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AHMM, September 2007

Page 17

by Dell Magazine Authors


  "I was amazed and horrified. I put the thing away and went home. All that night I lay awake in a state of distraction, quite unable to decide what to do. To let the cameo go out of my possession was impossible. Sooner or later the forgery would be discovered, and my reputation—the highest in these matters in this country, I may safely claim, and the growth of nearly fifty years of honest application and good judgment—this reputation would be gone forever. But without considering this, there was the fact that I had taken £5,000 of Lord Stanway's money for a mere piece of glass, and that money I must, in mere common honesty as well as for my own sake, return. But how? The name of the Stanway Cameo had become a household word, and to confess that the whole thing was a sham would ruin my reputation and destroy all confidence—past, present, and future—in me and in my transactions. Either way spelled ruin. Even if I confided in Lord Stanway privately, returned his money, and destroyed the cameo, what then? The sudden disappearance of an article so famous would excite remark at once. It had been presented to the British Museum, and if it never appeared in that collection, and no news were to be got of it, people would guess at the truth at once. To make it known that I myself had been deceived would have availed nothing. It is my business not to be deceived; and to have it known that my most expensive specimens might be forgeries would equally mean ruin, whether I sold them cunningly as a rogue or ignorantly as a fool. Indeed, my pride, my reputation as a connoisseur is a thing near to my heart, and it would be an unspeakable humiliation to me to have it known that I had been imposed on by such a forgery. What could I do? Every expedient seemed useless but one—the one I adopted. It was not straightforward, I admit; but, oh! Mr. Hewitt, consider the temptation—and remember that it couldn't do a soul any harm. No matter who might be suspected, I knew there could not possibly be evidence to make them suffer. All the next day—yesterday—I was anxiously worrying out the thing in my mind and carefully devising the—the trick, I'm afraid you'll call it—that you by some extraordinary means have seen through. It seemed the only thing—what else was there? More I needn't tell you—you know it. I have only now to beg that you will use your best influence with Lord Stanway to save me from public derision and exposure. I will do anything—pay anything—anything but exposure, at my age, and with my position."

  "Well, you see,” Hewitt replied thoughtfully, “I've no doubt Lord Stanway will show you every consideration, and certainly I will do what I can to save you, in the circumstances; though you must remember that you have done some harm—you have caused suspicions to rest on at least one honest man. But as to reputation—I've a professional reputation of my own. If I help to conceal your professional failure, I shall appear to have failed in my part of the business."

  "But the cases are different, Mr. Hewitt—consider. You are not expected—it would be impossible—to succeed invariably; and there are only two or three who know you have looked into the case. Then your other conspicuous successes—"

  "Well, well—we shall see. One thing I don't know, though—whether you climbed out of a window to break open the trap-door, or whether you got up through the trap-door itself and pulled the bolt with a string through the jamb, so as to bolt it after you."

  "There was no available window—I used the string, as you say. My poor little cunning must seem very transparent to you, I fear. I spent hours of thought over the question of the trap-door—how to break it open so as to leave a genuine appearance, and especially how to bolt it inside after I had reached the roof. I thought I had succeeded beyond the possibility of suspicion; how you penetrated the device surpasses my comprehension. How, to begin with, could you possibly know that the cameo was a forgery? Did you ever see it?"

  "Never. And if I had seen it, I fear I should never have been able to express an opinion on it; I'm not a connoisseur. As a matter of fact, I didn't know that the thing was a forgery in the first place; what I knew in the first place was that it was you who had broken into the house. It was from that that I arrived at the conclusion after a certain amount of thought—that the cameo must have been forged. Gain was out of the question—you, beyond all men, could never sell the Stanway Cameo again, and, besides, you had paid back Lord Stanway's money. I knew enough of your reputation to know that you would never incur the scandal of a great theft at your place for the sake of getting the cameo for yourself, when you might have kept it in the beginning, with no trouble and mystery. Consequently, I had to look for another motive, and at first another motive seemed an impossibility. Why should you wish to take all this trouble to lose £5,000? You had nothing to gain; perhaps you had something to save—your professional reputation, for instance. Looking at it so, it was plain that you were suppressing the cameo—burking it; since, once taken as you had taken it, it could never come to light again. That suggested the solution of the mystery at once—you had discovered, after the sale, that the cameo was not genuine."

  "Yes, yes—I see; but you say you began with the knowledge that I broke into the place myself. How did you know that? I cannot imagine a trace—"

  "My dear sir, you left traces everywhere. In the first place, it struck me as curious, before I came here, that you had sent off that check for £5,000 to Lord Stanway an hour or so after the robbery was discovered—it looked so much as though you were sure of the cameo never coming back, and were in a hurry to avert suspicion. Of course, I understood that, so far as I then knew the case, you were the most unlikely person in the world, and that your eagerness to repay Lord Stanway might be the most credible thing possible. But the point was worth remembering and I remembered it.

  "When I came here I saw suspicious indications, in many directions, but the conclusive piece of evidence was that old hat hanging below the trap-door."

  "But I never touched it. I assure you, Mr. Hewitt, I never touched the hat—haven't touched it for months—"

  "Of course. If you had touched it, I might never have got the clue. But we'll deal with the hat presently; that wasn't what struck me at first. The trap-door first took my attention. Consider, now: here was a trap-door, most insecurely hung on external hinges; the burglar had a screwdriver, for he took off the door-lock below with it. Why, then, didn't he take this trap off by the hinges, instead of making a noise and taking longer time and trouble to burst the bolt from its fastenings? And why, if he were a stranger, was he able to plant his jimmy from the outside just exactly opposite the interior bolt? There was only one mark on the frame, and that precisely in the proper place.

  "After that I saw the leather case. It had not been thrown away, or some corner would have shown signs of the fall. It had been put down carefully where it was found. These things, however, were of small importance compared with the hat. The hat, as you know, was exceedingly thick with dust—the accumulation of months. But, on the top side, presented toward the trap-door, were a score or so of raindrop marks. That was all. They were new marks, for there was no dust over them; they had merely had time to dry and cake the dust they had fallen on. Now, there had been no rain since a sharp shower just after seven o'clock last night. At that time you, by your own statement, were in the place. You left at eight, and the rain was all over at ten minutes or a quarter-past seven. The trap-door, you also told me, had not been opened for months. The thing was plain. You, or somebody who was here when you were, had opened that trap-door during, or just before, that shower. I said little then, but went, as soon as I had left, to the police-station. There I made perfectly certain that there had been no rain during the night by questioning the policemen who were on duty outside all the time. There had been none. I knew everything.

  "The only other evidence there was pointed with all the rest. There were no rain-marks on the leather case; it had been put on the roof as an after-thought when there was no rain. A very poor after-thought, let me tell you, for no thief would throw away a useful case that concealed his booty and protected it from breakage, and throw it away just so as to leave a clue as to what direction he had gone in. I also saw, in the lu
mber-room, a number of packing-cases—one with a label dated two days back—which had been opened with an iron lever; and yet, when I made an excuse to ask for it, you said there was no such thing in the place. Inference: you didn't want me to compare it with the marks on the desks and doors. That is all, I think."

  Mr. Claridge looked dolorously down at the floor. “I'm afraid,” he said, “that I took an unsuitable rôle when I undertook to rely on my wits to deceive men like you. I thought there wasn't a single vulnerable spot in my defense, but you walk calmly through it at the first attempt. Why did I never think of those raindrops?"

  "Come,” said Hewitt, with a smile, “that sounds unrepentant. I am going, now, to Lord Stanway's. If I were you, I think I should apologize to Mr. Woollett in some way."

  Lord Stanway, who, in the hour or two of reflection left him after parting with Hewitt, had come to the belief that he had employed a man whose mind was not always in order, received Hewitt's story with natural astonishment. For some time he was in doubt as to whether he would be doing right in acquiescing in anything but a straightforward public statement of the facts connected with the disappearance of the cameo, but in the end was persuaded to let the affair drop, on receiving an assurance from Mr. Woollett that he unreservedly accepted the apology offered him by Mr. Claridge.

  As for the latter, he was at least sufficiently punished in loss of money and personal humiliation for his escapade. But the bitterest and last blow he sustained when the unblushing Hahn walked smilingly into his office two days later to demand the extra payment agreed on in consideration of the sale. He had been called suddenly away, he exclaimed, on the day he should have come, and hoped his missing the appointment had occasioned no inconvenience. As to the robbery of the cameo, of course he was very sorry, but “pishness was pishness,” and he would be glad of a check for the sum agreed on. And the unhappy Claridge was obliged to pay it, knowing that the man had swindled him, but unable to open his mouth to say so.

  The reward remained on offer for a long time—indeed, it was never publicly withdrawn, I believe, even at the time of Claridge's death. And several intelligent newspapers enlarged upon the fact that an ordinary burglar had completely baffled and defeated the boasted acumen of Mr. Martin Hewitt, the well-known private detective.

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  COMING IN OCTOBER 2007

  NEEDLE by Loren D. Estleman

  THE GOLDEN RULE by Jas R. Petrin

  WHEN THE WIND BLOWS by James Lincoln Warren

  [Back to Table of Contents]

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  ALFRED HITCHCOCK'S MYSTERY MAGAZINE (ISSN:0002-5224), Vol. 52, No. 9, September, 2007. Published monthly except for combined January/February and July/August double issues by Dell Magazines, a division of Crosstown Publications. Annual subscription $43.90 in the U.S.A. and possessions, $53.90 elsewhere, payable in advance in U.S. funds (GST included in Canada). Subscription orders and correspondence regarding subscriptions should be sent to 6 Prowitt Street, Norwalk, CT 06855. Or, to subscribe, call 1-800-220-7443. Editorial Offices: 475 Park Avenue South, New York, NY 10016. Executive Offices: 6 Prowitt Street, Norwalk, CT 06855. Periodical postage paid at Norwalk, CT, and additional mailing offices. (c) 2007 by Dell Magazines, a division of Crosstown Publications, all rights reserved. Dell is a trademark registered in the U.S. Patent Office. The stories in this magazine are all fictitious, and any resemblance between the characters in them and actual persons is completely coincidental. Reproduction or use, in any manner, of editorial or pictorial content without express written permission is prohibited. Submissions must be accompanied by a self-addressed, stamped envelope. The Publisher assumes no responsibility for unsolicited manuscripts. POSTMASTER: Send Change of Address to Alfred Hitchcock's Mystery Magazine, 6 Prowitt Street, Norwalk, CT 06855. In Canada return to Quebecor St. Jean, 800 Blvd. Industrial, St. Jean, Quebec J3B 8G4. GST #R123054108.

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