Complete Works of Bram Stoker

by Bram Stoker

  As may be imagined, I was most anxious to see Miss Fothering, and or the remainder of the day she was constantly in my thoughts. That evening a letter came from the younger Miss Fothering apologising for her not being able to keep her promise with reference to her visit, on account of the unexpected arrival of her aunt, with whom she was obliged to go to Paris for some months. That night I slept in my new room, and had neither dream nor vision. I awoke in the morning half ashamed of having ever paid any attention to such a silly circumstance as a strange dream in my first night in an old house.

  After breakfast next morning, as I was going along the corridor, I saw the door of my old bedroom open, and went in to have another look at the portrait. Whilst I was looking at it I began to wonder how it could be that it was so like Miss Fothering as Mrs. Trevor said it was. The more I thought of this the more it puzzled me, till suddenly the dream came back-the face in the picture, and the figure in the bed, the phantoms out in the night, and the ominous words-”The fairest and the best.” As I thought of these things all the possibilities of the lost legends of the old house thronged so quickly into my mind that I began to feel a buzzing in my ears and my head began to swim, so that I was obliged to sit down.

  “Could it be possible,” I asked myself, “that some old curse hangs over the race that once dwelt within these walls, and can she be of that race? Such things have been before now!”

  The idea was a terrible one for me, for it made to me a reality that which I had come to look upon as merely the dream of a distempered imagination. If the thought had come to me in the darkness and stillness of the night it would have been awful. How happy I was that it had come by daylight, when the sun was shining brightly, and the air was cheerful with the trilling of the song birds, and the lively, strident cawing from the old rookery.

  I stayed in the room for some little time longer, thinking over the scene, and, as is natural, when I had got over the remnants of my fear, my reason began to question the genuineness-vraisemblance of the dream. I began to look for the internal evidence of the untruth to facts; but, after thinking earnestly for some time the only fact that seemed to me of any importance was the confirmatory one of the younger Miss Fothering’s apology. In the dream the frightened girl had been alone, and the mere fact of two girls coming on a visit had seemed a sort of disproof of its truth. But, just as if things were conspiring to force on the truth of the dream, one of the sisters was not to come, and the other was she who resembled the portrait whose prototype I had seen sleeping in a vision. I could hardly imagine that I had only dreamt.

  I determined to ask Mrs. Trevor if she could explain in any way Miss Fothering’s resemblance to the portrait, and so went at once to seek her.

  I found her in the large drawingroom alone, and, after a few casual remarks, I broached the subject on which I had come to seek for information. She had not said anything further to me about marrying since our conversation on the previous day, but when I mentioned Miss Fothering’s name I could see a glad look on her face which gave me great pleasure. She made none of those vulgar commonplace remarks which many women find it necessary to make when talking to a man about a girl for whom he is supposed to have an affection, but by her manner she put me entirely at my ease, as I sat fidgeting on the sofa, pulling purposelessly the woolly tufts of an antimacassar, painfully conscious that my cheeks were red, and my voice slightly forced and unnatural.

  She merely said, “Of course, Frank, I am ready if you want to talk about Miss Fothering, or any other subject.” She then put a marker in her book and laid it aside, and, folding her arms, looked at me with a grave, kind, expectant smile.

  I asked her if she knew anything about the family history of Miss Fothering. She answered-

  “Not further than I have already told you. Her father’s is a fine old family, although reduced in circumstances.”

  “Has it ever been connected with any family in this county? With the former owners of Scarp, for instance?”

  “Not that I know of. Why do you ask?”

  “I want to find out how she comes to be so like that portrait.”

  “I never thought of that. It may be that there was some remote connection between her family and the Kirks who formerly owned Scarp. I will ask her when she comes. Or stay. Let us go and look if there is any old book or tree in the library that will throw a light upon the subject. We have rather a good library now, Frank, for we have all our own books, and all those which belonged to the Scarp library also. They are in great disorder, for we have been waiting till you came to arrange them, for we knew that you delighted in such work.”

  “There is nothing I should enjoy more than arranging all these splendid books. What a magnificent library. It is almost a pity to keep it in a private house.”

  We proceeded to look for some of those old books of family history which are occasionally to be found in old county houses. The library of Scarp, I saw, was very valuable, and as we prosecuted our search I came across many splendid and rare volumes which I determined to examine at my leisure, for I had come to Scarp for a long visit.

  We searched first in the old folio shelves, and, after some few disappointments, found at length a large volume, magnificently printed and bound, which contained views and plans of the house, illuminations of the armorial bearings of the family of Kirk, and all the families with whom it was connected, and having the history of all these families carefully set forth. It was called on the title-page “The Book of Kirk,” and was full of anecdotes and legends, and contained a large stock of family tradition. As this was exactly the book which we required, we searched no further, but, having carefully dusted the volume, bore it to Mrs. Trevor’s boudoir where we could look over it quite undisturbed.

  On looking in the index, we found the name of Fothering mentioned, and on turning to the page specified, found the arms of Kirk quartered on those of Fothering. From the text we learned that one of the daughters of Kirk had, in the year 1573, married the brother of Fothering against the united wills of her father and brother, and that after a bitter feud of some ten or twelve years, the latter, then master of Scarp, had met the brother of Fothering in a duel and had killed him. Upon receiving the news Fothering had sworn a great oath to revenge his brother, invoking the most fearful curses upon himself and his race if he should fail to cut off the hand that had slain his brother, and to nail it over the gate of Fothering. The feud then became so bitter that Kirk seems to have gone quite mad on the subject. When he heard of Fothering’s oath he knew that he had but little chance of escape, since his enemy was his master at every weapon; so he determined upon a mode of revenge which, although costing him his own life, he fondly hoped would accomplish the eternal destruction of his brother-in-law through his violated oath. He sent Fothering a letter cursing him and his race, and praying for the consummation of his own curse invoked in case of failure. He concluded his missive by a prayer for the complete destruction, soul, mind, and body, of the first Fothering who should enter the gate of Scarp, who he hoped would be the fairest and best of the race. Having despatched this letter he cut off his right hand and threw it into the centre of a roaring fire, which he had made for the purpose. When it was entirely consumed he threw himself upon his sword, and so died.

  A cold shiver went through me when I read the words “fairest and best.” All my dream came back in a moment, and I seemed to hear in my ears again the echo of the fiendish laughter. I looked up at Mrs. Trevor, and saw that she had become very grave.Her face had a half-frightened look, as if some wild thought had struck her. I was more frightened than ever, for nothing increases our alarms so much as the sympathy of others with regard to them; however, I tried to conceal my fear. We sat silent for some minutes, and then Mrs. Trevor rose up saying:

  “Come with me, and let us look at the portrait.”

  I remember her saying the and not that portrait, as if some concealed thought of it had been occupying her mind. The same dread had assailed her from a coincidence as had
grown in me from a vision. Surely-surely I had good grounds for fear!

  We went to the bedroom and stood before the picture, which seemed to gaze upon us with an expression which reflected our own fears. My companion said to me in slightly excited tones: “Frank, lift down the picture till we see its back.” I did so, and we found written in strange old writing on the grimy canvas a name and a date, which, after a great deal of trouble, we made out to be “Margaret Kirk, 1572.” It was the name of the lady in the book.

  Mrs. Trevor turned round and faced me slowly, with a look of horror on her face.

  “Frank, I don’t like this at all. There is something very strange here.”

  I had it on my tongue to tell her my dream, but was ashamed to do so. Besides, I feared that it might frighten her too much, as she was already alarmed.

  I continued to look at the picture as a relief from my embarrassment, and was struck with the excessive griminess of the back in comparison to the freshness of the front. I mentioned my difficulty to my companion, who thought for a moment, and then suddenly said-

  “I see how it is. It has been turned with its face to the wall.”

  I said no word but hung up the picture again; and we went back to the boudoir.

  On the way I began to think that my fears were too wildly improbable to bear to be spoken about. It was so hard to believe in the horrors of darkness when the sunlight was falling brightly around me. The same idea seemed to have struck Mrs. Trevor, for she said, when we entered the room:

  “Frank, it strikes me that we are both rather silly to let our imaginations carry us away so. The story is merely a tradition, and we know how report distorts even the most innocent facts. It is true that the Fothering family was formerly connected with the Kirks, and that the picture is that of the Miss Kirk who married against her father’s will; it is likely that he quarrelled with her for so doing, and had her picture turned to the wall-a common trick of angry fathers at all times-but that is all. There can be nothing beyond that. Let us not think any more upon the subject, as it is one likely to lead us into absurdities. However, the picture is a really beautiful one-independent of its being such a likeness of Diana, and I will have it placed in the dining-room.”

  The change was effected that afternoon, but she did not again allude to the subject. She appeared, when talking to me, to be a little constrained in manner-a very unusual thing with her, and seemed to fear that I would renew the forbidden topic. I think that she did not wish to let her imagination lead her astray, and was distrustful of herself. However, the feeling of constraint wore off before night-but she did not renew the subject.

  I slept well that night, without dreams of any kind; and next morning-the third to-morrow promised in the dream-when I came down to breakfast, I was told that I would see Miss Fothering before that evening.

  I could not help blushing, and stammered out some commonplace remark, and then glancing up, feeling very sheepish, I saw my hostess looking at me with her kindly smile intensified. She said:

  “Do you know, Frank, I felt quite frightened yesterday when we were looking at the picture; but I have been thinking the matter over since, and have come to the conclusion that my folly was perfectly unfounded. I am sure you agree with me. In fact, I look now upon our fright as a good joke, and will tell it to Diana when she arrives.”

  Once again I was about to tell my dream; but again was restrained by shame. I knew, of course, that Mrs. Trevor would not laugh at me or even think little of me for my fears, for she was too well-bred, and kind-hearted, and sympathetic to do anything of the kind, and, besides, the fear was one which we had shared in common.

  But how could I confess my fright at what might appear to others to be a ridiculous dream, when she had conquered the fear that had been common to us both, and which had arisen from a really strange conjuncture of facts. She appeared to look on the matter so lightly that I could not do otherwise. And I did it honestly for the time.

  CHAPTER III. THE THIRD TO-MORROW

  In the afternoon I was out in the garden lying in the shadow of an immense beech, when I saw Mrs. Trevor approaching. I had been reading Shelley’s “Stanzas Written in Dejection,” and my heart was full of melancholy and a vague yearning after human sympathy. I had thought of Mrs. Trevor’s love for me, but even that did not seem sufficient. I wanted the love of some one more nearly of my own level, some equal spirit, for I looked on her, of course, as I would have regarded my mother. Somehow my thoughts kept returning to Miss Fothering till I could almost see her before me in my memory of the portrait. I had begun to ask myself the question: “Are you in love?” when I heard the voice of my hostess as she drew near.

  “Ha! Frank, I thought I would find you here. I want you to come to my boudoir.”

  “What for?” I inquired, as I rose from the grass and picked up my volume of Shelley.

  “Di has come ever so long ago; and I want to introduce you and have a chat before dinner,” said she, as we went towards the house.

  “But won’t you let me change my dress? I am not in correct costume for the afternoon.”

  I felt somewhat afraid of the unknown beauty when the introduction was imminent. Perhaps it was because I had come to believe too firmly in Mrs. Trevor’s prediction.

  “Nonsense, Frank, just as if any woman worth thinking about cares how a man is dressed.”

  We entered the boudoir and found a young lady seated by a window that overlooked the croquet-ground. She turned round as we came in, so Mrs. Trevor introduced us, and we were soon engaged in a lively conversation. I observed her, as may be supposed, with more than curiosity, and shortly found that she was worth looking at. She was very beautiful, and her beauty lay not only in her features but in her expression. At first her appearance did not seem to me so perfect as it afterwards did, on account of her wonderful resemblance to the portrait with whose beauty I was already acquainted. But it was not long before I came to experience the difference between the portrait and the reality. No matter how well it may be painted a picture falls far short of its prototype. There is something in a real face which cannot exist on canvas-some difference far greater than that contained in the contrast between the one expression, however beautiful of the picture, and the moving features and varying expression of the reality. There is something living and lovable in a real face that no art can represent.

  When we had been talking for a while in the usual conventional style, Mrs. Trevor said, “Di, my love, I want to tell you of a discovery Frank and I have made. You must know that I always call Mr. Stanford, Frank-he is more like my own son than my friend, and that I am very fond of him.”

  She then put her arms round Miss Fothering’s waist, as they sat on the sofa together, and kissed her, and then, turning towards me, said, “I don’t approve of kissing girls in the presence of gentlemen, but you know that Frank is not supposed to be here. This is my sanctum, and who invades it must take the consequences. But I must tell you about the discovery.”

  She then proceeded to tell the legend, and about her finding the name of Margaret Kirk on the back of the picture.

  Miss Fothering laughed gleefully as she heard the story, and then said, suddenly,

  “Oh, I had forgotten to tell you, dear Mrs. Trevor, that I had such a fright the other day. I thought I was going to be prevented coming here. Aunt Deborah came to us last week for a few days, and when she heard that I was about to go on a visit to Scarp she seemed quite frightened, and went straight off to papa and asked him to forbid me to go. Papa asked her why she made the request, so she told a long family legend about any of us coming to Scarp-just the same story that you have been telling me. She said she was sure that some misfortune would happen if I came; so you see that the tradition exists in our branch of the family too. Oh, you can’t fancy the scene there was between papa and Aunt Deborah. I must laugh whenever I think of it, although I did not laugh then, for I was greatly afraid that aunty would prevent me coming. Papa got very grave, and aunty thought she h
ad carried her point when he said, in his dear, old, pompous manner,

  “‘Deborah, Diana has promised to pay Mrs. Trevor, of Scarp, a visit, and, of course, must keep her engagement. And if it were for no other reason than the one you have just alleged, I would strain a point of convenience to have her go to Scarp. I have always educated my children in such a manner that they ought not to be influenced by such vain superstitions; and with my will their practice shall never be at variance with the precepts which I have instilled into them.’

  “Poor aunty was quite overcome. She seemed almost speechless for a time at the thought that her wishes had been neglected, for you know that Aunt Deborah’s wishes are commands to all our family.”

  Mrs. Trevor said-

  “I hope Mrs. Howard was not offended?”

  “Oh, no. Papa talked to her seriously, and at length-with a great deal of difficulty I must say-succeeded in convincing her that her fears were groundless-at least, he forced her to confess that such things as she was afraid of could not be.”

  I thought of the couplet-

  “A man convinced against his will Is of the same opinion still,” but said nothing.

  Miss Fothering finished her story by saying-

  “Aunty ended by hoping that I might enjoy myself, which I am sure, my dear Mrs. Trevor, that I will do.”

  “I hope you will, my love.”

  I had been struck during the above conversation by the mention of Mrs. Howard. I was trying to think of where I had heard the name, Deborah Howard, when suddenly it all came back to me. Mrs. Howard had been Miss Fothering, and was an old friend of my mother’s. It was thus that I had been accustomed to her name when I was a child. I remembered now that once she had brought a nice little girl, almost a baby, with her to visit. The child was her niece, and it was thus that I now accounted for my half-recollection of the name and the circumstance on the first night of my arrival at Scarp. The thought of my dream here recalled me to Mrs. Trevor’s object in bringing Miss Fothering to her boudoir, so I said to the latter-