Green Mars

by Kim Stanley Robinson

  He had studied engineering, and afterward worked in the oil fields of Iran and Georgia, devising a number of innovations for extracting oil from extremely marginal shale. He had gotten a master’s degree from Tehran University while doing this work, and then had moved to California and joined a friend who was forming a company that made deep-sea diving equipment used in offshore oil drilling, an enterprise that was moving out into ever-deeper water as more accessible supplies were exhausted. Once again Art had invented a number of improvements in both diving gear and underwater drills, but a couple of years spent in compression chambers and on the continental shelf had been enough for him, and he had sold his shares to his partner and moved on again. In quick succession he had started a cold-environments habitat construction company, worked for a solar panel firm, and built rocket gantries. Each job had been fine, but as time passed he had found that what really interested him was not the technical problems but the human ones. He became more and more involved with project management, and then got into arbitration; he liked jumping into arguments and solving them to everyone’s satisfaction. It was engineering of a different kind, more engrossing and fulfilling than the mechanical stuff, and more difficult. Several of the compames he worked for in those years were part of transnationals, and he got embroiled in interface arbitration not only between his companies and others in the transnats, but also in more distant disputes requiring some kind of third-party arbitration. Social engineering, he called it, and found it fascinating.

  So when starting Dumpmines he had taken the technical directorship, and had done some good work on their SuperRathjes, the giant robot vehicles that did the extraction and sorting at the landfills; but more than ever before he involved himself in labor disputes and the like. This trend in his career had accelerated after the acquisition by Praxis. And on the days when work like that went well, he always went home knowing that he should have been a judge, or a diplomat. Yes—at heart he was a diplomat.

  Which made it embarrassing that he had not been able to negotiate a successful outcome to his own marriage. And no doubt the breakup was well known to Fort, or whoever had invited him to this seminar. It was even possible that they had bugged his old apartment, and heard the unhappy mess of his and Sharon’s final months together, which wouldn’t have been flattering to either of them. He cringed at the thought, still rubbing his rough jaw, and drifted toward the bathroom and turned on the portable water heater. The face in the mirror looked mildly stunned. Unshaven, fifty, separated, misemployed for most of his life, just beginning at his true calling—he was not the kind of person he imagined got taxes from William Fort.

  His wife or ex-wife-to-be called, and she was likewise incredulous. “It must be a mistake,” she said when Art told her about it.

  She had called about one of her camera lenses, now missing; she suspected that Art had taken it when he moved out. “I’ll-look for it,” Art said. He went over to the closet to look in his two suitcases, still packed. He knew the lens was not in them, but he rooted loudly through them both anyway. Sharon would know if he tried to fake it. While he searched she continued to talk over the phone, her voice echoing tinnily through the empty apartment. “It just shows how weird that Fort is. You’ll go to some Shangri-La and he’ll be using Kleenex boxes for shoes and talking Japanese, and you’ll be sorting his trash and learning to levitate and I’ll never see you again. Did you find it?”

  “No. It’s not here.” When they had separated they had divided their joint possessions: Sharon had taken their apartment, the entertainment center, the desktop array, the lectern, the cameras, the plants, the bed, and all the rest of the furniture; Art had taken the Teflon frying pan. Not one of his best arbitrations. But it meant he now had very few places to search for the lens.

  Sharon could malee a single sigh into a comprehensive accusation. “They’ll teach you Japanese, and well never see you again. What could William Fort want with you?”

  “Marriage counseling?” Art said.

  Many of the rumors about Fort’s seminars turned out to be true, which Art found amazing. At San Francisco International he got on a big powerful private jet with six other men and women, and after takeoff the jet’s windows, apparently double-polarized, went black, and the door to the cockpit was closed. Two of Art’s fellow passengers played at orienteering, and after the jet made several gentle banks left and right, they agreed that they were headed in some direction between southwest and north. The seven of them shared information: they were all technical managers or arbitrators from the vast network of Praxis companies. They had flown in to San Francisco from all over the world. Some seemed excited to be invited to meet the transnational’s reclusive founder; others were apprehensive.

  Their flight lasted six hours, and the orienteers spent the descent plotting the outermost limit of their location, a circle that encompassed Juneau, Hawaii, Mexico City, and Detroit, although it could have been larger, as Art pointed out, if they were in one of the new air-to-space jets; perhaps half the Earth or more. When the jet landed and stopped, they were led through a miniature jetway into a big van with blackened windows, and a windowless barrier between them and the driver’s seat. Their doors were locked from the outside.

  They were driven for half an hour. Then the van stopped and they were let out by their driver, an elderly man wearing shorts and a T-shirt advertising Bali.

  They blinked in the sunlight. They were not in Bali. They were in a small asphalt parking lot surrounded by eucalyptus trees, at the bottom of a narrow coastal valley. An ocean or very big lake lay to the west about a mile, just a small wedge of it in sight. A creek drained the valley, and ran into a lagoon behind a beach. The valley’s side walls were covered with dry grass on the south side, cactus on the north; the ridges above were dry brown rock. “Baja?” one of the orienteers guessed. “Ecuador? Australia?”

  “San Luis Obispo?” Art said.

  Their driver led them on foot down a narrow road to a small compound, composed of seven two-story wooden buildings, nestled among seacoast pines at the bottom of the valley. Two buildings by the creek were residences, and after they dropped their bags in assigned rooms in these buildings, the driver led them to a dining room in another building, where half a dozen kitchen workers, all quite elderly, fed them a simple meal of salad and stew. After that they were taken back to the residences, and left on their own.

  They gathered in a central chamber around a wood-burning stove. It was warm outside, and there was no fire in the stove.

  “Fort is a hundred and twelve,” the orienteer named Sam said. “And the treatments haven’t worked on his brain.”

  “They never do,” said Max, the other orienteer.

  They discussed Fort for a while. All of them had heard things, for William Fort was one of the great success stories in the history of medicine, their century’s Pasteur: the man who beat cancer, as the tabloids inaccurately put it. The man who beat the common cold. He had founded Praxis at age twenty-four, to market several breakthrough innovations in antivirals, and he had been a multi-billionaire by the time he was twenty-seven. After that he had occupied his time by expanding Praxis into one of the world’s biggest transnationals. Eighty continuous years of metastasizing, as Sam put it. While mutating personally into a kind of ultra-Howard Hughes, or so it was said, growing more and more powerful, until like a black hole he had disappeared completely inside the event horizon of his own power. “I just hope it doesn’t get too weird,” Max said.

  The others attendants—Sally, Amy, Elizabeth, and George—were more optimistic. But all of them were apprehensive at their peculiar welcome, or lack of one, and when no one came to visit them through the rest of that evening, they retired to their rooms looking concerned.

  Art slept well as always, and at dawn he woke to the low hoot of an owl. The creek burbled below his window. It was a gray dawn, the air filled with the fog that nourished the sea pines. A tocking sound came from somewhere in the compound.

  He d
ressed and went out. Everything was soaking wet. Down on narrow flat terraces below the buildings were rows of lettuce, and rows of apple trees so pruned and tied to frameworks that they were no more than fan-shaped bushes.

  Colors were seeping into things when Art came to the bottom of the little farm, over the lagoon. There a lawn lay spread like a carpet under a big old oak tree. Art walked over to the tree, feeling drawn to it. He touched its rough, fissured bark. Then he heard voices; coming up a path by the lagoon were a line of people, wearing black wetsuits and carrying surfboards, or long folded birdsuits. As they passed he recognized the faces of the previous night’s kitchen crew, and also their driver. The driver waved and continued up the path. Art walked down it to the lagoon. The low sound of waves mumbled through the salty air, and birds swam in the reeds.

  After a while Art went back up the trail, and in the compound’s dining room he found the elderly workers back in the kitchen, flipping pancakes. After Art and the rest of the guests had eaten, yesterday’s driver led them upstairs to a large meeting room. They sat on couches arranged in a square. Big picture windows in all four walls let in a lot of the morning’s gray light. The driver sat on a chair between two couches. “I’m William Fort,” he said. “I’m glad you’re all here.”

  He was, on closer inspection, a strange-looking old man; his face was lined as if by a hundred years of anxiety, but the expression it currently displayed was serene and detached. A chimp, Art thought, with a past in lab experimentation, now studying Zen. Or simply a very old surfer or hang-glider, weathered, bald, round-faced, snub-nosed. Now taking them in one by one. Sam and Max, who had ignored him as driver and cook, were looking uncomfortable, but he didn’t seem to notice. “One index,” he said, “for measuring how full the world is of humans and their activities, is the percent appropriation of the net product of land-based photosynthesis.”

  Sam and Max nodded as if this were the usual way to start a meeting.

  “Can I take notes?” Art asked.

  “Please,” Fort said. He gestured at the coffee table in the middle of the square of couches, which was covered with papers and lecterns. “I want to play some games later, so there’s lecterns and workpads, whatever you like.”

  Most of them had brought their own lecterns, and there was a short silent scramble as they got them out and running. While they were at it Fort stood up and began walking in a circle behind their couches, making a revolution every few sentences.

  “We now use about eighty percent of the net primary product of land-based photosynthesis,” he said. “One hundred percent is probably impossible to reach, and our long-range carrying capacity has been estimated to be thirty percent, so we are massively overshot, as they say. We have been liquidating our natural capital as if it were disposable income, and are nearing depletion of certain capital stocks, like oil, wood, soil, metals, fresh water, fish, and animals. This makes continued economic expansion difficult.”

  Difficult! Art wrote. Continued?

  “We have to continue,” Fort said, with a piercing glance at Art, who unobtrusively sheltered his lectern with his arm. “Continuous expansion is a fundamental tenet of economics. Therefore one of the fundamentals of the universe itself. Because everything is economics. Physics is cosmic economics, biology is cellular economics, the humanities are social economics, psychology is mental economics, and so on.”

  His listeners nodded unhappily.

  “So everything is expanding. But it can’t happen in contradiction to the law of conservation of matter-energy. No matter how efficient your throughput is, you can’t get an output larger than the input.”

  Art wrote on his note page, Output larger than input—everything economics—natural capital—Massively Overshot.

  “In response to this situation, a group here in Praxis has been working on what we call full-world economics.”

  “Shouldn’t that be overfull-world?” Art asked.

  Fort didn’t appear to hear him. “Now as Daly said, man-made capital and natural capital are not substitutable. This is obvious, but since most economists still say they are substitutable, it has to be insisted on. Put simply, you can’t substitute more sawmills for fewer forests. If you’re building a house you can juggle the number of power saws and carpenters, which means they’re substitutable, but you can’t build it with half the amount of lumber, no matter how many saws or carpenters you have. Try it and you have a house of air. And that’s where we live now.”

  Art shook his head and looked down at his lectern page, which he had filled again. Resources and capital nonsubstitutable—power saws/carpenters—house of air.

  “Excuse me?” Sam said. “Did you say natural capital?”

  Fort jerked, turned around to look at Sam. “Yes?”

  “I thought capital was by definition man-made. The produced means of production, we were taught to define it.”

  “Yes. But in a capitalist world, the word capital has taken on more and more uses. People talk about human capital, for instance, which is what labor accumulates through education and work experience. Human capital differs from the classic kind in that you can’t inherit it, and it can only be rented, not bought or sold.”

  “Unless you count slavery,” Art said.

  Fort’s forehead wrinkled. “This concept of natural capital actually resembles the traditional definition more than human capital. It can be owned and bequeathed, and divided into renewable and nonrenewable, marketed and nonmarketed.”

  “But if everything is capital of one sort or another,” Amy said, “you can see why people would think that one kind was substitutable for another kind. If you improve your man-made capital to use less natural capital, isn’t that a substitution?”

  Fort shook his head. “That’s efficiency. Capital is a quantity of input, and efficiency is a ratio of output to input. No matter how efficient capital is, it can’t make something out of nothing.”

  “New energy sources . . .” Max suggested.

  “But we can’t make soil out of electricity. Fusion power and self-replicating machinery have given us enormous amounts of power, but we have to have basic stocks to apply that power to. And that’s where we run into a limit for which there are no substitutions possible.”

  Fort stared at them all, still displaying that primate calm that Art had noted at the beginning. Art glanced at his lectern screen. Natural capital—human capital—traditional capital—energy vs. matter—electric soil—no substitutes please—He grimaced and clicked to a new page.

  Fort said, “Unfortunately, most economists are still working within the empty-world model of economics.”

  “The full-world model seems obvious,” Sally said. “It’s just common sense. Why would any economist ignore it?”

  Fort shrugged, made another silent circumnavigation of the room. Art’s neck was getting tired.

  “We understand the world through paradigms. The change from empty-world economics to full-world economics is a major paradigm shift. Max Planck once said that a new paradigm takes over not when it convinces its opponents, but when its opponents eventually die.”

  “And now they aren’t dying,” Art said.

  Fort nodded. “The treatments are keeping people around. And a lot of them have tenure.”

  Sally looked disgusted. “Then they’ll have to learn to change their minds, won’t they.”

  Fort stared at her. “We’ll try that right now. In theory at least. I want you to invent full-world economic strategies. It’s a game I play. If you plug your lecterns into the table, I can give you the starting data.”

  They all leaned forward and plugged into the table.

  The first game Fort wanted to play involved estimating maximum sustainable human populations. “Doesn’t that depend on assumptions about lifestyle?” Sam asked.

  “We’ll make a whole range of assumptions.”

  He wasn’t kidding. They went from scenarios in which Earth’s every acre of arable land was farmed with maximum efficien
cy, to scenarios involving a return to hunting and gathering; from universal conspicuous consumption, to universal subsistence diets. Their lecterns set the initial conditions and then they tapped away, looking bored or nervous or impatient or absorbed, using formulas provided by the table, or else supplying some of their own.

  It occupied them until lunch, and then all afternoon. Art enjoyed games, and he and Amy always finished well ahead of the others. Their results for a maximum sustainable population ranged from a hundred million (the “immortal tiger” model, as Fort called it) to thirty billion (the “ant farm” model).

  “That’s a big range,” Sam noted.

  Fort nodded, and eyed them patiently.

  “But if you look only at models with the most realistic conditions,” Art said, “you usually get between three and eight billion.”

  “And the current population is about twelve billion,” Fort said. “So, say we’re overshot. Now what do we do about that? We’ve got companies to run, after all. Business isn’t going to stop because there’s too many people. Full-world economics isn’t the end of economics, it’s just the end of business as usual. I want Praxis to be ahead of the curve on this. So. It’s low tide, and I’m going back out. You’re welcome to join me. Tomorrow we’ll play a game called Overfull.”

  With that he left the room, and they were on their own. They went back to their rooms, and then, as it was close to dinnertime, to the dining hall. Fort was not there, but several of his elderly associates from the night before were; and joining them tonight was a crowd of young men and women, all of them lean, bright-faced, healthy-looking. They looked like a track club or a swim team, and more than half were women. Sam’s and Max’s eyebrows shot up and down in a simple Morse code, spelling “Ah ha! Ah ha!” The young men and women ignored that and served them dinner, then returned to the kitchen. Art ate quickly, wondering if Sam and Max were correct in their suppositions. Then he took his plate into the kitchen and started to help at the dishwasher, and said to one of the young women, “What brings you here?”