The End Is Now

by John Joseph Adams

  People hit our video-tumblr like bam-bam-bam. Sally thought soon we’d be more popular than we were in high school, and we sold some advertisements. People would bring us pieces of meat and shoes in return for an ad on the site sometimes. Sally got that gleam in her eye, the one she used to get when the internet first fell in love with us. But she also kept saying how un-artistic our movies were, compared to the fancy stuff she and Janelle were doing for film school.

  So Zapp Stillman was a hyper-mega rich socialite, who didn’t really notice a lot of what was going on around him, and I was his overeager manservant trying to cater to all his idiotic whims. Despite what Reginald had done to Zapp’s face, he still looked delicate and sheltered, and I got to wear this great houndstooth suit that fit really well except for the arms, shoulders, knees, and crotch. I practiced walking straight and butlery, which only made me more splashmanic, and then Zapp and I were supposed to go on a trip to the seaside except I had to shelter him from all the violence on the streets. Zapp hadn’t read a blog or seen a newscast in years and I kept him unaware of the state of the world. So for example, we rode our two-seater bicycle past piles of comatose bodies, and I convinced Zapp it was just a group of people camping out for tickets to the Imagine Dragons reunion tour. And then a bunch of guys on scooters chased us to rip our heads off, and I told Zapp it was a friendly race. (All dialogue was big black captions, like in an old-school classic movie.)

  It was a cool movie with good character moments, but a ton of stuff went wrong when we were filming. Like we staged a fake riot with a bunch of film students in ripped-up clothes pulling down bricks we’d placed strategically. Then random people wandered by and saw what was going on, and they wanted to join in and pretty soon they were tossing big chunks of wall around, and they saw Zapp and me on our dorky bicycle built for two and threw rocks at us, so the peddling-for-dear-life sequences were way more realistic than we’d bargained on. The camera guys had to run like hell to keep their equipment from being smashed.

  Mid-summer, Boston was all melty but people on the street sold home-made ice cream and you could ignore all the rotting smells if you thought about the river ducks. I still felt like I was about to crash everyone around me into the gritty old walls. I would forget for a second; I would bounce down the street, jumping over the people on the sidewalk and swinging on the low oak branches. And then I would have a mental image of myself landing the wrong way with my foot in someone’s stomach, maybe someone I loved or maybe a stranger.

  Some nights I couldn’t sleep because every time I closed my eyes I saw Raine getting his head exploded, the chunks of skull flying apart, the brains splattering into my open mouth. This image blended together with all the ways I’d injured people by accident, or the times when I could have injured people if things had gone a little different. Raine’s head got pulpier and more vivid each time.

  Janelle and I got together and wrote a movie script, to Sally’s total horror. “Okay, so what is this story about?” Janelle asked me twenty or thirty times. We sat on an abandoned swan boat in the middle of the lake in Boston Common, and the boat kept almost capsizing as water sloshed in and out of its gullet. Once, tourists had chugged around in these boats, but now they just bobbed their decaying shells in and out of the algae. I didn’t know what our story was about, since I didn’t even know what the story was. Couldn’t we take one leap at a time? But Janelle was scary patient and kept talking themes: communication, Social Darwinism, the impossibility of really knowing other people because the closer you get to them the harder it is to see the whole person. Janelle had run away from home as a kid, and lived in the attic of a bookstore cafe for years, reading every book in the stockroom and living off of abandoned scones and salads. Nobody had known she was there until she used the store’s address for her B.U. application and the acceptance letter turned up.

  We settled on this O. Henry thing where two people try to save each other at cross purposes, sort of. I’m this scrappy DJ who owes money to gangsters, who could maybe be Vikings because we had some helmets and fake fur. And Janelle is a dancer who posed for some questionable photos years ago and now this sleazy guy wants to publish them and her strict family will disown her. So I decide to break in and snag the sleazy guy’s hard drive, while Janelle wants to do whatever it takes to raise money to bail me out—even take on a dancer job that turns out to involve dancing on an unstable scaffolding at a construction site. And then the Vikings turn up while I’m trying to break into the sleazy guy’s studio, and they want to break my legs but the sleazy guy has a protection deal with a Samurai gang. So we have a pitched Viking-Samurai battle in a photography studio, while I’m trying to slip past them and grab the hard drive. And then Janelle somehow falls off her scaffolding into the middle of our fracas and I have to run around to catch her.

  It only took us about five hours to come up with that storyline, and by then the swan was submerged up to its neck and water slopped over the sides of its torso. We had to haul ourselves up onto the bridge without breaking our necks.

  Janelle took a day off film school to help me location-scout our movie called Photo Finish. We found this large art/performance space which people actually used as an art studio. It had crumbling brick walls, a high platform leading to some big industrial-looking windows, and a red velvet curtain that perfectly said “Sleazy Photographer.”

  Reginald nearly bit her head off, trembling in his charging-bull helmet and muppet-fur cloak while she coached him on his lines. “No, come on Reggie, try it again and this time put everything you’ve got into the word ‘maul.’ You have to feel that word. Jesus, Rock, where did you find this guy?”

  She tried to choreograph the big Viking-Samurai throwdown, even down to me throwing the big photographic backdrops in people’s faces and Zapp Stillman, the lead Samurai, hurling his katana at a Viking and hitting the sought-after hard drive instead.

  The fifth time we stopped so Janelle could micro-manage, Reginald looked ready to light the set on fire, rip several people’s heads off, and then use his broadsword to make a head-kebab. I was having seismic levels of fidgetiness, to the point where I had to hug myself.

  Sally pulled me aside. “Jesus, what the fuck are we going to do about Janelle?” Sally torqued her elbows and claws. “She’s driving me fucking bonkers, man.”

  I didn’t have any answers, except that I was worried about Reginald’s inside-out fuse. Another hour went by, and you could have made a milkshake on my head. It was thirty seconds’ filming and then wait wait wait, ready, no hang on, wait, wait.

  The tenth time we stopped, I jittered myself blind and stumbled into Zapp Stillman, and before he could finish saying he begged my pardon I fell over. On my way down, I kicked Zapp’s katana into Reginald’s crotch, and Reginald fell on top of three other Vikings, so their swords jabbed into his back. He howled and clutched at his own spine, then jumped up and announced that just because he’d failed to kill me the first time didn’t mean he couldn’t finish the job now.

  Reginald grabbed a long razor-sharp hook from the studio corner and ran at me. Out of the corner of my eye, I saw Sally gesture to Janelle to get this on tape for godssake. Zapp Stillman tried to get between Reginald and me, and Reginald whacked him in the face. I ducked under a big platform and kicked a cart of A/V stuff at Reginald, but he jumped over the cart without breaking his run. Several of the other Samurai thought this was part of the movie, and tried to attack Reginald with their balsa-wood swords, but he just cracked their heads together, so their fake helmets crumpled.

  Meanwhile, I slid out the other end of the platform and climbed the curtain rope. The rope was on a pulley, so Reginald started pulling, and the rope went down as the curtain went up. I had to climb at top speed just to stay at the same altitude. Reginald kept pulling the rope with one hand and threw his spike-hook with the other, but I caught the hook and dug it into the curtain, then let go of the rope and swung on the hook across to the other side of the curtain, which tore as I went, so I
landed on the ground across the room. A random Viking swung at my head and I barely ducked in time, then I saw a bucket of water (which was supposed to be photographic solution) and I dumped it on Reginald’s head. His helmet’s horns stabbed through the bucket so he couldn’t get it off, and he started grabbing anyone who got in his way, even other Vikings, and tossing them.

  At first I screened the sirens out, because you heard sirens all the time, but I heard more and more, fire sirens as well as cop cars. Peal after peal, like church bells. I leaned out the window to see what was going on and then Reginald was at my ear, trying to push me out. He’d gotten the helmet and bucket off, and he had one hand under my armpit and the other on my belt. It was probably a dozen feet down. I could see flames in the distance, and tongues of smoke from a few other places. I tried to tell Reginald I hadn’t meant to hurt him, but he just pushed harder. The window frame gave way and we both tumbled. I twisted my body so Reginald hit the ground first and I landed on top of him.

  I couldn’t see anything but I smelled smoke worse than ever. My crotch felt broken, my feet felt broken. I forced my eyes open but everything had a double image. Sally had the door to the studio building open nearby and was yelling for me to get my ass inside. I limped to my feet and juddered in, then Sally locked the door behind me. Through the window I watched Reginald try to raise himself up.

  “Example of the sort of human garbage they tolerate up here,” a voice said. It sounded sort of like Ricky Artesian, from back home, but wasn’t. I found a window with a view of the guy, who was a little smaller than Ricky and had tufty black hair. He dressed like Ricky and had the same red bandana. So did the half dozen or so guys behind him, who had just climbed out of a couple of all-terrain crawlers. The guy talked for ages about his issues with Reginald, who kept trying to get to his feet but couldn’t quite manage it. Reginald had the bad luck to be the only guy nearby who looked like a junkie and couldn’t run for his life. I wanted to go out and help him, but I could barely move, and Sally half-supported, half-restrained me. Sally wanted to stop watching when they got into it with the crowbars, but this was my fault, sort of, and I had to see it play out.

  They didn’t torch him until they ran out of bones. I hoped he would black out, but he kept screaming the whole time, on fire. Maybe some people can black out and scream at the same time? I sure hoped so.

  So at this point, you’re wondering what happened to Photo Finish. It was our most popular Vumblr entry yet, even though we only filmed about half the scenes Janelle had scripted, and what we recorded didn’t have that much in common with her and my storyline. Sally and some of the others did a fantastic job tweaking it with Zap!mation, to the point where the studio looked like twenty different places. With the red bandanas turning up all over the country and imposing mob rule, people were primed for people in silly costumes whacking each other. It turns out when everything is turning into bloody shit, that’s when people need Vikings against Samurai more than ever. Who knew?

  The police tried to stop the red bandanas at first, but then the President went on television and said they were an official militia, like in the Constitution, because we were losing our grip as a nation. It was probably the Pan Asiatic Ecumen’s fault, but then again, everybody blamed them for everything.

  • • • •

  Two days later, Sally said I had to get out of the house and breathe, because too many people were staying indoors all the time and we had a duty to show we weren’t scared. I crutch-hopped my way down the empty street as Sally ran rings around me for a change. I was glad I didn’t have to step over junkies any more, even though I worried about what had happened to all of them. Sally said they were locked up in camps, or tossed in bonfires, or just hiding out somewhere.

  All of Sally’s film student minions cheered for me when we got to B.U. Even the ones who’d high-backed me when I first showed up in town. Maybe because I’d become a casualty of art, or maybe because the new movie had gotten mad hits. Either way, people wanted to carry me around and pour stuff down my throat, and everyone signed my osteogenic body-sheath. We were promoting creative anarchy and that made us super important radical artists, and hey, we should take it to the next level somehow. I thought if they wanted to promote anarchy, maybe we could find one of the camps, in Medford or Malden, where the red-hanky guys had rounded up the homeless people and undesirables, and set them all free.

  We could film it. We could put Napoleon hats on all of them and turn them loose. It would look cool, sort of like the final episode of The Prisoner. Everybody liked that idea, and they were all up for doing it, but not on a day when they had classes.

  The film students kept adding more and more layers to the plan. We would dress as animals, and there would be a huge round clock which we’d roll downhill to cause a distraction, and maybe we could time the attack to coincide with a joint lunar/solar eclipse so the lack of both moon and sun would sensory-deprive everyone. They jumped up and down with excitement, but I realized they were making the plans fancier and fancier because they didn’t want to have to follow through. That was fine with me because I was only half serious about the camp liberation idea too.

  “Most of those guys, you just tell them where to stand and what to do, and they’re happy. Don’t make them think too hard,” Sally told me afterward. Our movies had built her into a queen bee. She wanted to walk me home, but the sun sagged and I didn’t want her to get caught out after dark. I ran into a couple of red-bandana groups on my way home, but I told them I was a friend of Ricky Artesian, the red bandana leader, and they practically saluted. The second group insisted on escorting me home. Film students and red bandanas, both whooping at me, all in one day!

  Soon, I was healed enough to go back to work at the convenience store, where I kept seeing bone-crushed Reginald on fire whenever I looked at the lighters. Nowadays, I saw both Raine and Reginald in my dreams, unless I watched some Buster Keaton right before bedtime.

  Some of my housemates were planning a giant protest against the red bandanas and the economic policies and the move to expand the war, and the crazy weapon projects like that sonic gun that people claimed would make an army shake itself to pieces from a distance. I was leery because, duh, the last time I’d gone to a protest I’d wound up covered in slippery bodies, choking on a piece of my friend’s brain.

  I started hoping my body wouldn’t heal too quickly, because once it did they would expect me to create more serious mayhem, and just the thought of it made me start to shamblequake. Sally texted me saying it was time to do some more mad slapstick, and I texted back that we really needed to talk.

  • • • •

  I have a perfect recall of my meeting with Sally, maybe cause it was our last-ever conversation.

  We met in the middle of the Mass Avenue bridge, with faded paintwork measuring the bridge’s span in “Smoots,” the height of some long-ago MIT student whose classmates had rolled him across the bridge. On either side of us, the river swelled with gray bracken and flecks of brown foam, and in front of us, the jagged Boston skyline. The John Hancock Tower’s windows had all started falling out and hitting people on the head, so they’d condemned the whole building and only gotten halfway through demolishing it, and now it looked like a shiny blue-green zigzag climbing to a single razor point. We watched the water churn a while. The wind battered us.

  Sally was gushing about my chemistry with Zapp Stillman, and how much people liked seeing the two of us interact, and maybe we could do a few more clips featuring the two of us. Gang boss and lieutenant, an ineptly gay couple, boxer and trainer, rock star and manager, superheroes. The possibilities were endless, almost like having Raine back. For a moment I wondered if Sally had a thing for Zapp’s gangly ass.

  “That’s why I wanted to talk to you,” I said once I could break in. “I need to take a break from making movies. I was thinking of going back to North Carolina.” I tried to explain how I kept seeing Raine and Reginald whenever I closed my eyes lately, but Sally gr
abbed my scruff and pushed me halfway over the edge of the bridge. My pants fell down, and the wind whipped through my boxer shorts. My ass was in space.

  “You asshole,” Sally said. “What the fuck is wrong with you? Every time I think I can rely on you. What the fuck? I was going to be a real director. I was doing great in film school, making serious films about real stuff. And then you turned up and sucked me back into spending all my time making these dumb movies instead. And now you’re just going to leave? What? The? Fuck?” She shook me with each word. My shirt tore around the armpits. I could feel my feet, somewhere far away, trampling my pants.

  “I’m sorry. I’m so sorry.” I looked up into her bugged out eyes. “I just can’t. I can’t deal. Jesus, you’re my best friend no matter how long I live, but I’m a poison time bomb, you don’t want to be around me, I’ll just hurt you, I’m so sorry. I break everything.”

  She hauled me off the edge and dumped me on my feet. “What the fuck are you talking about, Rock? I love you, but you’re an idiot. Just listen to me, okay. You’re not some kind of destructive engine. You are good for exactly one thing, and one thing only, and that’s turning people’s brains off for a few minutes. You should stick to that. And another thing, did you ever stop to think about what I’m getting out of doing these movies with you? Did you? I mean, jeez. The world we live in now, the only time things make sense is when I’m coming up with bigger and crazier disasters to put on film. I finally decided, slapstick is the new realism. And I can’t do it without you. Do you understand what I’m saying?”

  “Yeah, but . . .” I took a breath and pulled up my pants. The snap had broken, so I had to hold them together with one hand, and that limited my gesture menu a lot. “I keep feeling like I’m going to hurt somebody. I feel like people keep getting hurt around me, and maybe it’s my fault somehow. Like what happened with Reginald. And Raine, before that.”