Book Read Free

The Caesar of Paris

Page 58

by Susan Jaques


  King, David. Vienna: 1814. New York: Random House, 2008.

  Kirsch, Edith W. “An early reliquary of the holy nail in Milan.” Mitteilungen des Kunsthistorischen Institutes in Florenz 30 (1986): 569–576.

  Klein, Bruno. “Napoleons Triumphbogen in Paris und der Wandel der offiziellen Kunstanschauungen im Premier Empire.” Zeitschrift fur Kunstgeschichte 59, no. 2 (January 1, 1996): 244–269.

  Kleinbauer, Eugene W. “Charlemagne’s Palace Chapel at Aachen and Its Copies.” Gesta 4 (Spring 1965): 2–11.

  Kleiner, Diana E. E. Roman Sculpture. New Haven, CT, and London: Yale University Press, 1992.

  Kleiner, Diana E. E. “Women and Family Life on Roman Imperial Altars.” Latomus 46 (July–September 1987): 545–554.

  Knapton, Ernest John. Empress Joséphine. Cambridge, Mass.: Harvard University Press, 1963.

  Kobler, Franz. Napoleon and the Jews. New York: Schocken Books, 1976.

  Koeppe, Wolfram. Washstand. 1800-1814. Yew wood, gilt bronze, and iron plate, 36 ⅜ x 19 ½" (92.4 x 49.5 cm), The Metropolitan Museum of Art. https://www.metmuseum.org/art/collection/search/195518.

  Koloski-Ostrow, Ann Olga. The Archeology of Sanitation in Roman Italy. Chapel Hill: University of North Carolina Press, 2015.

  Kurzel-Runtscheiner, Monica. “First meeting and Wedding in Paris.” The World of the Habsburgs. http://www.habsburger.net/en/chapter/first-meeting-and-wedding-paris.

  Kurzel-Runtscheiner, Monica. “Napoleon and Marie Louise: Courtship and Wedding in Vienna.” The World of the Hapsburgs. http://www.habsburger.net/en/chapter/napoleon-and-marie-louise-courtship-and-wedding-vienna.

  Lancaster, Lynne. “Building Trajan’s Column.” American Journal of Archaeology 103, no. 3 (July 1999): 419–439.

  Lapatin, Kenneth, ed. The Berthouville Silver Treasure and Roman Luxury. Los Angeles: J. Paul Getty Museum, 2014.

  Lapatin, Kenneth. Luxus: The Sumptuous Arts of Greece and Rome. Los Angeles: J. Paul Getty Museum, 2015.

  La Regina, Adrino, ed. Archeological Guide to Rome. Milan, Italy: Electa, 2016.

  Lady Mary Lloyd. New Letters of Napoleon I. Edited by Léon Lecestre. New York, 1898.

  Las Cases, Emmanuel-Auguste-Dieudonné. Memorial de Sainte Hélène: Journal of the Private Life and Conversations of the Emperor Napoleon at Saint Helena, Vol. I and II. London: H. Colburn and Co., 1823.

  Lascelles, Christopher. Pontifex Maximus: A Short History of the Popes. London: Crux Publishing, 2017.

  Laveissière, Sylvain. Le Sacre de Napoleon peint par David. Paris: Louvre, 2004.

  Lefebure, Amaury, and Bernard Chevallier. National Museum of the Chateaux de Malmaison et de Bois-Preau. Cesson-Sevigne, France: Artlys, 2001.

  Legacey, Erin-Marie. “The Paris Catacombs: Remains and Reunion beneath the Post-revolutionary City.” French Historical Studies 40, no. 3 (August 2017): 509–536.

  Leitch, Alison. “The Life of Marble.” Australian Journal of Anthropology 7, no. 1 (April 1996): 235–237.

  Leivick, Joel. Carrara: The Marble Quarries of Tuscany. Stanford, Calif.: Stanford University Press, 1999.

  Lemaistre, Isabelle, Emilie Leverrier, Béatrice Tupinier. “A sculptural group to top the Arc de Triomphe.” Louvre. http://www.louvre.fr/en/oeuvre-notices/napoleon-triumph.

  Leniaud, Jean-Michel. La basilique royale de Saint-Denis: De Napoléon à la république. Paris: Picard, 2012.

  Lentz, Thierry. “Napoleon and Charlemagne.” Translated by E. Da Prati. Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/articles/napoleon-and-charlemagne/.

  Leonardo da Vinci’s Inventions. http://www.leonardodavincisinventions.com/.

  Leoni, Daniele. The Coins of Rome: Trajan. Verona, Italy: lemonetediroma, 2009.

  Lepie, Herta, and Georg Minkenberg. The Cathedral Treasury of Aachen. Translated by Manjula Dias Hargarter. Regensburg, Germany: Schnell & Steiner, 2010.

  Les Maisons des Bonaparte à Paris 1795-1804. Aquarelles by Christian Benilan, Musée national de la Maison Bonaparte, 2013.

  Licht, Fred. Canova. New York: Abbeville Press, 1983.

  Lichtscheidl, Olivia. “Emperor Franz II/I and Napoleon.” The World of the Habsburgs. http://www.habsburger.net/en/chapter/emperor-franz-iii-and-napoleon.

  Lightfoot, Christopher. “Luxury Arts of Rome.” In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art, 2000. http://www.metmuseum.org/toah/hd/luxu/hd_luxu.htm.

  Lindsay, Suzanne Glover. “Mummies and Tombs: Turenne, Napoleon and Death Ritual.” Art Bulletin 82, no. 3 (September 2000): 476–502.

  Lindsay, Suzanne Glover. “The Revolutionary Exhumations at St-Denis, 1793.” In Conversations: An Online Journal of the Center for the Study of Material and Visual Cultures of Religion (2014). https://doi.org/10.22332/con.ess.2015.2.

  Lord Byron. “On the Bust of Helen by Canova.” In The Poetical Works of Lord Byron. London: John Murray, 1845: 568.

  Lozier, Jean-François. Napoleon and Paris. Gatineau, Canada: Canadian Museum of History, 2016.

  Ludwig, Emil. Napoleon. Translated by Eden and Cedar Paul. New York: Boni & Liveright, 1926.

  Lusnia, Susann. “Battle Imagery and Politics on the Severan Arch in the Roman Forum.” In Representations of War in Ancient Rome, edited by Sheila Dillon and Katherine E. Welch, 272-299. Cambridge, U.K., and New York: Cambridge University Press, 2006.

  Macey, Samuel L. “The Concept of Time in Ancient Rome.” International Social Science Review 65, no. 2 (Spring 1990): 72–79.

  MacDonald, William L. The Architecture of the Roman Empire, Vol. 1. New Haven, CT, and London: Yale University Press, 1982.

  MacGregor, Neil. “The Battle for Charlemagne.” Germany: Memories of a Nation. Aired on October 13, 2014, on BBC Radio 4. http://www.bbc.co.uk/programmes/b04dwbwz/episodes/downloads.

  Mack, Charles R. “Metaphorically Speaking: A Grand Tour Souvenir of the Vendome Column.” Southeastern College Art Conference Review 9, no. 4 (2014): 443–458.

  Mackay Quynn, D. “The Art Confiscations of the Napoleonic Wars.” American Historical Review 3 (1945): 437–460.

  Madelin, Louis. The Consulate and the Empire, Vol. 2. Translated by E. F. Buckley. New York: AMS Press, 1967.

  Mainardi, Patricia. “Assuring the Empire of the Future: The 1798 Fête de la Liberté.” Art Journal 48, no. 2 (Summer 1989): 155–163.

  Majanlahti, Anthony. The Families Who Made Rome: A History and a Guide. London: Pimlico, 2006.

  Malacrino, Carmelo G. Constructing the Ancient World: Architectural Techniques of the Greeks and Romans. Translated by Jay Hyams. Los Angeles: J. Paul Getty Museum, 2010.

  Malkin, Elisabeth. “An Insect’s Colorful Gift, Treasured by Kings and Artists.” New York Times, November 27, 2017. https://www.nytimes.com/2017/11/27/arts/design/red-dye-cochineal-treasure-mexico-city-history.html?smprod=nytcore-ipad&smid=nytcore-ipad-share.

  Mangia, Paola. Canova. Artists and Collectors: A Passion for Antiquity. Rome: De Luca Editori D’Arte, 2009.

  Mansel, Philip. Dressed to Rule: Royal and Court Costume from Louis XIV to Elizabeth II. New Haven, CT: Yale University Press, 2005.

  Mansel, Philip. The Eagle in Splendour: Napoleon I and His Court. London: G. Philip, 1987.

  “Marie Antoinette at Rambouillet.” Chateau de Rambouillet website. http://www.chateau-rambouillet.fr/en/Explore/MARIE-ANTOINETTE-AT-RAMBOUILLET.

  Markham, J. David. Imperial Glory: The Bulletins of Napoleon’s Grande Armée, 1805–1814. London: Greenhill and Mechanicsburg, Pa.: Stackpole, 2003.

  Markham, J. David. Napoleon for Dummies. Hoboken, N.J.: Wiley Publishing, 2005): 189.

  Markowitz, Mike. “Elephants on Ancient Coinage.” Coin Week, February 6, 2017. https://coinweek.com/ancient-coins/elephants-ancient-coins/.

  Marlowe, Elizabeth. “Framing the Sun: The Arch of Constantine and the Roman Cityscape.” Art Bulletin 88, no. 2 (June 2006): 223–242.

  Marsden, Jonathan. “Napoleon’s Bust of ‘Malbrouk’.” Burlington Magazine 142, no. 1166 (May
2000): 303–306.

  Marsden, Rhodri. “Pope Pius VII’s Paper Crown.” Independent, March 20, 2015. http://www.independent.co.uk/news/world/europe/rhodri-marsdens-interesting-objects-pope-pius-viis-paper-crown-10116494.html.

  Martin, Marie. Maria Féodorovna en son temps (1759–1828): Contribution à l’histoire de la Russie et de l’Europe. Paris: L’Harmattan, 2003.

  Matthews, Kenneth D. Jr. “The Embattled Driver in Ancient Rome.” Expedition (Spring 1960): 22–27. https://www.penn.museum/documents/publications/expedition/PDFs/2-3/The%20Embattled.pdf.

  Martindale, Andrew. The Triumphs of Caesar by Andrea Mantegna in the collection of Her Majesty the Queen at Hampton Court. London: Harvey Miller, 1979.

  Masson, Frédéric. Napoléon et son fils. Paris: Alben Michel, 1929.

  McClellan, Andrew. Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris. Berkeley, Los Angeles, and London: University of California Press, 1994.

  McClellan, Andrew. “Musée du Louvre, Paris: Palace of the People, Art for All.” In The First Modern Museums of Art, edited by Carole Paul, 213–235. Los Angeles: J. Paul Getty Museum, 2012.

  McDowall, Carolyn. “Empress Joséphine at Chateau Malmaison—Woman of Influence.” Culture Concept Circle, March 14, 2013. http://www.thecultureconcept.com/empress-josephine-at-chateau-malmaison-woman-of-influence.

  McDowall, Carolyn. “French Garden Style—Joséphine at Chateau de Malmaison.” Culture Concept Circle, June 19 2013. http://www.thecultureconcept.com/french-garden-style-josephine-at-chateau-de-malmaison.

  McGowan, Margaret M. The Vision of Rome in Late Renaissance France. New Haven, CT: Yale University Press, 2000.

  McCoubrey, John Walker. “Gros’ Battle of Eylau and Roman Imperial Art.” Art Bulletin 43, no. 2 (June 1961): 135–139.

  McKitterick, Rosamond, ed. Carolingian Culture: Emulation and Innovation. Cambridge, U.K.: Cambridge University Press, 1994.

  McLynn, Frank. Napoleon. New York: Arcade Publishing, 2002.

  Melchior-Bonnet, Bernardine. Napoléon et le Pape. Paris: Amiot Dumont, 1958.

  Melikian, Souren. “Behind the Borghese Collection.” New York Times, August 28, 2009. http://www.nytimes.com/2009/08/29/arts/29iht-melik29.html.

  Montanaro, Caroline Vincenti, and Andrea Fasolo. Palazzi and Villas of Rome. Verona, Italy: Arsenale Editrice, 2001.

  Montesquiou-Fezensac, Blaise de, and Danielle Gaborit-Chopin. Le Trésor de Saint-Denis, Vol. 3. Paris: Editions A. et J. Picard, 1973.

  Moon, Iris. The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France. New York: Routledge, 2017.

  Moon, Iris. “Athénienne, or Washstand.” Bard Research Forum, November 2016. https://www.bgc.bard.edu/research-forum/articles/98/athnienne-or-washstand.

  Moonan, Wendy. “Napoleonic Style, in All Its Imperial Self-Promotion.” New York Times, November 2, 2007. http://www.nytimes.com/2007/11/02/arts/design/02anti.html.

  Moore, Susan. “Canova’s lost portrait bust of Joachim Murat has come to light.” Apollo (November 12, 2017). https://www.apollo-magazine.com/canovas-portrait-bust-of-joachim-murat-has-come-to-light-at-last/amp/.

  Morel, Bernard. The French Crown Jewels: The Objects of the Coronations of the Kings and Queens of France. Antwerp, Belgium: Fonds Mercator, 1988.

  Morrissey, Robert. Charlemagne & France: A Thousand Years of Mythology. Translated by Catherine Tihanyi. Notre Dame, Ind.: University of Notre Dame Press, 2003.

  Morton, H. V. The Fountains of Rome. London: ‘The Connoisseur,’ Joseph, 1970.

  Munger, Jeffrey. “Sèvres Porcelain in the Nineteenth Century.” In Heilbrunn Timeline of Art History. New York: Metropolitan Museum of Art, 2000. http://www.metmuseum.org/toah/hd/sevr/hd_sevr.htm.

  Muratori-Philip, Anne. Arc de Triomphe. Paris: Editions du patrimoine, Centre des monuments nationaux, 2007.

  Musetti, Barbara. “Lorenzo Bartolini and the Banca Elisiana, or the ‘Sculpture Factory.’” In Lorenzo Bartolini: Beauty and Truth in Marble, edited by Franca Falletti, Silvestra Bietoletti, and Annarita Caputo, 147–151. Florence, Italy: Galleria dell’Accademia, 2011.

  Mutschlechner, Martin. “The double-headed eagle: the omnipresent emblem of the Habsburgs.” The World of the Habsburgs. http://www.habsburger.net/en/chapter/double-headed-eagle-omnipresent-emblem-habsburgs.

  Mutschlechner, Martin. “The Handover of the Bride.” The World of the Habsburgs. http://www.habsburger.net/en/chapter/handover-bride.

  Mutschlechner, Martin. “Marie Louise—A dutiful daughter sacrificed on the altar of political expediency.” The World of the Habsburgs. http://www.habsburger.net/en/chapter/handover-bride.

  Myssok, Johannes. “Modern Sculpture in the Making: Antonio Canova and the Plaster Casts.” In Plaster casts: making, collecting, and displaying from classical antiquity to the present, edited by Rune Frederiksen and Eckhart Marchand, 269–288. Berlin: Walter de Gruyter, 2010.

  “Napoleon becomes emperor—again.” Observer, April 1, 2017. https://www.theguardian.com/news/2017/apr/01/from-the-observer-archive-napoleon-becomes-emperor-again.

  “Napoleon’s Consecration and Coronation in Milan.” Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/timelines/napoleons-consecration-and-coronation-in-milan-26-may-1805/.

  “Napoleon Enters Moscow.” History.com, 2010. http://www.history.com/this-day-in-history/napoleon-enters-moscow.

  “Napoleon’s Library.” Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/images/napoleons-library/.

  “Napoleon and Paris: Dreams of a Capital.” Musée Carnavelet, April 8, 2015. http://www.carnavalet.paris.fr/sites/default/files/pk_napoleon_and_paris.pdf.

  “Napoleon I at Rambouillet.” Chateau Rambouillet. http://www.chateau-rambouillet.fr/en/Explore/Napoleon-I-at-Rambouillet.

  “Napoleon in Saint Helena: The Conquest of Memory.” Musée de l’Armee, Paris, 2016. http://www.musee-armee.fr/ExpoNapoleonSainteHelene/from-shadow-to-light.html.

  “Napoleon Was Here!” The National Library of Israel. http://napoleon.nli.org.il/eng/.

  Nelson, Janet. “Kingship and Empire in the Carolingian World.” In Carolingian Culture: Emulation and Innovation, edited by R. McKitterick, 52–87. Cambridge, U.K.: Cambridge University Press, 1994.

  Ng, Aimee. “Portrait Medals from the Scher Collection Come to the Frick.” The Frick Collection. http://www.frick.org/blogs/curatorial/portrait_medals_scher_collection.

  Ng, Aimee. The Pursuit of Immortality: Masterpieces from the Scher Collection of Portrait Medals. New York: The Frick Collection in association with D. Giles Limited, 2017.

  Nicassio, Susan Vandiver. Imperial City: Rome, Romans and Napoleon, 1796–1815. Welwyn Garden City, U.K.: Ravenhall Books, 2005.

  Nousek, Debra L. “Turning Points in Roman History: The Case of Caesar’s Elephant Denarius.” Phoenix 62, no. 3/4 (Fall–Winter 2008): 290–307.

  Nouvel-Kammerer, Odile. Symbols of Power: Napoleon and the Art of the Empire Style 1800–1815. New York: Abrams in association with the American Federation of Arts and Paris: Les Arts Décoratifs, 2007.

  Novillo, Miguel Angel, and Juan Luis Posadas. “Octavian: The Last Man Standing.” National Geographic History (July/August 2017): 62–73.

  Nowinski, Judith. Baron Dominique Vivant Denon. Cranbury, N.J.: Fairleigh Dickinson University Press, 1970.

  O’Brien, David. After the Revolution: Antoine-Jean Gros, Painting and Propaganda Under Napoleon. University Park: Pennsylvania State University Press, 2006.

  O’Brien, David. “Antoine-Jean Gros in Italy.” Burlington Magazine 137, no. 1111 (October 1995): 651–660.

  O’Brien, David, “Antonio Canova’s Napoleon as Mars the Peacemaker and the Limits of Imperial Portraiture.” French History 18, no. 4 (December 2004): 354–378.

  O’Dwyer, Margaret M. The Papacy in the Age of Napoleon and the Restoration. Lanham, Md., and London: University Press of America, 1985.

 
Oliver, Bette Wyn. From Royal to National: The Louvre Museum and the Bibliotheque Nationale. Lanham, Md.: Lexington Books, 2007.

  Olson, Roberta J. M. “Representations of Pope Pius VII: The First Risorgimento Hero.” Art Bulletin 68, no. 1 (March 1986): 77–93.

  Östenberg, Ida. “Grief and Glory: Triumphal Elements in the Roman Funeral Procession.” Paper presented at the Classical Association Conference, Edinburgh, April 6–9, 2016.

  Östenberg, Ida, Simon Malmberg, and Jonas Bjørnebye, eds. The Moving City: Processions, Passages and Promenades in Ancient Rome. London: Bloomsbury Academic, 2015.

  Östenberg, Ida. Staging the World: Spoils, Captives, and Representations in the Roman Triumphal Procession. Oxford, U.K., and New York: Oxford University Press, 2009.

  Ottomeyer, Hans. “The Empire Style: Ideals, Methods and Objectives.” In Empire Style: The Hôtel de Beauharnais in Paris, edited by Jörg Ebeling and Ulrich Leben, 69–76. Paris: Flammarion, 2016.

  Packard, David. Art of the Vatican Collections. http://yourmovechessarthist.blogspot.com/2013/05.

  Pacca, Bartolomeo. Historical Memoirs of Cardinal Pacca. Translated by Sir George Head. London: Longman, Brown, Green, and Longmans, 1850.

  Packer, James E. The Forum of Trajan in Rome: A Study of the Monuments in Brief. Berkeley: University of California Press, 2001.

  “Paolina Borghese e la storia della sua visita a Torino.” Mole 24, December 9, 2013. http://www.mole24.it/2013/12/09/paolina-borghese-visita-torino/.

  Papot, Emmanuelle. “Marie Louise of Austria.” Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/biographies/marie-louise-of-austria/.

  Parks, Tiffany. “The Borghese Gallery and the Fate of an Ill-gotten Collection,” Part 1. Tiffany-Parks.com, December 8, 2011. https://www.tiffany-parks.com/blog/2011/12/08/the-borghese-gallery-and-the-fate-of-an-ill-gotten-collection-part-1?rq=Borghese.

  Parr, Fiona. “The Death of Napoleon Bonaparte and the Retour des Cendres: French and British Perspectives.” Napoleon Foundation. https://www.napoleon.org/en/history-of-the-two-empires/articles/the-death-of-napoleon-bonaparte-and-the-retour-des-cendres-french-and-british-perspectives/.

 

‹ Prev