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Wonder of Wonders: A Cultural History of Fiddler on the Roof

Page 51

by Alisa Solomon


  Mestel, Yankev. Undzer teatr. New York: YCUF, 1943.

  Millstein, Gilbert. “Fiorello! and Harnick: The Latter’s Lyrics Bite Like La Guardia, but Bark Much Less.” New York Times, December 27, 1959, SM18.

  Mirisch, Walter. I Thought We Were Making Movies, Not History. Madison: University of Wisconsin Press, 2009.

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  Nahshon, Edna. From the Ghetto to the Melting Pot: Israel Zangwill’s Jewish Plays. Detroit, MI: Wayne State University Press, 2006.

  ______. Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925–1940. Westport, CT: Greenwood Press, 1998.

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  Perl, Arnold. “The Empty Noose.” Hollywood Quarterly 2:2 (January 1947): 145–52.

  ______. Tevya and His Daughters. New York: Dramatists Play Service, 1958.

  ______. “To Secure These Rights.” Hollywood Quarterly 3:3 (April 1948): 267–77.

  ______. The World of Sholem Aleichem. New York: Dramatists Play Service, 1953.

  Pilbrow, Richard. A Theatre Project: An Autobiographical Story. With David Collison. New York: PLASA Media, 2011, digital edition.

  Piro, Richard. Black Fiddler. New York: William Morrow, 1971.

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  Popkin, Henry. “The Vanishing Jew of Our Popular Culture.” Commentary 14:1 (July 1952): 46–55.

  Prideaux, Tom. American Musicals: Bock and Harnick. Notes to Time-Life Records, 4TL-AM14, Alexandria, VA, 1982.

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  Rich, Frank, and Lisa Aronson. The Theater Art of Boris Aronson. New York: Alfred A. Knopf, 1987.

  Rieder, Jonathan. Canarsie: The Jews and Italians of Brooklyn against Liberalism. Cambridge, MA: Harvard University Press, 1985.

  Rosenfeld, Lulla Adler. Bright Star of Exile: Jacob Adler and the Yiddish Theatre. New York: Thomas Y. Crowell Company, 1977.

  Rosenthal, Jean. The Magic of Light. New York: Little, Brown, 1972.

  Rosenthal, Steven T. Irreconcilable Differences?: The Waning of the American Jewish Love Affair with Israel. Brandeis Series in American Jewish History, Culture and Life. Hanover, NH: Brandeis University Press, 2001.

  Roskies, David. Against the Apocalypse: Responses to Catastrophe in Modern Jewish Culture. Cambridge, MA: Harvard University Press, 1984.

  ______. Bridge of Longing: The Lost Art of Yiddish Storytelling. Cambridge, MA: Harvard University Press, 1996.

  ______. The Jewish Search for a Usable Past. Bloomington: Indiana University Press, 1999.

  ______. “Sholem Aleichem: Mythologist of the Mundane.” AJS Review 13:1/2 (Autumn 1988): 27–46.

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  Sachar, Howard M. A History of Israel: From the Rise of Zionism to Our Time. New York: Alfred A. Knopf, 1989.

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  Samuel, Maurice. Blood Accusation: The Strange History of the Beiliss Case. New York: Alfred A. Knopf, 1966.

  ______. The Gentleman and the Jew. New York: Alfred A. Knopf, 1950.

  ______. I, the Jew. New York: Harcourt Brace, 1927.

  ______. Little Did I Know. New York: Alfred A. Knopf, 1963.

  ______. Prince of the Ghetto. New York: Alfred A. Knopf, 1948.

  ______. The World of Sholom Aleichem. New York: Alfred A. Knopf, 1945.

  ______. The Worlds of Maurice Samuel: Selected Writings. Edited by Milton Hindus. Philadelphia: Jewish Publication Society of America, 1977.

  Sandrow, Nahma. Vagabond Stars: A World History of Yiddish Theater. New York: Harper and Row, 1977.

  Sarna, Jonathan D., ed. The American Jewish Experience. 2nd ed. New York: Holmes and Meier, 1997.

  Schoener, Allon, ed. Harlem on My Mind: Cultural Capital of Black America, 1900–1968. New York: Random House, 1968.

  Schulman, Elihu. “Sholem-aleykhems stzenisher debyut in amerike.” Yivo bleter 4 (August–December 1923): 419–31.

  Schwartz, Maurice. “Is New York Ready for a New Yiddish Theater?” Forverts, March 2, 1918 (translated by Adrienne Cooper and Jenny Romaine).

  Sefer-zikaron li-khehilot shts’uts’in, vasilishki, ostrin, novidvor, roz’anke / ha-‘orekh, l. losh. Rozhanka section (in Yiddish) edited by Avraham Lis. Tel Aviv: Hotsa’ah meshutefet shel yots’e ha-kehilot ha-n.l. be-yiśra’el, 1966. Rozhanka portion translated into English as “Community of Rozhanka” by William Cohen for jewishgen.org, http://www.jewishgen.org/yizkor/szczuczyn-belarus/szc435.html.

  Segel, Harold B. Stranger in Our Midst: Images of the Jew in Polish Literature. Ithaca, NY: Cornell University Press, 1996.

  Segev, Tom. 1967: Israel, the War, and the Year That Transformed the Middle East. Translated by Jessica Cohen. New York: Metropolitan Books, 2007.

  ______. The Seventh Million: The Israelis and the Holocaust. Translated by Haim Watzman. New York: Hill and Wang, 1993.

  Shandler, Jeffrey. Jews, God and Videotape: Religion and Media in America. New York: New York University Press, 2009.

  ______. “Reading Sholem Aleichem from Left to Right.” In Deborah Dash Moore, ed., YIVO Annual 20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 305–32.

  ______. “‘The Time of Vishniac’: Photographs of Pre-War East European Jewry in Post-War Contexts.” In Michael Steinlauf and Anthony Polansky, eds., Polin: Studies in Polish Jewry, vol. 16 (Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003), 313–33.

  ______. Wh
ile America Watches: Televising the Holocaust. New York: Oxford University Press, 2000.

  Shapiro, Edward S. The Jewish People in America. Vol. 5: A Time for Healing: American Jewry since World War II. Baltimore: Johns Hopkins University Press, 1992.

  Shmeruk, Khone. “Sholem Aleichem and America.” In Deborah Dash Moore, ed., YIVO Annual 20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 211–38.

  Shohat, Ella. Israeli Cinema: East/West and the Politics of Representation. Austin: University of Texas Press, 1989.

  Sholem-Aleichem. The Bloody Hoax. Translated by Aliza Sherrin. Bloomington: Indiana University Press, 1991.

  ______. Briv fun sholem-aleichem 1879–1916 . Tel Aviv: Y. L. Perets farlag, 1995.

  ______. Funem yarid. Warsaw: Yidishbukh, 1966; National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, No. 10435.

  ______. Gantz tevye der milkhiker, ale verk fun sholem-aleykhem 8. New York: Sholem-aleykhem foksfond oysgabe, 1925.

  ______. The Great Fair: Scenes from My Childhood. Translated by Tamara Kahana. New York: Noonday Press, 1955.

  ______. It’s Hard to Be a Jew. Translated by Mark Schweid, in Sholem Aleichem Panorama, ed. Melech Grafstein. London, ON: Jewish Observer, 1948.

  ______. The Old Country. Translated by Frances and Julius Butwin. New York: Crown, 1946.

  ______. Oysgeveylte briv. Edited by I. Mitlman and Khatski Nadel. Moscow: 1941.

  ______. Stempenyu. The play script used by Thomashefsky can be found in the Boris Thomashefsky papers at YIVO: a handwritten bound notebook titled Yidishe tekhter oder Stempenyu, transcribed February 3, 1907.

  ______. Stempenyu: A Jewish Romance. Translated by Hannah Berman. Hoboken, NJ: Melville House, 2007.

  ______. Tevye der milkhiker: A drame. In Ale verk fun sholem-aleykhem, xxv: 167–235. New York: Sholem-aleykem folksfont oysgabe, 1923.

  ______. Tevye the Dairyman and Motl the Cantor’s Son. Translated by Aliza Shevrin. New York: Penguin classics, 2009.

  ______. Tevye the Milkman and the Railroad Stories. Translated by Hillel Halkin. New York: Schocken Books, 1987. All quotations from the Tevye stories come from this volume.

  ______. Tevye’s Daughters. Translated by Frances Butwin. New York: Crown, 1949.

  ______. Tsezeyt un tseshpreyt, ale verk fun sholem-aleykehm. Vol. 4: Dramatishe shriftn. New York: Sholem-aleykhem foksfond oysgabe, 1925.

  ______. Wandering Stars. Translated by Aliza Shevrin. New York: Viking, 2009.

  ______. Di yudishe folks-bibliotek: A bukh fir literatur, kritik un vissenshaft. Kiev: Sholem-Aleichem, 1888; National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, No. 02379.

  Silver, M. M. Our Exodus: Leon Uris and the Americanization of Israel’s Founding Story. Detroit, MI: Wayne State University Press, 2010.

  Simonson, Robert. The Gentleman Press Agent: Fifty Years in the Theatrical Trenches with Merle Debuskey. New York: Applause Theatre and Cinema Books, 2010.

  Sklare, Marshall. Jewish Identity on the Suburban Frontier: A Study of Group Survival in the Open Society. New York: Basic Books, 1967.

  ______. Observing America’s Jews. Edited and with a foreword by Jonathan D. Sarna. Hanover, NH: Brandeis University Press, 1993.

  Sleeper, Jim. Closest of Strangers: Liberalism and the Politics of Race in New York. New York: Norton, 1990.

  Sorin, Gerald. The Jewish People in America, Vol. 3: A Time for Building: The Third Migration, 1880–1920. Baltimore and London: Johns Hopkins University Press, 1992.

  Sponberg, Arvid F. Broadway Talks: What Professionals Think about Commercial Theater in America. Westport, CT: Greenwood Press, 1991.

  Staub, Michael E., ed. The Jewish 1960s: An American Sourcebook. Lebanon, NH: Brandeis University Press, 2004.

  Stein, Joseph. Juno. New York: Samuel French, 1959.

  Stein, Joseph, Jerry Bock, and Sheldon Harnick. Fiddler on the Roof. New York: Limelight Editions, 2002. Tenth printing. Originally published by Crown, 1964. Music and lyrics © Sunbeam Music Corp.

  Stein, Joseph, and Will Glickman, with lyrics by Arnold B. Horwitt and music by Albert Hague. Plain and Fancy. New York: Random House, 1955.

  Steinlauf, Michael. Bondage to the Dead: Poland and the Memory of the Holocaust. Syracuse, NY: Syracuse University Press, 1996.

  ______. “Jewish Theater in Poland.” In Michael Steinlauf and Anthony Polansky, eds., Polin: Studies in Polish Jewry, vol. 16 (Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003), 71–91.

  Steinlauf, Michael, and Antony Polansky, eds. Polin: Studies in Polish Jewry. Vol. 16: Focusing on Jewish Popular Culture in Poland and Its Afterlife. Oxford, UK, and Portland, OR: Littman Library of Jewish Civilization, 2003.

  Swain, Joseph B. The Broadway Musical: A Critical and Musical Survey. New York: Oxford University Press, 1990.

  Szajnik, Grzegorz. Stosunki polsko—ukrainsko—zydowskie w miescie I gminie Dynow. Dubiecko: Przedsiebiorstwo Budowlano, 2008. (“Polish, Ukrainian, Jewish Communities in the Municipality of Dynów”). Unpublished translation: Ursula Kudelski.

  Taylor, Clarence. Knocking at Our Own Door: Milton A. Galamison and the Struggle to Integrate New York City Schools. Lanham, MD: Rowman and Littlefield, 2001.

  Thissen, Judith. “Reconsidering the Decline of the New York Yiddish Theatre in the Early 1900s.” Theatre Survey 44:2 (November 2003): 173–97.

  Thomashefsky, Boris. Mayn lebens geshikhte. New York: Trio Press, 1937.

  Tokarska-Bakir, Joanna. “Sandomierz Blood-Libel Myths: Final Report 2006.” Unpublished manuscript kindly shared by the author.

  Topol. Topol by Topol. London: Weidenfeld and Nicolson, 1981.

  Uris, Leon. Exodus. Garden City, NY: Doubleday, 1958.

  Urofsky, Melvin I. American Zionism from Herzl to the Holocaust. Lincoln: University of Nebraska Press, Bison Book Edition, 1995; previously published Garden City, NY: Anchor Press/Doubleday, 1975.

  Vaill, Amanda. Somewhere: The Life of Jerome Robbins. New York: Broadway Books, 2006.

  Veidlinger, Jeffrey. The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage. Bloomington: Indiana University Press, 2000.

  Vishniac, Roman. Di farshvundene velt—The Vanished World. Edited by Raphael Abramovitch. New York: Forward Association, 1947.

  ______. Polish Jews: A Pictorial Record. New York: Schocken Books, 1988; originally published 1947.

  Waife-Goldberg, Marie. My Father, Sholom Aleichem. New York: Simon and Schuster, 1968.

  Warnke, Nina. “Immigrant Popular Culture as Contested Sphere: Yiddish Music Halls, the Yiddish Press, and the Processes of Americanization, 1900–1910.” Theatre Journal 48:3 (1996): 321–35.

  ______. “Of Plays and Politics: Sholem Aleichem’s First Visit to America.” In Deborah Dash Moore, ed., YIVO Annual 20 (Evanston, IL: Northwestern University Press and the YIVO Institute for Jewish Research, 1991), 239–76.

  Wasserstein, Bernard. Vanishing Diaspora: The Jews in Europe since 1945. Cambridge, MA: Harvard University Press, 1996.

  Weidman, Jerome, George Abbott, Jerry Bock, and Sheldon Harnick. Fiorello! New York: Random House, 1960.

  Weitzner, Jacob. Sholem Aleichem in the Theater. Madison, NJ: Fairleigh Dickinson University Press, 1994.

  Wenig, Larry. From Nazi Inferno to Soviet Hell. Hoboken, NJ: Ktav Publishing House, 2000. Memoir, beginning in Dynów.

  Whitfield, Stephen J. The Culture of the Cold War. Baltimore: Johns Hopkins University Press, 1991, 1996.

  Wishengrad, Morton. The Eternal Light: Twenty-Six Radio Plays. New York: Crown, 1947.

  Wisse, Ruth. The Modern Jewish Canon: A Journey through Language and Culture. Chicago: University of Chicago Press, 2000.

  Wolitz, Seth L. “The Americanization of Tevye, or Boarding the Jewish Mayflower.” American Quarterly 40:4 (1988): 514–36.

  YIVO Institute for Jewish Research. “Sholem Aleichem in America: The Story of a Culture Her
o.” Catalog for exhibition at YIVO, May 17, 1990–March 15, 1991. My thanks to curator Jeffrey Shandler for sharing source materials from this catalog with me.

  Zangwill, Israel. The Melting Pot. New York: Macmillan, 1914.

  Zborowski, Mark, and Elizabeth Herzog. Life Is with People: The Culture of the Shtetl. New York: Schocken Books, 1995; originally published by International Universities Press in 1952.

  Zipperstein, Steven J. Imagining Russian Jewry: Memory, History, Identity. Seattle: University of Washington Press, 1999.

  ______. “Underground Man: The Curious Case of Mark Zborowski and the Writing of a Modern Jewish Classic.” Jewish Review of Books, no. 2 (Summer 2010): 38–42.

  Zylbercweig, Zalmen. Leksikon fun yidishn teatr. 6 volumes, published over the period 1931 to 1969 in New York, Mexico, and Warsaw. National Yiddish Book Center electronic edition, Steven Spielberg Digital Yiddish Library, numbers 01089 to 01094.

  Most of the material on Sholem-Aleichem can be found in volume 4: 3309 to 3578. This extraordinary compendium of biographical material, plot summaries, production descriptions, and quotations from reviews has been rendered user-friendly by the librarian Faith Jones, who indexed it at the Dorot Jewish Division at the New York Public Library.

  ______. Yidisher kunst-teatr in amerike. At the time of his death in 1972, Zylbercweig was working on a book about Maurice Schwartz’s Yiddish Art Theater and on a seventh volume of the Leksikon fun yidishn teatr. The latter, including a 371-page section on Schwartz, covering the Yiddish Art Theater from 1918 to 1924, was in galleys that were never published, until, that is, 2011, when Steve Lasky of the Museum of Family History digitized and posted it online at http://www.museu moffamilyhistory.com/yt/yata.htm.

  ARCHIVAL AUDIO/VIDEO

  Jerry Bock collection of audiovisual recordings. *L (Special) 03-01. Rodgers and Hammerstein Archive, New York Public Library.

  Jerry Bock and Sheldon Harnick Dialogue. Videotaped by the New York Public Library’s Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts, New York, NY, May 12, 1975.

  Fiddler on the Roof. Videotape of performance starring Zero Mostel. 1976. TOFT. Thank you to the Jerome Robbins Trust for permission to view it.

 

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