mother’s chamber sewing under her supervision, or in the yard looking at the horses, I would glance up and see him staring at me with that look of irritation and … I don’t know what … desire? It was not lust. He never wanted me as a man wants a woman; of course I know that. But he wanted me as if he would dominate me completely. As if he would like to swallow me up so that I should trouble him no more.

  When we were children he used to torment all three of us: Sybilla, Amelia and myself. Sybilla, three years older than him, could run fast enough to get away, Amelia would dissolve into the easy tears of the baby of the family; only I would oppose him. I did not hit him back when he pinched me or pulled my hair. I did not lash out when he cornered me in the stable yard or a dark corner. I just gritted my teeth and when he hurt me, I did not cry. Not even when he bruised my thin little-girl wrists, not even when he drew blood with a stone thrown at my head. I never cried, I never begged him to stop. I learned to use silence and endurance as my greatest weapons against him. His threat and his power was that he would hurt me. My power was that I dared to act as if he could not. I learned that I could endure anything a boy could do to me. Later, I learned that I could survive anything that a man might do to me. Later still I knew that he was a tyrant and he still did not frighten me. I have learned the power of surviving.

  When I was older and watched his gentleness and his command of Amelia and his pleasant respect to my mother I realised that my stubbornness, my obstinacy, had created this constant trouble between us. He dominated my father, imprisoned him in his own bedroom, usurped him. He did all this with the blessing of my mother and with a proud sense of his own righteousness. He allied with Sybilla’s husband, two ambitious princelings together, and so he still rules Sybilla, even after her marriage. He and my mother have forged themselves into a powerful partnership, a couple to rule Juliers-Cleves. They command Amelia; but I could not be dominated or patronised. I would not be babied or ruled. For him I became an itch that he had to scratch. If I had wept, or begged, if I had collapsed like a girl or clung like a woman he could have forgiven me, adopted me, taken me under his protection and cared for me. I would have been his little pet, as Amelia is: his sweetheart, the sister that he guards and keeps safe.

  But by the time I understood all this it was too late. He was locked into his frustrated irritation with me and I had learned the joy of stubbornly surviving, despite all odds, and going my own way. He tried to make a slave of me, but all he did was teach me a longing to be free. I desired my freedom as other girls desire marriage. I dreamed of freedom as other girls dream of a lover.

  This marriage is my escape from him. As Queen of England I command a fortune greater than his, I rule a country bigger than Cleves, infinitely more populous and powerful. I shall know the King of France as an equal, I am stepmother to a granddaughter of Spain, my name will be spoken in the courts of Europe and if I have a son he will be brother to the King of England and perhaps king himself. This marriage is my victory and my freedom. But as Henry shifts heavily in the bed and sighs again like a weary old man, not like a bridegroom, I know, as I have known all along, that I have exchanged one difficult man for another. I shall have to learn how to evade the anger of this new man, and how to survive him.

  ‘Are you tired?’ he asks.

  I understand the word tired. I nod, and say: ‘Little.’

  ‘God help me in this ill-managed business,’ he says.

  ‘I don’t understand? I am sorry?’

  He shrugs, I realise he is not speaking to me, he is complaining of something for the pleasure of grumbling aloud, just as my father used to do before his ill-tempered mutterings became madness. The disrespect of this comparison makes me smile and then bite my lip to hide my amusement.

  ‘Yes,’ he says sourly. ‘You might well laugh.’

  ‘Will you like wine?’ I ask carefully.

  He shakes his head. He lifts the sheet and the sickly smell of him blows over me. Like a man seeing what he has bought in a market, he takes the hem of my nightgown, lifts it up, pulls it past my waist and my breasts and leaves it, so that it is in a roll around my neck. I am afraid I look stupid, like a burgher with a scarf tied tight under the chin. My cheeks are burning with shame that he should just stare at my exposed body. He does not care for my discomfort.

  He puts his hand down, and abruptly squeezes my breasts, slides his rough hand down to my belly, pinches the fat. I lie absolutely still so that he shall not think I am wanton. It is not hard to freeze in horror. God knows why anyone would feel wanton under such handling. I have stroked my horse with more affection than this cold-hearted groping. He rears up in the bed with a grunt of effort and pushes my thighs apart with a heavy hand. I obey him without making a sound. It is essential that he knows that I am obedient but not eager. He heaves himself over me and slumps between my legs. He is taking his full weight with his elbows planted on either side of my head, and with his knees, but even so his great flaccid belly, pressing down on me, is stifling me. The fat of his chest is pressing on my face. I am a good-sized woman but I am dwarfed underneath him. I fear that if he lies any more
heavily I will not be able to breathe, it is quite unbearable. His panting breath on my face is foul from his rotting teeth, I hold my head rigid to stop myself from turning my face away from him. I find I am breathless, trying not to inhale the stink of him.

  He puts his hand down between us and grabs on to himself. I have seen them with the horses in the stables at Duren and I know well enough what is going on in this hard fumbling. I snatch a breath sideways, and I brace myself for the pain. He gives a little grunt of frustration and I can feel his hand pumping away, but still nothing happens. He punches repeatedly at my thigh with his moving hand but that is all. I lie very still, I don’t know what he wants to do, nor what he expects of me. The stallion at Duren went rigid and reared up. This king seems to be weakening.

  ‘My lord?’ I whisper.

  He throws himself off me and grunts a word that I don’t know. His head is buried in the richly embroidered pillow, he is still face down. I don’t know if he has finished or is merely beginning. He turns his head to me. His face is very red and sweating. ‘Anne …’ he starts.

  At that fatal name he stops, freezes into silence. I realise that he has said her name, the first Anne that he loved, that he is thinking of her, the lover that drove him to madness and whom he killed in jealous resentment.

  ‘I, Anne of Cleves, am,’ I prompt him.

  ‘I know that,’ he says shortly. ‘Fool.’

  With a great heave that pulls all the bedcovers off me, he turns around and lies with his back to me. The air released from the bed is stale with an awful smell. This is the smell of the wound on his leg, this is the smell of putrid flesh, this is the smell of him. It will scent my sheets for ever, till death us do part, I had better get used to it.

  I lie very still. To put a hand on his shoulder would, I think, be wanton behaviour, and so I had better not, though I am sorry if he is weary and haunted by the other Anne tonight. I will have to learn not to mind about the smell and about the feeling of being pressed down. I shall have to do my duty.