Black House js-2

by Stephen King

  “You don’t get it,” Mouse says. “This shit doesn’t want to be seen.”

  “Maybe you shoulda gone to Ward D with Sawyer,” Sonny says. “People in there appreciate visionaries.”

  “Can it, Sonny,” Beezer says.

  “I was there before, and you weren’t,” Mouse says. “Which one of us knows what he’s talking about?”

  “I’ve heard enough out of both of you guys,” Beezer says. “Do you still think it’s along here somewhere, Mouse?”

  “As far as I can recollect, yeah.”

  “Then we missed it. We’ll go back and check again, and if we don’t find it, we’ll look somewhere else. If it’s not here, it’s between two of the valleys along 93, or in the woods on the hill leading up to the lookout. We have plenty of time.”

  “What makes you so sure?” Sonny asks. Mild anxiety about what they might come across is making him belligerent. He would just as soon go back to the Sand Bar and down a pitcher of Kingsland while messing with Stinky’s head as waste his time goofing along the highways.

  Beezer looks at him, and his eyes crackle. “You know anywhere else there’s enough trees to call it a woods?”

  Sonny backs down immediately. Beezer is never going to give up and go back to the Sand Bar. Beezer is in this for keeps. Most of that has to do with Amy, but some of it relates to Jack Sawyer. Sawyer impressed the shit out of Beezer the other night, that’s what happened, and now Beezer thinks everything the guy says is golden. To Sonny, this makes no sense at all, but Beezer’s the one who calls the shots, so for now, Sonny guesses, they will all run around like junior G-men for a while. If this adopt-a-cop program goes on for more than a couple of days, Sonny plans to have a little chat with Mouse and the Kaiser. Doc will always side with Beezer no matter what, but the other two are capable of listening to reason.

  “All right, then,” Beezer says. “Scratch from here to Queen Street. We know there’s no fuckin’ road along that stretch. We’ll go back the way we came, give it one more shot. Single file the whole way. Mouse, you’re point man again.”

  Mouse nods and prepares himself to feel those hands on his shoulders again. Gunning his Fat Boy, he rolls forward and takes his place at the head of the line. Beezer moves in behind him, and Sonny follows Beezer, with Doc and the Kaiser in the last two slots.

  Five pairs of eyes, Sonny thinks. If we don’t see it this time, we never will. And we won’t, because that damned road is halfway across the state. When Mouse and his old lady got buzzed on the Ultimate, they could go for hundreds of miles and think they’d taken a spin around the block.

  Everybody scans the opposite side of the road and the edge of the woods. Five pairs of eyes, as Sonny puts it, register an unbroken line of oaks and pine trees. Mouse has set a pace somewhere between a fast walk and a medium jog, and the trees crawl by. At this speed, they can notice the moss blistering the trunks of the oaks and the bright smears of sunlight on the forest’s floor, which is brownish gray and resembles a layer of rumpled felt. A hidden world of upright trees, shafts of light, and deadfalls extends backward from the first, sentinel row. Within that world, paths that are not paths wind mazelike between the thick trunks and lead to mysterious clearings. Sonny becomes suddenly aware of a tribe of squirrels doing squirrel gymnastics in the map of branches that lace into an intermittent canopy. And with the squirrels, an aviary of birds pops into view.

  All of this reminds him of the deep Pennsylvania woods he had explored as a boy, before his parents sold their house and moved to Illinois. Those woods had contained a rapture he had found nowhere else. Sonny’s conviction that Mouse got things wrong and they are looking in the wrong place takes on greater inner density. Earlier, Sonny had spoken about bad places, of which he has seen at least one he was absolutely certain about. In Sonny’s experience, bad places, the ones that let you know you were not welcome, tended to be on or near borders.

  During the summer after his high school graduation, he and his two best buddies, all of them motorcycle freaks, had taken their bikes to Rice Lake, Wisconsin, where he had two cousins cute enough to show off to his friends. Sal and Harry were thrilled with the girls, and the girls thought the bikers were sexy and exotic. After a couple of days spent as a literal fifth wheel (or fifth and sixth wheel, depending on what you are counting), Sonny proposed extending their trip by a week and, in the interest of expanding their educations, ballin’ the jack down to Chicago and spending the rest of their money on beer and hookers until they had to go home. Sal and Harry loved the whole idea, and on their third evening in Rice Lake, they packed their rolls on their bikes and roared south, making as much noise as possible. By 10:00 they had managed to get completely lost.

  It might have been the beer, it might have been inattention, but for one reason or another they had wandered off the highway and, in the deep black of a rural night, found themselves on the edge of an almost nonexistent town named Harko. Harko could not be found on their gas-station road map, but it had to be close to the Illinois border, on either one side or the other. Harko seemed to consist of an abandoned motel, a collapsing general store, and an empty grain mill. When the boys reached the mill, Sal and Harry groused about being exhausted and hungry and wanted to turn back to spend the night in the motel.

  Sonny, who was no less worn out, rode back with them; the second they rolled into the dark forecourt of the motel, he had a bad feeling about the place. The air seemed heavier, the darkness darker than they should have been. To Sonny, it seemed that malign, invisible presences haunted the place. He could all but make them out as they flitted between the cabins. Sal and Harry jeered at his reservations: he was a coward, a fairy, a girl. They broke down a door and unrolled their sleeping bags in a bare, dusty rectangular room. He carried his across the street and slept in a field.

  Dawn awakened him, and his face was wet with dew. He jumped up, pissed into the high grass, and checked for the motorcycles on the other side of the road. There they were, all three of them, listing over their stands outside a broken door. The dead neon sign at the entrance of the forecourt read HONEYMOONER’S BOWER. He walked across the narrow road and swept a hand over the moisture shining black on the seats of the motorcycles. A funny sound came from the room where his friends were sleeping. Already tasting dread, Sonny pushed open the broken door. If he had not initially refused to make sense of what was before him, what he saw in the room would have made him pass out.

  His face streaked with blood and tears, Sal Turso was sitting on the floor. Harry Reilly’s severed head rested in his lap, and an ocean of blood soaked the floor and daubed the walls. Harry’s body lay loose and disjointed on top of his blood-soaked sleeping bag. The body was naked; Sal wore only a blood-red T-shirt. Sal raised both his hands—the one holding his prize long-bladed knife and the one holding only a palmful of blood—and lifted his contorted face to Sonny’s frozen gaze. I don’t know what happened. His voice was high and screechy, not his. I don’t remember doing this, how could I have done this? Help me, Sonny. I don’t know what happened.

  Unable to speak, Sonny had backed out and flown away on his cycle. He’d had no clear idea of where he was going except that it was out of Harko. Two miles down the road, he came to a little town, a real one, with people in it, and someone finally took him to the sheriff’s office.

  Harko: there was a bad place. In a way, both of his high school friends had died there, because Sal Turso hanged himself six months after being committed to a state penitentiary for life on a second-degree murder charge. In Harko, you saw no red-winged blackbirds or woodpeckers. Even sparrows steered clear of Harko.

  This little stretch of 35? Nothing but a nice, comfortable woodland. Let me tell you, Senator, Sonny Cantinaro has seen Harko, and this ain’t no Harko. This don’t even come close. It might as well be in another world. What meets Sonny’s appraising eye and increasingly impatient spirit is about a mile and a quarter of beautiful wooded landscape. You could call it a mini-forest. He thinks it would be cool t
o come out here by himself one day, tuck the Harley out of sight, and just walk around through the great oaks and pines, that big pad of felt beneath his feet, digging the birds and the crazy squirrels.

  Sonny gazes at and through the sentinel trees on the far side of the road, enjoying his anticipation of the pleasure to come, and a flash of white jumps out at him from the darkness beside a huge oak tree. Caught up in the vision of walking alone under that green canopy, he almost dismisses it as a trick of the light, a brief illusion. Then he remembers what he is supposed to be looking for, and he slows down and leans sideways and sees, emerging from the tangle of underbrush at the base of the oak, a rusty bullet hole and a large, black letter N. Sonny swerves across the road, and the N expands into NO. He doesn’t believe it, but there it is, Mouse’s goddamn sign. He rolls ahead another foot, and the entire phrase comes into view.

  Sonny puts the bike in neutral and plants one foot on the ground. The darkness next to the oak stretches like a web to the next tree at the side of the road, which is also an oak, though not as huge. Behind him, Doc and the Kaiser cross the road and come to a halt. He ignores them and looks at Beezer and Mouse, who are already some thirty feet up the road, intently scanning the trees.

  “Hey,” he shouts. Beezer and Mouse do not hear him. “Hey! Stop!”

  “You got it?” Doc calls out.

  “Go up to those assholes and bring them back,” Sonny says.

  “It’s here?” Doc asks, peering into the trees.

  “What, you think I found a body? Of course it’s here.”

  Doc speeds up, stops just behind Sonny, and stares at the woods.

  “Doc, you see it?” Kaiser Bill shouts, and he speeds up, too.

  “Nope,” Doc says.

  “You can’t see it from there,” Sonny tells him. “Will you please get your ass in gear and tell Beezer to come back here?”

  “Why don’t you do it, instead?” Doc says.

  “Because if I leave this spot, I might not ever be able to fucking find it again,” Sonny says.

  Mouse and Beezer, now about sixty feet up the road, continue blithely on their way.

  “Well, I still don’t see it,” Doc says.

  Sonny sighs. “Come up alongside me.” Doc walks his Fat Boy to a point parallel with Sonny’s bike, then moves a couple of inches ahead. “There,” Sonny says, pointing at the sign.

  Doc squints and leans over, putting his head above Sonny’s handlebars. “Where? Oh, I see it now. It’s all beat to hell.”

  The top half of the sign curls over and shades the bottom half. Some antisocial lad has happened along and creased the sign with his baseball bat. His older brothers, more advanced in the ways of crime, had tried to kill it with their .22 rifles, and he was just delivering the coup de grâce.

  “Where’s the road supposed to be?” Doc asks.

  Sonny, who is a little troubled about this point, indicates the flat sheet of darkness to the right of the sign and extending to the next, smaller oak tree. As he looks at it, the darkness loses its two-dimensionality and deepens backward like a cave, or a black hole softly punched through the air. The cave, the black hole, melts and widens into the earthen road, about five and a half feet wide, that it must have been all along.

  “That sure as hell is it,” says Kaiser Bill. “I don’t know how all of us could have missed it the first time.”

  Sonny and Doc glance at each other, realizing that the Kaiser came along too late to watch the road seem to materialize out of a black wall with the thickness of a sheet of paper.

  “It’s kind of tricky,” Sonny says.

  “Your eyes have to adjust,” Doc says.

  “Okay,” says Kaiser Bill, “but if you two want to argue about who tells Mouse and the Beeze, let me put you out of your misery.” He jams his bike into gear and tears off like a World War I messenger with a hot dispatch from the front. By now a long way up the road, Mouse and Beezer come to a halt and look back, having apparently heard the sound of his bike.

  “I guess that’s it,” Sonny says, with an uneasy glance at Doc. “Our eyes had to adjust.”

  “Couldn’t be anything else.”

  Less convinced than they would like to be, both men let it drop in favor of watching Kaiser Bill conversing with Beezer and Mouse. The Kaiser points at Sonny and Doc, Beezer points. Then Mouse points at them, and the Kaiser points again. It looks like a discussion in an extremely unevolved version of sign language. When everybody has gotten the point, Kaiser Bill spins his bike around and comes roaring back down the road with Beezer and Mouse on his tail.

  There is always that feeling of disorder, of misrule, when Beezer is not in the lead.

  The Kaiser stops on the side of the narrow road. Beezer and Mouse halt beside him, and Mouse winds up stationed directly in front of the opening in the woods.

  “Shouldn’t have been that hard to see,” Beezer says. “But there she is, anyhow. I was beginning to have my doubts, Mousie.”

  “Uh-huh,” says Mouse. His customary manner, that of an intellectual roughneck with a playful take on the world, has lost all of its buoyancy. Beneath his biker’s fair-weather sunburn, his skin looks pale and curdlike.

  “I want to tell you guys the truth,” Beezer says. “If Sawyer is right about this place, the creepy fuck who built it could have set up booby traps and all sorts of surprises. It was a long time ago, but if he really is the Fisherman, he has more reason than ever to keep people away from his crib. So we gotta watch our backs. The best way to do that is to go in strong, and go in ready. Put your weapons where you can reach them in a hurry, all right?”

  Beezer opens one of his saddlebags and draws out a Colt 9mm pistol with ivory grips and a blue-steel barrel. He chambers a round and unlocks the safety. Under his gaze, Sonny pulls his massive .357 Magnum from his bag, Doc a Colt identical to Beezer’s, and Kaiser Bill an old S&W .38 Special he has owned since the late seventies. They shove the weapons, which until this moment have seen use only on firing ranges, into the pockets of their leather jackets. Mouse, who does not own a gun, pats the various knives he has secreted in the small of his back, in the hip and front pockets of his jeans, and sheathed within both of his boots.

  “Okay,” Beezer says. “Anybody in there is going to hear us coming no matter what we do, and maybe already has heard us, so there’s no point in being sneaky about this. I want a fast, aggressive entrance—just what you guys are good at. We can use speed to our advantage. Depending on what happens, we get as close to the house as possible.”

  “What if nothing happens?” asks the Kaiser. “Like, if we roll on in there and just keep going until we get to the house? I mean, I don’t see any particular reason to be spooked here. Okay, something bad happened to Mouse, but . . . you know. Doesn’t mean it’s going to happen all over again.”

  “Then we enjoy the ride,” Beezer says.

  “Don’t you want to take a look inside?” the Kaiser asks. “He might have kids in there.”

  “He might be in there,” Beezer tells him. “If he is, no matter what I said to Sawyer, we’re bringing him out. Alive would be better than dead, but I wouldn’t mind putting him in a serious state of bad health.”

  He gets a rumble of approval. Mouse does not contribute to this wordless, but otherwise universal agreement; he lowers his head and tightens his hands on the grips of his bike.

  “Because Mouse has been here before, he goes in on point. Doc and I’ll be right behind him, with Sonny and the Kaiser covering our asses.” Beezer glances at them and says, “Stay about six, eight feet back, all right?”

  Don’t put Mouse on point; you have to go in first, speaks in Sonny’s mind, but he says, “All right, Beeze.”

  “Line up,” Beezer says.

  They move their bikes into the positions Beezer has specified. Anyone driving fast along Highway 35 would have to hit his brakes to avoid running into at least two beefy men on motorcycles, but the road stays empty. Everyone, including Mouse, guns his engine and pr
epares to move. Sonny slaps his fist against the Kaiser’s and looks back at that dark tunnel into the woods.

  A big crow flaps onto a low-hanging branch, cocks its head, and seems to fix Sonny’s eyes with its own. The crow must be looking at all of them, Sonny knows, but he cannot shake the illusion that the crow is staring directly at him, and that its black insatiable eyes are dancing with malice. The uncomfortable feeling that the crow is amused by the sight of him bent over his bike makes Sonny think of his Magnum.

  Turn you into a mess of bloody feathers, baby.

  Without unfolding its wings, the crow hops backward and disappears into the oak leaves.

  “GO!” Beezer shouts.

  The moment Mouse charges in, Little Nancy’s rotting hands clamp down on his shoulders. Her thin bones press down on the leather hard enough to leave bruises on his skin. Although he knows this is impossible—you cannot get rid of what does not exist—the sudden flare of pain causes him to try to shake her off. He twitches his shoulders and wiggles the handlebars, and the bike wobbles. As the bike dips, Little Nancy digs in harder. When Mouse rights himself, she pulls herself forward, wraps her bony arms around his chest, and flattens her body against his back. Her skull grinds against the nape of his neck; her teeth bite down on his skin.

  It is too much. Mouse had known she would reappear, but not that she would put him in a vise. And despite his speed, he has the feeling that he is traveling through a substance heavier and more viscous than air, a kind of syrup that slows him down, holds him back. Both he and the bike seem unnaturally dense, as if gravity exerts a stronger pull on the little road than anywhere else. His head pounds, and already he can hear that dog growling in the woods off to his right. He could take all of that, he supposes, if it were not for what stopped him the last time he drove up this path: a dead woman. Then she was Kiz Martin; now the dead woman is Little Nancy, and she is riding him like a dervish, slapping his head, punching him in the side, battering his ears. He feels her teeth leave his neck and sink into the left shoulder of his jacket. One of her arms whips in front of him, and he enters a deeper level of shock and horror when he realizes that this arm is visible. Rags of skin flutter over long bones; he glimpses white maggots wriggling into the few remaining knots of flesh.